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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9481D4 it is the complementary color #6B7E2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9481D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9481D4 shade: #9981CF, #AA93E2, #BBA5F5, #CCB7FF and #DDC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9481D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9481D4 shade: #9481D4, #836FC1, #725DAE, #614B9B and #503988

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9481D4 shade: #9481D4, #AA81D4, #C081D4, #D481D0 and #D481BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9481D4 shade: #9481D4 and #8181D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9481D4 shade matches the following richer shades: #9481D4, #8D74E1, #8566EF and #7E58FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9481D4 shade: #9481D4, #9B8FC6, #A39CB8, #AAAAAB and #B2B89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9481D4 shade: #819BD4, #8185D4, #9381D4, #A981D4 and #BF81D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9481D4 shade: #6044BF, #7A62C9, #9481D4, #AEA0DE and #C8BFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9481D4 shade: #9481D4, #D481B1 and #90D481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9481D4 shade: #9481D4, #D49381 and #81D493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9481D4 shade: #9481D4, #D481B1, #C2D481 and #81D4A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9481D4 shade: #9481D4, #D48198, #C2D481 and #81D4BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

Complementary color

CMYK 15 / 0 / 66 / 51

HEX #6B7E2B

RGB 107 126 43

HSL 73.73, 0.49%, 0.33%

LAB 49.76, -19.66, 41.45

 

CMYK 26 / 38 / 0 / 19

HEX #9981CF

RGB 153 129 207

HSL 258.46, 0.45%, 0.66%

LAB 58.95, 25.66, -37.02

 

CMYK 25 / 35 / 0 / 11

HEX #AA93E2

RGB 170 147 226

HSL 257.47, 0.58%, 0.73%

LAB 65.67, 24.94, -37.01

 

CMYK 24 / 33 / 0 / 4

HEX #BBA5F5

RGB 187 165 245

HSL 256.5, 0.8%, 0.8%

LAB 72.27, 24.29, -37.04

 

CMYK 20 / 28 / 0 / 0

HEX #CCB7FF

RGB 204 183 255

HSL 257.5, 1%, 0.86%

LAB 78.42, 21.67, -32.82

 

CMYK 13 / 21 / 0 / 0

HEX #DDC9FF

RGB 221 201 255

HSL 262.22, 1%, 0.89%

LAB 84.16, 17.14, -23.91

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 32 / 42 / 0 / 24

HEX #836FC1

RGB 131 111 193

HSL 254.63, 0.4%, 0.6%

LAB 51.89, 26.33, -40.3

 

CMYK 34 / 47 / 0 / 32

HEX #725DAE

RGB 114 93 174

HSL 255.56, 0.33%, 0.52%

LAB 44.89, 27.28, -40.45

 

CMYK 37 / 52 / 0 / 39

HEX #614B9B

RGB 97 75 155

HSL 256.5, 0.35%, 0.45%

LAB 37.73, 28.37, -40.64

 

CMYK 41 / 58 / 0 / 47

HEX #503988

RGB 80 57 136

HSL 257.47, 0.41%, 0.38%

LAB 30.42, 29.6, -40.85

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 20 / 39 / 0 / 17

HEX #AA81D4

RGB 170 129 212

HSL 269.64, 0.49%, 0.67%

LAB 60.78, 31.85, -36.85

 

CMYK 9 / 39 / 0 / 17

HEX #C081D4

RGB 192 129 212

HSL 285.54, 0.49%, 0.67%

LAB 63.06, 38.45, -33.13

 

CMYK 0 / 39 / 2 / 17

HEX #D481D0

RGB 212 129 208

HSL 302.89, 0.49%, 0.67%

LAB 65.16, 43.83, -27.46

 

CMYK 0 / 39 / 12 / 17

HEX #D481BA

RGB 212 129 186

HSL 318.8, 0.49%, 0.67%

LAB 64.36, 40.03, -16.33

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 39 / 39 / 0 / 17

HEX #8181D4

RGB 129 129 212

HSL 240, 0.49%, 0.67%

LAB 57.19, 20.29, -42.74

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 37 / 48 / 0 / 12

HEX #8D74E1

RGB 141 116 225

HSL 253.76, 0.64%, 0.67%

LAB 55.67, 34.57, -52.39

 

CMYK 44 / 57 / 0 / 6

HEX #8566EF

RGB 133 102 239

HSL 253.58, 0.81%, 0.67%

LAB 52.64, 44.57, -65.14

 

