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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94ED58 it is the complementary color #6B12A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94ED58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94ED58 shade: #99ED53, #AAFF66, #BBFF79, #CCFF8C and #DDFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94ED58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94ED58 shade: #94ED58, #83DB45, #72C932, #61B71F and #50A50C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94ED58 shade: #94ED58, #BCED58, #E4ED58, #EDCE58 and #EDA558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94ED58 shade: #94ED58, #6CED58, #58ED6D, #58ED95 and #58EDBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94ED58 shade matches the following richer shades: #94ED58 and #91FC49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94ED58 shade: #94ED58, #97DE67, #9ACF76, #9DC085 and #A0B294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94ED58 shade: #E6ED58, #BEED58, #96ED58, #6FED58 and #58ED6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94ED58 shade: #66DC17, #7CE933, #94ED58, #ACF17E and #C4F5A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94ED58 shade: #94ED58, #58EDCD and #ED58D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94ED58 shade: #94ED58, #5896ED and #ED5896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94ED58 shade: #94ED58, #58EDCD, #AF58ED and #ED5879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94ED58 shade: #94ED58, #58E1ED, #AF58ED and #ED6558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

Complementary color

CMYK 36 / 89 / 0 / 35

HEX #6B12A7

RGB 107 18 167

HSL 275.84, 0.81%, 0.36%

LAB 30.28, 59.83, -59.89

 

CMYK 35 / 0 / 65 / 7

HEX #99ED53

RGB 153 237 83

HSL 92.73, 0.81%, 0.63%

LAB 85.99, -49.96, 64.22

 

CMYK 33 / 0 / 60 / 0

HEX #AAFF66

RGB 170 255 102

HSL 93.33, 1%, 0.7%

LAB 92.14, -50.15, 63.46

 

CMYK 27 / 0 / 53 / 0

HEX #BBFF79

RGB 187 255 121

HSL 90.45, 1%, 0.74%

LAB 93.22, -42.55, 56.66

 

CMYK 20 / 0 / 45 / 0

HEX #CCFF8C

RGB 204 255 140

HSL 86.61, 1%, 0.77%

LAB 94.42, -34.54, 49.55

 

CMYK 13 / 0 / 38 / 0

HEX #DDFF9F

RGB 221 255 159

HSL 81.25, 1%, 0.81%

LAB 95.75, -26.21, 42.3

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 40 / 0 / 68 / 14

HEX #83DB45

RGB 131 219 69

HSL 95.2, 0.68%, 0.56%

LAB 79.57, -50.95, 62.55

 

CMYK 43 / 0 / 75 / 21

HEX #72C932

RGB 114 201 50

HSL 94.57, 0.6%, 0.49%

LAB 73.27, -50.52, 62.73

 

CMYK 47 / 0 / 83 / 28

HEX #61B71F

RGB 97 183 31

HSL 93.95, 0.71%, 0.42%

LAB 66.91, -49.84, 62.15

 

CMYK 52 / 0 / 93 / 35

HEX #50A50C

RGB 80 165 12

HSL 93.33, 0.86%, 0.35%

LAB 60.46, -48.82, 60.27

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 21 / 0 / 63 / 7

HEX #BCED58

RGB 188 237 88

HSL 79.73, 0.81%, 0.64%

LAB 87.95, -37.08, 64.89

 

CMYK 4 / 0 / 63 / 7

HEX #E4ED58

RGB 228 237 88

HSL 63.62, 0.81%, 0.64%

LAB 90.67, -21.46, 68.61

 

CMYK 0 / 13 / 63 / 7

HEX #EDCE58

RGB 237 206 88

HSL 47.52, 0.81%, 0.64%

LAB 83.36, -2.36, 61.01

 

CMYK 0 / 30 / 63 / 7

HEX #EDA558

RGB 237 165 88

HSL 31.01, 0.81%, 0.64%

LAB 73.3, 19.1, 49.77

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 54 / 0 / 63 / 7

HEX #6CED58

RGB 108 237 88

HSL 111.95, 0.81%, 0.64%

LAB 84.21, -62.84, 59.73

 

CMYK 63 / 0 / 54 / 7

HEX #58ED6D

RGB 88 237 109

HSL 128.46, 0.81%, 0.64%

LAB 83.83, -65.01, 49.96

 

CMYK 63 / 0 / 37 / 7

HEX #58ED95

RGB 88 237 149

HSL 144.56, 0.81%, 0.64%

LAB 84.39, -58.84, 31.23

 

CMYK 63 / 0 / 20 / 7

HEX #58EDBD

RGB 88 237 189

HSL 160.67, 0.81%, 0.64%

LAB 85.16, -50.72, 11.68

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 42 / 0 / 71 / 1

HEX #91FC49

RGB 145 252 73

HSL 95.87, 0.97%, 0.64%

LAB 89.92, -59.22, 71.87

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 32 / 0 / 54 / 13

HEX #97DE67

RGB 151 222 103

HSL 95.8, 0.64%, 0.64%

LAB 81.73, -42.44, 50.79

 

