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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DA38 it is the complementary color #6B25C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DA38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DA38 shade: #99DA33, #AAEC46, #BBFE59, #CCFF6C and #DDFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DA38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DA38 shade: #94DA38, #83C825, #72B612, #61A400 and #509200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DA38 shade: #94DA38, #C0DA38, #DAC938, #DA9D38 and #DA7138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DA38 shade: #94DA38, #69DA38, #3DDA38, #38DA5F and #38DA8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DA38 shade matches the following richer shades: #94DA38 and #97ED25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DA38 shade: #94DA38, #92C74B, #8FB45E, #8CA171 and #8A8E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DA38 shade: #DAC738, #C2DA38, #97DA38, #6CDA38 and #40DA38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DA38 shade: #69A21D, #80C524, #94DA38, #A7E15B and #BAE77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DA38 shade: #94DA38, #38DA9C and #DA38D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DA38 shade: #94DA38, #3897DA and #DA3897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DA38 shade: #94DA38, #38DA9C, #7C38DA and #DA3876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DA38 shade: #94DA38, #38DACD, #7C38DA and #DA3846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

Complementary color

CMYK 46 / 81 / 0 / 22

HEX #6B25C7

RGB 107 37 199

HSL 265.93, 0.69%, 0.46%

LAB 35.15, 61.44, -70.89

 

CMYK 30 / 0 / 77 / 15

HEX #99DA33

RGB 153 218 51

HSL 83.35, 0.69%, 0.53%

LAB 80.27, -44.01, 69.77

 

CMYK 28 / 0 / 70 / 7

HEX #AAEC46

RGB 170 236 70

HSL 83.86, 0.81%, 0.6%

LAB 86.49, -44.5, 69.88

 

CMYK 26 / 0 / 65 / 0

HEX #BBFE59

RGB 187 254 89

HSL 84.36, 0.99%, 0.67%

LAB 92.65, -44.86, 69.49

 

CMYK 20 / 0 / 58 / 0

HEX #CCFF6C

RGB 204 255 108

HSL 80.82, 1%, 0.71%

LAB 94.07, -37.65, 63.61

 

CMYK 13 / 0 / 50 / 0

HEX #DDFF7F

RGB 221 255 127

HSL 75.94, 1%, 0.75%

LAB 95.34, -29.65, 56.96

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 35 / 0 / 82 / 22

HEX #83C825

RGB 131 200 37

HSL 85.4, 0.69%, 0.46%

LAB 73.72, -44.97, 67.3

 

CMYK 37 / 0 / 90 / 29

HEX #72B612

RGB 114 182 18

HSL 84.88, 0.82%, 0.39%

LAB 67.33, -44.16, 65.61

 

CMYK 41 / 0 / 100 / 36

HEX #61A400

RGB 97 164 0

HSL 84.51, 1%, 0.32%

LAB 60.86, -43.09, 62.58

 

CMYK 45 / 0 / 100 / 43

HEX #509200

RGB 80 146 0

HSL 87.12, 1%, 0.29%

LAB 54.31, -41.6, 57.14

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 12 / 0 / 74 / 15

HEX #C0DA38

RGB 192 218 56

HSL 69.63, 0.69%, 0.54%

LAB 82.72, -28.66, 71.39

 

CMYK 0 / 8 / 74 / 15

HEX #DAC938

RGB 218 201 56

HSL 53.7, 0.69%, 0.54%

LAB 80.16, -9.48, 69.71

 

CMYK 0 / 28 / 74 / 15

HEX #DA9D38

RGB 218 157 56

HSL 37.41, 0.69%, 0.54%

LAB 68.97, 13.62, 58.96

 

CMYK 0 / 48 / 74 / 15

HEX #DA7138

RGB 218 113 56

HSL 21.11, 0.69%, 0.54%

LAB 58.98, 37.02, 48.84

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 52 / 0 / 74 / 15

HEX #69DA38

RGB 105 218 56

HSL 101.85, 0.69%, 0.54%

LAB 78.13, -59.31, 65.38

 

CMYK 72 / 0 / 74 / 15

HEX #3DDA38

RGB 61 218 56

HSL 118.15, 0.69%, 0.54%

LAB 76.93, -69.03, 63.79

 

CMYK 74 / 0 / 56 / 15

HEX #38DA5F

RGB 56 218 95

HSL 134.44, 0.69%, 0.54%

LAB 77.17, -65.88, 48.26

 

CMYK 74 / 0 / 36 / 15

HEX #38DA8B

RGB 56 218 139

HSL 150.74, 0.69%, 0.54%

LAB 77.78, -58.74, 27.39

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 36 / 0 / 84 / 7

HEX #97ED25

RGB 151 237 37

HSL 85.8, 0.85%, 0.54%

LAB 85.65, -53.16, 78.18

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 27 / 0 / 62 / 22

HEX #92C74B

RGB 146 199 75

HSL 85.65, 0.53%, 0.54%

LAB 74.49, -36.67, 54.95

 

