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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9495BC it is the complementary color #6B6A43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9495BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9495BC shade: #9995B7, #AAA7CA, #BBB9DD, #CCCBF0 and #DDDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9495BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9495BC shade: #9495BC, #8383A9, #727196, #615F83 and #504D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9495BC shade: #9495BC, #9E94BC, #A894BC, #B394BC and #BC94BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9495BC shade: #9495BC and #9494BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9495BC shade matches the following richer shades: #9495BC, #8688CA, #787AD8, #6A6DE6 and #5C60F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9495BC shade: #9495BC, #A2A2AE, #B0B0A0, #BEBD92 and #CCCA84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9495BC shade: #94AABC, #94A0BC, #9495BC, #9D94BC and #A894BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9495BC shade: #61639C, #7A7CAC, #9495BC, #ADAECC and #C7C7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9495BC shade: #9495BC, #BC94B5 and #A5BC94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9495BC shade: #9495BC, #BC9495 and #95BC94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9495BC shade: #9495BC, #BC94B5, #BCBA94 and #94BC9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9495BC shade: #9495BC, #BC94A9, #BCBA94 and #94BCA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

Complementary color

CMYK 0 / 1 / 37 / 58

HEX #6B6A43

RGB 107 106 67

HSL 58.5, 0.23%, 0.34%

LAB 44, -6.2, 22.07

 

CMYK 16 / 19 / 0 / 28

HEX #9995B7

RGB 153 149 183

HSL 247.06, 0.19%, 0.65%

LAB 63.08, 8.52, -17.13

 

CMYK 16 / 17 / 0 / 21

HEX #AAA7CA

RGB 170 167 202

HSL 245.14, 0.25%, 0.72%

LAB 69.79, 8.19, -17.43

 

CMYK 15 / 16 / 0 / 13

HEX #BBB9DD

RGB 187 185 221

HSL 243.33, 0.35%, 0.8%

LAB 76.36, 7.89, -17.75

 

CMYK 15 / 15 / 0 / 6

HEX #CCCBF0

RGB 204 203 240

HSL 241.62, 0.55%, 0.87%

LAB 82.83, 7.61, -18.07

 

CMYK 13 / 13 / 0 / 0

HEX #DDDDFF

RGB 221 221 255

HSL 240, 1%, 0.93%

LAB 89.07, 6.53, -16.48

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 22 / 22 / 0 / 34

HEX #8383A9

RGB 131 131 169

HSL 240, 0.18%, 0.59%

LAB 56.01, 8.42, -20.1

 

CMYK 24 / 25 / 0 / 41

HEX #727196

RGB 114 113 150

HSL 241.62, 0.15%, 0.52%

LAB 48.99, 8.83, -19.91

 

CMYK 26 / 27 / 0 / 49

HEX #615F83

RGB 97 95 131

HSL 243.33, 0.16%, 0.44%

LAB 41.79, 9.3, -19.76

 

CMYK 29 / 31 / 0 / 56

HEX #504D70

RGB 80 77 112

HSL 245.14, 0.19%, 0.37%

LAB 34.36, 9.86, -19.67

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 16 / 21 / 0 / 26

HEX #9E94BC

RGB 158 148 188

HSL 255, 0.23%, 0.66%

LAB 63.41, 11.85, -19.41

 

CMYK 11 / 21 / 0 / 26

HEX #A894BC

RGB 168 148 188

HSL 270, 0.23%, 0.66%

LAB 64.27, 15.15, -18.02

 

CMYK 5 / 21 / 0 / 26

HEX #B394BC

RGB 179 148 188

HSL 286.5, 0.23%, 0.66%

LAB 65.27, 18.85, -16.4

 

CMYK 0 / 21 / 1 / 26

HEX #BC94BA

RGB 188 148 186

HSL 303, 0.23%, 0.66%

LAB 66.07, 21.54, -13.99

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 21 / 21 / 0 / 26

HEX #9494BC

RGB 148 148 188

HSL 240, 0.23%, 0.66%

LAB 62.6, 8.62, -20.72

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 34 / 33 / 0 / 21

HEX #8688CA

RGB 134 136 202

HSL 238.24, 0.39%, 0.66%

LAB 58.92, 14.82, -34.37

 

CMYK 44 / 44 / 0 / 15

HEX #787AD8

RGB 120 122 216

HSL 238.75, 0.55%, 0.66%

LAB 54.94, 23.32, -48.61

 

CMYK 54 / 53 / 0 / 10

HEX #6A6DE6

RGB 106 109 230

HSL 238.55, 0.71%, 0.66%

LAB 51.51, 32.3, -62.03

 

