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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949706 it is the complementary color #6B68F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949706. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949706 shade: #999701, #AAA914, #BBBB27, #CCCD3A and #DDDF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949706. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949706 shade: #949706, #838500, #727300, #616100 and #504F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949706 shade: #949706, #977306, #974C06, #972506 and #970606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949706 shade: #949706, #6D9706, #469706, #1F9706 and #069714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949706 shade matches the following richer shades: #949706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949706 shade: #949706, #888A13, #7C7E1F, #6F712C and #636439

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949706 shade: #974C06, #977306, #959706, #6E9706 and #479706

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949706 shade: #474803, #6D7004, #949706, #BBBF07 and #E2E609

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949706 shade: #949706, #069725 and #600697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949706 shade: #949706, #069597 and #970695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949706 shade: #949706, #069725, #080697 and #970678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949706 shade: #949706, #069751, #080697 and #97064C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

Complementary color

CMYK 57 / 58 / 0 / 2

HEX #6B68F9

RGB 107 104 249

HSL 241.24, 0.92%, 0.69%

LAB 51.69, 41.39, -72.36

 

CMYK 0 / 1 / 99 / 40

HEX #999701

RGB 153 151 1

HSL 59.21, 0.99%, 0.3%

LAB 60.7, -13.66, 63.96

 

CMYK 0 / 1 / 88 / 33

HEX #AAA914

RGB 170 169 20

HSL 59.6, 0.79%, 0.37%

LAB 67.26, -15.09, 66.73

 

CMYK 0 / 0 / 79 / 27

HEX #BBBB27

RGB 187 187 39

HSL 60, 0.65%, 0.44%

LAB 73.71, -16.31, 68.16

 

CMYK 0 / 0 / 72 / 20

HEX #CCCD3A

RGB 204 205 58

HSL 60.41, 0.6%, 0.52%

LAB 80.07, -17.32, 68.53

 

CMYK 1 / 0 / 65 / 13

HEX #DDDF4D

RGB 221 223 77

HSL 60.82, 0.7%, 0.59%

LAB 86.35, -18.16, 68.25

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 2 / 0 / 100 / 48

HEX #838500

RGB 131 133 0

HSL 60.9, 1%, 0.26%

LAB 53.6, -14.22, 58.06

 

CMYK 1 / 0 / 100 / 55

HEX #727300

RGB 114 115 0

HSL 60.52, 1%, 0.23%

LAB 46.76, -12.45, 52.38

 

CMYK 0 / 0 / 100 / 62

HEX #616100

RGB 97 97 0

HSL 60, 1%, 0.19%

LAB 39.73, -10.62, 46.54

 

CMYK 0 / 1 / 100 / 69

HEX #504F00

RGB 80 79 0

HSL 59.25, 1%, 0.16%

LAB 32.47, -8.71, 40.51

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 0 / 24 / 96 / 41

HEX #977306

RGB 151 115 6

HSL 45.1, 0.92%, 0.31%

LAB 50.52, 5.27, 55.55

 

CMYK 0 / 50 / 96 / 41

HEX #974C06

RGB 151 76 6

HSL 28.97, 0.92%, 0.31%

LAB 40.83, 27.49, 48.68

 

CMYK 0 / 75 / 96 / 41

HEX #972506

RGB 151 37 6

HSL 12.83, 0.92%, 0.31%

LAB 33.81, 45.92, 44.12

 

CMYK 0 / 96 / 96 / 41

HEX #970606

RGB 151 6 6

HSL 0, 0.92%, 0.31%

LAB 31.17, 53.38, 42.41

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 28 / 0 / 96 / 41

HEX #6D9706

RGB 109 151 6

HSL 77.38, 0.92%, 0.31%

LAB 57.46, -32.7, 59.31

 

CMYK 54 / 0 / 96 / 41

HEX #469706

RGB 70 151 6

HSL 93.52, 0.92%, 0.31%

LAB 55.53, -46.64, 56.95

 

CMYK 79 / 0 / 96 / 41

HEX #1F9706

RGB 31 151 6

HSL 109.66, 0.92%, 0.31%

LAB 54.49, -55.36, 55.67

 

CMYK 96 / 0 / 87 / 41

HEX #069714

RGB 6 151 20

HSL 125.79, 0.92%, 0.31%

LAB 54.26, -57.23, 52.73

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 1 / 0 / 86 / 46

HEX #888A13

RGB 136 138 19

HSL 61.01, 0.76%, 0.31%

LAB 55.54, -14.18, 56.18

 

