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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9503AE it is the complementary color #6AFC51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9503AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9503AE shade: #9A03A9, #AB15BC, #BC27CF, #CD39E2 and #DE4BF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9503AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9503AE shade: #9503AE, #84009B, #730088, #620075 and #510062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9503AE shade: #9602AF, #AF029A, #AF026B, #AF023D and #AF020E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9503AE shade: #9602AF, #6702AF, #3902AF, #0A02AF and #0202AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9503AE shade matches the following richer shades: #9602AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9503AE shade: #9602AF, #8C11A1, #821F92, #772D84 and #6D3C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9503AE shade: #3902AF, #6702AF, #9502AF, #AF029B and #AF026D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9503AE shade: #50015E, #730287, #9602AF, #B903D8 and #D709FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9503AE shade: #9503AE, #AF0B02 and #02AF50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9503AE shade: #9503AE, #AF9502 and #02AF95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9503AE shade: #9503AE, #AF0B02, #1CAF02 and #02A7AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9503AE shade: #9503AE, #AF3F02, #1CAF02 and #0273AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

Complementary color

CMYK 58 / 0 / 68 / 1

HEX #6AFC51

RGB 106 252 81

HSL 111.23, 0.97%, 0.65%

LAB 88.58, -69.22, 67.19

 

CMYK 9 / 98 / 0 / 34

HEX #9A03A9

RGB 154 3 169

HSL 294.58, 0.97%, 0.34%

LAB 37.48, 69.43, -49.03

 

CMYK 9 / 89 / 0 / 26

HEX #AB15BC

RGB 171 21 188

HSL 293.89, 0.8%, 0.41%

LAB 42.5, 73.01, -52.07

 

CMYK 9 / 81 / 0 / 19

HEX #BC27CF

RGB 188 39 207

HSL 293.21, 0.68%, 0.48%

LAB 47.81, 75.4, -54.42

 

CMYK 9 / 75 / 0 / 11

HEX #CD39E2

RGB 205 57 226

HSL 292.54, 0.74%, 0.55%

LAB 53.38, 76.78, -56.18

 

CMYK 9 / 69 / 0 / 4

HEX #DE4BF5

RGB 222 75 245

HSL 291.88, 0.89%, 0.63%

LAB 59.12, 77.47, -57.51

 

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

CMYK 15 / 100 / 0 / 39

HEX #84009B

RGB 132 0 155

HSL 291.1, 1%, 0.3%

LAB 32.42, 64.07, -48.94

 

CMYK 15 / 100 / 0 / 47

HEX #730088

RGB 115 0 136

HSL 290.74, 1%, 0.27%

LAB 27.91, 58.15, -44.66

 

CMYK 16 / 100 / 0 / 54

HEX #620075

RGB 98 0 117

HSL 290.26, 1%, 0.23%

LAB 23.27, 52.08, -40.28

 

CMYK 17 / 100 / 0 / 62

HEX #510062

RGB 81 0 98

HSL 289.59, 1%, 0.19%

LAB 18.5, 45.82, -35.78

 

CMYK 14 / 99 / 0 / 31

HEX #9602AF

RGB 150 2 175

HSL 291.33, 0.98%, 0.35%

LAB 37.16, 69.94, -53.18

 

CMYK 0 / 99 / 12 / 31

HEX #AF029A

RGB 175 2 154

HSL 307.28, 0.98%, 0.35%

LAB 40.39, 70.89, -35.11

 

CMYK 0 / 99 / 39 / 31

HEX #AF026B

RGB 175 2 107

HSL 323.58, 0.98%, 0.35%

LAB 38.23, 65.38, -9.35

 

CMYK 0 / 99 / 65 / 31

HEX #AF023D

RGB 175 2 61

HSL 339.54, 0.98%, 0.35%

LAB 36.92, 61.89, 18.35

 

CMYK 0 / 99 / 92 / 31

HEX #AF020E

RGB 175 2 14

HSL 355.84, 0.98%, 0.35%

LAB 36.35, 60.33, 45.11

 

CMYK 14 / 99 / 0 / 31

HEX #9602AF

RGB 150 2 175

HSL 291.33, 0.98%, 0.35%

LAB 37.16, 69.94, -53.18

 

CMYK 41 / 99 / 0 / 31

HEX #6702AF

RGB 103 2 175

HSL 275.03, 0.98%, 0.35%

LAB 29.47, 63.94, -66.05

 

CMYK 67 / 99 / 0 / 31

HEX #3902AF

RGB 57 2 175

HSL 259.08, 0.98%, 0.35%

LAB 23.7, 60.49, -75.78

 

CMYK 94 / 99 / 0 / 31

HEX #0A02AF

RGB 10 2 175

HSL 242.77, 0.98%, 0.35%

LAB 20.84, 59.27, -80.62

 

CMYK 99 / 99 / 0 / 31

HEX #0202AF

RGB 2 2 175

HSL 240, 0.98%, 0.35%

LAB 20.64, 59.2, -80.96

 

CMYK 14 / 99 / 0 / 31

HEX #9602AF

RGB 150 2 175

HSL 291.33, 0.98%, 0.35%

LAB 37.16, 69.94, -53.18

 

