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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94FBB0 it is the complementary color #6B044F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94FBB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94FBB0 shade: #99FBAB, #AAFFBE, #BBFFD1, #CCFFE4 and #DDFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94FBB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94FBB0 shade: #94FBB0, #83E99D, #72D78A, #61C577 and #50B364

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94FBB0 shade: #92FBAF, #92FB92, #AEFB92, #CAFB92 and #E6FB92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94FBB0 shade: #92FBAF, #92FBCB, #92FBE7, #92F2FB and #92D6FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94FBB0 shade matches the following richer shades: #92FBAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94FBB0 shade: #92FBAF, #9BF1B3, #A4E8B7, #ADDFBB and #B7D6BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94FBB0 shade: #AEFB92, #92FB92, #92FBAE, #92FBCA and #92FBE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94FBB0 shade: #43F874, #6AF991, #92FBAF, #BAFCCC and #E2FDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94FBB0 shade: #94FBB0, #92CAFB and #FB92A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94FBB0 shade: #94FBB0, #AE92FB and #FBAE92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94FBB0 shade: #94FBB0, #92CAFB, #FB92DF and #FBC392

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94FBB0 shade: #94FBB0, #92ABFB, #FB92DF and #FBE292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

Complementary color

CMYK 0 / 96 / 26 / 58

HEX #6B044F

RGB 107 4 79

HSL 316.31, 0.93%, 0.22%

LAB 22.92, 46.87, -15.71

 

CMYK 39 / 0 / 32 / 2

HEX #99FBAB

RGB 153 251 171

HSL 131.02, 0.92%, 0.79%

LAB 91.1, -45.03, 29.52

 

CMYK 33 / 0 / 25 / 0

HEX #AAFFBE

RGB 170 255 190

HSL 134.12, 1%, 0.83%

LAB 93.36, -38.59, 23.1

 

CMYK 27 / 0 / 18 / 0

HEX #BBFFD1

RGB 187 255 209

HSL 139.41, 1%, 0.87%

LAB 94.61, -30.08, 15.27

 

CMYK 20 / 0 / 11 / 0

HEX #CCFFE4

RGB 204 255 228

HSL 148.24, 1%, 0.9%

LAB 95.98, -21.32, 7.6

 

CMYK 13 / 0 / 3 / 0

HEX #DDFFF7

RGB 221 255 247

HSL 165.88, 1%, 0.93%

LAB 97.47, -12.41, 0.13

 

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

CMYK 44 / 0 / 33 / 9

HEX #83E99D

RGB 131 233 157

HSL 135.29, 0.7%, 0.71%

LAB 84.76, -45.81, 27.91

 

CMYK 47 / 0 / 36 / 16

HEX #72D78A

RGB 114 215 138

HSL 134.26, 0.56%, 0.65%

LAB 78.47, -46.01, 29.11

 

CMYK 51 / 0 / 40 / 23

HEX #61C577

RGB 97 197 119

HSL 133.2, 0.46%, 0.58%

LAB 72.1, -46.15, 30.38

 

CMYK 55 / 0 / 44 / 30

HEX #50B364

RGB 80 179 100

HSL 132.12, 0.39%, 0.51%

LAB 65.64, -46.19, 31.73

 

CMYK 42 / 0 / 30 / 2

HEX #92FBAF

RGB 146 251 175

HSL 136.57, 0.93%, 0.78%

LAB 90.87, -46.31, 27.13

 

CMYK 42 / 0 / 42 / 2

HEX #92FB92

RGB 146 251 146

HSL 120, 0.93%, 0.78%

LAB 90.4, -50.91, 40.97

 

CMYK 31 / 0 / 42 / 2

HEX #AEFB92

RGB 174 251 146

HSL 104, 0.93%, 0.78%

LAB 91.72, -42.3, 42.91

 

CMYK 20 / 0 / 42 / 2

HEX #CAFB92

RGB 202 251 146

HSL 88, 0.93%, 0.78%

LAB 93.29, -32.73, 45.24

 

CMYK 8 / 0 / 42 / 2

HEX #E6FB92

RGB 230 251 146

HSL 72, 0.93%, 0.78%

LAB 95.12, -22.48, 47.93

 

CMYK 42 / 0 / 30 / 2

HEX #92FBAF

RGB 146 251 175

HSL 136.57, 0.93%, 0.78%

LAB 90.87, -46.31, 27.13

 

CMYK 42 / 0 / 19 / 2

HEX #92FBCB

RGB 146 251 203

HSL 152.57, 0.93%, 0.78%

LAB 91.42, -41.06, 13.57

 

CMYK 42 / 0 / 8 / 2

HEX #92FBE7

RGB 146 251 231

HSL 168.57, 0.93%, 0.78%

LAB 92.08, -35.09, 0.04

 

CMYK 42 / 4 / 0 / 2

HEX #92F2FB

RGB 146 242 251

HSL 185.14, 0.93%, 0.78%

LAB 90.13, -26.12, -13.24

 

CMYK 42 / 15 / 0 / 2

HEX #92D6FB

RGB 146 214 251

HSL 201.14, 0.93%, 0.78%

LAB 82.47, -12.09, -24.8

 

CMYK 42 / 0 / 30 / 2

HEX #92FBAF

RGB 146 251 175

HSL 136.57, 0.93%, 0.78%

LAB 90.87, -46.31, 27.13

 

