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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9511E4 it is the complementary color #6AEE1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9511E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9511E4 shade: #9A11DF, #AB23F2, #BC35FF, #CD47FF and #DE59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9511E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9511E4 shade: #9511E4, #8400D1, #7300BE, #6200AB and #510098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9511E4 shade: #9411E3, #CD11E3, #E311C0, #E31188 and #E3114F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9511E4 shade: #9411E3, #5C11E3, #2311E3 and #1111E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9511E4 shade matches the following richer shades: #9411E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9511E4 shade: #9411E3, #8F24CF, #8A38BC, #854CA8 and #806094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9511E4 shade: #2211E3, #5A11E3, #9211E3, #CB11E3 and #E311C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9511E4 shade: #620B96, #7B0EBD, #9411E3, #A72EEF and #B755F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9511E4 shade: #9511E4, #E31137 and #11E33E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9511E4 shade: #9511E4, #E39211 and #11E392

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9511E4 shade: #9511E4, #E31137, #61E311 and #11E3BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9511E4 shade: #9511E4, #E32911, #61E311 and #11CBE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

Complementary color

CMYK 55 / 0 / 89 / 7

HEX #6AEE1B

RGB 106 238 27

HSL 97.54, 0.86%, 0.52%

LAB 84.12, -67.4, 78.05

 

CMYK 31 / 92 / 0 / 13

HEX #9A11DF

RGB 154 17 223

HSL 279.9, 0.86%, 0.47%

LAB 42.15, 77.4, -73.03

 

CMYK 29 / 86 / 0 / 5

HEX #AB23F2

RGB 171 35 242

HSL 279.42, 0.89%, 0.54%

LAB 47.33, 79.95, -75.25

 

CMYK 26 / 79 / 0 / 0

HEX #BC35FF

RGB 188 53 255

HSL 280.1, 1%, 0.6%

LAB 52.35, 80.27, -74.23

 

CMYK 20 / 72 / 0 / 0

HEX #CD47FF

RGB 205 71 255

HSL 283.7, 1%, 0.64%

LAB 56.79, 77.34, -66.93

 

CMYK 13 / 65 / 0 / 0

HEX #DE59FF

RGB 222 89 255

HSL 288.07, 1%, 0.67%

LAB 61.56, 73.95, -59.14

 

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

CMYK 37 / 100 / 0 / 18

HEX #8400D1

RGB 132 0 209

HSL 277.89, 1%, 0.41%

LAB 36.95, 74.17, -73.63

 

CMYK 39 / 100 / 0 / 25

HEX #7300BE

RGB 115 0 190

HSL 276.32, 1%, 0.37%

LAB 32.62, 68.6, -69.72

 

CMYK 43 / 100 / 0 / 33

HEX #6200AB

RGB 98 0 171

HSL 274.39, 1%, 0.34%

LAB 28.21, 62.93, -65.74

 

CMYK 47 / 100 / 0 / 40

HEX #510098

RGB 81 0 152

HSL 271.97, 1%, 0.3%

LAB 23.73, 57.18, -61.65

 

CMYK 35 / 93 / 0 / 11

HEX #9411E3

RGB 148 17 227

HSL 277.43, 0.86%, 0.48%

LAB 41.6, 77.46, -76.25

 

CMYK 10 / 93 / 0 / 11

HEX #CD11E3

RGB 205 17 227

HSL 293.71, 0.86%, 0.48%

LAB 50.6, 85.24, -61.22

 

CMYK 0 / 93 / 15 / 11

HEX #E311C0

RGB 227 17 192

HSL 310, 0.86%, 0.48%

LAB 52.44, 84, -37.98

 

CMYK 0 / 93 / 40 / 11

HEX #E31188

RGB 227 17 136

HSL 326, 0.86%, 0.48%

LAB 50.11, 77.89, -8.41

 

CMYK 0 / 93 / 65 / 11

HEX #E3114F

RGB 227 17 79

HSL 342.29, 0.86%, 0.48%

LAB 48.63, 73.87, 24.37

 

CMYK 35 / 93 / 0 / 11

HEX #9411E3

RGB 148 17 227

HSL 277.43, 0.86%, 0.48%

LAB 41.6, 77.46, -76.25

 

CMYK 59 / 93 / 0 / 11

HEX #5C11E3

RGB 92 17 227

HSL 261.43, 0.86%, 0.48%

LAB 34.44, 72.24, -88.31

 

CMYK 85 / 93 / 0 / 11

HEX #2311E3

RGB 35 17 227

HSL 245.14, 0.86%, 0.48%

LAB 30.17, 69.75, -95.54

 

CMYK 93 / 93 / 0 / 11

HEX #1111E3

RGB 17 17 227

HSL 240, 0.86%, 0.48%

LAB 29.58, 69.45, -96.53

 

CMYK 35 / 93 / 0 / 11

HEX #9411E3

RGB 148 17 227

HSL 277.43, 0.86%, 0.48%

LAB 41.6, 77.46, -76.25

 

CMYK 35 / 93 / 0 / 11

HEX #9411E3

RGB 148 17 227

HSL 277.43, 0.86%, 0.48%

LAB 41.6, 77.46, -76.25

 

