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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948C55 it is the complementary color #6B73AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948C55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948C55 shade: #998C50, #AA9E63, #BBB076, #CCC289 and #DDD49C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948C55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948C55 shade: #948C55, #837A42, #72682F, #61561C and #504409

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948C55 shade: #948C55, #947B55, #946A55, #945955 and #945555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948C55 shade: #948C55, #8B9455, #7A9455, #699455 and #589455

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948C55 shade matches the following richer shades: #948C55, #A79B42, #BAA92F, #CDB71C and #E0C509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948C55 shade: #948C55, #817E68, #6F707B, #5C628E and #4954A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948C55 shade: #946A55, #947B55, #948C55, #8C9455 and #7B9455

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948C55 shade: #605B37, #7A7446, #948C55, #A9A16A and #B8B184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948C55 shade: #948C55, #559459 and #735594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948C55 shade: #948C55, #55948C and #8C5594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948C55 shade: #948C55, #559459, #555E94 and #945590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948C55 shade: #948C55, #55946C, #555E94 and #94557D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

Complementary color

CMYK 37 / 32 / 0 / 33

HEX #6B73AA

RGB 107 115 170

HSL 232.38, 0.27%, 0.54%

LAB 49.85, 10.83, -30.35

 

CMYK 0 / 8 / 48 / 40

HEX #998C50

RGB 153 140 80

HSL 49.32, 0.31%, 0.46%

LAB 58.14, -3.7, 33.66

 

CMYK 0 / 7 / 42 / 33

HEX #AA9E63

RGB 170 158 99

HSL 49.86, 0.29%, 0.53%

LAB 64.88, -4.25, 32.37

 

CMYK 0 / 6 / 37 / 27

HEX #BBB076

RGB 187 176 118

HSL 50.43, 0.34%, 0.6%

LAB 71.5, -4.71, 31.15

 

CMYK 0 / 5 / 33 / 20

HEX #CCC289

RGB 204 194 137

HSL 51.04, 0.4%, 0.67%

LAB 78.01, -5.09, 29.99

 

CMYK 0 / 4 / 29 / 13

HEX #DDD49C

RGB 221 212 156

HSL 51.69, 0.49%, 0.74%

LAB 84.41, -5.41, 28.88

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 0 / 7 / 50 / 49

HEX #837A42

RGB 131 122 66

HSL 51.69, 0.33%, 0.39%

LAB 50.85, -4.76, 31.71

 

CMYK 0 / 9 / 59 / 55

HEX #72682F

RGB 114 104 47

HSL 51.04, 0.42%, 0.32%

LAB 43.78, -4.04, 33.02

 

CMYK 0 / 11 / 71 / 62

HEX #61561C

RGB 97 86 28

HSL 50.43, 0.55%, 0.25%

LAB 36.52, -3.07, 34.14

 

CMYK 0 / 15 / 89 / 69

HEX #504409

RGB 80 68 9

HSL 49.86, 0.8%, 0.17%

LAB 29.06, -1.69, 34.4

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 0 / 17 / 43 / 42

HEX #947B55

RGB 148 123 85

HSL 36.19, 0.27%, 0.46%

LAB 53.08, 4.21, 24.38

 

CMYK 0 / 28 / 43 / 42

HEX #946A55

RGB 148 106 85

HSL 20, 0.27%, 0.46%

LAB 48.59, 14, 18.42

 

CMYK 0 / 40 / 43 / 42

HEX #945955

RGB 148 89 85

HSL 3.81, 0.27%, 0.46%

LAB 44.37, 23.82, 12.67

 

CMYK 0 / 43 / 43 / 42

HEX #945555

RGB 148 85 85

HSL 0, 0.27%, 0.46%

LAB 43.43, 26.1, 11.37

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 6 / 0 / 43 / 42

HEX #8B9455

RGB 139 148 85

HSL 68.57, 0.27%, 0.46%

LAB 59.27, -13.43, 32.16

 

CMYK 18 / 0 / 43 / 42

HEX #7A9455

RGB 122 148 85

HSL 84.76, 0.27%, 0.46%

LAB 58.01, -20.36, 30.3

 

CMYK 29 / 0 / 43 / 42

HEX #699455

RGB 105 148 85

HSL 100.95, 0.27%, 0.46%

LAB 56.92, -26.88, 28.68

 

CMYK 41 / 0 / 43 / 42

HEX #589455

RGB 88 148 85

HSL 117.14, 0.27%, 0.46%

LAB 56, -32.81, 27.31

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 0 / 7 / 60 / 35

HEX #A79B42

RGB 167 155 66

HSL 52.87, 0.43%, 0.46%

LAB 63.39, -6.97, 47.15

 

CMYK 0 / 9 / 75 / 27

HEX #BAA92F

RGB 186 169 47

HSL 52.66, 0.6%, 0.46%

LAB 68.77, -7.16, 61.08

 

