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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94EB5F it is the complementary color #6B14A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94EB5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94EB5F shade: #99EB5A, #AAFD6D, #BBFF80, #CCFF93 and #DDFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94EB5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94EB5F shade: #94EB5F, #83D94C, #72C739, #61B526 and #50A313

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94EB5F shade: #94EB60, #BAEB60, #DFEB60, #EBD160 and #EBAB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94EB5F shade: #94EB60, #6FEB60, #60EB76, #60EB9C and #60EBC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94EB5F shade matches the following richer shades: #94EB60 and #91F951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94EB5F shade: #94EB60, #98DC6E, #9BCE7D, #9FC08B and #A2B199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94EB5F shade: #DFEB60, #BAEB60, #95EB60, #70EB60 and #60EB75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94EB5F shade: #64DD1B, #7CE63B, #94EB60, #ADEF84 and #C5F4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94EB5F shade: #94EB5F, #60EBD1 and #EB60CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94EB5F shade: #94EB5F, #6095EB and #EB6095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94EB5F shade: #94EB5F, #60EBD1, #B560EB and #EB6079

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94EB5F shade: #94EB5F, #60DBEB, #B560EB and #EB7060

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

Complementary color

CMYK 33 / 88 / 0 / 37

HEX #6B14A0

RGB 107 20 160

HSL 277.29, 0.78%, 0.35%

LAB 29.82, 57.83, -56.39

 

CMYK 35 / 0 / 62 / 8

HEX #99EB5A

RGB 153 235 90

HSL 93.93, 0.78%, 0.64%

LAB 85.47, -48.56, 60.81

 

CMYK 33 / 0 / 57 / 1

HEX #AAFD6D

RGB 170 253 109

HSL 94.58, 0.97%, 0.71%

LAB 91.64, -48.67, 59.91

 

CMYK 27 / 0 / 50 / 0

HEX #BBFF80

RGB 187 255 128

HSL 92.13, 1%, 0.75%

LAB 93.3, -41.83, 53.56

 

CMYK 20 / 0 / 42 / 0

HEX #CCFF93

RGB 204 255 147

HSL 88.33, 1%, 0.79%

LAB 94.51, -33.73, 46.33

 

CMYK 13 / 0 / 35 / 0

HEX #DDFFA6

RGB 221 255 166

HSL 82.92, 1%, 0.83%

LAB 95.85, -25.34, 39

 

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

CMYK 40 / 0 / 65 / 15

HEX #83D94C

RGB 131 217 76

HSL 96.6, 0.65%, 0.57%

LAB 79.03, -49.59, 59.23

 

CMYK 43 / 0 / 71 / 22

HEX #72C739

RGB 114 199 57

HSL 95.92, 0.56%, 0.5%

LAB 72.71, -49.26, 59.73

 

CMYK 46 / 0 / 79 / 29

HEX #61B526

RGB 97 181 38

HSL 95.24, 0.65%, 0.43%

LAB 66.31, -48.72, 59.64

 

CMYK 51 / 0 / 88 / 36

HEX #50A313

RGB 80 163 19

HSL 94.58, 0.79%, 0.36%

LAB 59.84, -47.85, 58.48

 

CMYK 37 / 0 / 59 / 8

HEX #94EB60

RGB 148 235 96

HSL 97.55, 0.78%, 0.65%

LAB 85.28, -49.67, 57.99

 

CMYK 21 / 0 / 59 / 8

HEX #BAEB60

RGB 186 235 96

HSL 81.15, 0.78%, 0.65%

LAB 87.34, -36.31, 60.87

 

CMYK 5 / 0 / 59 / 8

HEX #DFEB60

RGB 223 235 96

HSL 65.18, 0.78%, 0.65%

LAB 89.84, -21.97, 64.33

 

CMYK 0 / 11 / 59 / 8

HEX #EBD160

RGB 235 209 96

HSL 48.78, 0.78%, 0.65%

LAB 84.02, -4.19, 58.16

 

CMYK 0 / 27 / 59 / 8

HEX #EBAB60

RGB 235 171 96

HSL 32.37, 0.78%, 0.65%

LAB 74.59, 15.64, 47.3

 

CMYK 37 / 0 / 59 / 8

HEX #94EB60

RGB 148 235 96

HSL 97.55, 0.78%, 0.65%

LAB 85.28, -49.67, 57.99

 

CMYK 53 / 0 / 59 / 8

HEX #6FEB60

RGB 111 235 96

HSL 113.53, 0.78%, 0.65%

LAB 83.78, -60.53, 55.88

 

CMYK 59 / 0 / 50 / 8

HEX #60EB76

RGB 96 235 118

HSL 129.5, 0.78%, 0.65%

LAB 83.55, -61.41, 45.46

 

CMYK 59 / 0 / 34 / 8

HEX #60EB9C

RGB 96 235 156

HSL 145.9, 0.78%, 0.65%

LAB 84.12, -55.22, 27.35

 

CMYK 59 / 0 / 18 / 8

HEX #60EBC1

RGB 96 235 193

HSL 161.87, 0.78%, 0.65%

LAB 84.87, -47.54, 9.21

 

CMYK 37 / 0 / 59 / 8

HEX #94EB60

RGB 148 235 96

HSL 97.55, 0.78%, 0.65%

LAB 85.28, -49.67, 57.99

 

