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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948046 it is the complementary color #6B7FB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948046. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948046 shade: #998041, #AA9254, #BBA467, #CCB67A and #DDC88D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948046. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948046 shade: #948046, #836E33, #725C20, #614A0D and #503800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948046 shade: #958046, #956B46, #955646 and #954646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948046 shade: #958046, #949546, #7E9546, #699546 and #549546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948046 shade matches the following richer shades: #958046, #A68934, #B89222 and #CA9A10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948046 shade: #958046, #837857, #716F69, #5F667B and #4E5E8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948046 shade: #955546, #956B46, #958046, #959546 and #809546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948046 shade: #5D502B, #796838, #958046, #AF9855 and #BCA971

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948046 shade: #948046, #4B9546 and #604695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948046 shade: #948046, #469580 and #804695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948046 shade: #948046, #4B9546, #465B95 and #8F4695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948046 shade: #948046, #469558, #465B95 and #954682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

Complementary color

CMYK 42 / 31 / 0 / 27

HEX #6B7FB9

RGB 107 127 185

HSL 224.62, 0.36%, 0.57%

LAB 53.82, 7.93, -32.81

 

CMYK 0 / 16 / 58 / 40

HEX #998041

RGB 153 128 65

HSL 42.95, 0.4%, 0.43%

LAB 54.65, 1.58, 37.31

 

CMYK 0 / 14 / 51 / 33

HEX #AA9254

RGB 170 146 84

HSL 43.26, 0.34%, 0.5%

LAB 61.43, 0.73, 35.97

 

CMYK 0 / 12 / 45 / 27

HEX #BBA467

RGB 187 164 103

HSL 43.57, 0.38%, 0.57%

LAB 68.09, 0.03, 34.66

 

CMYK 0 / 11 / 40 / 20

HEX #CCB67A

RGB 204 182 122

HSL 43.9, 0.45%, 0.64%

LAB 74.63, -0.56, 33.41

 

CMYK 0 / 10 / 36 / 13

HEX #DDC88D

RGB 221 200 141

HSL 44.25, 0.54%, 0.71%

LAB 81.07, -1.06, 32.22

 

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

CMYK 0 / 16 / 61 / 49

HEX #836E33

RGB 131 110 51

HSL 44.25, 0.44%, 0.36%

LAB 47.26, 0.71, 35.39

 

CMYK 0 / 19 / 72 / 55

HEX #725C20

RGB 114 92 32

HSL 43.9, 0.56%, 0.29%

LAB 40.14, 1.88, 36.57

 

CMYK 0 / 24 / 87 / 62

HEX #614A0D

RGB 97 74 13

HSL 43.57, 0.76%, 0.22%

LAB 32.85, 3.43, 37.04

 

CMYK 0 / 30 / 100 / 69

HEX #503800

RGB 80 56 0

HSL 42, 1%, 0.16%

LAB 25.36, 5.53, 34.77

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 0 / 28 / 53 / 42

HEX #956B46

RGB 149 107 70

HSL 28.1, 0.36%, 0.43%

LAB 48.69, 12.25, 27.24

 

CMYK 0 / 42 / 53 / 42

HEX #955646

RGB 149 86 70

HSL 12.15, 0.36%, 0.43%

LAB 43.49, 24.34, 20.54

 

CMYK 0 / 53 / 53 / 42

HEX #954646

RGB 149 70 70

HSL 0, 0.36%, 0.43%

LAB 39.94, 33.18, 15.82

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 1 / 0 / 53 / 42

HEX #949546

RGB 148 149 70

HSL 60.76, 0.36%, 0.43%

LAB 60.1, -11.69, 41.04

 

CMYK 15 / 0 / 53 / 42

HEX #7E9546

RGB 126 149 70

HSL 77.47, 0.36%, 0.43%

LAB 58.39, -21, 38.61

 

CMYK 30 / 0 / 53 / 42

HEX #699546

RGB 105 149 70

HSL 93.42, 0.36%, 0.43%

LAB 57.02, -29.32, 36.64

 

CMYK 44 / 0 / 53 / 42

HEX #549546

RGB 84 149 70

HSL 109.37, 0.36%, 0.43%

LAB 55.91, -36.73, 35.04

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 0 / 17 / 69 / 35

HEX #A68934

RGB 166 137 52

HSL 44.74, 0.52%, 0.43%

LAB 58.27, 1.47, 48

 

CMYK 0 / 21 / 82 / 28

HEX #B89222

RGB 184 146 34

HSL 44.8, 0.69%, 0.43%

LAB 62.39, 3.8, 59.6

 

