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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E4A0 it is the complementary color #6B1B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E4A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E4A0 shade: #99E49B, #AAF6AE, #BBFFC1, #CCFFD4 and #DDFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E4A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E4A0 shade: #94E4A0, #83D28D, #72C07A, #61AE67 and #509C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E4A0 shade: #94E4A0, #9EE494, #B3E494, #C9E494 and #DEE494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E4A0 shade: #94E4A0, #94E4B6, #94E4CB, #94E4E1 and #94D2E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E4A0 shade matches the following richer shades: #94E4A0, #8AEF99 and #7FF991

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E4A0 shade: #94E4A0, #9FD9A8, #AACFAF, #B5C4B7 and #BFB9BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E4A0 shade: #B3E494, #9EE494, #94E4A0, #94E4B6 and #94E4CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E4A0 shade: #52D366, #73DC83, #94E4A0, #B5ECBE and #D6F4DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E4A0 shade: #94E4A0, #94C8E4 and #E494A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E4A0 shade: #94E4A0, #A094E4 and #E4A094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E4A0 shade: #94E4A0, #94C8E4, #E494D8 and #E4B094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E4A0 shade: #94E4A0, #94B0E4, #E494D8 and #E4C894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

Complementary color

CMYK 0 / 75 / 11 / 58

HEX #6B1B5F

RGB 107 27 95

HSL 309, 0.6%, 0.26%

LAB 25.97, 42.88, -21.6

 

CMYK 33 / 0 / 32 / 11

HEX #99E49B

RGB 153 228 155

HSL 121.6, 0.58%, 0.75%

LAB 84.29, -37.47, 28.47

 

CMYK 31 / 0 / 29 / 4

HEX #AAF6AE

RGB 170 246 174

HSL 123.16, 0.81%, 0.82%

LAB 90.56, -37.23, 27.4

 

CMYK 27 / 0 / 24 / 0

HEX #BBFFC1

RGB 187 255 193

HSL 125.29, 1%, 0.87%

LAB 94.28, -32.87, 22.99

 

CMYK 20 / 0 / 17 / 0

HEX #CCFFD4

RGB 204 255 212

HSL 129.41, 1%, 0.9%

LAB 95.63, -24.21, 15.31

 

CMYK 13 / 0 / 9 / 0

HEX #DDFFE7

RGB 221 255 231

HSL 137.65, 1%, 0.93%

LAB 97.09, -15.37, 7.79

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 38 / 0 / 33 / 18

HEX #83D28D

RGB 131 210 141

HSL 127.59, 0.47%, 0.67%

LAB 77.78, -38.44, 26.76

 

CMYK 41 / 0 / 36 / 25

HEX #72C07A

RGB 114 192 122

HSL 126.15, 0.38%, 0.6%

LAB 71.34, -38.69, 27.94

 

CMYK 44 / 0 / 41 / 32

HEX #61AE67

RGB 97 174 103

HSL 124.68, 0.32%, 0.53%

LAB 64.8, -38.9, 29.2

 

CMYK 49 / 0 / 46 / 39

HEX #509C54

RGB 80 156 84

HSL 123.16, 0.32%, 0.46%

LAB 58.15, -39.04, 30.53

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 31 / 0 / 35 / 11

HEX #9EE494

RGB 158 228 148

HSL 112.5, 0.6%, 0.74%

LAB 84.43, -36.97, 32.27

 

CMYK 21 / 0 / 35 / 11

HEX #B3E494

RGB 179 228 148

HSL 96.75, 0.6%, 0.74%

LAB 85.61, -29.87, 34.05

 

CMYK 12 / 0 / 35 / 11

HEX #C9E494

RGB 201 228 148

HSL 80.25, 0.6%, 0.74%

LAB 87.02, -21.96, 36.16

 

CMYK 3 / 0 / 35 / 11

HEX #DEE494

RGB 222 228 148

HSL 64.5, 0.6%, 0.74%

LAB 88.52, -14.08, 38.41

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 35 / 0 / 20 / 11

HEX #94E4B6

RGB 148 228 182

HSL 145.5, 0.6%, 0.74%

LAB 84.57, -34.2, 14.8

 

CMYK 35 / 0 / 11 / 11

HEX #94E4CB

RGB 148 228 203

HSL 161.25, 0.6%, 0.74%

LAB 85.04, -29.94, 4.46

 

CMYK 35 / 0 / 1 / 11

HEX #94E4E1

RGB 148 228 225

HSL 177.75, 0.6%, 0.74%

LAB 85.61, -25.04, -6.31

 

CMYK 35 / 8 / 0 / 11

HEX #94D2E4

RGB 148 210 228

HSL 193.5, 0.6%, 0.74%

LAB 80.73, -15.32, -15.18

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 42 / 0 / 36 / 6

HEX #8AEF99

RGB 138 239 153

HSL 128.91, 0.76%, 0.74%

LAB 86.72, -47.1, 32.61

 