CMYK 42 / 0 / 30 / 2

HEX #92FBAF

RGB 146 251 175

HSL 136.57, 0.93%, 0.78%

LAB 90.87, -46.31, 27.13

 

CMYK 36 / 0 / 26 / 5

HEX #9BF1B3

RGB 155 241 179

HSL 136.74, 0.75%, 0.78%

LAB 88.51, -38.65, 21.92

 

CMYK 29 / 0 / 21 / 9

HEX #A4E8B7

RGB 164 232 183

HSL 136.76, 0.6%, 0.78%

LAB 86.52, -31.08, 17.14

 

CMYK 22 / 0 / 16 / 13

HEX #ADDFBB

RGB 173 223 187

HSL 136.8, 0.44%, 0.78%

LAB 84.61, -23.19, 12.43

 

CMYK 14 / 0 / 11 / 16

HEX #B7D6BF

RGB 183 214 191

HSL 135.48, 0.27%, 0.78%

LAB 82.87, -14.68, 7.92

 

CMYK 31 / 0 / 42 / 2

HEX #AEFB92

RGB 174 251 146

HSL 104, 0.93%, 0.78%

LAB 91.72, -42.3, 42.91

 

CMYK 42 / 0 / 42 / 2

HEX #92FB92

RGB 146 251 146

HSL 120, 0.93%, 0.78%

LAB 90.4, -50.91, 40.97

 

CMYK 42 / 0 / 31 / 2

HEX #92FBAE

RGB 146 251 174

HSL 136, 0.93%, 0.78%

LAB 90.85, -46.48, 27.61

 

CMYK 42 / 0 / 20 / 2

HEX #92FBCA

RGB 146 251 202

HSL 152, 0.93%, 0.78%

LAB 91.4, -41.26, 14.06

 

CMYK 42 / 0 / 8 / 2

HEX #92FBE6

RGB 146 251 230

HSL 168, 0.93%, 0.78%

LAB 92.05, -35.31, 0.52

 

CMYK 73 / 0 / 53 / 3

HEX #43F874

RGB 67 248 116

HSL 136.24, 0.93%, 0.62%

LAB 86.79, -71.43, 50.2

 

CMYK 57 / 0 / 42 / 2

HEX #6AF991

RGB 106 249 145

HSL 136.36, 0.92%, 0.7%

LAB 88.38, -60.42, 38.56

 

CMYK 42 / 0 / 30 / 2

HEX #92FBAF

RGB 146 251 175

HSL 136.57, 0.93%, 0.78%

LAB 90.87, -46.31, 27.13

 

CMYK 26 / 0 / 19 / 1

HEX #BAFCCC

RGB 186 252 204

HSL 136.36, 0.92%, 0.86%

LAB 93.63, -29.88, 16.45

 

CMYK 11 / 0 / 8 / 1

HEX #E2FDE9

RGB 226 253 233

HSL 135.56, 0.87%, 0.94%

LAB 96.94, -12.4, 6.6

 

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

CMYK 42 / 20 / 0 / 2

HEX #92CAFB

RGB 146 202 251

HSL 208, 0.93%, 0.78%

LAB 79.22, -5.78, -29.77

 

CMYK 0 / 42 / 36 / 2

HEX #FB92A0

RGB 251 146 160

HSL 352, 0.93%, 0.78%

LAB 71.96, 41.03, 9.99

 

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

CMYK 31 / 42 / 0 / 2

HEX #AE92FB

RGB 174 146 251

HSL 256, 0.93%, 0.78%

LAB 66.92, 32.72, -48.78

 

CMYK 0 / 31 / 42 / 2

HEX #FBAE92

RGB 251 174 146

HSL 16, 0.93%, 0.78%

LAB 77.79, 24.91, 25.72

 

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

CMYK 42 / 20 / 0 / 2

HEX #92CAFB

RGB 146 202 251

HSL 208, 0.93%, 0.78%

LAB 79.22, -5.78, -29.77

 

CMYK 0 / 42 / 11 / 2

HEX #FB92DF

RGB 251 146 223

HSL 316, 0.93%, 0.78%

LAB 73.8, 49.76, -22.13

 

CMYK 0 / 22 / 42 / 2

HEX #FBC392

RGB 251 195 146

HSL 28, 0.93%, 0.78%

LAB 82.71, 13.89, 32.29

 

CMYK 41 / 0 / 30 / 2

HEX #94FBB0

RGB 148 251 176

HSL 136.31, 0.93%, 0.78%

LAB 90.97, -45.58, 26.78

 

CMYK 42 / 32 / 0 / 2

HEX #92ABFB

RGB 146 171 251

HSL 225.71, 0.93%, 0.78%

LAB 71.01, 11.25, -42.49

 

CMYK 0 / 42 / 11 / 2

HEX #FB92DF

RGB 251 146 223

HSL 316, 0.93%, 0.78%

LAB 73.8, 49.76, -22.13

 

CMYK 0 / 10 / 42 / 2

HEX #FBE292

RGB 251 226 146

HSL 45.71, 0.93%, 0.78%

LAB 90.31, -2.09, 42.18

 

Description

Color code: HEX #94FBB0 | qconv.com Color code: HEX #94FBB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 251 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 251 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 30 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 30% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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