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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E5C4 it is the complementary color #6B1A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E5C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E5C4 shade: #99E5BF, #AAF7D2, #BBFFE5, #CCFFF8 and #DDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E5C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E5C4 shade: #94E5C4, #83D3B1, #72C19E, #61AF8B and #509D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E5C4 shade: #94E5C4, #94E5AE, #94E598, #A5E594 and #BBE594

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E5C4 shade: #94E5C4, #94E5DA, #94DAE5, #94C4E5 and #94AEE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E5C4 shade matches the following richer shades: #94E5C4, #89EFC6 and #7EFAC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E5C4 shade: #94E5C4, #9EDAC2, #A9CFC0, #B4C4BE and #BFBABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E5C4 shade: #94E598, #94E5AD, #94E5C3, #94E5D9 and #94DBE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E5C4 shade: #51D59F, #73DDB1, #94E5C4, #B5EDD6 and #D6F5E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E5C4 shade: #94E5C4, #94A5E5 and #E5A394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E5C4 shade: #94E5C4, #C394E5 and #E5C394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E5C4 shade: #94E5C4, #94A5E5, #E594B5 and #E5D394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E5C4 shade: #94E5C4, #9A94E5, #E594B5 and #DEE594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

Complementary color

CMYK 0 / 76 / 45 / 58

HEX #6B1A3B

RGB 107 26 59

HSL 335.56, 0.61%, 0.26%

LAB 24.26, 38.25, -0.06

 

CMYK 33 / 0 / 17 / 10

HEX #99E5BF

RGB 153 229 191

HSL 150, 0.59%, 0.75%

LAB 85.29, -31.46, 11.14

 

CMYK 31 / 0 / 15 / 3

HEX #AAF7D2

RGB 170 247 210

HSL 151.17, 0.83%, 0.82%

LAB 91.56, -31.22, 10.31

 

CMYK 27 / 0 / 10 / 0

HEX #BBFFE5

RGB 187 255 229

HSL 157.06, 1%, 0.87%

LAB 95.05, -26.29, 5.63

 

CMYK 20 / 0 / 3 / 0

HEX #CCFFF8

RGB 204 255 248

HSL 171.76, 1%, 0.9%

LAB 96.47, -17.44, -1.98

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 38 / 0 / 16 / 17

HEX #83D3B1

RGB 131 211 177

HSL 154.5, 0.48%, 0.67%

LAB 78.8, -32.11, 9.16

 

CMYK 41 / 0 / 18 / 24

HEX #72C19E

RGB 114 193 158

HSL 153.42, 0.39%, 0.6%

LAB 72.35, -32.34, 10.08

 

CMYK 45 / 0 / 21 / 31

HEX #61AF8B

RGB 97 175 139

HSL 152.31, 0.33%, 0.53%

LAB 65.8, -32.57, 11.06

 

CMYK 49 / 0 / 24 / 38

HEX #509D78

RGB 80 157 120

HSL 151.17, 0.32%, 0.46%

LAB 59.14, -32.77, 12.14

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 35 / 0 / 24 / 10

HEX #94E5AE

RGB 148 229 174

HSL 139.26, 0.61%, 0.74%

LAB 84.68, -36.17, 19.15

 

CMYK 35 / 0 / 34 / 10

HEX #94E598

RGB 148 229 152

HSL 122.96, 0.61%, 0.74%

LAB 84.28, -39.96, 29.95

 

CMYK 28 / 0 / 35 / 10

HEX #A5E594

RGB 165 229 148

HSL 107.41, 0.61%, 0.74%

LAB 85.09, -35.12, 33.21

 

CMYK 18 / 0 / 35 / 10

HEX #BBE594

RGB 187 229 148

HSL 91.11, 0.61%, 0.74%

LAB 86.38, -27.52, 35.15

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 35 / 0 / 5 / 10

HEX #94E5DA

RGB 148 229 218

HSL 171.85, 0.61%, 0.74%

LAB 85.7, -27.13, -2.49

 

CMYK 35 / 5 / 0 / 10

HEX #94DAE5

RGB 148 218 229

HSL 188.15, 0.61%, 0.74%

LAB 82.96, -19.14, -12.37

 

CMYK 35 / 14 / 0 / 10

HEX #94C4E5

RGB 148 196 229

HSL 204.44, 0.61%, 0.74%

LAB 76.94, -7.77, -21.44

 

CMYK 35 / 24 / 0 / 10

HEX #94AEE5

RGB 148 174 229

HSL 220.74, 0.61%, 0.74%

LAB 71.03, 4.18, -30.5

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 43 / 0 / 17 / 6

HEX #89EFC6

RGB 137 239 198

HSL 155.88, 0.76%, 0.74%

LAB 87.55, -39.03, 10.61

 

