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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94DAC2 it is the complementary color #6B253D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94DAC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94DAC2 shade: #99DABD, #AAECD0, #BBFEE3, #CCFFF6 and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94DAC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94DAC2 shade: #94DAC2, #83C8AF, #72B69C, #61A489 and #509276

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94DAC2 shade: #94DAC2, #94DAAF, #94DA9C, #9FDA94 and #B2DA94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94DAC2 shade: #94DAC2, #94DAD5, #94CCDA, #94B9DA and #94A7DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94DAC2 shade matches the following richer shades: #94DAC2, #89E6C6, #7DF1C9 and #71FDCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94DAC2 shade: #94DAC2, #A0CFBE, #ABC3BB, #B7B7B7 and #C2ACB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94DAC2 shade: #94DA9C, #94DAAF, #94DAC2, #94DAD4 and #94CDDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94DAC2 shade: #57C59F, #75D0B1, #94DAC2, #B3E5D4 and #D2EFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94DAC2 shade: #94DAC2, #949FDA and #DAA694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94DAC2 shade: #94DAC2, #C294DA and #DAC294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94DAC2 shade: #94DAC2, #949FDA, #DA94AD and #DAD094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94DAC2 shade: #94DAC2, #9F94DA, #DA94AD and #D0DA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

Complementary color

CMYK 0 / 65 / 43 / 58

HEX #6B253D

RGB 107 37 61

HSL 339.43, 0.49%, 0.28%

LAB 26.12, 33.56, 1.28

 

CMYK 30 / 0 / 13 / 15

HEX #99DABD

RGB 153 218 189

HSL 153.23, 0.47%, 0.73%

LAB 82.16, -26.6, 7.73

 

CMYK 28 / 0 / 12 / 7

HEX #AAECD0

RGB 170 236 208

HSL 154.55, 0.63%, 0.8%

LAB 88.49, -26.4, 6.95

 

CMYK 26 / 0 / 11 / 0

HEX #BBFEE3

RGB 187 254 227

HSL 155.82, 0.97%, 0.86%

LAB 94.74, -26.21, 6.2

 

CMYK 20 / 0 / 4 / 0

HEX #CCFFF6

RGB 204 255 246

HSL 169.41, 1%, 0.9%

LAB 96.41, -17.84, -1.03

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 35 / 0 / 13 / 22

HEX #83C8AF

RGB 131 200 175

HSL 158.26, 0.39%, 0.65%

LAB 75.59, -27.26, 5.63

 

CMYK 37 / 0 / 14 / 29

HEX #72B69C

RGB 114 182 156

HSL 157.06, 0.32%, 0.58%

LAB 69.06, -27.48, 6.47

 

CMYK 41 / 0 / 16 / 36

HEX #61A489

RGB 97 164 137

HSL 155.82, 0.27%, 0.51%

LAB 62.42, -27.71, 7.37

 

CMYK 45 / 0 / 19 / 43

HEX #509276

RGB 80 146 118

HSL 154.55, 0.29%, 0.44%

LAB 55.66, -27.94, 8.36

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 32 / 0 / 20 / 15

HEX #94DAAF

RGB 148 218 175

HSL 143.14, 0.49%, 0.72%

LAB 81.58, -30.86, 14.28

 

CMYK 32 / 0 / 28 / 15

HEX #94DA9C

RGB 148 218 156

HSL 126.86, 0.49%, 0.72%

LAB 81.2, -34.3, 23.72

 

CMYK 27 / 0 / 32 / 15

HEX #9FDA94

RGB 159 218 148

HSL 110.57, 0.49%, 0.72%

LAB 81.65, -32.03, 28.58

 

CMYK 18 / 0 / 32 / 15

HEX #B2DA94

RGB 178 218 148

HSL 94.29, 0.49%, 0.72%

LAB 82.78, -25.46, 30.29

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 32 / 0 / 2 / 15

HEX #94DAD5

RGB 148 218 213

HSL 175.71, 0.49%, 0.72%

LAB 82.51, -22.89, -4.54

 

CMYK 32 / 6 / 0 / 15

HEX #94CCDA

RGB 148 204 218

HSL 192, 0.49%, 0.72%

LAB 78.78, -14.66, -12.75

 

CMYK 32 / 15 / 0 / 15

HEX #94B9DA

RGB 148 185 218

HSL 208.29, 0.49%, 0.72%

LAB 73.58, -4.64, -20.59

 

CMYK 32 / 23 / 0 / 15

HEX #94A7DA

RGB 148 167 218

HSL 223.71, 0.49%, 0.72%

LAB 68.75, 5.25, -27.98

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C6

RGB 137 230 198

HSL 159.35, 0.65%, 0.72%

LAB 84.99, -34.92, 6.95

 