CMYK 21 / 0 / 48 / 29

HEX #8FB45E

RGB 143 180 94

HSL 85.81, 0.36%, 0.54%

LAB 68.96, -27.03, 39.62

 

CMYK 13 / 0 / 30 / 37

HEX #8CA171

RGB 140 161 113

HSL 86.25, 0.2%, 0.54%

LAB 63.56, -16.1, 22.63

 

CMYK 3 / 0 / 7 / 44

HEX #8A8E84

RGB 138 142 132

HSL 84, 0.04%, 0.54%

LAB 58.43, -3.39, 4.81

 

CMYK 0 / 9 / 74 / 15

HEX #DAC738

RGB 218 199 56

HSL 52.96, 0.69%, 0.54%

LAB 79.64, -8.46, 69.21

 

CMYK 11 / 0 / 74 / 15

HEX #C2DA38

RGB 194 218 56

HSL 68.89, 0.69%, 0.54%

LAB 82.86, -27.85, 71.57

 

CMYK 31 / 0 / 74 / 15

HEX #97DA38

RGB 151 218 56

HSL 84.81, 0.69%, 0.54%

LAB 80.18, -44.48, 68.08

 

CMYK 50 / 0 / 74 / 15

HEX #6CDA38

RGB 108 218 56

HSL 100.74, 0.69%, 0.54%

LAB 78.24, -58.47, 65.52

 

CMYK 71 / 0 / 74 / 15

HEX #40DA38

RGB 64 218 56

HSL 117.04, 0.69%, 0.54%

LAB 76.99, -68.53, 63.87

 

CMYK 35 / 0 / 82 / 36

HEX #69A21D

RGB 105 162 29

HSL 85.71, 0.7%, 0.37%

LAB 60.72, -38.51, 57.26

 

CMYK 35 / 0 / 82 / 23

HEX #80C524

RGB 128 197 36

HSL 85.71, 0.69%, 0.46%

LAB 72.66, -44.83, 66.56

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 26 / 0 / 60 / 12

HEX #A7E15B

RGB 167 225 91

HSL 85.97, 0.69%, 0.62%

LAB 83.35, -39.25, 58.24

 

CMYK 19 / 0 / 45 / 9

HEX #BAE77E

RGB 186 231 126

HSL 85.71, 0.69%, 0.7%

LAB 86.55, -31.55, 46.23

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 74 / 0 / 28 / 15

HEX #38DA9C

RGB 56 218 156

HSL 157.04, 0.69%, 0.54%

LAB 78.1, -55.24, 18.96

 

CMYK 0 / 74 / 1 / 15

HEX #DA38D7

RGB 218 56 215

HSL 301.11, 0.69%, 0.54%

LAB 54.7, 77.88, -47.72

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 74 / 31 / 0 / 15

HEX #3897DA

RGB 56 151 218

HSL 204.81, 0.69%, 0.54%

LAB 59.92, -5.39, -42.05

 

CMYK 0 / 74 / 31 / 15

HEX #DA3897

RGB 218 56 151

HSL 324.81, 0.69%, 0.54%

LAB 51.8, 69.23, -15.01

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 74 / 0 / 28 / 15

HEX #38DA9C

RGB 56 218 156

HSL 157.04, 0.69%, 0.54%

LAB 78.1, -55.24, 18.96

 

CMYK 43 / 74 / 0 / 15

HEX #7C38DA

RGB 124 56 218

HSL 265.19, 0.69%, 0.54%

LAB 41.49, 60.94, -71.41

 

CMYK 0 / 74 / 46 / 15

HEX #DA3876

RGB 218 56 118

HSL 337.04, 0.69%, 0.54%

LAB 50.74, 65.88, 3.21

 

CMYK 32 / 0 / 74 / 15

HEX #94DA38

RGB 148 218 56

HSL 85.93, 0.69%, 0.54%

LAB 80.02, -45.56, 67.87

 

CMYK 74 / 0 / 6 / 15

HEX #38DACD

RGB 56 218 205

HSL 175.19, 0.69%, 0.54%

LAB 79.27, -43.19, -5.4

 

CMYK 43 / 74 / 0 / 15

HEX #7C38DA

RGB 124 56 218

HSL 265.19, 0.69%, 0.54%

LAB 41.49, 60.94, -71.41

 

CMYK 0 / 74 / 68 / 15

HEX #DA3846

RGB 218 56 70

HSL 354.81, 0.69%, 0.54%

LAB 49.71, 62.54, 30.78

 

Description

Color code: HEX #94DA38 | qconv.com Color code: HEX #94DA38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 218 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 218 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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