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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E872 it is the complementary color #6B178D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E872 shade: #99E86D, #AAFA80, #BBFF93, #CCFFA6 and #DDFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E872 shade: #94E872, #83D65F, #72C44C, #61B239 and #50A026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E872 shade: #94E872, #B4E872, #D3E872, #E8DC72 and #E8BD72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E872 shade: #94E872, #74E872, #72E890, #72E8AF and #72E8CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E872 shade matches the following richer shades: #94E872 and #8EF565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E872 shade: #94E872, #9ADA7F, #9FCD8D, #A5C09A and #AAB3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E872 shade: #D4E872, #B5E872, #95E872, #76E872 and #72E88E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E872 shade: #5EDC2B, #79E24F, #94E872, #AFED96 and #CAF3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E872 shade: #94E872, #72E8DC and #E872C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E872 shade: #94E872, #7295E8 and #E87295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E872 shade: #94E872, #72E8DC, #C472E8 and #E8727E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E872 shade: #94E872, #72D0E8, #C472E8 and #E88A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

Complementary color

CMYK 24 / 84 / 0 / 45

HEX #6B178D

RGB 107 23 141

HSL 282.71, 0.72%, 0.32%

LAB 28.54, 52.97, -46.81

 

CMYK 34 / 0 / 53 / 9

HEX #99E86D

RGB 153 232 109

HSL 98.54, 0.73%, 0.67%

LAB 84.79, -45.44, 51.68

 

CMYK 32 / 0 / 49 / 2

HEX #AAFA80

RGB 170 250 128

HSL 99.34, 0.92%, 0.74%

LAB 91, -45.4, 50.56

 

CMYK 27 / 0 / 42 / 0

HEX #BBFF93

RGB 187 255 147

HSL 97.78, 1%, 0.79%

LAB 93.53, -39.62, 44.88

 

CMYK 20 / 0 / 35 / 0

HEX #CCFFA6

RGB 204 255 166

HSL 94.38, 1%, 0.83%

LAB 94.79, -31.33, 37.4

 

CMYK 13 / 0 / 27 / 0

HEX #DDFFB9

RGB 221 255 185

HSL 89.14, 1%, 0.86%

LAB 96.16, -22.78, 29.93

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 39 / 0 / 56 / 16

HEX #83D65F

RGB 131 214 95

HSL 101.85, 0.59%, 0.61%

LAB 78.31, -46.53, 50.2

 

CMYK 42 / 0 / 61 / 23

HEX #72C44C

RGB 114 196 76

HSL 101, 0.5%, 0.53%

LAB 71.95, -46.45, 51.23

 

CMYK 46 / 0 / 68 / 30

HEX #61B239

RGB 97 178 57

HSL 100.17, 0.51%, 0.46%

LAB 65.5, -46.21, 52.04

 

CMYK 50 / 0 / 76 / 37

HEX #50A026

RGB 80 160 38

HSL 99.34, 0.62%, 0.39%

LAB 58.96, -45.73, 52.35

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 22 / 0 / 51 / 9

HEX #B4E872

RGB 180 232 114

HSL 86.44, 0.72%, 0.68%

LAB 86.32, -35.49, 51.56

 

CMYK 9 / 0 / 51 / 9

HEX #D3E872

RGB 211 232 114

HSL 70.68, 0.72%, 0.68%

LAB 88.34, -23.81, 54.45

 

CMYK 0 / 5 / 51 / 9

HEX #E8DC72

RGB 232 220 114

HSL 53.9, 0.72%, 0.68%

LAB 86.78, -9.59, 52.99

 

CMYK 0 / 19 / 51 / 9

HEX #E8BD72

RGB 232 189 114

HSL 38.14, 0.72%, 0.68%

LAB 78.91, 6.35, 43.46

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 50 / 0 / 51 / 9

HEX #74E872

RGB 116 232 114

HSL 118.98, 0.72%, 0.68%

LAB 83.25, -55.96, 47.13

 

CMYK 51 / 0 / 38 / 9

HEX #72E890

RGB 114 232 144

HSL 135.25, 0.72%, 0.68%

LAB 83.6, -52.05, 32.85

 

CMYK 51 / 0 / 25 / 9

HEX #72E8AF

RGB 114 232 175

HSL 151.02, 0.72%, 0.68%

LAB 84.17, -46.33, 17.69

 

CMYK 51 / 0 / 11 / 9

HEX #72E8CF

RGB 114 232 207

HSL 167.29, 0.72%, 0.68%

LAB 84.89, -39.33, 1.96

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 42 / 0 / 59 / 4

HEX #8EF565

RGB 142 245 101

HSL 102.92, 0.88%, 0.68%

LAB 87.97, -55.12, 58.82

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 29 / 0 / 42 / 15

HEX #9ADA7F

RGB 154 218 127

HSL 102.2, 0.55%, 0.68%

LAB 81.04, -36.75, 38.41

 

