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Color name
HEX #948F14

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #948F14 it is the complementary color #6B70EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #948F14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #948F14 shade: #998F0F, #AAA122, #BBB335, #CCC548 and #DDD75B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #948F14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #948F14 shade: #948F14, #837D01, #726B00, #615900 and #504700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #948F14 shade: #948F14, #946C14, #944A14, #942714 and #941414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #948F14 shade: #948F14, #769414, #549414, #319414 and #149419

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #948F14 shade matches the following richer shades: #948F14 and #A19B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #948F14 shade: #948F14, #868221, #78762F, #6B693D and #5D5C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #948F14 shade: #944914, #946B14, #948D14, #789414 and #569414

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #948F14 shade: #4B480A, #6F6C0F, #948F14, #B8B219 and #DCD51E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #948F14 shade: #948F14, #149427 and #5A1494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #948F14 shade: #948F14, #14948D and #8D1494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #948F14 shade: #948F14, #149427, #141A94 and #941480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #948F14 shade: #948F14, #14944D, #141A94 and #94145A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

Complementary color

CMYK 54 / 52 / 0 / 8

HEX #6B70EB

RGB 107 112 235

HSL 237.66, 0.76%, 0.67%

LAB 52.63, 32.25, -63.02

 

CMYK 0 / 7 / 90 / 40

HEX #998F0F

RGB 153 143 15

HSL 55.65, 0.82%, 0.33%

LAB 58.46, -9.18, 60.05

 

CMYK 0 / 5 / 80 / 33

HEX #AAA122

RGB 170 161 34

HSL 56.03, 0.67%, 0.4%

LAB 65.08, -10.54, 61.45

 

CMYK 0 / 4 / 72 / 27

HEX #BBB335

RGB 187 179 53

HSL 56.42, 0.56%, 0.47%

LAB 71.6, -11.65, 61.66

 

CMYK 0 / 3 / 65 / 20

HEX #CCC548

RGB 204 197 72

HSL 56.82, 0.56%, 0.54%

LAB 78.02, -12.57, 61.2

 

CMYK 0 / 3 / 59 / 13

HEX #DDD75B

RGB 221 215 91

HSL 57.23, 0.66%, 0.61%

LAB 84.34, -13.33, 60.39

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 5 / 99 / 49

HEX #837D01

RGB 131 125 1

HSL 57.23, 0.98%, 0.26%

LAB 51.26, -9.88, 56.16

 

CMYK 0 / 6 / 100 / 55

HEX #726B00

RGB 114 107 0

HSL 56.32, 1%, 0.22%

LAB 44.37, -8, 50.64

 

CMYK 0 / 8 / 100 / 62

HEX #615900

RGB 97 89 0

HSL 55.05, 1%, 0.19%

LAB 37.27, -6.01, 44.76

 

CMYK 0 / 11 / 100 / 69

HEX #504700

RGB 80 71 0

HSL 53.25, 1%, 0.16%

LAB 29.94, -3.91, 38.66

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 27 / 86 / 42

HEX #946C14

RGB 148 108 20

HSL 41.25, 0.76%, 0.33%

LAB 48.35, 8.17, 50.38

 

CMYK 0 / 50 / 86 / 42

HEX #944A14

RGB 148 74 20

HSL 25.31, 0.76%, 0.33%

LAB 39.99, 27.59, 43.3

 

CMYK 0 / 74 / 86 / 42

HEX #942714

RGB 148 39 20

HSL 8.91, 0.76%, 0.33%

LAB 33.56, 44.43, 37.73

 

CMYK 0 / 86 / 86 / 42

HEX #941414

RGB 148 20 20

HSL 0, 0.76%, 0.33%

LAB 31.46, 50.32, 35.88

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 20 / 0 / 86 / 42

HEX #769414

RGB 118 148 20

HSL 74.06, 0.76%, 0.33%

LAB 57.16, -27.2, 56.75

 

CMYK 43 / 0 / 86 / 42

HEX #549414

RGB 84 148 20

HSL 90, 0.76%, 0.33%

LAB 55.19, -40.48, 54.29

 

CMYK 67 / 0 / 86 / 42

HEX #319414

RGB 49 148 20

HSL 106.41, 0.76%, 0.33%

LAB 53.9, -50.59, 52.66

 

CMYK 86 / 0 / 83 / 42

HEX #149419

RGB 20 148 25

HSL 122.34, 0.76%, 0.33%

LAB 53.38, -55.01, 50.64

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 4 / 96 / 37

HEX #A19B06

RGB 161 155 6

HSL 57.68, 0.93%, 0.33%

LAB 62.54, -12.07, 64.91

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 3 / 75 / 47

HEX #868221

RGB 134 130 33

HSL 57.62, 0.6%, 0.33%

LAB 53.11, -10.27, 49.66

 