CMYK 49 / 0 / 42 / 2

HEX #7FF991

RGB 127 249 145

HSL 128.85, 0.91%, 0.74%

LAB 89.07, -55.43, 39.58

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 27 / 0 / 23 / 15

HEX #9FD9A8

RGB 159 217 168

HSL 129.31, 0.43%, 0.74%

LAB 81.74, -28.23, 18.28

 

CMYK 18 / 0 / 15 / 19

HEX #AACFAF

RGB 170 207 175

HSL 128.11, 0.28%, 0.74%

LAB 79.77, -18.44, 11.89

 

CMYK 8 / 0 / 7 / 23

HEX #B5C4B7

RGB 181 196 183

HSL 128, 0.11%, 0.74%

LAB 77.71, -7.58, 4.76

 

CMYK 0 / 3 / 1 / 25

HEX #BFB9BE

RGB 191 185 190

HSL 310, 0.04%, 0.74%

LAB 75.76, 3.03, -1.78

 

CMYK 21 / 0 / 35 / 11

HEX #B3E494

RGB 179 228 148

HSL 96.75, 0.6%, 0.74%

LAB 85.61, -29.87, 34.05

 

CMYK 31 / 0 / 35 / 11

HEX #9EE494

RGB 158 228 148

HSL 112.5, 0.6%, 0.74%

LAB 84.43, -36.97, 32.27

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 35 / 0 / 20 / 11

HEX #94E4B6

RGB 148 228 182

HSL 145.5, 0.6%, 0.74%

LAB 84.57, -34.2, 14.8

 

CMYK 35 / 0 / 11 / 11

HEX #94E4CB

RGB 148 228 203

HSL 161.25, 0.6%, 0.74%

LAB 85.04, -29.94, 4.46

 

CMYK 61 / 0 / 52 / 17

HEX #52D366

RGB 82 211 102

HSL 129.3, 0.59%, 0.57%

LAB 75.66, -57.83, 43.31

 

CMYK 48 / 0 / 40 / 14

HEX #73DC83

RGB 115 220 131

HSL 129.14, 0.6%, 0.66%

LAB 79.88, -48.99, 34.54

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 23 / 0 / 19 / 7

HEX #B5ECBE

RGB 181 236 190

HSL 129.82, 0.59%, 0.82%

LAB 88.7, -26.36, 16.7

 

CMYK 12 / 0 / 10 / 4

HEX #D6F4DB

RGB 214 244 219

HSL 130, 0.58%, 0.9%

LAB 93.5, -14.36, 8.76

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 35 / 12 / 0 / 11

HEX #94C8E4

RGB 148 200 228

HSL 201, 0.6%, 0.74%

LAB 78, -10.13, -19.3

 

CMYK 0 / 35 / 26 / 11

HEX #E494A8

RGB 228 148 168

HSL 345, 0.6%, 0.74%

LAB 69.82, 32.76, 2.1

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 30 / 35 / 0 / 11

HEX #A094E4

RGB 160 148 228

HSL 249, 0.6%, 0.74%

LAB 65.16, 21.99, -38.98

 

CMYK 0 / 30 / 35 / 11

HEX #E4A094

RGB 228 160 148

HSL 9, 0.6%, 0.74%

LAB 72.08, 23.75, 16.39

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 35 / 12 / 0 / 11

HEX #94C8E4

RGB 148 200 228

HSL 201, 0.6%, 0.74%

LAB 78, -10.13, -19.3

 

CMYK 0 / 35 / 5 / 11

HEX #E494D8

RGB 228 148 216

HSL 309, 0.6%, 0.74%

LAB 71.3, 40.29, -22.33

 

CMYK 0 / 23 / 35 / 11

HEX #E4B094

RGB 228 176 148

HSL 21, 0.6%, 0.74%

LAB 75.87, 15.19, 21.63

 

CMYK 35 / 0 / 30 / 11

HEX #94E4A0

RGB 148 228 160

HSL 129, 0.6%, 0.74%

LAB 84.13, -38.19, 25.64

 

CMYK 35 / 23 / 0 / 11

HEX #94B0E4

RGB 148 176 228

HSL 219, 0.6%, 0.74%

LAB 71.52, 2.82, -29.19

 

CMYK 0 / 35 / 5 / 11

HEX #E494D8

RGB 228 148 216

HSL 309, 0.6%, 0.74%

LAB 71.3, 40.29, -22.33

 

CMYK 0 / 12 / 35 / 11

HEX #E4C894

RGB 228 200 148

HSL 39, 0.6%, 0.74%

LAB 81.81, 2.51, 29.66

 

Description

Color code: HEX #94E4A0 | qconv.com Color code: HEX #94E4A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 228 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 228 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 30 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 30% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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