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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94B007 it is the complementary color #6B4FF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94B007. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94B007 shade: #99B002, #AAC215, #BBD428, #CCE63B and #DDF84E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94B007. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94B007 shade: #94B007, #839E00, #728C00, #617A00 and #506800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94B007 shade: #94B007, #B09E07, #B07107, #B04307 and #B01607

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94B007 shade: #94B007, #66B007, #39B007, #0BB007 and #07B030

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94B007 shade matches the following richer shades: #94B007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94B007 shade: #94B007, #8AA116, #809225, #768333 and #6C7442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94B007 shade: #B06F07, #B09C07, #96B007, #69B007 and #3CB007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94B007 shade: #516104, #728805, #94B007, #B5D708 and #D0F514

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94B007 shade: #94B007, #07B042 and #8607B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94B007 shade: #94B007, #0796B0 and #B00796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94B007 shade: #94B007, #07B042, #2007B0 and #B00775

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94B007 shade: #94B007, #07B075, #2007B0 and #B00742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

Complementary color

CMYK 57 / 68 / 0 / 3

HEX #6B4FF8

RGB 107 79 248

HSL 249.94, 0.92%, 0.64%

LAB 46.3, 55.2, -80.58

 

CMYK 13 / 0 / 99 / 31

HEX #99B002

RGB 153 176 2

HSL 67.93, 0.98%, 0.35%

LAB 67.89, -26.27, 69.19

 

CMYK 12 / 0 / 89 / 24

HEX #AAC215

RGB 170 194 21

HSL 68.32, 0.8%, 0.42%

LAB 74.31, -27.48, 72.22

 

CMYK 12 / 0 / 81 / 17

HEX #BBD428

RGB 187 212 40

HSL 68.72, 0.68%, 0.49%

LAB 80.63, -28.49, 73.96

 

CMYK 11 / 0 / 74 / 10

HEX #CCE63B

RGB 204 230 59

HSL 69.12, 0.77%, 0.57%

LAB 86.87, -29.33, 74.64

 

CMYK 11 / 0 / 69 / 3

HEX #DDF84E

RGB 221 248 78

HSL 69.53, 0.92%, 0.64%

LAB 93.04, -30.02, 74.64

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 17 / 0 / 100 / 38

HEX #839E00

RGB 131 158 0

HSL 70.25, 1%, 0.31%

LAB 61.03, -26.95, 63.59

 

CMYK 19 / 0 / 100 / 45

HEX #728C00

RGB 114 140 0

HSL 71.14, 1%, 0.27%

LAB 54.38, -25.47, 58.05

 

CMYK 20 / 0 / 100 / 52

HEX #617A00

RGB 97 122 0

HSL 72.3, 1%, 0.24%

LAB 47.57, -23.96, 52.38

 

CMYK 23 / 0 / 100 / 59

HEX #506800

RGB 80 104 0

HSL 73.85, 1%, 0.2%

LAB 40.58, -22.43, 46.56

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 0 / 10 / 96 / 31

HEX #B09E07

RGB 176 158 7

HSL 53.61, 0.92%, 0.36%

LAB 64.72, -6.87, 67.01

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 62 / 96 / 31

HEX #B04307

RGB 176 67 7

HSL 21.3, 0.92%, 0.36%

LAB 43.15, 42.18, 51.91

 

CMYK 0 / 88 / 96 / 31

HEX #B01607

RGB 176 22 7

HSL 5.33, 0.92%, 0.36%

LAB 37.52, 57.68, 48.57

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 42 / 0 / 96 / 31

HEX #66B007

RGB 102 176 7

HSL 86.27, 0.92%, 0.36%

LAB 64.88, -46.12, 64.92

 

CMYK 68 / 0 / 96 / 31

HEX #39B007

RGB 57 176 7

HSL 102.25, 0.92%, 0.36%

LAB 63.29, -58.67, 62.97

 

CMYK 94 / 0 / 96 / 31

HEX #0BB007

RGB 11 176 7

HSL 118.58, 0.92%, 0.36%

LAB 62.62, -64.54, 62.15

 

CMYK 96 / 0 / 73 / 31

HEX #07B030

RGB 7 176 48

HSL 134.56, 0.92%, 0.36%

LAB 62.77, -62.6, 52.08

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 14 / 0 / 86 / 37

HEX #8AA116

RGB 138 161 22

HSL 69.93, 0.76%, 0.36%

LAB 62.47, -24.97, 61.35

 