CMYK 31 / 83 / 0 / 19

HEX #8F24CF

RGB 143 36 207

HSL 277.54, 0.7%, 0.48%

LAB 40.58, 68.68, -66.45

 

CMYK 27 / 70 / 0 / 26

HEX #8A38BC

RGB 138 56 188

HSL 277.27, 0.54%, 0.48%

LAB 41, 56.46, -54.75

 

CMYK 21 / 55 / 0 / 34

HEX #854CA8

RGB 133 76 168

HSL 277.17, 0.38%, 0.48%

LAB 42.74, 40.84, -40.2

 

CMYK 14 / 35 / 0 / 42

HEX #806094

RGB 128 96 148

HSL 276.92, 0.21%, 0.48%

LAB 45.76, 23.19, -23.6

 

CMYK 85 / 93 / 0 / 11

HEX #2211E3

RGB 34 17 227

HSL 244.86, 0.86%, 0.48%

LAB 30.13, 69.73, -95.61

 

CMYK 60 / 93 / 0 / 11

HEX #5A11E3

RGB 90 17 227

HSL 260.86, 0.86%, 0.48%

LAB 34.23, 72.1, -88.66

 

CMYK 36 / 93 / 0 / 11

HEX #9211E3

RGB 146 17 227

HSL 276.86, 0.86%, 0.48%

LAB 41.31, 77.22, -76.74

 

CMYK 11 / 93 / 0 / 11

HEX #CB11E3

RGB 203 17 227

HSL 293.14, 0.86%, 0.48%

LAB 50.27, 84.94, -61.77

 

CMYK 0 / 93 / 14 / 11

HEX #E311C4

RGB 227 17 196

HSL 308.86, 0.86%, 0.48%

LAB 52.64, 84.51, -39.98

 

CMYK 35 / 93 / 0 / 41

HEX #620B96

RGB 98 11 150

HSL 277.55, 0.86%, 0.32%

LAB 26.84, 56.47, -55.2

 

CMYK 35 / 93 / 0 / 26

HEX #7B0EBD

RGB 123 14 189

HSL 277.37, 0.86%, 0.4%

LAB 34.39, 67.29, -66.17

 

CMYK 35 / 93 / 0 / 11

HEX #9411E3

RGB 148 17 227

HSL 277.43, 0.86%, 0.48%

LAB 41.6, 77.46, -76.25

 

CMYK 30 / 81 / 0 / 6

HEX #A72EEF

RGB 167 46 239

HSL 277.62, 0.86%, 0.56%

LAB 47.5, 75.92, -73.31

 

CMYK 24 / 65 / 0 / 5

HEX #B755F2

RGB 183 85 242

HSL 277.45, 0.86%, 0.64%

LAB 55.05, 64.69, -62.66

 

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

CMYK 0 / 93 / 76 / 11

HEX #E31137

RGB 227 17 55

HSL 349.14, 0.86%, 0.48%

LAB 48.27, 72.86, 38.34

 

CMYK 93 / 0 / 73 / 11

HEX #11E33E

RGB 17 227 62

HSL 132.86, 0.86%, 0.48%

LAB 79.27, -75.73, 63.93

 

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

CMYK 0 / 36 / 93 / 11

HEX #E39211

RGB 227 146 17

HSL 36.86, 0.86%, 0.48%

LAB 67.22, 22.29, 69.82

 

CMYK 93 / 0 / 36 / 11

HEX #11E392

RGB 17 227 146

HSL 156.86, 0.86%, 0.48%

LAB 80.25, -63.86, 27.04

 

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

CMYK 0 / 93 / 76 / 11

HEX #E31137

RGB 227 17 55

HSL 349.14, 0.86%, 0.48%

LAB 48.27, 72.86, 38.34

 

CMYK 57 / 0 / 93 / 11

HEX #61E311

RGB 97 227 17

HSL 97.14, 0.86%, 0.48%

LAB 80.47, -66.19, 76.34

 

CMYK 93 / 0 / 17 / 11

HEX #11E3BD

RGB 17 227 189

HSL 169.14, 0.86%, 0.48%

LAB 81.14, -54.02, 5.8

 

CMYK 35 / 93 / 0 / 11

HEX #9511E4

RGB 149 17 228

HSL 277.54, 0.86%, 0.48%

LAB 41.83, 77.77, -76.44

 

CMYK 0 / 82 / 93 / 11

HEX #E32911

RGB 227 41 17

HSL 6.86, 0.86%, 0.48%

LAB 49.44, 67.81, 57.71

 

CMYK 57 / 0 / 93 / 11

HEX #61E311

RGB 97 227 17

HSL 97.14, 0.86%, 0.48%

LAB 80.47, -66.19, 76.34

 

CMYK 93 / 11 / 0 / 11

HEX #11CBE3

RGB 17 203 227

HSL 186.86, 0.86%, 0.48%

LAB 75.06, -32.59, -23.57

 

Description

Color code: HEX #9511E4 | qconv.com Color code: HEX #9511E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 17 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 17 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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