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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B5EA it is the complementary color #6B4A15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B5EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B5EA shade: #99B5E5, #AAC7F8, #BBD9FF, #CCEBFF and #DDFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B5EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B5EA shade: #94B5EA, #83A3D7, #7291C4, #617FB1 and #506D9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B5EA shade: #94B5E9, #949EE9, #A194E9, #B894E9 and #CF94E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B5EA shade: #94B5E9, #949EE9 and #9494E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B5EA shade matches the following richer shades: #94B5E9, #8AB2F4 and #7FB0FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B5EA shade: #94B5E9, #9EB7DF, #A9BAD5, #B3BCCB and #BDBEC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B5EA shade: #94E4E9, #94CDE9, #94B6E9, #949FE9 and #9F94E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B5EA shade: #4F85DC, #729DE3, #94B5E9, #B6CDF0 and #D9E5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B5EA shade: #94B5EA, #D894E9 and #D8E994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B5EA shade: #94B5EA, #E994B6 and #B6E994

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B5EA shade: #94B5EA, #D894E9, #E9C794 and #A5E994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B5EA shade: #94B5EA, #E994E1, #E9C794 and #94E99D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

Complementary color

CMYK 0 / 31 / 80 / 58

HEX #6B4A15

RGB 107 74 21

HSL 36.98, 0.67%, 0.25%

LAB 34.14, 8.75, 35.39

 

CMYK 33 / 21 / 0 / 10

HEX #99B5E5

RGB 153 181 229

HSL 217.89, 0.59%, 0.75%

LAB 73.21, 1.71, -27.12

 

CMYK 31 / 20 / 0 / 3

HEX #AAC7F8

RGB 170 199 248

HSL 217.69, 0.85%, 0.82%

LAB 79.71, 1.43, -27.3

 

CMYK 27 / 15 / 0 / 0

HEX #BBD9FF

RGB 187 217 255

HSL 213.53, 1%, 0.87%

LAB 85.71, -1.64, -21.78

 

CMYK 20 / 8 / 0 / 0

HEX #CCEBFF

RGB 204 235 255

HSL 203.53, 1%, 0.9%

LAB 91.45, -5.96, -13.04

 

CMYK 13 / 1 / 0 / 0

HEX #DDFDFF

RGB 221 253 255

HSL 183.53, 1%, 0.93%

LAB 97.16, -9.87, -4.44

 

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

CMYK 39 / 24 / 0 / 16

HEX #83A3D7

RGB 131 163 215

HSL 217.14, 0.51%, 0.68%

LAB 66.46, 1.99, -29.94

 

CMYK 42 / 26 / 0 / 23

HEX #7291C4

RGB 114 145 196

HSL 217.32, 0.41%, 0.61%

LAB 59.72, 2.42, -29.85

 

CMYK 45 / 28 / 0 / 31

HEX #617FB1

RGB 97 127 177

HSL 217.5, 0.34%, 0.54%

LAB 52.83, 2.94, -29.8

 

CMYK 49 / 31 / 0 / 38

HEX #506D9E

RGB 80 109 158

HSL 217.69, 0.33%, 0.47%

LAB 45.79, 3.57, -29.79

 

CMYK 36 / 22 / 0 / 9

HEX #94B5E9

RGB 148 181 233

HSL 216.71, 0.66%, 0.75%

LAB 73.04, 1.36, -29.57

 

CMYK 36 / 32 / 0 / 9

HEX #949EE9

RGB 148 158 233

HSL 232.94, 0.66%, 0.75%

LAB 67, 14.25, -38.93

 

CMYK 31 / 36 / 0 / 9

HEX #A194E9

RGB 161 148 233

HSL 249.18, 0.66%, 0.75%

LAB 65.47, 23.53, -41.26

 

CMYK 21 / 36 / 0 / 9

HEX #B894E9

RGB 184 148 233

HSL 265.41, 0.66%, 0.75%

LAB 67.47, 30.12, -37.98

 

CMYK 11 / 36 / 0 / 9

HEX #CF94E9

RGB 207 148 233

HSL 281.65, 0.66%, 0.75%

LAB 69.7, 36.97, -34.34

 

CMYK 36 / 22 / 0 / 9

HEX #94B5E9

RGB 148 181 233

HSL 216.71, 0.66%, 0.75%

LAB 73.04, 1.36, -29.57

 

CMYK 36 / 32 / 0 / 9

HEX #949EE9

RGB 148 158 233

HSL 232.94, 0.66%, 0.75%

LAB 67, 14.25, -38.93

 

CMYK 36 / 36 / 0 / 9

HEX #9494E9

RGB 148 148 233

HSL 240, 0.66%, 0.75%

LAB 64.45, 19.99, -42.92

 

CMYK 36 / 22 / 0 / 9

HEX #94B5E9

RGB 148 181 233

HSL 216.71, 0.66%, 0.75%

LAB 73.04, 1.36, -29.57

 

CMYK 43 / 27 / 0 / 4

HEX #8AB2F4

RGB 138 178 244

HSL 217.36, 0.83%, 0.75%

LAB 72.08, 3.39, -37.07

 

CMYK 50 / 31 / 0 / 0

HEX #7FB0FE

RGB 127 176 254

HSL 216.85, 0.98%, 0.75%

LAB 71.36, 4.78, -43.64

 