CMYK 50 / 65 / 0 / 1

HEX #7E58FC

RGB 126 88 252

HSL 253.9, 0.96%, 0.67%

LAB 50.03, 54.55, -76.66

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 22 / 28 / 0 / 22

HEX #9B8FC6

RGB 155 143 198

HSL 253.09, 0.33%, 0.67%

LAB 62.25, 16.04, -26.83

 

CMYK 11 / 15 / 0 / 28

HEX #A39CB8

RGB 163 156 184

HSL 255, 0.16%, 0.67%

LAB 65.77, 8.12, -13.56

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 3 / 0 / 15 / 28

HEX #B2B89D

RGB 178 184 157

HSL 73.33, 0.16%, 0.67%

LAB 73.66, -6.89, 13.02

 

CMYK 39 / 27 / 0 / 17

HEX #819BD4

RGB 129 155 212

HSL 221.2, 0.49%, 0.67%

LAB 64.05, 5.16, -32.02

 

CMYK 39 / 37 / 0 / 17

HEX #8185D4

RGB 129 133 212

HSL 237.11, 0.49%, 0.67%

LAB 58.22, 17.93, -41.12

 

CMYK 31 / 39 / 0 / 17

HEX #9381D4

RGB 147 129 212

HSL 253.01, 0.49%, 0.67%

LAB 58.66, 25.2, -40.34

 

CMYK 20 / 39 / 0 / 17

HEX #A981D4

RGB 169 129 212

HSL 268.92, 0.49%, 0.67%

LAB 60.68, 31.55, -37.02

 

CMYK 10 / 39 / 0 / 17

HEX #BF81D4

RGB 191 129 212

HSL 284.82, 0.49%, 0.67%

LAB 62.95, 38.15, -33.31

 

CMYK 50 / 64 / 0 / 25

HEX #6044BF

RGB 96 68 191

HSL 253.66, 0.49%, 0.51%

LAB 38.52, 42.76, -60.75

 

CMYK 39 / 51 / 0 / 21

HEX #7A62C9

RGB 122 98 201

HSL 253.98, 0.49%, 0.59%

LAB 48.37, 33.82, -50.53

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 22 / 28 / 0 / 13

HEX #AEA0DE

RGB 174 160 222

HSL 253.55, 0.48%, 0.75%

LAB 69.05, 17.87, -29.55

 

CMYK 14 / 18 / 0 / 9

HEX #C8BFE9

RGB 200 191 233

HSL 252.86, 0.49%, 0.83%

LAB 79.28, 11.33, -19.71

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 0 / 39 / 17 / 17

HEX #D481B1

RGB 212 129 177

HSL 325.3, 0.49%, 0.67%

LAB 64.06, 38.58, -11.69

 

CMYK 32 / 0 / 39 / 17

HEX #90D481

RGB 144 212 129

HSL 109.16, 0.49%, 0.67%

LAB 78.81, -37.1, 34.42

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 0 / 31 / 39 / 17

HEX #D49381

RGB 212 147 129

HSL 13.01, 0.49%, 0.67%

LAB 66.86, 22.3, 19.4

 

CMYK 39 / 0 / 31 / 17

HEX #81D493

RGB 129 212 147

HSL 133.01, 0.49%, 0.67%

LAB 78.38, -38.91, 24.42

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 0 / 39 / 17 / 17

HEX #D481B1

RGB 212 129 177

HSL 325.3, 0.49%, 0.67%

LAB 64.06, 38.58, -11.69

 

CMYK 8 / 0 / 39 / 17

HEX #C2D481

RGB 194 212 129

HSL 73.01, 0.49%, 0.67%

LAB 81.91, -19.08, 39.03

 

CMYK 39 / 0 / 23 / 17

HEX #81D4A3

RGB 129 212 163

HSL 144.58, 0.49%, 0.67%

LAB 78.69, -35.96, 16.43

 

CMYK 30 / 39 / 0 / 17

HEX #9481D4

RGB 148 129 212

HSL 253.73, 0.49%, 0.67%

LAB 58.74, 25.48, -40.2

 

CMYK 0 / 39 / 28 / 17

HEX #D48198

RGB 212 129 152

HSL 343.37, 0.49%, 0.67%

LAB 63.31, 34.9, 1.42

 

CMYK 8 / 0 / 39 / 17

HEX #C2D481

RGB 194 212 129

HSL 73.01, 0.49%, 0.67%

LAB 81.91, -19.08, 39.03

 

CMYK 39 / 0 / 11 / 17

HEX #81D4BC

RGB 129 212 188

HSL 162.65, 0.49%, 0.67%

LAB 79.26, -30.76, 3.94

 

Description

Color code: HEX #9481D4 | qconv.com Color code: HEX #9481D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 129 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 129 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 39 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 39% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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