CMYK 48 / 0 / 17 / 5

HEX #7DF1C9

RGB 125 241 201

HSL 159.31, 0.81%, 0.72%

LAB 87.72, -42.23, 9.23

 

CMYK 55 / 0 / 19 / 1

HEX #71FDCD

RGB 113 253 205

HSL 159.43, 0.97%, 0.72%

LAB 90.86, -49.16, 11.58

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 23 / 0 / 8 / 19

HEX #A0CFBE

RGB 160 207 190

HSL 158.3, 0.33%, 0.72%

LAB 79.51, -18.82, 3.43

 

CMYK 12 / 0 / 4 / 24

HEX #ABC3BB

RGB 171 195 187

HSL 160, 0.17%, 0.72%

LAB 76.85, -9.7, 1.26

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 0 / 11 / 7 / 24

HEX #C2ACB4

RGB 194 172 180

HSL 338.18, 0.15%, 0.72%

LAB 72.41, 9.32, -1.19

 

CMYK 32 / 0 / 28 / 15

HEX #94DA9C

RGB 148 218 156

HSL 126.86, 0.49%, 0.72%

LAB 81.2, -34.3, 23.72

 

CMYK 32 / 0 / 20 / 15

HEX #94DAAF

RGB 148 218 175

HSL 143.14, 0.49%, 0.72%

LAB 81.58, -30.86, 14.28

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 32 / 0 / 3 / 15

HEX #94DAD4

RGB 148 218 212

HSL 174.86, 0.49%, 0.72%

LAB 82.48, -23.12, -4.05

 

CMYK 32 / 6 / 0 / 15

HEX #94CDDA

RGB 148 205 218

HSL 191.14, 0.49%, 0.72%

LAB 79.05, -15.17, -12.34

 

CMYK 56 / 0 / 19 / 23

HEX #57C59F

RGB 87 197 159

HSL 159.27, 0.49%, 0.56%

LAB 72.54, -40.6, 9.66

 

CMYK 44 / 0 / 15 / 18

HEX #75D0B1

RGB 117 208 177

HSL 159.56, 0.49%, 0.64%

LAB 77.32, -34.46, 6.96

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 22 / 0 / 7 / 10

HEX #B3E5D4

RGB 179 229 212

HSL 159.6, 0.49%, 0.8%

LAB 87.18, -19.45, 3.02

 

CMYK 12 / 0 / 4 / 6

HEX #D2EFE5

RGB 210 239 229

HSL 159.31, 0.48%, 0.88%

LAB 92.17, -11.34, 1.62

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 32 / 27 / 0 / 15

HEX #949FDA

RGB 148 159 218

HSL 230.57, 0.49%, 0.72%

LAB 66.64, 9.76, -31.23

 

CMYK 0 / 24 / 32 / 15

HEX #DAA694

RGB 218 166 148

HSL 15.43, 0.49%, 0.72%

LAB 72.44, 16.68, 16.73

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 11 / 32 / 0 / 15

HEX #C294DA

RGB 194 148 218

HSL 279.43, 0.49%, 0.72%

LAB 67.81, 29.88, -29.11

 

CMYK 0 / 11 / 32 / 15

HEX #DAC294

RGB 218 194 148

HSL 39.43, 0.49%, 0.72%

LAB 79.4, 1.75, 26.28

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 32 / 27 / 0 / 15

HEX #949FDA

RGB 148 159 218

HSL 230.57, 0.49%, 0.72%

LAB 66.64, 9.76, -31.23

 

CMYK 0 / 32 / 21 / 15

HEX #DA94AD

RGB 218 148 173

HSL 338.57, 0.49%, 0.72%

LAB 68.83, 29.89, -2.29

 

CMYK 0 / 5 / 32 / 15

HEX #DAD094

RGB 218 208 148

HSL 51.43, 0.49%, 0.72%

LAB 83, -5.52, 31.09

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC2

RGB 148 218 194

HSL 159.43, 0.49%, 0.72%

LAB 82.02, -27.05, 4.84

 

CMYK 27 / 32 / 0 / 15

HEX #9F94DA

RGB 159 148 218

HSL 249.43, 0.49%, 0.72%

LAB 64.65, 19.21, -34.24

 

CMYK 0 / 32 / 21 / 15

HEX #DA94AD

RGB 218 148 173

HSL 338.57, 0.49%, 0.72%

LAB 68.83, 29.89, -2.29

 

CMYK 5 / 0 / 32 / 15

HEX #D0DA94

RGB 208 218 148

HSL 68.57, 0.49%, 0.72%

LAB 84.84, -14.41, 33.39

 

Description

Color code: HEX #94DAC2 | qconv.com Color code: HEX #94DAC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 218 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 218 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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