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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95037B it is the complementary color #6AFC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95037B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95037B shade: #9A0376, #AB1589, #BC279C, #CD39AF and #DE4BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95037B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95037B shade: #95037B, #840068, #730055, #620042 and #51002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95037B shade: #95037B, #950354, #95032C, #950304 and #950303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95037B shade: #95037B, #880395, #600395, #390395 and #110395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95037B shade matches the following richer shades: #95037B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95037B shade: #95037B, #890F73, #7D1B6B, #702863 and #64345B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95037B shade: #600395, #870395, #95037D, #950356 and #95032F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95037B shade: #450139, #6D025A, #95037B, #BE039D and #E604BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95037B shade: #95037B, #953803 and #039573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95037B shade: #95037B, #7D9503 and #037D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95037B shade: #95037B, #953803, #03951B and #036095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95037B shade: #95037B, #956403, #03951B and #033495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

Complementary color

CMYK 58 / 0 / 48 / 1

HEX #6AFC84

RGB 106 252 132

HSL 130.68, 0.96%, 0.7%

LAB 89.09, -63.5, 45.75

 

CMYK 0 / 98 / 23 / 40

HEX #9A0376

RGB 154 3 118

HSL 314.3, 0.96%, 0.31%

LAB 34.48, 62.04, -22.43

 

CMYK 0 / 88 / 20 / 33

HEX #AB1589

RGB 171 21 137

HSL 313.6, 0.78%, 0.38%

LAB 39.58, 65.45, -26.07

 

CMYK 0 / 79 / 17 / 26

HEX #BC279C

RGB 188 39 156

HSL 312.89, 0.66%, 0.45%

LAB 45, 67.62, -28.91

 

CMYK 0 / 72 / 15 / 20

HEX #CD39AF

RGB 205 57 175

HSL 312.16, 0.6%, 0.51%

LAB 50.69, 68.8, -31.08

 

CMYK 0 / 66 / 13 / 13

HEX #DE4BC2

RGB 222 75 194

HSL 311.43, 0.69%, 0.58%

LAB 56.54, 69.29, -32.77

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 100 / 21 / 48

HEX #840068

RGB 132 0 104

HSL 312.73, 1%, 0.26%

LAB 29.17, 56.23, -22.1

 

CMYK 0 / 100 / 26 / 55

HEX #730055

RGB 115 0 85

HSL 315.65, 1%, 0.23%

LAB 24.64, 50.24, -16.94

 

CMYK 0 / 100 / 33 / 62

HEX #620042

RGB 98 0 66

HSL 319.59, 1%, 0.19%

LAB 20, 44.12, -11.47

 

CMYK 0 / 100 / 42 / 68

HEX #51002F

RGB 81 0 47

HSL 325.19, 1%, 0.16%

LAB 15.25, 37.87, -5.58

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 98 / 44 / 42

HEX #950354

RGB 149 3 84

HSL 326.71, 0.96%, 0.3%

LAB 32.02, 57.24, -4.38

 

CMYK 0 / 98 / 70 / 42

HEX #95032C

RGB 149 3 44

HSL 343.15, 0.96%, 0.3%

LAB 30.96, 54.4, 20.67

 

CMYK 0 / 98 / 97 / 42

HEX #950304

RGB 149 3 4

HSL 359.59, 0.96%, 0.3%

LAB 30.55, 53.26, 42.57

 

CMYK 0 / 98 / 98 / 42

HEX #950303

RGB 149 3 3

HSL 0, 0.96%, 0.3%

LAB 30.55, 53.25, 42.98

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 9 / 98 / 0 / 42

HEX #880395

RGB 136 3 149

HSL 294.66, 0.96%, 0.3%

LAB 32.85, 63.25, -44.53

 

CMYK 36 / 98 / 0 / 42

HEX #600395

RGB 96 3 149

HSL 278.22, 0.96%, 0.3%

LAB 25.93, 57.51, -56.1

 

CMYK 62 / 98 / 0 / 42

HEX #390395

RGB 57 3 149

HSL 262.19, 0.96%, 0.3%

LAB 20.46, 53.87, -65.31

 

CMYK 89 / 98 / 0 / 42

HEX #110395

RGB 17 3 149

HSL 245.75, 0.96%, 0.3%

LAB 17.25, 52.28, -70.75

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 89 / 16 / 46

HEX #890F73

RGB 137 15 115

HSL 310.82, 0.8%, 0.3%

LAB 31.57, 56.35, -25.32

 