CMYK 0 / 2 / 61 / 53

HEX #78762F

RGB 120 118 47

HSL 58.36, 0.44%, 0.33%

LAB 48.45, -9.21, 38.46

 

CMYK 0 / 2 / 43 / 58

HEX #6B693D

RGB 107 105 61

HSL 57.39, 0.27%, 0.33%

LAB 43.6, -6.38, 24.99

 

CMYK 0 / 1 / 20 / 64

HEX #5D5C4A

RGB 93 92 74

HSL 56.84, 0.11%, 0.33%

LAB 38.68, -3.03, 10.53

 

CMYK 0 / 51 / 86 / 42

HEX #944914

RGB 148 73 20

HSL 24.84, 0.76%, 0.33%

LAB 39.77, 28.14, 43.11

 

CMYK 0 / 28 / 86 / 42

HEX #946B14

RGB 148 107 20

HSL 40.78, 0.76%, 0.33%

LAB 48.09, 8.74, 50.16

 

CMYK 0 / 5 / 86 / 42

HEX #948D14

RGB 148 141 20

HSL 56.72, 0.76%, 0.33%

LAB 57.46, -10.27, 57.96

 

CMYK 19 / 0 / 86 / 42

HEX #789414

RGB 120 148 20

HSL 73.13, 0.76%, 0.33%

LAB 57.29, -26.35, 56.93

 

CMYK 42 / 0 / 86 / 42

HEX #569414

RGB 86 148 20

HSL 89.06, 0.76%, 0.33%

LAB 55.29, -39.77, 54.41

 

CMYK 0 / 4 / 87 / 71

HEX #4B480A

RGB 75 72 10

HSL 57.23, 0.76%, 0.17%

LAB 29.79, -6.68, 34.49

 

CMYK 0 / 3 / 86 / 56

HEX #6F6C0F

RGB 111 108 15

HSL 58.13, 0.76%, 0.25%

LAB 44.43, -9.62, 46.98

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 0 / 3 / 86 / 28

HEX #B8B219

RGB 184 178 25

HSL 57.74, 0.76%, 0.41%

LAB 70.94, -13.44, 69.19

 

CMYK 0 / 3 / 86 / 14

HEX #DCD51E

RGB 220 213 30

HSL 57.79, 0.76%, 0.49%

LAB 83.39, -15.45, 79.51

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 86 / 0 / 74 / 42

HEX #149427

RGB 20 148 39

HSL 128.91, 0.76%, 0.33%

LAB 53.47, -53.97, 45.96

 

CMYK 39 / 86 / 0 / 42

HEX #5A1494

RGB 90 20 148

HSL 272.81, 0.76%, 0.33%

LAB 26.19, 52.69, -55.08

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 86 / 0 / 5 / 42

HEX #14948D

RGB 20 148 141

HSL 176.72, 0.76%, 0.33%

LAB 55.33, -33.2, -5.49

 

CMYK 5 / 86 / 0 / 42

HEX #8D1494

RGB 141 20 148

HSL 296.72, 0.76%, 0.33%

LAB 34.6, 61.26, -41.06

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 86 / 0 / 74 / 42

HEX #149427

RGB 20 148 39

HSL 128.91, 0.76%, 0.33%

LAB 53.47, -53.97, 45.96

 

CMYK 86 / 82 / 0 / 42

HEX #141A94

RGB 20 26 148

HSL 237.19, 0.76%, 0.33%

LAB 20.15, 43.32, -65.29

 

CMYK 0 / 86 / 14 / 42

HEX #941480

RGB 148 20 128

HSL 309.38, 0.76%, 0.33%

LAB 34.71, 59.55, -28.44

 

CMYK 0 / 3 / 86 / 42

HEX #948F14

RGB 148 143 20

HSL 57.66, 0.76%, 0.33%

LAB 58.03, -11.35, 58.43

 

CMYK 86 / 0 / 48 / 42

HEX #14944D

RGB 20 148 77

HSL 146.72, 0.76%, 0.33%

LAB 53.88, -48.88, 28.49

 

CMYK 86 / 82 / 0 / 42

HEX #141A94

RGB 20 26 148

HSL 237.19, 0.76%, 0.33%

LAB 20.15, 43.32, -65.29

 

CMYK 0 / 86 / 39 / 42

HEX #94145A

RGB 148 20 90

HSL 327.19, 0.76%, 0.33%

LAB 32.99, 54.8, -6.87

 

Description

Color code: HEX #948F14 | qconv.com Color code: HEX #948F14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 143 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 143 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 86 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 86% 42% C M Y K

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