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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E827 it is the complementary color #6B17D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E827. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E827 shade: #99E822, #AAFA35, #BBFF48, #CCFF5B and #DDFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E827. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E827 shade: #94E827, #83D614, #72C401, #61B200 and #50A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E827 shade: #93E826, #C8E826, #E8D426, #E89F26 and #E86B26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E827 shade: #93E826, #5FE826, #2BE826, #26E855 and #26E889

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E827 shade matches the following richer shades: #93E826 and #96FB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E827 shade: #93E826, #91D439, #8EC14C, #8CAE60 and #899A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E827 shade: #E8D426, #C7E826, #94E826, #60E826 and #2CE826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E827 shade: #67A911, #7ECF15, #93E826, #A6EC4B and #B8F070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E827 shade: #94E827, #26E8A1 and #E826E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E827 shade: #94E827, #2694E8 and #E82694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E827 shade: #94E827, #26E8A1, #7A26E8 and #E8266D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E827 shade: #94E827, #26E8DB, #7A26E8 and #E82633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

Complementary color

CMYK 50 / 89 / 0 / 15

HEX #6B17D8

RGB 107 23 216

HSL 266.11, 0.81%, 0.47%

LAB 35.39, 69.62, -80.36

 

CMYK 34 / 0 / 85 / 9

HEX #99E822

RGB 153 232 34

HSL 83.94, 0.81%, 0.52%

LAB 84.28, -50.54, 77.66

 

CMYK 32 / 0 / 79 / 2

HEX #AAFA35

RGB 170 250 53

HSL 84.37, 0.95%, 0.59%

LAB 90.4, -51.25, 78.9

 

CMYK 27 / 0 / 72 / 0

HEX #BBFF48

RGB 187 255 72

HSL 82.3, 1%, 0.64%

LAB 92.82, -46.36, 75.78

 

CMYK 20 / 0 / 64 / 0

HEX #CCFF5B

RGB 204 255 91

HSL 78.66, 1%, 0.68%

LAB 93.93, -38.93, 70.38

 

CMYK 13 / 0 / 57 / 0

HEX #DDFF6E

RGB 221 255 110

HSL 74.07, 1%, 0.72%

LAB 95.17, -31.12, 64.28

 

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

CMYK 39 / 0 / 91 / 16

HEX #83D614

RGB 131 214 20

HSL 85.67, 0.83%, 0.46%

LAB 77.86, -51.25, 74.32

 

CMYK 42 / 0 / 99 / 23

HEX #72C401

RGB 114 196 1

HSL 85.23, 0.99%, 0.39%

LAB 71.6, -50.17, 71.16

 

CMYK 46 / 0 / 100 / 30

HEX #61B200

RGB 97 178 0

HSL 87.3, 1%, 0.35%

LAB 65.26, -48.73, 66.01

 

CMYK 50 / 0 / 100 / 37

HEX #50A000

RGB 80 160 0

HSL 90, 1%, 0.31%

LAB 58.83, -47.17, 60.68

 

CMYK 37 / 0 / 84 / 9

HEX #93E826

RGB 147 232 38

HSL 86.29, 0.81%, 0.53%

LAB 84, -52.49, 76.45

 

CMYK 14 / 0 / 84 / 9

HEX #C8E826

RGB 200 232 38

HSL 69.9, 0.81%, 0.53%

LAB 87.06, -32.62, 80.29

 

CMYK 0 / 9 / 84 / 9

HEX #E8D426

RGB 232 212 38

HSL 53.81, 0.81%, 0.53%

LAB 84.16, -9.67, 78.86

 

CMYK 0 / 31 / 84 / 9

HEX #E89F26

RGB 232 159 38

HSL 37.42, 0.81%, 0.53%

LAB 70.93, 17.92, 67.78

 

CMYK 0 / 54 / 84 / 9

HEX #E86B26

RGB 232 107 38

HSL 21.34, 0.81%, 0.53%

LAB 59.72, 44.81, 58.21

 

CMYK 37 / 0 / 84 / 9

HEX #93E826

RGB 147 232 38

HSL 86.29, 0.81%, 0.53%

LAB 84, -52.49, 76.45

 

CMYK 59 / 0 / 84 / 9

HEX #5FE826

RGB 95 232 38

HSL 102.37, 0.81%, 0.53%

LAB 81.99, -67.71, 73.92

 

CMYK 81 / 0 / 84 / 9

HEX #2BE826

RGB 43 232 38

HSL 118.45, 0.81%, 0.53%

LAB 80.94, -76.66, 72.58

 

CMYK 84 / 0 / 63 / 9

HEX #26E855

RGB 38 232 85

HSL 134.54, 0.81%, 0.53%

LAB 81.17, -73.58, 57.18

 

CMYK 84 / 0 / 41 / 9

HEX #26E889

RGB 38 232 137

HSL 150.62, 0.81%, 0.53%

LAB 81.8, -66.02, 33.69

 

CMYK 37 / 0 / 84 / 9

HEX #93E826

RGB 147 232 38

HSL 86.29, 0.81%, 0.53%

LAB 84, -52.49, 76.45

 

CMYK 40 / 0 / 93 / 2

HEX #96FB12

RGB 150 251 18

HSL 86.01, 0.97%, 0.53%

LAB 89.64, -59.43, 84.51

 