CMYK 0 / 24 / 92 / 21

HEX #CA9A10

RGB 202 154 16

HSL 44.52, 0.85%, 0.43%

LAB 66.29, 7.07, 68.03

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 0 / 8 / 34 / 49

HEX #837857

RGB 131 120 87

HSL 45, 0.2%, 0.43%

LAB 50.62, -1.13, 19.69

 

CMYK 0 / 2 / 7 / 56

HEX #716F69

RGB 113 111 105

HSL 45, 0.04%, 0.43%

LAB 46.84, -0.41, 3.61

 

CMYK 23 / 17 / 0 / 52

HEX #5F667B

RGB 95 102 123

HSL 225, 0.13%, 0.43%

LAB 43.31, 2.27, -12.62

 

CMYK 45 / 33 / 0 / 45

HEX #4E5E8D

RGB 78 94 141

HSL 224.76, 0.29%, 0.43%

LAB 40.49, 7.01, -27.94

 

CMYK 0 / 43 / 53 / 42

HEX #955546

RGB 149 85 70

HSL 11.39, 0.36%, 0.43%

LAB 43.25, 24.91, 20.24

 

CMYK 0 / 28 / 53 / 42

HEX #956B46

RGB 149 107 70

HSL 28.1, 0.36%, 0.43%

LAB 48.69, 12.25, 27.24

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 0 / 0 / 53 / 42

HEX #959546

RGB 149 149 70

HSL 60, 0.36%, 0.43%

LAB 60.18, -11.26, 41.16

 

CMYK 14 / 0 / 53 / 42

HEX #809546

RGB 128 149 70

HSL 75.95, 0.36%, 0.43%

LAB 58.53, -20.17, 38.81

 

CMYK 0 / 14 / 54 / 64

HEX #5D502B

RGB 93 80 43

HSL 44.4, 0.37%, 0.27%

LAB 34.48, -0.11, 23.66

 

CMYK 0 / 14 / 54 / 53

HEX #796838

RGB 121 104 56

HSL 44.31, 0.37%, 0.35%

LAB 44.59, 0.03, 29.31

 

CMYK 0 / 14 / 53 / 42

HEX #958046

RGB 149 128 70

HSL 44.05, 0.36%, 0.43%

LAB 54.31, 0.25, 34.19

 

CMYK 0 / 13 / 51 / 31

HEX #AF9855

RGB 175 152 85

HSL 44.67, 0.36%, 0.51%

LAB 63.53, -0.31, 38.12

 

CMYK 0 / 10 / 40 / 26

HEX #BCA971

RGB 188 169 113

HSL 44.8, 0.36%, 0.59%

LAB 69.65, -1.15, 31.4

 

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

CMYK 50 / 0 / 53 / 42

HEX #4B9546

RGB 75 149 70

HSL 116.2, 0.36%, 0.43%

LAB 55.52, -39.54, 34.47

 

CMYK 36 / 53 / 0 / 42

HEX #604695

RGB 96 70 149

HSL 259.75, 0.36%, 0.43%

LAB 36.06, 29.48, -39.7

 

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

CMYK 53 / 0 / 14 / 42

HEX #469580

RGB 70 149 128

HSL 164.05, 0.36%, 0.43%

LAB 56.44, -29.6, 3.72

 

CMYK 14 / 53 / 0 / 42

HEX #804695

RGB 128 70 149

HSL 284.05, 0.36%, 0.43%

LAB 39.81, 38.44, -33.49

 

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

CMYK 50 / 0 / 53 / 42

HEX #4B9546

RGB 75 149 70

HSL 116.2, 0.36%, 0.43%

LAB 55.52, -39.54, 34.47

 

CMYK 53 / 39 / 0 / 42

HEX #465B95

RGB 70 91 149

HSL 224.05, 0.36%, 0.43%

LAB 39.5, 9.43, -34.35

 

CMYK 4 / 53 / 0 / 42

HEX #8F4695

RGB 143 70 149

HSL 295.44, 0.36%, 0.43%

LAB 41.83, 42.8, -30.19

 

CMYK 0 / 14 / 53 / 42

HEX #948046

RGB 148 128 70

HSL 44.62, 0.36%, 0.43%

LAB 54.21, -0.19, 34.05

 

CMYK 53 / 0 / 41 / 42

HEX #469558

RGB 70 149 88

HSL 133.67, 0.36%, 0.43%

LAB 55.59, -38.15, 25

 

CMYK 53 / 39 / 0 / 42

HEX #465B95

RGB 70 91 149

HSL 224.05, 0.36%, 0.43%

LAB 39.5, 9.43, -34.35

 

CMYK 0 / 53 / 13 / 42

HEX #954682

RGB 149 70 130

HSL 314.43, 0.36%, 0.43%

LAB 41.82, 41.15, -18.61

 

Description

Color code: HEX #948046 | qconv.com Color code: HEX #948046 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 128 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 128 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 53 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 53% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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