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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #949EC5 it is the complementary color #6B613A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #949EC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #949EC5 shade: #999EC0, #AAB0D3, #BBC2E6, #CCD4F9 and #DDE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #949EC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #949EC5 shade: #949EC5, #838CB2, #727A9F, #61688C and #505679

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #949EC5 shade: #949EC5, #9894C5, #A594C5, #B294C5 and #BF94C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #949EC5 shade: #949EC5 and #9494C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #949EC5 shade matches the following richer shades: #949EC5, #8797D3, #7A8FE0, #6D87ED and #607FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #949EC5 shade: #949EC5, #A2A6B8, #AFAEAB, #BCB69E and #C9BE91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #949EC5 shade: #94B9C5, #94ACC5, #949FC5, #9794C5 and #A494C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #949EC5 shade: #5F6EA8, #7A86B7, #949EC5, #AFB7D4 and #CACFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #949EC5 shade: #949EC5, #C594C5 and #B3C594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #949EC5 shade: #949EC5, #C5949F and #9FC594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #949EC5 shade: #949EC5, #C594C5, #C5BB94 and #95C594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #949EC5 shade: #949EC5, #C594B8, #C5BB94 and #94C5A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

Complementary color

CMYK 0 / 9 / 46 / 58

HEX #6B613A

RGB 107 97 58

HSL 47.76, 0.3%, 0.32%

LAB 41.19, -2.08, 23.65

 

CMYK 20 / 18 / 0 / 25

HEX #999EC0

RGB 153 158 192

HSL 232.31, 0.24%, 0.68%

LAB 65.77, 5.49, -18.09

 

CMYK 19 / 17 / 0 / 17

HEX #AAB0D3

RGB 170 176 211

HSL 231.22, 0.32%, 0.75%

LAB 72.43, 5.22, -18.38

 

CMYK 19 / 16 / 0 / 10

HEX #BBC2E6

RGB 187 194 230

HSL 230.23, 0.46%, 0.82%

LAB 78.96, 4.97, -18.68

 

CMYK 18 / 15 / 0 / 2

HEX #CCD4F9

RGB 204 212 249

HSL 229.33, 0.79%, 0.89%

LAB 85.38, 4.74, -18.99

 

CMYK 13 / 10 / 0 / 0

HEX #DDE6FF

RGB 221 230 255

HSL 224.12, 1%, 0.93%

LAB 91.32, 1.84, -13.11

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 26 / 21 / 0 / 30

HEX #838CB2

RGB 131 140 178

HSL 228.51, 0.23%, 0.61%

LAB 58.78, 5.42, -21

 

CMYK 28 / 23 / 0 / 38

HEX #727A9F

RGB 114 122 159

HSL 229.33, 0.19%, 0.54%

LAB 51.84, 5.77, -20.82

 

CMYK 31 / 26 / 0 / 45

HEX #61688C

RGB 97 104 140

HSL 230.23, 0.18%, 0.46%

LAB 44.71, 6.18, -20.68

 

CMYK 34 / 29 / 0 / 53

HEX #505679

RGB 80 86 121

HSL 231.22, 0.2%, 0.39%

LAB 37.37, 6.66, -20.59

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 23 / 25 / 0 / 23

HEX #9894C5

RGB 152 148 197

HSL 244.9, 0.3%, 0.68%

LAB 63.25, 12.01, -24.75

 

CMYK 16 / 25 / 0 / 23

HEX #A594C5

RGB 165 148 197

HSL 260.82, 0.3%, 0.68%

LAB 64.33, 16.13, -22.99

 

CMYK 10 / 25 / 0 / 23

HEX #B294C5

RGB 178 148 197

HSL 276.73, 0.3%, 0.68%

LAB 65.5, 20.36, -21.11

 

CMYK 3 / 25 / 0 / 23

HEX #BF94C5

RGB 191 148 197

HSL 292.65, 0.3%, 0.68%

LAB 66.74, 24.67, -19.1

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 25 / 25 / 0 / 23

HEX #9494C5

RGB 148 148 197

HSL 240, 0.3%, 0.68%

LAB 62.93, 10.77, -25.26

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 36 / 28 / 0 / 17

HEX #8797D3

RGB 135 151 211

HSL 227.37, 0.46%, 0.68%

LAB 63.33, 8.82, -32.54

 

CMYK 46 / 36 / 0 / 12

HEX #7A8FE0

RGB 122 143 224

HSL 227.65, 0.62%, 0.68%

LAB 60.93, 13.71, -43.6

 

CMYK 54 / 43 / 0 / 7

HEX #6D87ED

RGB 109 135 237

HSL 227.81, 0.78%, 0.68%

LAB 58.69, 19.46, -54.42

 