CMYK 50 / 0 / 20 / 2

HEX #7EFAC8

RGB 126 250 200

HSL 155.81, 0.93%, 0.74%

LAB 90.31, -46.14, 13.44

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 28 / 0 / 11 / 15

HEX #9EDAC2

RGB 158 218 194

HSL 156, 0.45%, 0.74%

LAB 82.54, -24.08, 5.67

 

CMYK 18 / 0 / 7 / 19

HEX #A9CFC0

RGB 169 207 192

HSL 156.32, 0.28%, 0.74%

LAB 80.1, -15.55, 3.29

 

CMYK 8 / 0 / 3 / 23

HEX #B4C4BE

RGB 180 196 190

HSL 157.5, 0.12%, 0.74%

LAB 77.82, -6.61, 1.13

 

CMYK 0 / 3 / 2 / 25

HEX #BFBABC

RGB 191 186 188

HSL 336, 0.04%, 0.74%

LAB 75.96, 2.12, -0.4

 

CMYK 35 / 0 / 34 / 10

HEX #94E598

RGB 148 229 152

HSL 122.96, 0.61%, 0.74%

LAB 84.28, -39.96, 29.95

 

CMYK 35 / 0 / 24 / 10

HEX #94E5AD

RGB 148 229 173

HSL 138.52, 0.61%, 0.74%

LAB 84.66, -36.35, 19.64

 

CMYK 35 / 0 / 15 / 10

HEX #94E5C3

RGB 148 229 195

HSL 154.81, 0.61%, 0.74%

LAB 85.14, -32.08, 8.8

 

CMYK 35 / 0 / 5 / 10

HEX #94E5D9

RGB 148 229 217

HSL 171.11, 0.61%, 0.74%

LAB 85.68, -27.35, -2

 

CMYK 35 / 4 / 0 / 10

HEX #94DBE5

RGB 148 219 229

HSL 187.41, 0.61%, 0.74%

LAB 83.24, -19.64, -11.95

 

CMYK 62 / 0 / 25 / 16

HEX #51D59F

RGB 81 213 159

HSL 155.45, 0.61%, 0.58%

LAB 77.19, -48.67, 16.19

 

CMYK 48 / 0 / 20 / 13

HEX #73DDB1

RGB 115 221 177

HSL 155.09, 0.61%, 0.66%

LAB 81.03, -40.88, 12.24

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 24 / 0 / 10 / 7

HEX #B5EDD6

RGB 181 237 214

HSL 155.36, 0.61%, 0.82%

LAB 89.51, -22.37, 5.36

 

CMYK 13 / 0 / 5 / 4

HEX #D6F5E8

RGB 214 245 232

HSL 154.84, 0.61%, 0.9%

LAB 94.07, -12.49, 2.85

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 35 / 28 / 0 / 10

HEX #94A5E5

RGB 148 165 229

HSL 227.41, 0.61%, 0.74%

LAB 68.65, 9.22, -34.17

 

CMYK 0 / 29 / 35 / 10

HEX #E5A394

RGB 229 163 148

HSL 11.11, 0.61%, 0.74%

LAB 72.89, 22.52, 17.53

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 15 / 35 / 0 / 10

HEX #C394E5

RGB 195 148 229

HSL 274.81, 0.61%, 0.74%

LAB 68.34, 32.51, -34.34

 

CMYK 0 / 15 / 35 / 10

HEX #E5C394

RGB 229 195 148

HSL 34.81, 0.61%, 0.74%

LAB 80.64, 5.51, 28.12

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 35 / 28 / 0 / 10

HEX #94A5E5

RGB 148 165 229

HSL 227.41, 0.61%, 0.74%

LAB 68.65, 9.22, -34.17

 

CMYK 0 / 35 / 21 / 10

HEX #E594B5

RGB 229 148 181

HSL 335.56, 0.61%, 0.74%

LAB 70.3, 34.97, -4.44

 

CMYK 0 / 8 / 35 / 10

HEX #E5D394

RGB 229 211 148

HSL 46.67, 0.61%, 0.74%

LAB 84.68, -2.8, 33.49

 

CMYK 35 / 0 / 14 / 10

HEX #94E5C4

RGB 148 229 196

HSL 155.56, 0.61%, 0.74%

LAB 85.16, -31.88, 8.3

 

CMYK 33 / 35 / 0 / 10

HEX #9A94E5

RGB 154 148 229

HSL 244.44, 0.61%, 0.74%

LAB 64.73, 20.56, -40.25

 

CMYK 0 / 35 / 21 / 10

HEX #E594B5

RGB 229 148 181

HSL 335.56, 0.61%, 0.74%

LAB 70.3, 34.97, -4.44

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

Description

Color code: HEX #94E5C4 | qconv.com Color code: HEX #94E5C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 229 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 229 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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