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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949736 it is the complementary color #6B68C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949736 shade: #999731, #AAA944, #BBBB57, #CCCD6A and #DDDF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949736 shade: #949736, #838523, #727310, #616100 and #504F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949736 shade: #929536, #957F36, #956536, #954B36 and #953636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949736 shade: #929536, #799536, #5F9536, #459536 and #369540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949736 shade matches the following richer shades: #929536, #A2A625, #B1B615 and #C1C704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949736 shade: #929536, #838546, #747457, #646467 and #555378

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949736 shade: #956436, #957D36, #949536, #7A9536 and #619536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949736 shade: #575920, #75772B, #929536, #B0B440 and #C0C35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949736 shade: #949736, #36954A and #713695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949736 shade: #949736, #369495 and #953694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949736 shade: #949736, #36954A, #373695 and #953681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949736 shade: #949736, #369567, #373695 and #953664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

Complementary color

CMYK 47 / 48 / 0 / 21

HEX #6B68C9

RGB 107 104 201

HSL 241.86, 0.47%, 0.6%

LAB 48.57, 26.62, -50.29

 

CMYK 0 / 1 / 68 / 40

HEX #999731

RGB 153 151 49

HSL 58.85, 0.51%, 0.4%

LAB 60.89, -12.12, 51.61

 

CMYK 0 / 1 / 60 / 33

HEX #AAA944

RGB 170 169 68

HSL 59.41, 0.43%, 0.47%

LAB 67.53, -12.9, 50.87

 

CMYK 0 / 0 / 53 / 27

HEX #BBBB57

RGB 187 187 87

HSL 60, 0.42%, 0.54%

LAB 74.06, -13.53, 49.86

 

CMYK 0 / 0 / 48 / 20

HEX #CCCD6A

RGB 204 205 106

HSL 60.61, 0.5%, 0.61%

LAB 80.48, -14.04, 48.74

 

CMYK 1 / 0 / 44 / 13

HEX #DDDF7D

RGB 221 223 125

HSL 61.22, 0.6%, 0.68%

LAB 86.81, -14.47, 47.58

 

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

CMYK 2 / 0 / 74 / 48

HEX #838523

RGB 131 133 35

HSL 61.22, 0.58%, 0.33%

LAB 53.73, -13.16, 49.42

 

CMYK 1 / 0 / 86 / 55

HEX #727310

RGB 114 115 16

HSL 60.61, 0.76%, 0.26%

LAB 46.81, -12.05, 48.84

 

CMYK 0 / 0 / 100 / 62

HEX #616100

RGB 97 97 0

HSL 60, 1%, 0.19%

LAB 39.73, -10.62, 46.54

 

CMYK 0 / 1 / 100 / 69

HEX #504F00

RGB 80 79 0

HSL 59.25, 1%, 0.16%

LAB 32.47, -8.71, 40.51

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 0 / 15 / 64 / 42

HEX #957F36

RGB 149 127 54

HSL 46.11, 0.47%, 0.4%

LAB 53.85, -0.5, 41.8

 

CMYK 0 / 32 / 64 / 42

HEX #956536

RGB 149 101 54

HSL 29.68, 0.47%, 0.4%

LAB 46.93, 14.37, 33.95

 

CMYK 0 / 50 / 64 / 42

HEX #954B36

RGB 149 75 54

HSL 13.26, 0.47%, 0.4%

LAB 40.72, 29.15, 26.53

 

CMYK 0 / 64 / 64 / 42

HEX #953636

RGB 149 54 54

HSL 0, 0.47%, 0.4%

LAB 36.54, 39.94, 21.31

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 19 / 0 / 64 / 42

HEX #799536

RGB 121 149 54

HSL 77.68, 0.47%, 0.4%

LAB 57.87, -24.54, 45.53

 

CMYK 36 / 0 / 64 / 42

HEX #5F9536

RGB 95 149 54

HSL 94.11, 0.47%, 0.4%

LAB 56.28, -34.72, 43.34

 

CMYK 54 / 0 / 64 / 42

HEX #459536

RGB 69 149 54

HSL 110.53, 0.47%, 0.4%

LAB 55.1, -43.24, 41.7

 

CMYK 64 / 0 / 57 / 42

HEX #369540

RGB 54 149 64

HSL 126.32, 0.47%, 0.4%

LAB 54.71, -45.89, 36.35

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 2 / 0 / 78 / 35

HEX #A2A625

RGB 162 166 37

HSL 61.86, 0.64%, 0.4%

LAB 65.82, -16.55, 60.94

 

CMYK 3 / 0 / 88 / 29

HEX #B1B615

RGB 177 182 21

HSL 61.86, 0.79%, 0.4%

LAB 71.46, -18.61, 70.15

 

CMYK 3 / 0 / 98 / 22

HEX #C1C704

RGB 193 199 4

HSL 61.85, 0.96%, 0.4%

LAB 77.4, -20.41, 77.43

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 2 / 0 / 47 / 48

HEX #838546

RGB 131 133 70

HSL 61.9, 0.31%, 0.4%

LAB 54.07, -10.44, 33.51

 