CMYK 12 / 0 / 75 / 43

HEX #809225

RGB 128 146 37

HSL 69.91, 0.6%, 0.36%

LAB 57.35, -21.18, 52.08

 

CMYK 10 / 0 / 61 / 49

HEX #768333

RGB 118 131 51

HSL 69.75, 0.44%, 0.36%

LAB 52.2, -16.83, 40.64

 

CMYK 7 / 0 / 43 / 55

HEX #6C7442

RGB 108 116 66

HSL 69.6, 0.27%, 0.36%

LAB 47.07, -11.53, 26.58

 

CMYK 0 / 37 / 96 / 31

HEX #B06F07

RGB 176 111 7

HSL 36.92, 0.92%, 0.36%

LAB 52.52, 19.02, 58.18

 

CMYK 0 / 11 / 96 / 31

HEX #B09C07

RGB 176 156 7

HSL 52.9, 0.92%, 0.36%

LAB 64.18, -5.81, 66.61

 

CMYK 15 / 0 / 96 / 31

HEX #96B007

RGB 150 176 7

HSL 69.23, 0.92%, 0.36%

LAB 67.69, -27.47, 68.33

 

CMYK 40 / 0 / 96 / 31

HEX #69B007

RGB 105 176 7

HSL 85.21, 0.92%, 0.36%

LAB 65.02, -45.09, 65.09

 

CMYK 66 / 0 / 96 / 31

HEX #3CB007

RGB 60 176 7

HSL 101.18, 0.92%, 0.36%

LAB 63.36, -58.04, 63.06

 

CMYK 16 / 0 / 96 / 62

HEX #516104

RGB 81 97 4

HSL 70.32, 0.92%, 0.2%

LAB 38.39, -18.18, 43.8

 

CMYK 16 / 0 / 96 / 47

HEX #728805

RGB 114 136 5

HSL 70.08, 0.93%, 0.28%

LAB 53.16, -23.37, 56.25

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 16 / 0 / 96 / 16

HEX #B5D708

RGB 181 215 8

HSL 69.86, 0.93%, 0.44%

LAB 80.98, -33.01, 79.38

 

CMYK 15 / 0 / 92 / 4

HEX #D0F514

RGB 208 245 20

HSL 69.87, 0.92%, 0.52%

LAB 91.13, -35.74, 86.81

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 96 / 0 / 63 / 31

HEX #07B042

RGB 7 176 66

HSL 140.95, 0.92%, 0.36%

LAB 62.92, -60.7, 44.77

 

CMYK 24 / 96 / 0 / 31

HEX #8607B0

RGB 134 7 176

HSL 285.09, 0.92%, 0.36%

LAB 34.71, 67.18, -57.87

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 96 / 15 / 0 / 31

HEX #0796B0

RGB 7 150 176

HSL 189.23, 0.92%, 0.36%

LAB 57.07, -23.47, -22.89

 

CMYK 0 / 96 / 15 / 31

HEX #B00796

RGB 176 7 150

HSL 309.23, 0.92%, 0.36%

LAB 40.55, 70.02, -32.43

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 96 / 0 / 63 / 31

HEX #07B042

RGB 7 176 66

HSL 140.95, 0.92%, 0.36%

LAB 62.92, -60.7, 44.77

 

CMYK 82 / 96 / 0 / 31

HEX #2007B0

RGB 32 7 176

HSL 248.88, 0.92%, 0.36%

LAB 22.28, 58.67, -78.8

 

CMYK 0 / 96 / 34 / 31

HEX #B00775

RGB 176 7 117

HSL 320.95, 0.92%, 0.36%

LAB 39.01, 66.06, -14.45

 

CMYK 16 / 0 / 96 / 31

HEX #94B007

RGB 148 176 7

HSL 69.94, 0.92%, 0.36%

LAB 67.55, -28.31, 68.16

 

CMYK 96 / 0 / 34 / 31

HEX #07B075

RGB 7 176 117

HSL 159.05, 0.92%, 0.36%

LAB 63.66, -51.9, 19.82

 

CMYK 82 / 96 / 0 / 31

HEX #2007B0

RGB 32 7 176

HSL 248.88, 0.92%, 0.36%

LAB 22.28, 58.67, -78.8

 

CMYK 0 / 96 / 63 / 31

HEX #B00742

RGB 176 7 66

HSL 339.05, 0.92%, 0.36%

LAB 37.44, 61.84, 15.85

 

Description

Color code: HEX #94B007 | qconv.com Color code: HEX #94B007 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 176 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 176 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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