CMYK 62 / 49 / 0 / 2

HEX #607FFA

RGB 96 127 250

HSL 227.92, 0.94%, 0.68%

LAB 56.65, 26.02, -64.92

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 12 / 10 / 0 / 28

HEX #A2A6B8

RGB 162 166 184

HSL 229.09, 0.13%, 0.68%

LAB 68.33, 2.23, -9.73

 

CMYK 0 / 1 / 2 / 31

HEX #AFAEAB

RGB 175 174 171

HSL 45, 0.02%, 0.68%

LAB 71.1, -0.2, 1.65

 

CMYK 0 / 3 / 16 / 26

HEX #BCB69E

RGB 188 182 158

HSL 48, 0.18%, 0.68%

LAB 73.94, -1.96, 12.98

 

CMYK 0 / 5 / 28 / 21

HEX #C9BE91

RGB 201 190 145

HSL 48.21, 0.34%, 0.68%

LAB 76.85, -3.14, 24.17

 

CMYK 25 / 6 / 0 / 23

HEX #94B9C5

RGB 148 185 197

HSL 194.69, 0.3%, 0.68%

LAB 72.91, -9.66, -10.15

 

CMYK 25 / 13 / 0 / 23

HEX #94ACC5

RGB 148 172 197

HSL 210.61, 0.3%, 0.68%

LAB 69.35, -2.66, -15.49

 

CMYK 25 / 19 / 0 / 23

HEX #949FC5

RGB 148 159 197

HSL 226.53, 0.3%, 0.68%

LAB 65.84, 4.54, -20.8

 

CMYK 23 / 25 / 0 / 23

HEX #9794C5

RGB 151 148 197

HSL 243.67, 0.3%, 0.68%

LAB 63.17, 11.7, -24.88

 

CMYK 17 / 25 / 0 / 23

HEX #A494C5

RGB 164 148 197

HSL 259.59, 0.3%, 0.68%

LAB 64.24, 15.81, -23.13

 

CMYK 43 / 35 / 0 / 34

HEX #5F6EA8

RGB 95 110 168

HSL 227.67, 0.3%, 0.52%

LAB 47.51, 9.95, -32.9

 

CMYK 33 / 27 / 0 / 28

HEX #7A86B7

RGB 122 134 183

HSL 228.2, 0.3%, 0.6%

LAB 56.69, 7.46, -27.13

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 17 / 14 / 0 / 17

HEX #AFB7D4

RGB 175 183 212

HSL 227.03, 0.3%, 0.76%

LAB 74.66, 3.21, -15.52

 

CMYK 11 / 8 / 0 / 11

HEX #CACFE2

RGB 202 207 226

HSL 227.5, 0.29%, 0.84%

LAB 83.27, 1.97, -9.96

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 0 / 25 / 0 / 23

HEX #C594C5

RGB 197 148 197

HSL 300, 0.3%, 0.68%

LAB 67.34, 26.67, -18.14

 

CMYK 9 / 0 / 25 / 23

HEX #B3C594

RGB 179 197 148

HSL 82.04, 0.3%, 0.68%

LAB 77.07, -14.68, 22.6

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 0 / 25 / 19 / 23

HEX #C5949F

RGB 197 148 159

HSL 346.53, 0.3%, 0.68%

LAB 66.18, 20.09, 1.42

 

CMYK 19 / 0 / 25 / 23

HEX #9FC594

RGB 159 197 148

HSL 106.53, 0.3%, 0.68%

LAB 75.73, -21.9, 20.53

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 0 / 25 / 0 / 23

HEX #C594C5

RGB 197 148 197

HSL 300, 0.3%, 0.68%

LAB 67.34, 26.67, -18.14

 

CMYK 0 / 5 / 25 / 23

HEX #C5BB94

RGB 197 187 148

HSL 47.76, 0.3%, 0.68%

LAB 75.79, -2.69, 21.06

 

CMYK 24 / 0 / 25 / 23

HEX #95C594

RGB 149 197 148

HSL 118.78, 0.3%, 0.68%

LAB 75.11, -25.34, 19.59

 

CMYK 25 / 20 / 0 / 23

HEX #949EC5

RGB 148 158 197

HSL 227.76, 0.3%, 0.68%

LAB 65.58, 5.1, -21.21

 

CMYK 0 / 25 / 7 / 23

HEX #C594B8

RGB 197 148 184

HSL 315.92, 0.3%, 0.68%

LAB 66.91, 24.28, -11.53

 

CMYK 0 / 5 / 25 / 23

HEX #C5BB94

RGB 197 187 148

HSL 47.76, 0.3%, 0.68%

LAB 75.79, -2.69, 21.06

 

CMYK 25 / 0 / 18 / 23

HEX #94C5A2

RGB 148 197 162

HSL 137.14, 0.3%, 0.68%

LAB 75.35, -23.16, 12.41

 

Description

Color code: HEX #949EC5 | qconv.com Color code: HEX #949EC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 158 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 158 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 20 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 20% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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