CMYK 0 / 0 / 25 / 55

HEX #747457

RGB 116 116 87

HSL 60, 0.14%, 0.4%

LAB 48.12, -5.19, 16.08

 

CMYK 3 / 3 / 0 / 60

HEX #646467

RGB 100 100 103

HSL 240, 0.01%, 0.4%

LAB 42.46, 0.63, -1.7

 

CMYK 29 / 31 / 0 / 53

HEX #555378

RGB 85 83 120

HSL 243.24, 0.18%, 0.4%

LAB 36.88, 9.9, -20.7

 

CMYK 0 / 33 / 64 / 42

HEX #956436

RGB 149 100 54

HSL 29.05, 0.47%, 0.4%

LAB 46.67, 14.95, 33.65

 

CMYK 0 / 16 / 64 / 42

HEX #957D36

RGB 149 125 54

HSL 44.84, 0.47%, 0.4%

LAB 53.3, 0.62, 41.2

 

CMYK 1 / 0 / 64 / 42

HEX #949536

RGB 148 149 54

HSL 60.63, 0.47%, 0.4%

LAB 59.94, -12.95, 48.37

 

CMYK 18 / 0 / 64 / 42

HEX #7A9536

RGB 122 149 54

HSL 77.05, 0.47%, 0.4%

LAB 57.94, -24.12, 45.63

 

CMYK 35 / 0 / 64 / 42

HEX #619536

RGB 97 149 54

HSL 92.84, 0.47%, 0.4%

LAB 56.39, -33.99, 43.49

 

CMYK 2 / 0 / 64 / 65

HEX #575920

RGB 87 89 32

HSL 62.11, 0.47%, 0.24%

LAB 36.51, -9.39, 31.87

 

CMYK 2 / 0 / 64 / 53

HEX #75772B

RGB 117 119 43

HSL 61.58, 0.47%, 0.32%

LAB 48.45, -11.44, 40.28

 

CMYK 2 / 0 / 64 / 42

HEX #929536

RGB 146 149 54

HSL 61.89, 0.47%, 0.4%

LAB 59.77, -13.83, 48.14

 

CMYK 2 / 0 / 64 / 29

HEX #B0B440

RGB 176 180 64

HSL 62.07, 0.48%, 0.48%

LAB 71.04, -16.27, 56.49

 

CMYK 2 / 0 / 54 / 24

HEX #C0C35A

RGB 192 195 90

HSL 61.71, 0.47%, 0.56%

LAB 76.66, -15.28, 51.57

 

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

CMYK 64 / 0 / 50 / 42

HEX #36954A

RGB 54 149 74

HSL 132.63, 0.47%, 0.4%

LAB 54.84, -44.43, 31.41

 

CMYK 24 / 64 / 0 / 42

HEX #713695

RGB 113 54 149

HSL 277.26, 0.47%, 0.4%

LAB 34.64, 42.95, -41.85

 

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

CMYK 64 / 1 / 0 / 42

HEX #369495

RGB 54 148 149

HSL 180.63, 0.47%, 0.4%

LAB 56.22, -26.66, -8.68

 

CMYK 0 / 64 / 1 / 42

HEX #953694

RGB 149 54 148

HSL 300.63, 0.47%, 0.4%

LAB 39.86, 51.89, -32.62

 

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

CMYK 64 / 0 / 50 / 42

HEX #36954A

RGB 54 149 74

HSL 132.63, 0.47%, 0.4%

LAB 54.84, -44.43, 31.41

 

CMYK 63 / 64 / 0 / 42

HEX #373695

RGB 55 54 149

HSL 240.63, 0.47%, 0.4%

LAB 28.43, 30.48, -52.19

 

CMYK 0 / 64 / 13 / 42

HEX #953681

RGB 149 54 129

HSL 312.63, 0.47%, 0.4%

LAB 38.92, 48.67, -22.47

 

CMYK 2 / 0 / 64 / 41

HEX #949736

RGB 148 151 54

HSL 61.86, 0.47%, 0.4%

LAB 60.51, -14, 48.97

 

CMYK 64 / 0 / 31 / 42

HEX #369567

RGB 54 149 103

HSL 150.95, 0.47%, 0.4%

LAB 55.34, -39, 16.27

 

CMYK 63 / 64 / 0 / 42

HEX #373695

RGB 55 54 149

HSL 240.63, 0.47%, 0.4%

LAB 28.43, 30.48, -52.19

 

CMYK 0 / 64 / 33 / 42

HEX #953664

RGB 149 54 100

HSL 330.95, 0.47%, 0.4%

LAB 37.75, 44.48, -6.15

 

Description

Color code: HEX #949736 | qconv.com Color code: HEX #949736 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 151 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 151 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 64 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 64% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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