CMYK 0 / 11 / 86 / 20

HEX #CDB71C

RGB 205 183 28

HSL 52.54, 0.76%, 0.46%

LAB 74.14, -6.75, 71.91

 

CMYK 0 / 12 / 96 / 12

HEX #E0C509

RGB 224 197 9

HSL 52.47, 0.92%, 0.46%

LAB 79.5, -5.98, 79.67

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 0 / 2 / 19 / 49

HEX #817E68

RGB 129 126 104

HSL 52.8, 0.11%, 0.46%

LAB 52.5, -2.82, 12.41

 

CMYK 10 / 9 / 0 / 52

HEX #6F707B

RGB 111 112 123

HSL 235, 0.05%, 0.46%

LAB 47.49, 1.97, -6.2

 

CMYK 35 / 31 / 0 / 44

HEX #5C628E

RGB 92 98 142

HSL 232.8, 0.21%, 0.46%

LAB 42.71, 8.87, -25.01

 

CMYK 55 / 48 / 0 / 37

HEX #4954A1

RGB 73 84 161

HSL 232.5, 0.38%, 0.46%

LAB 38.43, 18.65, -43.24

 

CMYK 0 / 28 / 43 / 42

HEX #946A55

RGB 148 106 85

HSL 20, 0.27%, 0.46%

LAB 48.59, 14, 18.42

 

CMYK 0 / 17 / 43 / 42

HEX #947B55

RGB 148 123 85

HSL 36.19, 0.27%, 0.46%

LAB 53.08, 4.21, 24.38

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 5 / 0 / 43 / 42

HEX #8C9455

RGB 140 148 85

HSL 67.62, 0.27%, 0.46%

LAB 59.35, -13.02, 32.28

 

CMYK 17 / 0 / 43 / 42

HEX #7B9455

RGB 123 148 85

HSL 83.81, 0.27%, 0.46%

LAB 58.08, -19.96, 30.4

 

CMYK 0 / 5 / 43 / 62

HEX #605B37

RGB 96 91 55

HSL 52.68, 0.27%, 0.3%

LAB 38.28, -3.93, 21.47

 

CMYK 0 / 5 / 43 / 52

HEX #7A7446

RGB 122 116 70

HSL 53.08, 0.27%, 0.38%

LAB 48.35, -4.92, 26.22

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 0 / 5 / 37 / 34

HEX #A9A16A

RGB 169 161 106

HSL 52.38, 0.27%, 0.54%

LAB 65.72, -5.47, 29.7

 

CMYK 0 / 4 / 28 / 28

HEX #B8B184

RGB 184 177 132

HSL 51.92, 0.27%, 0.62%

LAB 71.76, -4.66, 23.98

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 43 / 0 / 40 / 42

HEX #559459

RGB 85 148 89

HSL 123.81, 0.27%, 0.46%

LAB 55.92, -33.12, 25.01

 

CMYK 22 / 43 / 0 / 42

HEX #735594

RGB 115 85 148

HSL 268.57, 0.27%, 0.46%

LAB 41.66, 25.61, -30.1

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 43 / 0 / 5 / 42

HEX #55948C

RGB 85 148 140

HSL 172.38, 0.27%, 0.46%

LAB 57.08, -22.29, -2.13

 

CMYK 5 / 43 / 0 / 42

HEX #8C5594

RGB 140 85 148

HSL 292.38, 0.27%, 0.46%

LAB 44.53, 33.52, -25.39

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 43 / 0 / 40 / 42

HEX #559459

RGB 85 148 89

HSL 123.81, 0.27%, 0.46%

LAB 55.92, -33.12, 25.01

 

CMYK 43 / 36 / 0 / 42

HEX #555E94

RGB 85 94 148

HSL 231.43, 0.27%, 0.46%

LAB 41.33, 11.1, -30.79

 

CMYK 0 / 43 / 3 / 42

HEX #945590

RGB 148 85 144

HSL 303.81, 0.27%, 0.46%

LAB 45.37, 35.31, -21.62

 

CMYK 0 / 5 / 43 / 42

HEX #948C55

RGB 148 140 85

HSL 52.38, 0.27%, 0.46%

LAB 57.76, -5.31, 30.4

 

CMYK 43 / 0 / 27 / 42

HEX #55946C

RGB 85 148 108

HSL 141.9, 0.27%, 0.46%

LAB 56.28, -29.61, 14.94

 

CMYK 43 / 36 / 0 / 42

HEX #555E94

RGB 85 94 148

HSL 231.43, 0.27%, 0.46%

LAB 41.33, 11.1, -30.79

 

CMYK 0 / 43 / 16 / 42

HEX #94557D

RGB 148 85 125

HSL 321.9, 0.27%, 0.46%

LAB 44.62, 31.88, -11.3

 

Description

Color code: HEX #948C55 | qconv.com Color code: HEX #948C55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 140 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 140 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 43 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 43% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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