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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948227 it is the complementary color #6B7DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948227 shade: #998222, #AA9435, #BBA648, #CCB85B and #DDCA6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948227 shade: #948227, #837014, #725E01, #614C00 and #503A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948227 shade: #958227, #956527, #954727, #952A27 and #952727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948227 shade: #958227, #899527, #6C9527, #4E9527 and #319527

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948227 shade matches the following richer shades: #958227, #A48D18 and #B39709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948227 shade: #958227, #857836, #766E46, #676455 and #585A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948227 shade: #954827, #956527, #958227, #8A9527 and #6C9527

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948227 shade: #534916, #74661E, #958227, #B59F30 and #CCB542

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948227 shade: #948227, #27952B and #572795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948227 shade: #948227, #279582 and #822795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948227 shade: #948227, #27952B, #273995 and #952791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948227 shade: #948227, #27954C, #273995 and #952770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

Complementary color

CMYK 50 / 42 / 0 / 15

HEX #6B7DD8

RGB 107 125 216

HSL 230.09, 0.58%, 0.63%

LAB 54.81, 18.47, -48.86

 

CMYK 0 / 15 / 78 / 40

HEX #998222

RGB 153 130 34

HSL 48.4, 0.64%, 0.37%

LAB 54.92, -1.48, 51.64

 

CMYK 0 / 13 / 69 / 33

HEX #AA9435

RGB 170 148 53

HSL 48.72, 0.52%, 0.44%

LAB 61.64, -2.71, 51.19

 

CMYK 0 / 11 / 61 / 27

HEX #BBA648

RGB 187 166 72

HSL 49.04, 0.46%, 0.51%

LAB 68.24, -3.72, 50.26

 

CMYK 0 / 10 / 55 / 20

HEX #CCB85B

RGB 204 184 91

HSL 49.38, 0.53%, 0.58%

LAB 74.75, -4.56, 49.14

 

CMYK 0 / 9 / 50 / 13

HEX #DDCA6E

RGB 221 202 110

HSL 49.73, 0.62%, 0.65%

LAB 81.15, -5.26, 47.94

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 0 / 15 / 85 / 49

HEX #837014

RGB 131 112 20

HSL 49.73, 0.74%, 0.3%

LAB 47.58, -2.17, 48.98

 

CMYK 0 / 18 / 99 / 55

HEX #725E01

RGB 114 94 1

HSL 49.38, 0.98%, 0.23%

LAB 40.55, -0.47, 47.63

 

CMYK 0 / 22 / 100 / 62

HEX #614C00

RGB 97 76 0

HSL 47.01, 1%, 0.19%

LAB 33.37, 1.78, 41.99

 

CMYK 0 / 28 / 100 / 69

HEX #503A00

RGB 80 58 0

HSL 43.5, 1%, 0.16%

LAB 25.96, 4.24, 35.32

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 0 / 32 / 74 / 42

HEX #956527

RGB 149 101 39

HSL 33.82, 0.59%, 0.37%

LAB 46.77, 13.43, 41.41

 

CMYK 0 / 52 / 74 / 42

HEX #954727

RGB 149 71 39

HSL 17.45, 0.59%, 0.37%

LAB 39.65, 30.41, 33.85

 

CMYK 0 / 72 / 74 / 42

HEX #952A27

RGB 149 42 39

HSL 1.64, 0.59%, 0.37%

LAB 34.38, 44.29, 27.94

 

CMYK 0 / 74 / 74 / 42

HEX #952727

RGB 149 39 39

HSL 0, 0.59%, 0.37%

LAB 33.96, 45.46, 27.45

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 8 / 0 / 74 / 42

HEX #899527

RGB 137 149 39

HSL 66.55, 0.59%, 0.37%

LAB 58.94, -18.68, 53.12

 

CMYK 28 / 0 / 74 / 42

HEX #6C9527

RGB 108 149 39

HSL 82.36, 0.59%, 0.37%

LAB 56.91, -30.91, 50.45

 

CMYK 48 / 0 / 74 / 42

HEX #4E9527

RGB 78 149 39

HSL 98.73, 0.59%, 0.37%

LAB 55.34, -41.85, 48.37

 

CMYK 67 / 0 / 74 / 42

HEX #319527

RGB 49 149 39

HSL 114.55, 0.59%, 0.37%

LAB 54.34, -49.73, 47.03

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 0 / 14 / 85 / 36

HEX #A48D18

RGB 164 141 24

HSL 50.14, 0.74%, 0.37%

LAB 58.98, -2.84, 58.83

 