CMYK 42 / 0 / 67 / 2

HEX #91F951

RGB 145 249 81

HSL 97.14, 0.93%, 0.65%

LAB 89.09, -57.5, 68.16

 

CMYK 37 / 0 / 59 / 8

HEX #94EB60

RGB 148 235 96

HSL 97.55, 0.78%, 0.65%

LAB 85.28, -49.67, 57.99

 

CMYK 31 / 0 / 50 / 14

HEX #98DC6E

RGB 152 220 110

HSL 97.09, 0.61%, 0.65%

LAB 81.28, -40.45, 46.99

 

CMYK 25 / 0 / 39 / 19

HEX #9BCE7D

RGB 155 206 125

HSL 97.78, 0.45%, 0.65%

LAB 77.63, -31.13, 35.04

 

CMYK 17 / 0 / 28 / 25

HEX #9FC08B

RGB 159 192 139

HSL 97.36, 0.3%, 0.65%

LAB 74.15, -20.85, 23.16

 

CMYK 8 / 0 / 14 / 31

HEX #A2B199

RGB 162 177 153

HSL 97.5, 0.13%, 0.65%

LAB 70.47, -9.72, 10.52

 

CMYK 5 / 0 / 59 / 8

HEX #DFEB60

RGB 223 235 96

HSL 65.18, 0.78%, 0.65%

LAB 89.84, -21.97, 64.33

 

CMYK 21 / 0 / 59 / 8

HEX #BAEB60

RGB 186 235 96

HSL 81.15, 0.78%, 0.65%

LAB 87.34, -36.31, 60.87

 

CMYK 37 / 0 / 59 / 8

HEX #95EB60

RGB 149 235 96

HSL 97.12, 0.78%, 0.65%

LAB 85.33, -49.34, 58.06

 

CMYK 52 / 0 / 59 / 8

HEX #70EB60

RGB 112 235 96

HSL 113.09, 0.78%, 0.65%

LAB 83.81, -60.27, 55.93

 

CMYK 59 / 0 / 50 / 8

HEX #60EB75

RGB 96 235 117

HSL 129.06, 0.78%, 0.65%

LAB 83.54, -61.55, 45.91

 

CMYK 55 / 0 / 88 / 13

HEX #64DD1B

RGB 100 221 27

HSL 97.42, 0.78%, 0.49%

LAB 78.75, -63.1, 73.41

 

CMYK 46 / 0 / 74 / 10

HEX #7CE63B

RGB 124 230 59

HSL 97.19, 0.77%, 0.57%

LAB 82.48, -58.11, 68.91

 

CMYK 37 / 0 / 59 / 8

HEX #94EB60

RGB 148 235 96

HSL 97.55, 0.78%, 0.65%

LAB 85.28, -49.67, 57.99

 

CMYK 28 / 0 / 45 / 6

HEX #ADEF84

RGB 173 239 132

HSL 97.01, 0.77%, 0.73%

LAB 88.1, -39.1, 45.11

 

CMYK 19 / 0 / 31 / 4

HEX #C5F4A9

RGB 197 244 169

HSL 97.6, 0.77%, 0.81%

LAB 91.43, -28.18, 31.37

 

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD1

RGB 96 235 209

HSL 168.78, 0.78%, 0.65%

LAB 85.25, -43.76, 1.36

 

CMYK 0 / 59 / 13 / 8

HEX #EB60CD

RGB 235 96 205

HSL 312.95, 0.78%, 0.65%

LAB 62.03, 65.85, -30.37

 

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

CMYK 59 / 37 / 0 / 8

HEX #6095EB

RGB 96 149 235

HSL 217.12, 0.78%, 0.65%

LAB 61.64, 7.92, -48.68

 

CMYK 0 / 59 / 37 / 8

HEX #EB6095

RGB 235 96 149

HSL 337.12, 0.78%, 0.65%

LAB 60.07, 58.53, -1.22

 

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD1

RGB 96 235 209

HSL 168.78, 0.78%, 0.65%

LAB 85.25, -43.76, 1.36

 

CMYK 23 / 59 / 0 / 8

HEX #B560EB

RGB 181 96 235

HSL 276.69, 0.78%, 0.65%

LAB 56.28, 57.57, -56.79

 

CMYK 0 / 59 / 49 / 8

HEX #EB6079

RGB 235 96 121

HSL 349.21, 0.78%, 0.65%

LAB 59.35, 55.73, 14.05

 

CMYK 37 / 0 / 60 / 8

HEX #94EB5F

RGB 148 235 95

HSL 97.29, 0.78%, 0.65%

LAB 85.27, -49.76, 58.41

 

CMYK 59 / 7 / 0 / 8

HEX #60DBEB

RGB 96 219 235

HSL 186.91, 0.78%, 0.65%

LAB 81.37, -29.58, -18.15

 

CMYK 23 / 59 / 0 / 8

HEX #B560EB

RGB 181 96 235

HSL 276.69, 0.78%, 0.65%

LAB 56.28, 57.57, -56.79

 

CMYK 0 / 52 / 59 / 8

HEX #EB7060

RGB 235 112 96

HSL 6.91, 0.78%, 0.65%

LAB 61.74, 46.27, 31.54

 

Description

Color code: HEX #94EB5F | qconv.com Color code: HEX #94EB5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 235 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 235 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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