CMYK 14 / 99 / 0 / 31

HEX #9602AF

RGB 150 2 175

HSL 291.33, 0.98%, 0.35%

LAB 37.16, 69.94, -53.18

 

CMYK 13 / 89 / 0 / 37

HEX #8C11A1

RGB 140 17 161

HSL 291.25, 0.81%, 0.35%

LAB 35.1, 63.9, -48.17

 

CMYK 11 / 79 / 0 / 43

HEX #821F92

RGB 130 31 146

HSL 291.65, 0.65%, 0.35%

LAB 33.57, 55.86, -41.6

 

CMYK 10 / 66 / 0 / 48

HEX #772D84

RGB 119 45 132

HSL 291.03, 0.49%, 0.35%

LAB 32.84, 45.17, -34.21

 

CMYK 8 / 49 / 0 / 54

HEX #6D3C76

RGB 109 60 118

HSL 290.69, 0.33%, 0.35%

LAB 33.54, 31.53, -24.45

 

CMYK 67 / 99 / 0 / 31

HEX #3902AF

RGB 57 2 175

HSL 259.08, 0.98%, 0.35%

LAB 23.7, 60.49, -75.78

 

CMYK 41 / 99 / 0 / 31

HEX #6702AF

RGB 103 2 175

HSL 275.03, 0.98%, 0.35%

LAB 29.47, 63.94, -66.05

 

CMYK 15 / 99 / 0 / 31

HEX #9502AF

RGB 149 2 175

HSL 290.98, 0.98%, 0.35%

LAB 36.98, 69.79, -53.47

 

CMYK 0 / 99 / 11 / 31

HEX #AF029B

RGB 175 2 155

HSL 306.94, 0.98%, 0.35%

LAB 40.45, 71.02, -35.63

 

CMYK 0 / 99 / 38 / 31

HEX #AF026D

RGB 175 2 109

HSL 322.89, 0.98%, 0.35%

LAB 38.31, 65.58, -10.5

 

CMYK 15 / 99 / 0 / 63

HEX #50015E

RGB 80 1 94

HSL 290.97, 0.98%, 0.19%

LAB 18.08, 44.61, -33.82

 

CMYK 15 / 99 / 0 / 47

HEX #730287

RGB 115 2 135

HSL 290.98, 0.97%, 0.27%

LAB 27.95, 57.62, -43.97

 

CMYK 14 / 99 / 0 / 31

HEX #9602AF

RGB 150 2 175

HSL 291.33, 0.98%, 0.35%

LAB 37.16, 69.94, -53.18

 

CMYK 14 / 99 / 0 / 15

HEX #B903D8

RGB 185 3 216

HSL 291.27, 0.97%, 0.43%

LAB 46.09, 81.76, -62.39

 

CMYK 14 / 96 / 0 / 2

HEX #D709FB

RGB 215 9 251

HSL 291.07, 0.97%, 0.51%

LAB 53.61, 91.2, -69.77

 

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

CMYK 0 / 94 / 99 / 31

HEX #AF0B02

RGB 175 11 2

HSL 3.12, 0.98%, 0.35%

LAB 36.66, 59.12, 49.98

 

CMYK 99 / 0 / 54 / 31

HEX #02AF50

RGB 2 175 80

HSL 147.05, 0.98%, 0.35%

LAB 62.72, -58.69, 37.91

 

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

CMYK 0 / 15 / 99 / 31

HEX #AF9502

RGB 175 149 2

HSL 50.98, 0.98%, 0.35%

LAB 62.18, -2.56, 65.81

 

CMYK 99 / 0 / 15 / 31

HEX #02AF95

RGB 2 175 149

HSL 170.98, 0.98%, 0.35%

LAB 64.03, -43.76, 2.73

 

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

CMYK 0 / 94 / 99 / 31

HEX #AF0B02

RGB 175 11 2

HSL 3.12, 0.98%, 0.35%

LAB 36.66, 59.12, 49.98

 

CMYK 84 / 0 / 99 / 31

HEX #1CAF02

RGB 28 175 2

HSL 110.98, 0.98%, 0.35%

LAB 62.43, -63.03, 62.71

 

CMYK 99 / 5 / 0 / 31

HEX #02A7AF

RGB 2 167 175

HSL 182.77, 0.98%, 0.35%

LAB 62.29, -32.43, -14.38

 

CMYK 14 / 98 / 0 / 32

HEX #9503AE

RGB 149 3 174

HSL 291.23, 0.97%, 0.35%

LAB 36.95, 69.5, -52.92

 

CMYK 0 / 64 / 99 / 31

HEX #AF3F02

RGB 175 63 2

HSL 21.16, 0.98%, 0.35%

LAB 42.27, 43.58, 52.76

 

CMYK 84 / 0 / 99 / 31

HEX #1CAF02

RGB 28 175 2

HSL 110.98, 0.98%, 0.35%

LAB 62.43, -63.03, 62.71

 

CMYK 99 / 34 / 0 / 31

HEX #0273AF

RGB 2 115 175

HSL 200.81, 0.98%, 0.35%

LAB 46.14, -4.44, -39.37

 

Description

Color code: HEX #9503AE | qconv.com Color code: HEX #9503AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 3 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 3 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 98 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 98% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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