CMYK 62 / 61 / 0 / 4

HEX #5C60F4

RGB 92 96 244

HSL 238.42, 0.87%, 0.66%

LAB 48.48, 42.12, -74.84

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 7 / 7 / 0 / 32

HEX #A2A2AE

RGB 162 162 174

HSL 240, 0.07%, 0.66%

LAB 66.96, 2.36, -6.2

 

CMYK 0 / 0 / 9 / 31

HEX #B0B0A0

RGB 176 176 160

HSL 60, 0.09%, 0.66%

LAB 71.43, -2.87, 8.19

 

CMYK 0 / 1 / 23 / 25

HEX #BEBD92

RGB 190 189 146

HSL 58.64, 0.25%, 0.66%

LAB 75.71, -6.7, 21.93

 

CMYK 0 / 1 / 35 / 20

HEX #CCCA84

RGB 204 202 132

HSL 58.33, 0.41%, 0.66%

LAB 80.04, -9.82, 35.24

 

CMYK 21 / 10 / 0 / 26

HEX #94AABC

RGB 148 170 188

HSL 207, 0.23%, 0.66%

LAB 68.52, -3.66, -11.77

 

CMYK 21 / 15 / 0 / 26

HEX #94A0BC

RGB 148 160 188

HSL 222, 0.23%, 0.66%

LAB 65.8, 1.86, -15.85

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 16 / 21 / 0 / 26

HEX #9D94BC

RGB 157 148 188

HSL 253.5, 0.23%, 0.66%

LAB 63.33, 11.52, -19.54

 

CMYK 11 / 21 / 0 / 26

HEX #A894BC

RGB 168 148 188

HSL 270, 0.23%, 0.66%

LAB 64.27, 15.15, -18.02

 

CMYK 38 / 37 / 0 / 39

HEX #61639C

RGB 97 99 156

HSL 237.97, 0.23%, 0.5%

LAB 44.04, 13.75, -31.26

 

CMYK 29 / 28 / 0 / 33

HEX #7A7CAC

RGB 122 124 172

HSL 237.6, 0.23%, 0.58%

LAB 53.53, 10.44, -25.7

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 15 / 15 / 0 / 20

HEX #ADAECC

RGB 173 174 204

HSL 238.06, 0.23%, 0.74%

LAB 71.9, 5.74, -15.32

 

CMYK 10 / 10 / 0 / 14

HEX #C7C7DC

RGB 199 199 220

HSL 240, 0.23%, 0.82%

LAB 80.83, 4.04, -10.42

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 0 / 21 / 4 / 26

HEX #BC94B5

RGB 188 148 181

HSL 310.5, 0.23%, 0.66%

LAB 65.91, 20.6, -11.43

 

CMYK 12 / 0 / 21 / 26

HEX #A5BC94

RGB 165 188 148

HSL 94.5, 0.23%, 0.66%

LAB 73.61, -15.21, 17.67

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 0 / 21 / 21 / 26

HEX #BC9495

RGB 188 148 149

HSL 358.5, 0.23%, 0.66%

LAB 65, 15.15, 5.21

 

CMYK 21 / 0 / 21 / 26

HEX #95BC94

RGB 149 188 148

HSL 118.5, 0.23%, 0.66%

LAB 72.56, -20.88, 16.04

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 0 / 21 / 4 / 26

HEX #BC94B5

RGB 188 148 181

HSL 310.5, 0.23%, 0.66%

LAB 65.91, 20.6, -11.43

 

CMYK 0 / 1 / 21 / 26

HEX #BCBA94

RGB 188 186 148

HSL 57, 0.23%, 0.66%

LAB 74.79, -5.6, 19.57

 

CMYK 21 / 0 / 18 / 26

HEX #94BC9B

RGB 148 188 155

HSL 130.5, 0.23%, 0.66%

LAB 72.65, -19.96, 12.37

 

CMYK 21 / 21 / 0 / 26

HEX #9495BC

RGB 148 149 188

HSL 238.5, 0.23%, 0.66%

LAB 62.86, 8.05, -20.32

 

CMYK 0 / 21 / 10 / 26

HEX #BC94A9

RGB 188 148 169

HSL 328.5, 0.23%, 0.66%

LAB 65.54, 18.44, -5.24

 

CMYK 0 / 1 / 21 / 26

HEX #BCBA94

RGB 188 186 148

HSL 57, 0.23%, 0.66%

LAB 74.79, -5.6, 19.57

 

CMYK 21 / 0 / 12 / 26

HEX #94BCA6

RGB 148 188 166

HSL 147, 0.23%, 0.66%

LAB 72.9, -17.86, 6.76

 

Description

Color code: HEX #9495BC | qconv.com Color code: HEX #9495BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 149 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 149 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 21 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 21% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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