CMYK 26 / 0 / 43 / 19

HEX #9ACF76

RGB 154 207 118

HSL 95.73, 0.48%, 0.64%

LAB 77.76, -32.88, 38.73

 

CMYK 18 / 0 / 31 / 25

HEX #9DC085

RGB 157 192 133

HSL 95.59, 0.32%, 0.64%

LAB 73.91, -22.49, 26

 

CMYK 10 / 0 / 17 / 30

HEX #A0B294

RGB 160 178 148

HSL 96, 0.16%, 0.64%

LAB 70.49, -11.84, 13.26

 

CMYK 3 / 0 / 63 / 7

HEX #E6ED58

RGB 230 237 88

HSL 62.82, 0.81%, 0.64%

LAB 90.82, -20.66, 68.81

 

CMYK 20 / 0 / 63 / 7

HEX #BEED58

RGB 190 237 88

HSL 78.93, 0.81%, 0.64%

LAB 88.07, -36.33, 65.06

 

CMYK 37 / 0 / 63 / 7

HEX #96ED58

RGB 150 237 88

HSL 95.03, 0.81%, 0.64%

LAB 85.88, -50.55, 62.05

 

CMYK 53 / 0 / 63 / 7

HEX #6FED58

RGB 111 237 88

HSL 110.74, 0.81%, 0.64%

LAB 84.3, -62.07, 59.86

 

CMYK 63 / 0 / 55 / 7

HEX #58ED6A

RGB 88 237 106

HSL 127.25, 0.81%, 0.64%

LAB 83.8, -65.39, 51.29

 

CMYK 54 / 0 / 90 / 14

HEX #66DC17

RGB 102 220 23

HSL 95.94, 0.81%, 0.48%

LAB 78.5, -62.33, 73.92

 

CMYK 47 / 0 / 78 / 9

HEX #7CE933

RGB 124 233 51

HSL 95.93, 0.81%, 0.56%

LAB 83.34, -59.68, 72.17

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 29 / 0 / 48 / 5

HEX #ACF17E

RGB 172 241 126

HSL 96, 0.8%, 0.72%

LAB 88.54, -41.04, 48.51

 

CMYK 20 / 0 / 33 / 4

HEX #C4F5A3

RGB 196 245 163

HSL 95.85, 0.8%, 0.8%

LAB 91.54, -29.85, 34.52

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 63 / 0 / 14 / 7

HEX #58EDCD

RGB 88 237 205

HSL 167.11, 0.81%, 0.64%

LAB 85.53, -46.98, 3.84

 

CMYK 0 / 63 / 11 / 7

HEX #ED58D2

RGB 237 88 210

HSL 310.87, 0.81%, 0.64%

LAB 61.34, 70.39, -34.24

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 63 / 37 / 0 / 7

HEX #5896ED

RGB 88 150 237

HSL 215.03, 0.81%, 0.64%

LAB 61.66, 6.53, -49.77

 

CMYK 0 / 63 / 37 / 7

HEX #ED5896

RGB 237 88 150

HSL 335.03, 0.81%, 0.64%

LAB 59.15, 62.65, -3.11

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 63 / 0 / 14 / 7

HEX #58EDCD

RGB 88 237 205

HSL 167.11, 0.81%, 0.64%

LAB 85.53, -46.98, 3.84

 

CMYK 26 / 63 / 0 / 7

HEX #AF58ED

RGB 175 88 237

HSL 275.03, 0.81%, 0.64%

LAB 54.25, 60.49, -61.21

 

CMYK 0 / 63 / 49 / 7

HEX #ED5879

RGB 237 88 121

HSL 346.71, 0.81%, 0.64%

LAB 58.38, 59.82, 12.74

 

CMYK 38 / 0 / 63 / 7

HEX #94ED58

RGB 148 237 88

HSL 95.84, 0.81%, 0.64%

LAB 85.79, -51.21, 61.92

 

CMYK 63 / 5 / 0 / 7

HEX #58E1ED

RGB 88 225 237

HSL 184.83, 0.81%, 0.64%

LAB 82.93, -33.21, -16.88

 

CMYK 26 / 63 / 0 / 7

HEX #AF58ED

RGB 175 88 237

HSL 275.03, 0.81%, 0.64%

LAB 54.25, 60.49, -61.21

 

CMYK 0 / 57 / 63 / 7

HEX #ED6558

RGB 237 101 88

HSL 5.23, 0.81%, 0.64%

LAB 59.9, 51.66, 33.77

 

Description

Color code: HEX #94ED58 | qconv.com Color code: HEX #94ED58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 237 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 237 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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