CMYK 37 / 0 / 84 / 9

HEX #93E826

RGB 147 232 38

HSL 86.29, 0.81%, 0.53%

LAB 84, -52.49, 76.45

 

CMYK 32 / 0 / 73 / 17

HEX #91D439

RGB 145 212 57

HSL 85.94, 0.64%, 0.53%

LAB 78.11, -44.03, 65.62

 

CMYK 26 / 0 / 61 / 24

HEX #8EC14C

RGB 142 193 76

HSL 86.15, 0.49%, 0.53%

LAB 72.5, -35.36, 52.26

 

CMYK 20 / 0 / 45 / 32

HEX #8CAE60

RGB 140 174 96

HSL 86.15, 0.33%, 0.53%

LAB 67.05, -25.01, 36.19

 

CMYK 11 / 0 / 25 / 40

HEX #899A73

RGB 137 154 115

HSL 86.15, 0.16%, 0.53%

LAB 61.37, -13.26, 18.52

 

CMYK 0 / 9 / 84 / 9

HEX #E8D426

RGB 232 212 38

HSL 53.81, 0.81%, 0.53%

LAB 84.16, -9.67, 78.86

 

CMYK 14 / 0 / 84 / 9

HEX #C7E826

RGB 199 232 38

HSL 70.21, 0.81%, 0.53%

LAB 86.99, -33.02, 80.21

 

CMYK 36 / 0 / 84 / 9

HEX #94E826

RGB 148 232 38

HSL 85.98, 0.81%, 0.53%

LAB 84.04, -52.15, 76.51

 

CMYK 59 / 0 / 84 / 9

HEX #60E826

RGB 96 232 38

HSL 102.06, 0.81%, 0.53%

LAB 82.02, -67.47, 73.96

 

CMYK 81 / 0 / 84 / 9

HEX #2CE826

RGB 44 232 38

HSL 118.14, 0.81%, 0.53%

LAB 80.95, -76.55, 72.6

 

CMYK 39 / 0 / 90 / 34

HEX #67A911

RGB 103 169 17

HSL 86.05, 0.82%, 0.36%

LAB 62.76, -42.67, 61.75

 

CMYK 39 / 0 / 90 / 19

HEX #7ECF15

RGB 126 207 21

HSL 86.13, 0.82%, 0.45%

LAB 75.52, -50.13, 72.14

 

CMYK 37 / 0 / 84 / 9

HEX #93E826

RGB 147 232 38

HSL 86.29, 0.81%, 0.53%

LAB 84, -52.49, 76.45

 

CMYK 30 / 0 / 68 / 7

HEX #A6EC4B

RGB 166 236 75

HSL 86.09, 0.81%, 0.61%

LAB 86.31, -45.62, 67.82

 

CMYK 23 / 0 / 53 / 6

HEX #B8F070

RGB 184 240 112

HSL 86.25, 0.81%, 0.69%

LAB 88.77, -37.86, 55.44

 

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

CMYK 84 / 0 / 31 / 9

HEX #26E8A1

RGB 38 232 161

HSL 158.04, 0.81%, 0.53%

LAB 82.22, -61.29, 22

 

CMYK 0 / 84 / 3 / 9

HEX #E826E1

RGB 232 38 225

HSL 302.16, 0.81%, 0.53%

LAB 56.07, 86.33, -51.08

 

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

CMYK 84 / 36 / 0 / 9

HEX #2694E8

RGB 38 148 232

HSL 205.98, 0.81%, 0.53%

LAB 59.36, -0.44, -50.74

 

CMYK 0 / 84 / 36 / 9

HEX #E82694

RGB 232 38 148

HSL 325.98, 0.81%, 0.53%

LAB 52.6, 76.87, -11.78

 

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

CMYK 84 / 0 / 31 / 9

HEX #26E8A1

RGB 38 232 161

HSL 158.04, 0.81%, 0.53%

LAB 82.22, -61.29, 22

 

CMYK 47 / 84 / 0 / 9

HEX #7A26E8

RGB 122 38 232

HSL 265.98, 0.81%, 0.53%

LAB 40.16, 70.77, -81.59

 

CMYK 0 / 84 / 53 / 9

HEX #E8266D

RGB 232 38 109

HSL 338.04, 0.81%, 0.53%

LAB 51.43, 73.53, 10.02

 

CMYK 36 / 0 / 83 / 9

HEX #94E827

RGB 148 232 39

HSL 86.11, 0.81%, 0.53%

LAB 84.05, -52.11, 76.29

 

CMYK 84 / 0 / 6 / 9

HEX #26E8DB

RGB 38 232 219

HSL 175.98, 0.81%, 0.53%

LAB 83.57, -47, -6.51

 

CMYK 47 / 84 / 0 / 9

HEX #7A26E8

RGB 122 38 232

HSL 265.98, 0.81%, 0.53%

LAB 40.16, 70.77, -81.59

 

CMYK 0 / 84 / 78 / 9

HEX #E82633

RGB 232 38 51

HSL 355.98, 0.81%, 0.53%

LAB 50.43, 70.57, 43.23

 

Description

Color code: HEX #94E827 | qconv.com Color code: HEX #94E827 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 232 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 232 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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