CMYK 36 / 22 / 0 / 9

HEX #94B5E9

RGB 148 181 233

HSL 216.71, 0.66%, 0.75%

LAB 73.04, 1.36, -29.57

 

CMYK 29 / 18 / 0 / 13

HEX #9EB7DF

RGB 158 183 223

HSL 216.92, 0.5%, 0.75%

LAB 73.85, 0.56, -22.85

 

CMYK 21 / 13 / 0 / 16

HEX #A9BAD5

RGB 169 186 213

HSL 216.82, 0.34%, 0.75%

LAB 75.05, -0.09, -15.52

 

CMYK 12 / 7 / 0 / 20

HEX #B3BCCB

RGB 179 188 203

HSL 217.5, 0.19%, 0.75%

LAB 75.98, -0.11, -8.62

 

CMYK 2 / 1 / 0 / 25

HEX #BDBEC0

RGB 189 190 192

HSL 220, 0.02%, 0.75%

LAB 76.95, 0.03, -1.14

 

CMYK 36 / 2 / 0 / 9

HEX #94E4E9

RGB 148 228 233

HSL 183.53, 0.66%, 0.75%

LAB 85.84, -23.16, -10.2

 

CMYK 36 / 12 / 0 / 9

HEX #94CDE9

RGB 148 205 233

HSL 199.76, 0.66%, 0.75%

LAB 79.52, -11.5, -19.68

 

CMYK 36 / 22 / 0 / 9

HEX #94B6E9

RGB 148 182 233

HSL 216, 0.66%, 0.75%

LAB 73.31, 0.81, -29.16

 

CMYK 36 / 32 / 0 / 9

HEX #949FE9

RGB 148 159 233

HSL 232.24, 0.66%, 0.75%

LAB 67.26, 13.68, -38.53

 

CMYK 32 / 36 / 0 / 9

HEX #9F94E9

RGB 159 148 233

HSL 247.76, 0.66%, 0.75%

LAB 65.31, 22.97, -41.52

 

CMYK 64 / 40 / 0 / 14

HEX #4F85DC

RGB 79 133 220

HSL 217.02, 0.67%, 0.59%

LAB 55.69, 9.33, -49.81

 

CMYK 50 / 31 / 0 / 11

HEX #729DE3

RGB 114 157 227

HSL 217.17, 0.67%, 0.67%

LAB 64.35, 4.58, -39.92

 

CMYK 36 / 22 / 0 / 9

HEX #94B5E9

RGB 148 181 233

HSL 216.71, 0.66%, 0.75%

LAB 73.04, 1.36, -29.57

 

CMYK 24 / 15 / 0 / 6

HEX #B6CDF0

RGB 182 205 240

HSL 216.21, 0.66%, 0.83%

LAB 81.78, -0.2, -19.8

 

CMYK 12 / 7 / 0 / 3

HEX #D9E5F7

RGB 217 229 247

HSL 216, 0.65%, 0.91%

LAB 90.55, -0.51, -10.1

 

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

CMYK 7 / 36 / 0 / 9

HEX #D894E9

RGB 216 148 233

HSL 288, 0.66%, 0.75%

LAB 70.64, 39.7, -32.81

 

CMYK 7 / 0 / 36 / 9

HEX #D8E994

RGB 216 233 148

HSL 72, 0.66%, 0.75%

LAB 89.4, -18.81, 39.46

 

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

CMYK 0 / 36 / 22 / 9

HEX #E994B6

RGB 233 148 182

HSL 336, 0.66%, 0.75%

LAB 70.79, 36.51, -4.22

 

CMYK 22 / 0 / 36 / 9

HEX #B6E994

RGB 182 233 148

HSL 96, 0.66%, 0.75%

LAB 87.17, -31.17, 36.14

 

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

CMYK 7 / 36 / 0 / 9

HEX #D894E9

RGB 216 148 233

HSL 288, 0.66%, 0.75%

LAB 70.64, 39.7, -32.81

 

CMYK 0 / 15 / 36 / 9

HEX #E9C794

RGB 233 199 148

HSL 36, 0.66%, 0.75%

LAB 82.01, 4.98, 30.01

 

CMYK 29 / 0 / 36 / 9

HEX #A5E994

RGB 165 233 148

HSL 108, 0.66%, 0.75%

LAB 86.21, -36.95, 34.7

 

CMYK 37 / 23 / 0 / 8

HEX #94B5EA

RGB 148 181 234

HSL 216.98, 0.67%, 0.75%

LAB 73.08, 1.62, -30.05

 

CMYK 0 / 36 / 3 / 9

HEX #E994E1

RGB 233 148 225

HSL 305.65, 0.66%, 0.75%

LAB 72.19, 43.45, -25.88

 

CMYK 0 / 15 / 36 / 9

HEX #E9C794

RGB 233 199 148

HSL 36, 0.66%, 0.75%

LAB 82.01, 4.98, 30.01

 

CMYK 36 / 0 / 33 / 9

HEX #94E99D

RGB 148 233 157

HSL 126.35, 0.66%, 0.75%

LAB 85.51, -40.92, 29.04

 

Description

Color code: HEX #94B5EA | qconv.com Color code: HEX #94B5EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 181 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 181 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 23 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 23% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - ハワイアンキルト通販専門店|LAULAU
Link: http://www.laulau.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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