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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949CC0 it is the complementary color #6B633F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949CC0 shade: #999CBB, #AAAECE, #BBC0E1, #CCD2F4 and #DDE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949CC0 shade: #949CC0, #838AAD, #72789A, #616687 and #505474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949CC0 shade: #949CC0, #9894C0, #A494C0, #B094C0 and #BC94C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949CC0 shade: #949CC0 and #9494C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949CC0 shade matches the following richer shades: #949CC0, #8794CE, #798BDB, #6C82E9 and #5E7AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949CC0 shade: #949CC0, #A2A5B3, #B0AEA5, #BDB697 and #CBBF8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949CC0 shade: #94B4C0, #94A8C0, #949CC0, #9894C0 and #A494C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949CC0 shade: #606CA2, #7A84B1, #949CC0, #AEB4CF and #C8CDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949CC0 shade: #949CC0, #C094BF and #AEC094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949CC0 shade: #949CC0, #C0949C and #9CC094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949CC0 shade: #949CC0, #C094BF, #C0B894 and #94C095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949CC0 shade: #949CC0, #C094B2, #C0B894 and #94C0A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

Complementary color

CMYK 0 / 7 / 41 / 58

HEX #6B633F

RGB 107 99 63

HSL 49.09, 0.26%, 0.33%

LAB 41.86, -2.65, 21.61

 

CMYK 18 / 17 / 0 / 27

HEX #999CBB

RGB 153 156 187

HSL 234.71, 0.2%, 0.67%

LAB 65.07, 5.47, -16.36

 

CMYK 17 / 16 / 0 / 19

HEX #AAAECE

RGB 170 174 206

HSL 233.33, 0.27%, 0.74%

LAB 71.74, 5.21, -16.68

 

CMYK 17 / 15 / 0 / 12

HEX #BBC0E1

RGB 187 192 225

HSL 232.11, 0.39%, 0.81%

LAB 78.29, 4.96, -17.01

 

CMYK 16 / 14 / 0 / 4

HEX #CCD2F4

RGB 204 210 244

HSL 231, 0.65%, 0.88%

LAB 84.72, 4.73, -17.34

 

CMYK 13 / 11 / 0 / 0

HEX #DDE4FF

RGB 221 228 255

HSL 227.65, 1%, 0.93%

LAB 90.82, 2.88, -13.86

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 24 / 20 / 0 / 32

HEX #838AAD

RGB 131 138 173

HSL 230, 0.2%, 0.6%

LAB 58.06, 5.33, -19.27

 

CMYK 26 / 22 / 0 / 40

HEX #72789A

RGB 114 120 154

HSL 231, 0.17%, 0.53%

LAB 51.09, 5.67, -19.05

 

CMYK 28 / 24 / 0 / 47

HEX #616687

RGB 97 102 135

HSL 232.11, 0.16%, 0.45%

LAB 43.94, 6.06, -18.88

 

CMYK 31 / 28 / 0 / 55

HEX #505474

RGB 80 84 116

HSL 233.33, 0.18%, 0.38%

LAB 36.57, 6.51, -18.75

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 21 / 23 / 0 / 25

HEX #9894C0

RGB 152 148 192

HSL 245.45, 0.26%, 0.67%

LAB 63.06, 10.83, -22.23

 

CMYK 15 / 23 / 0 / 25

HEX #A494C0

RGB 164 148 192

HSL 261.82, 0.26%, 0.67%

LAB 64.06, 14.7, -20.61

 

CMYK 8 / 23 / 0 / 25

HEX #B094C0

RGB 176 148 192

HSL 278.18, 0.26%, 0.67%

LAB 65.13, 18.66, -18.88

 

CMYK 2 / 23 / 0 / 25

HEX #BC94C0

RGB 188 148 192

HSL 294.55, 0.26%, 0.67%

LAB 66.27, 22.69, -17.05

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 23 / 23 / 0 / 25

HEX #9494C0

RGB 148 148 192

HSL 240, 0.26%, 0.67%

LAB 62.74, 9.56, -22.74

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 34 / 28 / 0 / 19

HEX #8794CE

RGB 135 148 206

HSL 229.01, 0.42%, 0.67%

LAB 62.33, 9.21, -31.31

 

CMYK 45 / 37 / 0 / 14

HEX #798BDB

RGB 121 139 219

HSL 228.98, 0.58%, 0.67%

LAB 59.57, 14.35, -42.96

 

CMYK 54 / 44 / 0 / 9

HEX #6C82E9

RGB 108 130 233

HSL 229.44, 0.74%, 0.67%

LAB 57.11, 20.99, -54.72

 

