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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94C548 it is the complementary color #6B3AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94C548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94C548 shade: #99C543, #AAD756, #BBE969, #CCFB7C and #DDFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94C548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94C548 shade: #94C548, #83B335, #72A122, #618F0F and #507D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94C548 shade: #94C548, #B6C548, #C5B348, #C59148 and #C56F48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94C548 shade: #94C548, #72C548, #51C548, #48C561 and #48C583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94C548 shade matches the following richer shades: #94C548, #98D835 and #9CEC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94C548 shade: #94C548, #90B25C, #8C9E6F, #888B83 and #837796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94C548 shade: #C5B248, #B6C548, #95C548, #74C548 and #53C548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94C548 shade: #688E2D, #7FAE36, #94C548, #A6CF68 and #B9D987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94C548 shade: #94C548, #48C591 and #C348C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94C548 shade: #94C548, #4895C5 and #C54895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94C548 shade: #94C548, #48C591, #7848C5 and #C5487C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94C548 shade: #94C548, #48C5B6, #7848C5 and #C54857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

Complementary color

CMYK 42 / 68 / 0 / 28

HEX #6B3AB7

RGB 107 58 183

HSL 263.52, 0.52%, 0.47%

LAB 37.06, 48.08, -58.37

 

CMYK 22 / 0 / 66 / 23

HEX #99C543

RGB 153 197 67

HSL 80.31, 0.53%, 0.52%

LAB 74.26, -33.71, 58.15

 

CMYK 21 / 0 / 60 / 16

HEX #AAD756

RGB 170 215 86

HSL 80.93, 0.62%, 0.59%

LAB 80.64, -34.03, 57.42

 

CMYK 20 / 0 / 55 / 9

HEX #BBE969

RGB 187 233 105

HSL 81.56, 0.74%, 0.66%

LAB 86.93, -34.25, 56.49

 

CMYK 19 / 0 / 51 / 2

HEX #CCFB7C

RGB 204 251 124

HSL 82.2, 0.94%, 0.74%

LAB 93.14, -34.39, 55.45

 

CMYK 13 / 0 / 44 / 0

HEX #DDFF8F

RGB 221 255 143

HSL 78.21, 1%, 0.78%

LAB 95.53, -28.04, 49.74

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 27 / 0 / 70 / 30

HEX #83B335

RGB 131 179 53

HSL 82.86, 0.54%, 0.45%

LAB 67.52, -34.91, 56.25

 

CMYK 29 / 0 / 79 / 37

HEX #72A122

RGB 114 161 34

HSL 82.2, 0.65%, 0.38%

LAB 60.94, -34.39, 56.16

 

CMYK 32 / 0 / 90 / 44

HEX #618F0F

RGB 97 143 15

HSL 81.56, 0.81%, 0.31%

LAB 54.26, -33.62, 54.88

 

CMYK 36 / 0 / 100 / 51

HEX #507D00

RGB 80 125 0

HSL 81.6, 1%, 0.25%

LAB 47.46, -32.54, 51.83

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 8 / 0 / 63 / 23

HEX #B6C548

RGB 182 197 72

HSL 67.2, 0.52%, 0.53%

LAB 76.28, -21.74, 58.84

 

CMYK 0 / 9 / 63 / 23

HEX #C5B348

RGB 197 179 72

HSL 51.36, 0.52%, 0.53%

LAB 72.61, -6.28, 55.29

 

CMYK 0 / 26 / 63 / 23

HEX #C59148

RGB 197 145 72

HSL 35.04, 0.52%, 0.53%

LAB 63.83, 11.97, 45.59

 

CMYK 0 / 44 / 63 / 23

HEX #C56F48

RGB 197 111 72

HSL 18.72, 0.52%, 0.53%

LAB 55.79, 30.52, 36.24

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 42 / 0 / 63 / 23

HEX #72C548

RGB 114 197 72

HSL 99.84, 0.52%, 0.53%

LAB 72.21, -47.24, 53.26

 

CMYK 59 / 0 / 63 / 23

HEX #51C548

RGB 81 197 72

HSL 115.68, 0.52%, 0.53%

LAB 70.97, -56.55, 51.54

 

CMYK 63 / 0 / 51 / 23

HEX #48C561

RGB 72 197 97

HSL 132, 0.52%, 0.53%

LAB 70.99, -55.47, 39.93

 

CMYK 63 / 0 / 34 / 23

HEX #48C583

RGB 72 197 131

HSL 148.32, 0.52%, 0.53%

LAB 71.52, -49.64, 23.18

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 30 / 0 / 75 / 15

HEX #98D835

RGB 152 216 53

HSL 83.56, 0.68%, 0.53%

LAB 79.64, -43.42, 68.54

 

CMYK 34 / 0 / 86 / 7

HEX #9CEC22

RGB 156 236 34

HSL 83.76, 0.84%, 0.53%

LAB 85.59, -51.12, 78.84

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 19 / 0 / 48 / 30

HEX #90B25C

RGB 144 178 92

HSL 83.72, 0.36%, 0.53%

LAB 68.42, -25.9, 39.97

 

