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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94EF3F it is the complementary color #6B10C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94EF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94EF3F shade: #99EF3A, #AAFF4D, #BBFF60, #CCFF73 and #DDFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94EF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94EF3F shade: #94EF3F, #83DD2C, #72CB19, #61B906 and #50A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94EF3F shade: #93EF3D, #C3EF3D, #EFEB3D, #EFBB3D and #EF8B3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94EF3F shade: #93EF3D, #63EF3D, #3DEF47, #3DEF77 and #3DEFA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94EF3F shade matches the following richer shades: #93EF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94EF3F shade: #93EF3D, #94DE4E, #94CD5F, #95BC70 and #95AB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94EF3F shade: #EFEC3D, #C2EF3D, #93EF3D, #64EF3D and #3DEF46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94EF3F shade: #6ACA10, #7EEC17, #93EF3D, #A8F263 and #BDF589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94EF3F shade: #94EF3F, #3DEFBC and #EF3DDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94EF3F shade: #94EF3F, #3D93EF and #EF3D93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94EF3F shade: #94EF3F, #3DEFBC, #993DEF and #EF3D6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94EF3F shade: #94EF3F, #3DECEF, #993DEF and #EF403D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

Complementary color

CMYK 44 / 92 / 0 / 25

HEX #6B10C0

RGB 107 16 192

HSL 271.02, 0.85%, 0.41%

LAB 32.49, 65.72, -71.16

 

CMYK 36 / 0 / 76 / 6

HEX #99EF3A

RGB 153 239 58

HSL 88.51, 0.85%, 0.58%

LAB 86.41, -52.4, 73.45

 

CMYK 33 / 0 / 70 / 0

HEX #AAFF4D

RGB 170 255 77

HSL 88.65, 1%, 0.65%

LAB 91.95, -52.03, 72.91

 

CMYK 27 / 0 / 62 / 0

HEX #BBFF60

RGB 187 255 96

HSL 85.66, 1%, 0.69%

LAB 92.98, -44.77, 67.09

 

CMYK 20 / 0 / 55 / 0

HEX #CCFF73

RGB 204 255 115

HSL 81.86, 1%, 0.73%

LAB 94.14, -37.05, 60.65

 

CMYK 13 / 0 / 47 / 0

HEX #DDFF86

RGB 221 255 134

HSL 76.86, 1%, 0.76%

LAB 95.42, -28.97, 53.84

 

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

CMYK 41 / 0 / 80 / 13

HEX #83DD2C

RGB 131 221 44

HSL 90.51, 0.72%, 0.52%

LAB 80.02, -53.23, 71.15

 

CMYK 44 / 0 / 88 / 20

HEX #72CB19

RGB 114 203 25

HSL 90, 0.78%, 0.45%

LAB 73.78, -52.43, 69.76

 

CMYK 48 / 0 / 97 / 27

HEX #61B906

RGB 97 185 6

HSL 89.5, 0.94%, 0.37%

LAB 67.47, -51.33, 67.02

 

CMYK 52 / 0 / 100 / 35

HEX #50A700

RGB 80 167 0

HSL 91.26, 1%, 0.33%

LAB 61.08, -49.84, 62.44

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 18 / 0 / 74 / 6

HEX #C3EF3D

RGB 195 239 61

HSL 74.83, 0.85%, 0.59%

LAB 88.77, -36.92, 75.58

 

CMYK 0 / 2 / 74 / 6

HEX #EFEB3D

RGB 239 235 61

HSL 58.65, 0.85%, 0.59%

LAB 90.83, -17.37, 78.64

 

CMYK 0 / 22 / 74 / 6

HEX #EFBB3D

RGB 239 187 61

HSL 42.47, 0.85%, 0.59%

LAB 78.59, 6.91, 67.14

 

CMYK 0 / 42 / 74 / 6

HEX #EF8B3D

RGB 239 139 61

HSL 26.29, 0.85%, 0.59%

LAB 67.39, 32.18, 56.08

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 59 / 0 / 74 / 6

HEX #63EF3D

RGB 99 239 61

HSL 107.19, 0.85%, 0.59%

LAB 84.34, -67.9, 69.79

 

CMYK 74 / 0 / 70 / 6

HEX #3DEF47

RGB 61 239 71

HSL 123.37, 0.85%, 0.59%

LAB 83.54, -74.35, 65.27

 

CMYK 74 / 0 / 50 / 6

HEX #3DEF77

RGB 61 239 119

HSL 139.55, 0.85%, 0.59%

LAB 84, -68.85, 45.35

 

CMYK 74 / 0 / 30 / 6

HEX #3DEFA7

RGB 61 239 167

HSL 155.73, 0.85%, 0.59%

LAB 84.75, -60.3, 22.44

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 33 / 0 / 65 / 13

HEX #94DE4E

RGB 148 222 78

HSL 90.83, 0.69%, 0.59%

LAB 81.34, -45.79, 61.16

 

