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Color name
HEX #951590

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #951590 it is the complementary color #6AEA6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #951590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #951590 shade: #9A158B, #AB279E, #BC39B1, #CD4BC4 and #DE5DD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #951590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #951590 shade: #951590, #84037D, #73006A, #620057 and #510044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #951590 shade: #93158E, #93156C, #93154A, #931528 and #931515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #951590 shade: #93158E, #761593, #541593, #321593 and #151593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #951590 shade matches the following richer shades: #93158E and #A0079A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #951590 shade: #93158E, #852281, #783075, #6A3D68 and #5C4B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #951590 shade: #541593, #751593, #93158F, #93156D and #93154B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #951590 shade: #4B0A48, #6F0F6B, #93158E, #B71AB1 and #DB1FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #951590 shade: #951590, #933215 and #159364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #951590 shade: #951590, #8F9315 and #158F93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #951590 shade: #951590, #933215, #159319 and #157593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #951590 shade: #951590, #935815, #159319 and #154F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

Complementary color

CMYK 55 / 0 / 53 / 8

HEX #6AEA6F

RGB 106 234 111

HSL 122.34, 0.75%, 0.67%

LAB 83.47, -59.66, 48.72

 

CMYK 0 / 86 / 10 / 40

HEX #9A158B

RGB 154 21 139

HSL 306.77, 0.76%, 0.34%

LAB 36.5, 62.19, -32.36

 

CMYK 0 / 77 / 8 / 33

HEX #AB279E

RGB 171 39 158

HSL 305.91, 0.63%, 0.41%

LAB 42.12, 64.15, -34.85

 

CMYK 0 / 70 / 6 / 26

HEX #BC39B1

RGB 188 57 177

HSL 305.04, 0.53%, 0.48%

LAB 48, 65.11, -36.68

 

CMYK 0 / 63 / 4 / 20

HEX #CD4BC4

RGB 205 75 196

HSL 304.15, 0.57%, 0.55%

LAB 54.02, 65.4, -38.05

 

CMYK 0 / 58 / 3 / 13

HEX #DE5DD7

RGB 222 93 215

HSL 303.26, 0.66%, 0.62%

LAB 60.13, 65.29, -39.12

 

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

CMYK 0 / 98 / 5 / 48

HEX #84037D

RGB 132 3 125

HSL 303.26, 0.96%, 0.26%

LAB 30.52, 58.72, -33.38

 

CMYK 0 / 100 / 8 / 55

HEX #73006A

RGB 115 0 106

HSL 304.7, 1%, 0.23%

LAB 25.82, 53.18, -28.92

 

CMYK 0 / 100 / 11 / 62

HEX #620057

RGB 98 0 87

HSL 306.73, 1%, 0.19%

LAB 21.15, 47, -24.01

 

CMYK 0 / 100 / 16 / 68

HEX #510044

RGB 81 0 68

HSL 309.63, 1%, 0.16%

LAB 16.34, 40.64, -18.86

 

CMYK 0 / 86 / 3 / 42

HEX #93158E

RGB 147 21 142

HSL 302.38, 0.75%, 0.33%

LAB 35.39, 61.23, -36.06

 

CMYK 0 / 86 / 27 / 42

HEX #93156C

RGB 147 21 108

HSL 318.57, 0.75%, 0.33%

LAB 33.61, 56.41, -17.54

 

CMYK 0 / 86 / 50 / 42

HEX #93154A

RGB 147 21 74

HSL 334.76, 0.75%, 0.33%

LAB 32.33, 52.78, 2.6

 

CMYK 0 / 86 / 73 / 42

HEX #931528

RGB 147 21 40

HSL 350.95, 0.75%, 0.33%

LAB 31.56, 50.5, 23.9

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 86 / 3 / 42

HEX #93158E

RGB 147 21 142

HSL 302.38, 0.75%, 0.33%

LAB 35.39, 61.23, -36.06

 

CMYK 20 / 86 / 0 / 42

HEX #761593

RGB 118 21 147

HSL 286.19, 0.75%, 0.33%

LAB 30.63, 56.67, -47.05

 

CMYK 43 / 86 / 0 / 42

HEX #541593

RGB 84 21 147

HSL 270, 0.75%, 0.33%

LAB 25.34, 51.29, -55.89

 

CMYK 66 / 86 / 0 / 42

HEX #321593

RGB 50 21 147

HSL 253.81, 0.75%, 0.33%

LAB 21.29, 47.36, -62.72

 

CMYK 86 / 86 / 0 / 42

HEX #151593

RGB 21 21 147

HSL 240, 0.75%, 0.33%

LAB 19.23, 45.47, -66.19

 

CMYK 0 / 86 / 3 / 42

HEX #93158E

RGB 147 21 142

HSL 302.38, 0.75%, 0.33%

LAB 35.39, 61.23, -36.06

 

CMYK 0 / 96 / 4 / 37

HEX #A0079A

RGB 160 7 154

HSL 302.35, 0.92%, 0.33%

LAB 37.77, 67.63, -39.46

 

