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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9503C3 it is the complementary color #6AFC3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9503C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9503C3 shade: #9A03BE, #AB15D1, #BC27E4, #CD39F7 and #DE4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9503C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9503C3 shade: #9503C3, #8400B0, #73009D, #62008A and #510077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9503C3 shade: #9502C3, #C302BE, #C3028A, #C30256 and #C30222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9503C3 shade: #9502C3, #6102C3, #2D02C3 and #0202C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9503C3 shade matches the following richer shades: #9502C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9503C3 shade: #9502C3, #8D13B3, #8423A3, #7C3393 and #744383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9503C3 shade: #2C02C3, #6002C3, #9302C3, #C302C0 and #C3028D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9503C3 shade: #570172, #76029B, #9502C3, #B403EC and #C61DFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9503C3 shade: #9503C3, #C3020C and #02C346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9503C3 shade: #9503C3, #C39302 and #02C393

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9503C3 shade: #9503C3, #C3020C, #33C302 and #02C3BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9503C3 shade: #9503C3, #C33302, #33C302 and #0293C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

Complementary color

CMYK 58 / 0 / 76 / 1

HEX #6AFC3C

RGB 106 252 60

HSL 105.63, 0.97%, 0.61%

LAB 88.45, -70.7, 74.16

 

CMYK 19 / 98 / 0 / 25

HEX #9A03BE

RGB 154 3 190

HSL 288.45, 0.97%, 0.38%

LAB 38.99, 72.98, -59.05

 

CMYK 18 / 90 / 0 / 18

HEX #AB15D1

RGB 171 21 209

HSL 287.87, 0.82%, 0.45%

LAB 43.94, 76.57, -61.96

 

CMYK 18 / 83 / 0 / 11

HEX #BC27E4

RGB 188 39 228

HSL 287.3, 0.78%, 0.52%

LAB 49.18, 79.01, -64.21

 

CMYK 17 / 77 / 0 / 3

HEX #CD39F7

RGB 205 57 247

HSL 286.74, 0.92%, 0.6%

LAB 54.68, 80.45, -65.89

 

CMYK 13 / 71 / 0 / 0

HEX #DE4BFF

RGB 222 75 255

HSL 289, 1%, 0.65%

LAB 59.69, 79.22, -62.14

 

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

CMYK 25 / 100 / 0 / 31

HEX #8400B0

RGB 132 0 176

HSL 285, 1%, 0.35%

LAB 34.07, 67.84, -58.93

 

CMYK 27 / 100 / 0 / 38

HEX #73009D

RGB 115 0 157

HSL 283.95, 1%, 0.31%

LAB 29.61, 62.04, -54.85

 

CMYK 29 / 100 / 0 / 46

HEX #62008A

RGB 98 0 138

HSL 282.61, 1%, 0.27%

LAB 25.05, 56.11, -50.69

 

CMYK 32 / 100 / 0 / 53

HEX #510077

RGB 81 0 119

HSL 280.84, 1%, 0.23%

LAB 20.37, 50.03, -46.44

 

CMYK 24 / 99 / 0 / 24

HEX #9502C3

RGB 149 2 195

HSL 285.7, 0.98%, 0.39%

LAB 38.5, 73.3, -62.82

 

CMYK 0 / 99 / 3 / 24

HEX #C302BE

RGB 195 2 190

HSL 301.55, 0.98%, 0.39%

LAB 46.13, 79.4, -47.19

 

CMYK 0 / 99 / 29 / 24

HEX #C3028A

RGB 195 2 138

HSL 317.72, 0.98%, 0.39%

LAB 43.48, 72.78, -20.27

 

CMYK 0 / 99 / 56 / 24

HEX #C30256

RGB 195 2 86

HSL 333.89, 0.98%, 0.39%

LAB 41.72, 68.16, 9.56

 

CMYK 0 / 99 / 83 / 24

HEX #C30222

RGB 195 2 34

HSL 350.05, 0.98%, 0.39%

LAB 40.83, 65.77, 40.54

 

CMYK 24 / 99 / 0 / 24

HEX #9502C3

RGB 149 2 195

HSL 285.7, 0.98%, 0.39%

LAB 38.5, 73.3, -62.82

 

CMYK 50 / 99 / 0 / 24

HEX #6102C3

RGB 97 2 195

HSL 269.53, 0.98%, 0.39%

LAB 30.7, 67.71, -75.92

 

CMYK 77 / 99 / 0 / 24

HEX #2D02C3

RGB 45 2 195

HSL 253.37, 0.98%, 0.39%

LAB 25.39, 64.93, -84.9

 

CMYK 99 / 99 / 0 / 24

HEX #0202C3

RGB 2 2 195

HSL 240, 0.98%, 0.39%

LAB 23.66, 64.28, -87.83

 

CMYK 24 / 99 / 0 / 24

HEX #9502C3

RGB 149 2 195

HSL 285.7, 0.98%, 0.39%

LAB 38.5, 73.3, -62.82

 

CMYK 24 / 99 / 0 / 24

HEX #9502C3

RGB 149 2 195

HSL 285.7, 0.98%, 0.39%

LAB 38.5, 73.3, -62.82

 