CMYK 0 / 16 / 95 / 30

HEX #B39709

RGB 179 151 9

HSL 50.12, 0.9%, 0.37%

LAB 63.12, -1.74, 65.68

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 0 / 10 / 59 / 48

HEX #857836

RGB 133 120 54

HSL 50.13, 0.42%, 0.37%

LAB 50.32, -3.83, 37.41

 

CMYK 0 / 7 / 41 / 54

HEX #766E46

RGB 118 110 70

HSL 50, 0.26%, 0.37%

LAB 46.24, -3.26, 23.44

 

CMYK 0 / 3 / 17 / 60

HEX #676455

RGB 103 100 85

HSL 50, 0.1%, 0.37%

LAB 42.24, -1.66, 8.94

 

CMYK 12 / 10 / 0 / 61

HEX #585A64

RGB 88 90 100

HSL 230, 0.06%, 0.37%

LAB 38.39, 1.46, -6.01

 

CMYK 0 / 52 / 74 / 42

HEX #954827

RGB 149 72 39

HSL 18, 0.59%, 0.37%

LAB 39.87, 29.86, 34.09

 

CMYK 0 / 32 / 74 / 42

HEX #956527

RGB 149 101 39

HSL 33.82, 0.59%, 0.37%

LAB 46.77, 13.43, 41.41

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 7 / 0 / 74 / 42

HEX #8A9527

RGB 138 149 39

HSL 66, 0.59%, 0.37%

LAB 59.02, -18.24, 53.22

 

CMYK 28 / 0 / 74 / 42

HEX #6C9527

RGB 108 149 39

HSL 82.36, 0.59%, 0.37%

LAB 56.91, -30.91, 50.45

 

CMYK 0 / 12 / 73 / 67

HEX #534916

RGB 83 73 22

HSL 50.16, 0.58%, 0.21%

LAB 31.02, -2.57, 30.86

 

CMYK 0 / 12 / 74 / 55

HEX #74661E

RGB 116 102 30

HSL 50.23, 0.59%, 0.29%

LAB 43.23, -3.15, 40.68

 

CMYK 0 / 13 / 74 / 42

HEX #958227

RGB 149 130 39

HSL 49.64, 0.59%, 0.37%

LAB 54.55, -3.08, 49.23

 

CMYK 0 / 12 / 73 / 29

HEX #B59F30

RGB 181 159 48

HSL 50.08, 0.58%, 0.45%

LAB 65.62, -4.01, 57.54

 

CMYK 0 / 11 / 68 / 20

HEX #CCB542

RGB 204 181 66

HSL 50, 0.58%, 0.53%

LAB 73.73, -4.68, 59.21

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 74 / 0 / 71 / 42

HEX #27952B

RGB 39 149 43

HSL 122.18, 0.59%, 0.37%

LAB 54.13, -51.33, 45.16

 

CMYK 42 / 74 / 0 / 42

HEX #572795

RGB 87 39 149

HSL 266.18, 0.59%, 0.37%

LAB 28.5, 44.85, -51.94

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 74 / 0 / 13 / 42

HEX #279582

RGB 39 149 130

HSL 169.64, 0.59%, 0.37%

LAB 55.62, -34.88, 1.28

 

CMYK 13 / 74 / 0 / 42

HEX #822795

RGB 130 39 149

HSL 289.64, 0.59%, 0.37%

LAB 34.74, 53.64, -41.56

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 74 / 0 / 71 / 42

HEX #27952B

RGB 39 149 43

HSL 122.18, 0.59%, 0.37%

LAB 54.13, -51.33, 45.16

 

CMYK 74 / 62 / 0 / 42

HEX #273995

RGB 39 57 149

HSL 230.18, 0.59%, 0.37%

LAB 28.19, 26.11, -52.63

 

CMYK 0 / 74 / 3 / 42

HEX #952791

RGB 149 39 145

HSL 302.18, 0.59%, 0.37%

LAB 37.64, 57.17, -34.31

 

CMYK 0 / 12 / 74 / 42

HEX #948227

RGB 148 130 39

HSL 50.09, 0.58%, 0.37%

LAB 54.46, -3.54, 49.1

 

CMYK 74 / 0 / 49 / 42

HEX #27954C

RGB 39 149 76

HSL 140.18, 0.59%, 0.37%

LAB 54.5, -47, 29.86

 

CMYK 74 / 62 / 0 / 42

HEX #273995

RGB 39 57 149

HSL 230.18, 0.59%, 0.37%

LAB 28.19, 26.11, -52.63

 

CMYK 0 / 74 / 25 / 42

HEX #952770

RGB 149 39 112

HSL 320.18, 0.59%, 0.37%

LAB 36, 52.18, -16.36

 

Description

Color code: HEX #948227 | qconv.com Color code: HEX #948227 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 130 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 130 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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