CMYK 28 / 0 / 54 / 20

HEX #94CD5F

RGB 148 205 95

HSL 91.09, 0.52%, 0.59%

LAB 76.55, -36.79, 48.34

 

CMYK 21 / 0 / 40 / 26

HEX #95BC70

RGB 149 188 112

HSL 90.79, 0.36%, 0.59%

LAB 71.91, -26.43, 34.25

 

CMYK 13 / 0 / 25 / 33

HEX #95AB81

RGB 149 171 129

HSL 91.43, 0.2%, 0.59%

LAB 67.35, -15.4, 19.16

 

CMYK 0 / 1 / 74 / 6

HEX #EFEC3D

RGB 239 236 61

HSL 58.99, 0.85%, 0.59%

LAB 91.09, -17.86, 78.88

 

CMYK 19 / 0 / 74 / 6

HEX #C2EF3D

RGB 194 239 61

HSL 75.17, 0.85%, 0.59%

LAB 88.7, -37.31, 75.5

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 58 / 0 / 74 / 6

HEX #64EF3D

RGB 100 239 61

HSL 106.85, 0.85%, 0.59%

LAB 84.37, -67.66, 69.83

 

CMYK 74 / 0 / 71 / 6

HEX #3DEF46

RGB 61 239 70

HSL 123.03, 0.85%, 0.59%

LAB 83.53, -74.43, 65.63

 

CMYK 48 / 0 / 92 / 21

HEX #6ACA10

RGB 106 202 16

HSL 90.97, 0.85%, 0.43%

LAB 73.12, -54.8, 70.55

 

CMYK 47 / 0 / 90 / 7

HEX #7EEC17

RGB 126 236 23

HSL 90.99, 0.85%, 0.51%

LAB 84.22, -61.22, 79.04

 

CMYK 38 / 0 / 74 / 6

HEX #93EF3D

RGB 147 239 61

HSL 91.01, 0.85%, 0.59%

LAB 86.14, -54.24, 72.16

 

CMYK 31 / 0 / 59 / 5

HEX #A8F263

RGB 168 242 99

HSL 91.05, 0.85%, 0.67%

LAB 88.32, -45.61, 60.41

 

CMYK 23 / 0 / 44 / 4

HEX #BDF589

RGB 189 245 137

HSL 91.11, 0.84%, 0.75%

LAB 90.75, -35.65, 46.21

 

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBC

RGB 61 239 188

HSL 162.81, 0.85%, 0.59%

LAB 85.18, -55.67, 12.15

 

CMYK 0 / 74 / 9 / 6

HEX #EF3DDA

RGB 239 61 218

HSL 307.08, 0.85%, 0.59%

LAB 58.74, 81.25, -42.81

 

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

CMYK 74 / 38 / 0 / 6

HEX #3D93EF

RGB 61 147 239

HSL 211.01, 0.85%, 0.59%

LAB 59.97, 4.98, -53.61

 

CMYK 0 / 74 / 38 / 6

HEX #EF3D93

RGB 239 61 147

HSL 331.01, 0.85%, 0.59%

LAB 55.88, 72.6, -6.14

 

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

CMYK 74 / 0 / 21 / 6

HEX #3DEFBC

RGB 61 239 188

HSL 162.81, 0.85%, 0.59%

LAB 85.18, -55.67, 12.15

 

CMYK 36 / 74 / 0 / 6

HEX #993DEF

RGB 153 61 239

HSL 271.01, 0.85%, 0.59%

LAB 47.42, 68.52, -73.51

 

CMYK 0 / 74 / 54 / 6

HEX #EF3D6F

RGB 239 61 111

HSL 343.15, 0.85%, 0.59%

LAB 54.9, 69.5, 13.86

 

CMYK 38 / 0 / 74 / 6

HEX #94EF3F

RGB 148 239 63

HSL 91.02, 0.85%, 0.59%

LAB 86.2, -53.8, 71.59

 

CMYK 74 / 1 / 0 / 6

HEX #3DECEF

RGB 61 236 239

HSL 181.01, 0.85%, 0.59%

LAB 85.61, -41.2, -13.97

 

CMYK 36 / 74 / 0 / 6

HEX #993DEF

RGB 153 61 239

HSL 271.01, 0.85%, 0.59%

LAB 47.42, 68.52, -73.51

 

CMYK 0 / 73 / 74 / 6

HEX #EF403D

RGB 239 64 61

HSL 1.01, 0.85%, 0.59%

LAB 54.4, 65.77, 42.37

 

Description

Color code: HEX #94EF3F | qconv.com Color code: HEX #94EF3F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 239 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 239 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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