CMYK 11 / 0 / 30 / 38

HEX #8C9E6F

RGB 140 158 111

HSL 82.98, 0.2%, 0.53%

LAB 62.66, -14.83, 22.51

 

CMYK 2 / 0 / 6 / 45

HEX #888B83

RGB 136 139 131

HSL 82.5, 0.03%, 0.53%

LAB 57.4, -2.65, 3.88

 

CMYK 13 / 21 / 0 / 41

HEX #837796

RGB 131 119 150

HSL 263.23, 0.13%, 0.53%

LAB 52.09, 11, -15.06

 

CMYK 0 / 10 / 63 / 23

HEX #C5B248

RGB 197 178 72

HSL 50.88, 0.52%, 0.53%

LAB 72.35, -5.75, 55.01

 

CMYK 8 / 0 / 63 / 23

HEX #B6C548

RGB 182 197 72

HSL 67.2, 0.52%, 0.53%

LAB 76.28, -21.74, 58.84

 

CMYK 24 / 0 / 63 / 23

HEX #95C548

RGB 149 197 72

HSL 83.04, 0.52%, 0.53%

LAB 74.06, -34.87, 55.8

 

CMYK 41 / 0 / 63 / 23

HEX #74C548

RGB 116 197 72

HSL 98.88, 0.52%, 0.53%

LAB 72.3, -46.59, 53.38

 

CMYK 58 / 0 / 63 / 23

HEX #53C548

RGB 83 197 72

HSL 114.72, 0.52%, 0.53%

LAB 71.04, -56.07, 51.62

 

CMYK 27 / 0 / 68 / 44

HEX #688E2D

RGB 104 142 45

HSL 83.51, 0.52%, 0.37%

LAB 54.53, -28.77, 45.56

 

CMYK 27 / 0 / 69 / 32

HEX #7FAE36

RGB 127 174 54

HSL 83.5, 0.53%, 0.45%

LAB 65.79, -34.09, 54.02

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 20 / 0 / 50 / 19

HEX #A6CF68

RGB 166 207 104

HSL 83.88, 0.52%, 0.61%

LAB 78.31, -30.12, 46.44

 

CMYK 15 / 0 / 38 / 15

HEX #B9D987

RGB 185 217 135

HSL 83.41, 0.52%, 0.69%

LAB 82.75, -24.19, 36.96

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 63 / 0 / 26 / 23

HEX #48C591

RGB 72 197 145

HSL 155.04, 0.52%, 0.53%

LAB 71.79, -46.73, 16.09

 

CMYK 1 / 63 / 0 / 23

HEX #C348C5

RGB 195 72 197

HSL 299.04, 0.52%, 0.53%

LAB 52.14, 64.34, -41.7

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 0 / 63 / 24 / 23

HEX #C54895

RGB 197 72 149

HSL 323.04, 0.52%, 0.53%

LAB 50.3, 57.52, -16.42

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 63 / 0 / 26 / 23

HEX #48C591

RGB 72 197 145

HSL 155.04, 0.52%, 0.53%

LAB 71.79, -46.73, 16.09

 

CMYK 39 / 63 / 0 / 23

HEX #7848C5

RGB 120 72 197

HSL 263.04, 0.52%, 0.53%

LAB 42.24, 47.04, -58.09

 

CMYK 0 / 63 / 37 / 23

HEX #C5487C

RGB 197 72 124

HSL 335.04, 0.52%, 0.53%

LAB 49.45, 54.43, -2.73

 

CMYK 25 / 0 / 63 / 23

HEX #94C548

RGB 148 197 72

HSL 83.52, 0.52%, 0.53%

LAB 74, -35.25, 55.72

 

CMYK 63 / 0 / 8 / 23

HEX #48C5B6

RGB 72 197 182

HSL 172.8, 0.52%, 0.53%

LAB 72.69, -37.79, -2.66

 

CMYK 39 / 63 / 0 / 23

HEX #7848C5

RGB 120 72 197

HSL 263.04, 0.52%, 0.53%

LAB 42.24, 47.04, -58.09

 

CMYK 0 / 63 / 56 / 23

HEX #C54857

RGB 197 72 87

HSL 352.8, 0.52%, 0.53%

LAB 48.5, 50.91, 18.32

 

Description

Color code: HEX #94C548 | qconv.com Color code: HEX #94C548 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 197 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 197 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 63 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 63% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - socialbusinessbrand....
Link: http://socialbusinessbrand.com

22% - sunglassesusa.com
Link: http://www.sunglassesusa.com

27% - fun24.com
Link: http://www.fun24.com

24% - goonet.com
Link: http://www.goonet.com

21% - typeish.com
Link: http://typeish.com

29% - laft.fm
Link: http://laft.fm

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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