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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #947B50 it is the complementary color #6B84AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #947B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #947B50 shade: #997B4B, #AA8D5E, #BB9F71, #CCB184 and #DDC397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #947B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #947B50 shade: #947B50, #83693D, #72572A, #614517 and #503304

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #947B50 shade: #957B50, #956950, #955650 and #955050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #947B50 shade: #957B50, #958E50, #899550, #769550 and #649550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #947B50 shade matches the following richer shades: #957B50, #A7803D, #BA852B, #CC8A18 and #DF8F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #947B50 shade: #957B50, #827662, #707275, #5D6D88 and #4A689A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #947B50 shade: #955650, #956850, #957A50, #958D50 and #8A9550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #947B50 shade: #5F4F33, #7A6541, #957B50, #AB9063 and #B9A37E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #947B50 shade: #947B50, #5C9550 and #5F5095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #947B50 shade: #947B50, #50957A and #7A5095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #947B50 shade: #947B50, #5C9550, #506A95 and #885095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #947B50 shade: #947B50, #509558, #506A95 and #95508D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

Complementary color

CMYK 39 / 25 / 0 / 31

HEX #6B84AF

RGB 107 132 175

HSL 217.94, 0.3%, 0.55%

LAB 54.79, 2.13, -25.57

 

CMYK 0 / 20 / 51 / 40

HEX #997B4B

RGB 153 123 75

HSL 36.92, 0.34%, 0.45%

LAB 53.43, 5.32, 30.5

 

CMYK 0 / 17 / 45 / 33

HEX #AA8D5E

RGB 170 141 94

HSL 37.11, 0.31%, 0.52%

LAB 60.25, 4.51, 29.13

 

CMYK 0 / 15 / 40 / 27

HEX #BB9F71

RGB 187 159 113

HSL 37.3, 0.35%, 0.59%

LAB 66.94, 3.83, 27.84

 

CMYK 0 / 13 / 35 / 20

HEX #CCB184

RGB 204 177 132

HSL 37.5, 0.41%, 0.66%

LAB 73.51, 3.26, 26.64

 

CMYK 0 / 12 / 32 / 13

HEX #DDC397

RGB 221 195 151

HSL 37.71, 0.51%, 0.73%

LAB 79.97, 2.77, 25.51

 

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

CMYK 0 / 20 / 53 / 49

HEX #83693D

RGB 131 105 61

HSL 37.71, 0.36%, 0.38%

LAB 46, 4.5, 28.49

 

CMYK 0 / 24 / 63 / 55

HEX #72572A

RGB 114 87 42

HSL 37.5, 0.46%, 0.31%

LAB 38.83, 5.58, 29.98

 

CMYK 0 / 29 / 76 / 62

HEX #614517

RGB 97 69 23

HSL 37.3, 0.62%, 0.24%

LAB 31.48, 7.01, 31.35

 

CMYK 0 / 36 / 95 / 69

HEX #503304

RGB 80 51 4

HSL 37.11, 0.9%, 0.16%

LAB 23.94, 8.91, 31.77

 

CMYK 0 / 17 / 46 / 42

HEX #957B50

RGB 149 123 80

HSL 37.39, 0.3%, 0.45%

LAB 53.1, 4.08, 27.23

 

CMYK 0 / 30 / 46 / 42

HEX #956950

RGB 149 105 80

HSL 21.74, 0.3%, 0.45%

LAB 48.35, 14.44, 21.05

 

CMYK 0 / 42 / 46 / 42

HEX #955650

RGB 149 86 80

HSL 5.22, 0.3%, 0.45%

LAB 43.69, 25.37, 14.79

 

CMYK 0 / 46 / 46 / 42

HEX #955050

RGB 149 80 80

HSL 0, 0.3%, 0.45%

LAB 42.32, 28.74, 12.91

 

CMYK 0 / 17 / 46 / 42

HEX #957B50

RGB 149 123 80

HSL 37.39, 0.3%, 0.45%

LAB 53.1, 4.08, 27.23

 

CMYK 0 / 5 / 46 / 42

HEX #958E50

RGB 149 142 80

HSL 53.91, 0.3%, 0.45%

LAB 58.33, -6.52, 33.82

 

CMYK 8 / 0 / 46 / 42

HEX #899550

RGB 137 149 80

HSL 70.43, 0.3%, 0.45%

LAB 59.34, -15.37, 34.83

 

CMYK 21 / 0 / 46 / 42

HEX #769550

RGB 118 149 80

HSL 86.96, 0.3%, 0.45%

LAB 57.97, -23.09, 32.83

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 0 / 17 / 46 / 42

HEX #957B50

RGB 149 123 80

HSL 37.39, 0.3%, 0.45%

LAB 53.1, 4.08, 27.23

 

CMYK 0 / 23 / 63 / 35

HEX #A7803D

RGB 167 128 61

HSL 37.92, 0.46%, 0.45%

LAB 56.08, 7.52, 41.37

 

CMYK 0 / 28 / 77 / 27

HEX #BA852B

RGB 186 133 43

HSL 37.76, 0.62%, 0.45%

LAB 59.33, 12.18, 53.61

 

CMYK 0 / 32 / 88 / 20

HEX #CC8A18

RGB 204 138 24

HSL 38, 0.79%, 0.45%

LAB 62.58, 16.79, 63.56

 