CMYK 0 / 78 / 14 / 51

HEX #7D1B6B

RGB 125 27 107

HSL 311.02, 0.64%, 0.3%

LAB 29.92, 49.37, -22.96

 

CMYK 0 / 64 / 12 / 56

HEX #702863

RGB 112 40 99

HSL 310.83, 0.47%, 0.3%

LAB 29.06, 39.36, -19.31

 

CMYK 0 / 48 / 9 / 61

HEX #64345B

RGB 100 52 91

HSL 311.25, 0.32%, 0.3%

LAB 29.21, 27.59, -14.05

 

CMYK 36 / 98 / 0 / 42

HEX #600395

RGB 96 3 149

HSL 278.22, 0.96%, 0.3%

LAB 25.93, 57.51, -56.1

 

CMYK 9 / 98 / 0 / 42

HEX #870395

RGB 135 3 149

HSL 294.25, 0.96%, 0.3%

LAB 32.67, 63.09, -44.83

 

CMYK 0 / 98 / 16 / 42

HEX #95037D

RGB 149 3 125

HSL 309.86, 0.96%, 0.3%

LAB 33.85, 61.95, -27.9

 

CMYK 0 / 98 / 42 / 42

HEX #950356

RGB 149 3 86

HSL 325.89, 0.96%, 0.3%

LAB 32.09, 57.43, -5.59

 

CMYK 0 / 98 / 68 / 42

HEX #95032F

RGB 149 3 47

HSL 341.92, 0.96%, 0.3%

LAB 31.02, 54.55, 18.76

 

CMYK 0 / 99 / 17 / 73

HEX #450139

RGB 69 1 57

HSL 310.59, 0.97%, 0.14%

LAB 13.12, 35.99, -16.32

 

CMYK 0 / 98 / 17 / 57

HEX #6D025A

RGB 109 2 90

HSL 310.65, 0.96%, 0.22%

LAB 23.78, 49.23, -21.71

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 98 / 17 / 25

HEX #BE039D

RGB 190 3 157

HSL 310.59, 0.97%, 0.38%

LAB 43.43, 73.95, -31.95

 

CMYK 0 / 98 / 17 / 10

HEX #E604BE

RGB 230 4 190

HSL 310.62, 0.97%, 0.46%

LAB 52.54, 85.32, -36.63

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 62 / 98 / 42

HEX #953803

RGB 149 56 3

HSL 21.78, 0.96%, 0.3%

LAB 36.41, 37.04, 46.64

 

CMYK 98 / 0 / 23 / 42

HEX #039573

RGB 3 149 115

HSL 166.03, 0.96%, 0.3%

LAB 54.82, -41.94, 8.64

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 16 / 0 / 98 / 42

HEX #7D9503

RGB 125 149 3

HSL 69.86, 0.96%, 0.3%

LAB 57.91, -25.07, 60.58

 

CMYK 98 / 16 / 0 / 42

HEX #037D95

RGB 3 125 149

HSL 189.86, 0.96%, 0.3%

LAB 48.08, -19.94, -21.11

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 62 / 98 / 42

HEX #953803

RGB 149 56 3

HSL 21.78, 0.96%, 0.3%

LAB 36.41, 37.04, 46.64

 

CMYK 98 / 0 / 82 / 42

HEX #03951B

RGB 3 149 27

HSL 129.86, 0.96%, 0.3%

LAB 53.59, -56.43, 50.2

 

CMYK 98 / 36 / 0 / 42

HEX #036095

RGB 3 96 149

HSL 201.78, 0.96%, 0.3%

LAB 38.82, -3.08, -35.57

 

CMYK 0 / 98 / 17 / 42

HEX #95037B

RGB 149 3 123

HSL 310.68, 0.96%, 0.3%

LAB 33.74, 61.69, -26.81

 

CMYK 0 / 33 / 98 / 42

HEX #956403

RGB 149 100 3

HSL 39.86, 0.96%, 0.3%

LAB 46.33, 12.89, 53.1

 

CMYK 98 / 0 / 82 / 42

HEX #03951B

RGB 3 149 27

HSL 129.86, 0.96%, 0.3%

LAB 53.59, -56.43, 50.2

 

CMYK 98 / 65 / 0 / 42

HEX #033495

RGB 3 52 149

HSL 219.86, 0.96%, 0.3%

LAB 25.7, 26.71, -56.75

 

Description

Color code: HEX #95037B | qconv.com Color code: HEX #95037B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 3 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 3 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 17 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 17% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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