CMYK 2 / 0 / 75 / 51

HEX #7C7E1F

RGB 124 126 31

HSL 61.26, 0.61%, 0.31%

LAB 51.04, -12.78, 48.13

 

CMYK 2 / 0 / 61 / 56

HEX #6F712C

RGB 111 113 44

HSL 61.74, 0.44%, 0.31%

LAB 46.14, -10.79, 37.13

 

CMYK 1 / 0 / 43 / 61

HEX #636439

RGB 99 100 57

HSL 61.4, 0.27%, 0.31%

LAB 41.32, -7.58, 24.23

 

CMYK 0 / 50 / 96 / 41

HEX #974C06

RGB 151 76 6

HSL 28.97, 0.92%, 0.31%

LAB 40.83, 27.49, 48.68

 

CMYK 0 / 24 / 96 / 41

HEX #977306

RGB 151 115 6

HSL 45.1, 0.92%, 0.31%

LAB 50.52, 5.27, 55.55

 

CMYK 1 / 0 / 96 / 41

HEX #959706

RGB 149 151 6

HSL 60.83, 0.92%, 0.31%

LAB 60.37, -15.39, 62.82

 

CMYK 27 / 0 / 96 / 41

HEX #6E9706

RGB 110 151 6

HSL 76.97, 0.92%, 0.31%

LAB 57.52, -32.3, 59.39

 

CMYK 53 / 0 / 96 / 41

HEX #479706

RGB 71 151 6

HSL 93.1, 0.92%, 0.31%

LAB 55.57, -46.34, 57

 

CMYK 1 / 0 / 96 / 72

HEX #474803

RGB 71 72 3

HSL 60.87, 0.92%, 0.15%

LAB 29.36, -9.04, 36.6

 

CMYK 3 / 0 / 96 / 56

HEX #6D7004

RGB 109 112 4

HSL 61.67, 0.93%, 0.23%

LAB 45.43, -13.08, 50.29

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 2 / 0 / 96 / 25

HEX #BBBF07

RGB 187 191 7

HSL 61.3, 0.93%, 0.39%

LAB 74.72, -18.99, 74.91

 

CMYK 2 / 0 / 96 / 10

HEX #E2E609

RGB 226 230 9

HSL 61.09, 0.92%, 0.47%

LAB 88.34, -21.53, 86.31

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 96 / 0 / 75 / 41

HEX #069725

RGB 6 151 37

HSL 132.83, 0.92%, 0.31%

LAB 54.35, -56.11, 47.58

 

CMYK 36 / 96 / 0 / 41

HEX #600697

RGB 96 6 151

HSL 277.24, 0.92%, 0.31%

LAB 26.31, 57.36, -56.71

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 96 / 1 / 0 / 41

HEX #069597

RGB 6 149 151

HSL 180.83, 0.92%, 0.31%

LAB 55.85, -31.31, -10.46

 

CMYK 0 / 96 / 1 / 41

HEX #970695

RGB 151 6 149

HSL 300.83, 0.92%, 0.31%

LAB 35.75, 65.4, -39.73

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 96 / 0 / 75 / 41

HEX #069725

RGB 6 151 37

HSL 132.83, 0.92%, 0.31%

LAB 54.35, -56.11, 47.58

 

CMYK 95 / 96 / 0 / 41

HEX #080697

RGB 8 6 151

HSL 240.83, 0.92%, 0.31%

LAB 17.54, 51.75, -71.51

 

CMYK 0 / 96 / 21 / 41

HEX #970678

RGB 151 6 120

HSL 312.83, 0.92%, 0.31%

LAB 34.12, 61.29, -24.3

 

CMYK 2 / 0 / 96 / 41

HEX #949706

RGB 148 151 6

HSL 61.24, 0.92%, 0.31%

LAB 60.29, -15.84, 62.72

 

CMYK 96 / 0 / 46 / 41

HEX #069751

RGB 6 151 81

HSL 151.03, 0.92%, 0.31%

LAB 54.83, -50.18, 27.55

 

CMYK 95 / 96 / 0 / 41

HEX #080697

RGB 8 6 151

HSL 240.83, 0.92%, 0.31%

LAB 17.54, 51.75, -71.51

 

CMYK 0 / 96 / 50 / 41

HEX #97064C

RGB 151 6 76

HSL 331.03, 0.92%, 0.31%

LAB 32.33, 56.58, 1.38

 

Description

Color code: HEX #949706 | qconv.com Color code: HEX #949706 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 151 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 151 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 96 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 96% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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