CMYK 22 / 0 / 31 / 20

HEX #9FCD8D

RGB 159 205 141

HSL 103.13, 0.39%, 0.68%

LAB 77.85, -26.93, 27.11

 

CMYK 14 / 0 / 20 / 25

HEX #A5C09A

RGB 165 192 154

HSL 102.63, 0.23%, 0.68%

LAB 74.84, -16.26, 16.16

 

CMYK 5 / 0 / 7 / 30

HEX #AAB3A7

RGB 170 179 167

HSL 105, 0.07%, 0.68%

LAB 71.94, -5.4, 5.03

 

CMYK 9 / 0 / 51 / 9

HEX #D4E872

RGB 212 232 114

HSL 70.17, 0.72%, 0.68%

LAB 88.41, -23.42, 54.55

 

CMYK 22 / 0 / 51 / 9

HEX #B5E872

RGB 181 232 114

HSL 85.93, 0.72%, 0.68%

LAB 86.38, -35.13, 51.64

 

CMYK 36 / 0 / 51 / 9

HEX #95E872

RGB 149 232 114

HSL 102.2, 0.72%, 0.68%

LAB 84.65, -46.19, 49.14

 

CMYK 49 / 0 / 51 / 9

HEX #76E872

RGB 118 232 114

HSL 117.97, 0.72%, 0.68%

LAB 83.33, -55.43, 47.23

 

CMYK 51 / 0 / 39 / 9

HEX #72E88E

RGB 114 232 142

HSL 134.24, 0.72%, 0.68%

LAB 83.57, -52.38, 33.82

 

CMYK 57 / 0 / 80 / 14

HEX #5EDC2B

RGB 94 220 43

HSL 102.71, 0.72%, 0.52%

LAB 78.31, -63.65, 69.33

 

CMYK 46 / 0 / 65 / 11

HEX #79E24F

RGB 121 226 79

HSL 102.86, 0.72%, 0.6%

LAB 81.3, -56.01, 60.35

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 26 / 0 / 37 / 7

HEX #AFED96

RGB 175 237 150

HSL 102.76, 0.71%, 0.76%

LAB 87.91, -35.15, 36.03

 

CMYK 17 / 0 / 24 / 5

HEX #CAF3B9

RGB 202 243 185

HSL 102.41, 0.71%, 0.84%

LAB 91.76, -23.58, 23.72

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DC

RGB 114 232 220

HSL 173.9, 0.72%, 0.68%

LAB 85.23, -36.2, -4.4

 

CMYK 0 / 51 / 16 / 9

HEX #E872C4

RGB 232 114 196

HSL 318.31, 0.72%, 0.68%

LAB 64.3, 55.49, -21.82

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 51 / 36 / 0 / 9

HEX #7295E8

RGB 114 149 232

HSL 222.2, 0.72%, 0.68%

LAB 62.42, 10.72, -45.72

 

CMYK 0 / 51 / 36 / 9

HEX #E87295

RGB 232 114 149

HSL 342.2, 0.72%, 0.68%

LAB 62.81, 49.19, 2.73

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 51 / 0 / 5 / 9

HEX #72E8DC

RGB 114 232 220

HSL 173.9, 0.72%, 0.68%

LAB 85.23, -36.2, -4.4

 

CMYK 16 / 51 / 0 / 9

HEX #C472E8

RGB 196 114 232

HSL 281.69, 0.72%, 0.68%

LAB 61.3, 51.66, -47.02

 

CMYK 0 / 51 / 46 / 9

HEX #E8727E

RGB 232 114 126

HSL 353.9, 0.72%, 0.68%

LAB 62.25, 46.73, 15.13

 

CMYK 36 / 0 / 51 / 9

HEX #94E872

RGB 148 232 114

HSL 102.71, 0.72%, 0.68%

LAB 84.6, -46.51, 49.07

 

CMYK 51 / 10 / 0 / 9

HEX #72D0E8

RGB 114 208 232

HSL 192.2, 0.72%, 0.68%

LAB 78.76, -21.49, -20.44

 

CMYK 16 / 51 / 0 / 9

HEX #C472E8

RGB 196 114 232

HSL 281.69, 0.72%, 0.68%

LAB 61.3, 51.66, -47.02

 

CMYK 0 / 41 / 51 / 9

HEX #E88A72

RGB 232 138 114

HSL 12.2, 0.72%, 0.68%

LAB 66.94, 33.38, 28.21

 

Description

Color code: HEX #94E872 | qconv.com Color code: HEX #94E872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 232 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 232 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 51 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 51% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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