CMYK 62 / 51 / 0 / 3

HEX #5E7AF7

RGB 94 122 247

HSL 229.02, 0.91%, 0.67%

LAB 55.09, 27.72, -65.79

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 9 / 8 / 0 / 30

HEX #A2A5B3

RGB 162 165 179

HSL 229.41, 0.1%, 0.67%

LAB 67.91, 1.74, -7.58

 

CMYK 0 / 1 / 6 / 31

HEX #B0AEA5

RGB 176 174 165

HSL 49.09, 0.07%, 0.67%

LAB 71.02, -0.92, 4.86

 

CMYK 0 / 4 / 20 / 26

HEX #BDB697

RGB 189 182 151

HSL 48.95, 0.22%, 0.67%

LAB 73.87, -2.66, 16.69

 

CMYK 0 / 6 / 32 / 20

HEX #CBBF8A

RGB 203 191 138

HSL 48.92, 0.38%, 0.67%

LAB 77.16, -3.79, 28.31

 

CMYK 23 / 6 / 0 / 25

HEX #94B4C0

RGB 148 180 192

HSL 196.36, 0.26%, 0.67%

LAB 71.38, -8.14, -9.69

 

CMYK 23 / 13 / 0 / 25

HEX #94A8C0

RGB 148 168 192

HSL 212.73, 0.26%, 0.67%

LAB 68.1, -1.64, -14.61

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 21 / 23 / 0 / 25

HEX #9894C0

RGB 152 148 192

HSL 245.45, 0.26%, 0.67%

LAB 63.06, 10.83, -22.23

 

CMYK 15 / 23 / 0 / 25

HEX #A494C0

RGB 164 148 192

HSL 261.82, 0.26%, 0.67%

LAB 64.06, 14.7, -20.61

 

CMYK 41 / 33 / 0 / 36

HEX #606CA2

RGB 96 108 162

HSL 229.09, 0.26%, 0.51%

LAB 46.74, 9.67, -30.58

 

CMYK 31 / 25 / 0 / 31

HEX #7A84B1

RGB 122 132 177

HSL 229.09, 0.26%, 0.59%

LAB 55.9, 7.04, -24.91

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 16 / 13 / 0 / 19

HEX #AEB4CF

RGB 174 180 207

HSL 229.09, 0.26%, 0.75%

LAB 73.64, 3.43, -14.34

 

CMYK 10 / 8 / 0 / 13

HEX #C8CDDF

RGB 200 205 223

HSL 226.96, 0.26%, 0.83%

LAB 82.52, 1.78, -9.49

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 0 / 23 / 1 / 25

HEX #C094BF

RGB 192 148 191

HSL 301.36, 0.26%, 0.67%

LAB 66.63, 23.85, -15.91

 

CMYK 9 / 0 / 23 / 25

HEX #AEC094

RGB 174 192 148

HSL 84.55, 0.26%, 0.67%

LAB 75.35, -13.97, 20.17

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 0 / 23 / 19 / 25

HEX #C0949C

RGB 192 148 156

HSL 349.09, 0.26%, 0.67%

LAB 65.58, 17.75, 2.17

 

CMYK 19 / 0 / 23 / 25

HEX #9CC094

RGB 156 192 148

HSL 109.09, 0.26%, 0.67%

LAB 74.13, -20.45, 18.3

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 0 / 23 / 1 / 25

HEX #C094BF

RGB 192 148 191

HSL 301.36, 0.26%, 0.67%

LAB 66.63, 23.85, -15.91

 

CMYK 0 / 4 / 23 / 25

HEX #C0B894

RGB 192 184 148

HSL 49.09, 0.26%, 0.67%

LAB 74.59, -3.02, 19.34

 

CMYK 23 / 0 / 22 / 25

HEX #94C095

RGB 148 192 149

HSL 121.36, 0.26%, 0.67%

LAB 73.65, -23.05, 17.02

 

CMYK 23 / 19 / 0 / 25

HEX #949CC0

RGB 148 156 192

HSL 229.09, 0.26%, 0.67%

LAB 64.87, 5.03, -19.51

 

CMYK 0 / 23 / 7 / 25

HEX #C094B2

RGB 192 148 178

HSL 319.09, 0.26%, 0.67%

LAB 66.21, 21.46, -9.26

 

CMYK 0 / 4 / 23 / 25

HEX #C0B894

RGB 192 184 148

HSL 49.09, 0.26%, 0.67%

LAB 74.59, -3.02, 19.34

 

CMYK 23 / 0 / 16 / 25

HEX #94C0A2

RGB 148 192 162

HSL 139.09, 0.26%, 0.67%

LAB 73.94, -20.66, 10.41

 

Description

Color code: HEX #949CC0 | qconv.com Color code: HEX #949CC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 156 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 156 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 19 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 19% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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