CMYK 0 / 86 / 3 / 42

HEX #93158E

RGB 147 21 142

HSL 302.38, 0.75%, 0.33%

LAB 35.39, 61.23, -36.06

 

CMYK 0 / 74 / 3 / 48

HEX #852281

RGB 133 34 129

HSL 302.42, 0.59%, 0.33%

LAB 33.38, 52.5, -31.34

 

CMYK 0 / 60 / 3 / 53

HEX #783075

RGB 120 48 117

HSL 302.5, 0.43%, 0.33%

LAB 32.68, 41.09, -25.06

 

CMYK 0 / 42 / 2 / 58

HEX #6A3D68

RGB 106 61 104

HSL 302.67, 0.27%, 0.33%

LAB 32.7, 26.99, -16.96

 

CMYK 0 / 18 / 0 / 64

HEX #5C4B5C

RGB 92 75 92

HSL 300, 0.1%, 0.33%

LAB 34.15, 10.56, -7.29

 

CMYK 43 / 86 / 0 / 42

HEX #541593

RGB 84 21 147

HSL 270, 0.75%, 0.33%

LAB 25.34, 51.29, -55.89

 

CMYK 20 / 86 / 0 / 42

HEX #751593

RGB 117 21 147

HSL 285.71, 0.75%, 0.33%

LAB 30.46, 56.5, -47.33

 

CMYK 0 / 86 / 3 / 42

HEX #93158F

RGB 147 21 143

HSL 301.9, 0.75%, 0.33%

LAB 35.44, 61.39, -36.58

 

CMYK 0 / 86 / 26 / 42

HEX #93156D

RGB 147 21 109

HSL 318.1, 0.75%, 0.33%

LAB 33.65, 56.54, -18.11

 

CMYK 0 / 86 / 49 / 42

HEX #93154B

RGB 147 21 75

HSL 334.29, 0.75%, 0.33%

LAB 32.36, 52.87, 1.99

 

CMYK 0 / 87 / 4 / 71

HEX #4B0A48

RGB 75 10 72

HSL 302.77, 0.76%, 0.17%

LAB 16.41, 36.79, -21.61

 

CMYK 0 / 86 / 4 / 56

HEX #6F0F6B

RGB 111 15 107

HSL 302.5, 0.76%, 0.25%

LAB 26.11, 49.57, -29.16

 

CMYK 0 / 86 / 3 / 42

HEX #93158E

RGB 147 21 142

HSL 302.38, 0.75%, 0.33%

LAB 35.39, 61.23, -36.06

 

CMYK 0 / 86 / 3 / 28

HEX #B71AB1

RGB 183 26 177

HSL 302.29, 0.75%, 0.41%

LAB 44.2, 72.53, -42.74

 

CMYK 0 / 86 / 3 / 14

HEX #DB1FD4

RGB 219 31 212

HSL 302.23, 0.75%, 0.49%

LAB 52.72, 83.37, -49.14

 

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

CMYK 0 / 66 / 86 / 42

HEX #933215

RGB 147 50 21

HSL 13.81, 0.75%, 0.33%

LAB 35.08, 39.47, 38.52

 

CMYK 86 / 0 / 32 / 42

HEX #159364

RGB 21 147 100

HSL 157.62, 0.75%, 0.33%

LAB 53.97, -43.7, 15.97

 

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

CMYK 3 / 0 / 86 / 42

HEX #8F9315

RGB 143 147 21

HSL 61.9, 0.75%, 0.33%

LAB 58.75, -15.7, 58.62

 

CMYK 86 / 3 / 0 / 42

HEX #158F93

RGB 21 143 147

HSL 181.9, 0.75%, 0.33%

LAB 53.93, -28.86, -11.03

 

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

CMYK 0 / 66 / 86 / 42

HEX #933215

RGB 147 50 21

HSL 13.81, 0.75%, 0.33%

LAB 35.08, 39.47, 38.52

 

CMYK 86 / 0 / 83 / 42

HEX #159319

RGB 21 147 25

HSL 121.9, 0.75%, 0.33%

LAB 53.06, -54.59, 50.34

 

CMYK 86 / 20 / 0 / 42

HEX #157593

RGB 21 117 147

HSL 194.29, 0.75%, 0.33%

LAB 45.62, -15.2, -23.71

 

CMYK 0 / 86 / 3 / 42

HEX #951590

RGB 149 21 144

HSL 302.34, 0.75%, 0.33%

LAB 35.87, 61.94, -36.5

 

CMYK 0 / 40 / 86 / 42

HEX #935815

RGB 147 88 21

HSL 31.9, 0.75%, 0.33%

LAB 43.12, 19.28, 45.55

 

CMYK 86 / 0 / 83 / 42

HEX #159319

RGB 21 147 25

HSL 121.9, 0.75%, 0.33%

LAB 53.06, -54.59, 50.34

 

CMYK 86 / 46 / 0 / 42

HEX #154F93

RGB 21 79 147

HSL 212.38, 0.75%, 0.33%

LAB 33.69, 8.3, -42.54

 

Description

Color code: HEX #951590 | qconv.com Color code: HEX #951590 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 21 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 21 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 3 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 3% 42% C M Y K

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