CMYK 21 / 89 / 0 / 30

HEX #8D13B3

RGB 141 19 179

HSL 285.75, 0.81%, 0.39%

LAB 36.71, 66.95, -56.35

 

CMYK 19 / 79 / 0 / 36

HEX #8423A3

RGB 132 35 163

HSL 285.47, 0.65%, 0.39%

LAB 35.5, 58.21, -48.8

 

CMYK 16 / 65 / 0 / 42

HEX #7C3393

RGB 124 51 147

HSL 285.63, 0.48%, 0.39%

LAB 35.52, 46.71, -39.14

 

CMYK 11 / 49 / 0 / 49

HEX #744383

RGB 116 67 131

HSL 285.94, 0.32%, 0.39%

LAB 36.68, 32.56, -27.55

 

CMYK 77 / 99 / 0 / 24

HEX #2C02C3

RGB 44 2 195

HSL 253.06, 0.98%, 0.39%

LAB 25.32, 64.91, -85.02

 

CMYK 51 / 99 / 0 / 24

HEX #6002C3

RGB 96 2 195

HSL 269.22, 0.98%, 0.39%

LAB 30.57, 67.63, -76.14

 

CMYK 25 / 99 / 0 / 24

HEX #9302C3

RGB 147 2 195

HSL 285.08, 0.98%, 0.39%

LAB 38.18, 73.04, -63.37

 

CMYK 0 / 99 / 2 / 24

HEX #C302C0

RGB 195 2 192

HSL 300.93, 0.98%, 0.39%

LAB 46.25, 79.68, -48.17

 

CMYK 0 / 99 / 28 / 24

HEX #C3028D

RGB 195 2 141

HSL 316.79, 0.98%, 0.39%

LAB 43.61, 73.11, -21.91

 

CMYK 24 / 99 / 0 / 55

HEX #570172

RGB 87 1 114

HSL 285.66, 0.98%, 0.23%

LAB 21.07, 49.6, -42.03

 

CMYK 24 / 99 / 0 / 39

HEX #76029B

RGB 118 2 155

HSL 285.49, 0.97%, 0.31%

LAB 30.06, 61.74, -52.87

 

CMYK 24 / 99 / 0 / 24

HEX #9502C3

RGB 149 2 195

HSL 285.7, 0.98%, 0.39%

LAB 38.5, 73.3, -62.82

 

CMYK 24 / 99 / 0 / 7

HEX #B403EC

RGB 180 3 236

HSL 285.58, 0.97%, 0.47%

LAB 46.74, 84.47, -72.76

 

CMYK 21 / 88 / 0 / 2

HEX #C61DFB

RGB 198 29 251

HSL 285.68, 0.97%, 0.55%

LAB 51.67, 86.56, -73.05

 

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

CMYK 0 / 99 / 94 / 24

HEX #C3020C

RGB 195 2 12

HSL 356.89, 0.98%, 0.39%

LAB 40.69, 65.38, 50.78

 

CMYK 99 / 0 / 64 / 24

HEX #02C346

RGB 2 195 70

HSL 141.14, 0.98%, 0.39%

LAB 69.1, -66.25, 49.97

 

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

CMYK 0 / 25 / 99 / 24

HEX #C39302

RGB 195 147 2

HSL 45.08, 0.98%, 0.39%

LAB 63.73, 7.57, 67.87

 

CMYK 99 / 0 / 25 / 24

HEX #02C393

RGB 2 195 147

HSL 165.08, 0.98%, 0.39%

LAB 70.28, -52.37, 12.76

 

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

CMYK 0 / 99 / 94 / 24

HEX #C3020C

RGB 195 2 12

HSL 356.89, 0.98%, 0.39%

LAB 40.69, 65.38, 50.78

 

CMYK 74 / 0 / 99 / 24

HEX #33C302

RGB 51 195 2

HSL 104.77, 0.98%, 0.39%

LAB 69.28, -65.85, 68.37

 

CMYK 99 / 0 / 5 / 24

HEX #02C3BA

RGB 2 195 186

HSL 177.2, 0.98%, 0.39%

LAB 71.27, -41.9, -7.03

 

CMYK 24 / 98 / 0 / 24

HEX #9503C3

RGB 149 3 195

HSL 285.63, 0.97%, 0.39%

LAB 38.54, 73.19, -62.75

 

CMYK 0 / 74 / 99 / 24

HEX #C33302

RGB 195 51 2

HSL 15.23, 0.98%, 0.39%

LAB 44.2, 55.24, 55.78

 

CMYK 74 / 0 / 99 / 24

HEX #33C302

RGB 51 195 2

HSL 104.77, 0.98%, 0.39%

LAB 69.28, -65.85, 68.37

 

CMYK 99 / 25 / 0 / 24

HEX #0293C3

RGB 2 147 195

HSL 194.92, 0.98%, 0.39%

LAB 56.9, -15.31, -33.93

 

Description

Color code: HEX #9503C3 | qconv.com Color code: HEX #9503C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 3 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 3 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 98 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 98% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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