CMYK 0 / 36 / 97 / 13

HEX #DF8F06

RGB 223 143 6

HSL 37.88, 0.95%, 0.45%

LAB 66.02, 22.07, 70.41

 

CMYK 0 / 17 / 46 / 42

HEX #957B50

RGB 149 123 80

HSL 37.39, 0.3%, 0.45%

LAB 53.1, 4.08, 27.23

 

CMYK 0 / 9 / 25 / 49

HEX #827662

RGB 130 118 98

HSL 37.5, 0.14%, 0.45%

LAB 50.2, 1.21, 12.71

 

CMYK 4 / 3 / 0 / 54

HEX #707275

RGB 112 114 117

HSL 216, 0.02%, 0.45%

LAB 47.96, -0.13, -1.93

 

CMYK 32 / 20 / 0 / 47

HEX #5D6D88

RGB 93 109 136

HSL 217.67, 0.19%, 0.45%

LAB 45.69, 0.8, -16.81

 

CMYK 52 / 32 / 0 / 40

HEX #4A689A

RGB 74 104 154

HSL 217.5, 0.35%, 0.45%

LAB 43.78, 3.87, -30.58

 

CMYK 0 / 42 / 46 / 42

HEX #955650

RGB 149 86 80

HSL 5.22, 0.3%, 0.45%

LAB 43.69, 25.37, 14.79

 

CMYK 0 / 30 / 46 / 42

HEX #956850

RGB 149 104 80

HSL 20.87, 0.3%, 0.45%

LAB 48.1, 15.01, 20.71

 

CMYK 0 / 18 / 46 / 42

HEX #957A50

RGB 149 122 80

HSL 36.52, 0.3%, 0.45%

LAB 52.83, 4.65, 26.88

 

CMYK 0 / 5 / 46 / 42

HEX #958D50

RGB 149 141 80

HSL 53.04, 0.3%, 0.45%

LAB 58.05, -5.97, 33.47

 

CMYK 7 / 0 / 46 / 42

HEX #8A9550

RGB 138 149 80

HSL 69.57, 0.3%, 0.45%

LAB 59.41, -14.95, 34.95

 

CMYK 0 / 17 / 46 / 63

HEX #5F4F33

RGB 95 79 51

HSL 38.18, 0.3%, 0.29%

LAB 34.53, 2.36, 19.01

 

CMYK 0 / 17 / 47 / 52

HEX #7A6541

RGB 122 101 65

HSL 37.89, 0.3%, 0.37%

LAB 43.98, 3.19, 23.49

 

CMYK 0 / 17 / 46 / 42

HEX #957B50

RGB 149 123 80

HSL 37.39, 0.3%, 0.45%

LAB 53.1, 4.08, 27.23

 

CMYK 0 / 16 / 42 / 33

HEX #AB9063

RGB 171 144 99

HSL 37.5, 0.3%, 0.53%

LAB 61.23, 3.82, 27.67

 

CMYK 0 / 12 / 32 / 27

HEX #B9A37E

RGB 185 163 126

HSL 37.63, 0.3%, 0.61%

LAB 68.03, 2.45, 22.2

 

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

CMYK 38 / 0 / 46 / 42

HEX #5C9550

RGB 92 149 80

HSL 109.57, 0.3%, 0.45%

LAB 56.44, -32.69, 30.59

 

CMYK 36 / 46 / 0 / 42

HEX #5F5095

RGB 95 80 149

HSL 253.04, 0.3%, 0.45%

LAB 38.45, 23.02, -35.9

 

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

CMYK 46 / 0 / 18 / 42

HEX #50957A

RGB 80 149 122

HSL 156.52, 0.3%, 0.45%

LAB 56.69, -28.5, 7.55

 

CMYK 18 / 46 / 0 / 42

HEX #7A5095

RGB 122 80 149

HSL 276.52, 0.3%, 0.45%

LAB 41.29, 30.97, -31.22

 

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

CMYK 38 / 0 / 46 / 42

HEX #5C9550

RGB 92 149 80

HSL 109.57, 0.3%, 0.45%

LAB 56.44, -32.69, 30.59

 

CMYK 46 / 29 / 0 / 42

HEX #506A95

RGB 80 106 149

HSL 217.39, 0.3%, 0.45%

LAB 44.49, 2.59, -26.47

 

CMYK 9 / 46 / 0 / 42

HEX #885095

RGB 136 80 149

HSL 288.7, 0.3%, 0.45%

LAB 42.98, 35.28, -28.46

 

CMYK 0 / 17 / 46 / 42

HEX #947B50

RGB 148 123 80

HSL 37.94, 0.3%, 0.45%

LAB 52.99, 3.65, 27.07

 

CMYK 46 / 0 / 41 / 42

HEX #509558

RGB 80 149 88

HSL 126.96, 0.3%, 0.45%

LAB 55.99, -35.29, 25.61

 

CMYK 46 / 29 / 0 / 42

HEX #506A95

RGB 80 106 149

HSL 217.39, 0.3%, 0.45%

LAB 44.49, 2.59, -26.47

 

CMYK 0 / 46 / 5 / 42

HEX #95508D

RGB 149 80 141

HSL 306.96, 0.3%, 0.45%

LAB 44.3, 37.81, -21.45

 

Description

Color code: HEX #947B50 | qconv.com Color code: HEX #947B50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 123 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 123 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 46 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 46% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - yura-ri(ユラリ) – ハンドメイ...
Link: http://yura-ri.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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