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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9512C8 it is the complementary color #6AED37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9512C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9512C8 shade: #9A12C3, #AB24D6, #BC36E9, #CD48FC and #DE5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9512C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9512C8 shade: #9512C8, #8400B5, #7300A2, #62008F and #51007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9512C8 shade: #9512C8, #C612C8, #C81299, #C81268 and #C81237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9512C8 shade: #9512C8, #6412C8, #3312C8 and #1212C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9512C8 shade matches the following richer shades: #9512C8 and #9D00DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9512C8 shade: #9512C8, #8D24B6, #8636A5, #7E4793 and #765981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9512C8 shade: #3412C8, #6412C8, #9512C8, #C512C8 and #C8129B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9512C8 shade: #5D0B7D, #790FA2, #9512C8, #AF1AE9 and #BC40ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9512C8 shade: #9512C8, #C81221 and #12C84C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9512C8 shade: #9512C8, #C89512 and #12C895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9512C8 shade: #9512C8, #C81221, #46C812 and #12C8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9512C8 shade: #9512C8, #C83A12, #46C812 and #12A1C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

Complementary color

CMYK 55 / 0 / 77 / 7

HEX #6AED37

RGB 106 237 55

HSL 103.19, 0.83%, 0.57%

LAB 83.92, -65.87, 71.32

 

CMYK 21 / 91 / 0 / 24

HEX #9A12C3

RGB 154 18 195

HSL 286.1, 0.83%, 0.42%

LAB 39.99, 72.02, -60.37

 

CMYK 20 / 83 / 0 / 16

HEX #AB24D6

RGB 171 36 214

HSL 285.51, 0.71%, 0.49%

LAB 45.32, 74.44, -62.59

 

CMYK 19 / 77 / 0 / 9

HEX #BC36E9

RGB 188 54 233

HSL 284.92, 0.8%, 0.56%

LAB 50.94, 75.8, -64.2

 

CMYK 19 / 71 / 0 / 1

HEX #CD48FC

RGB 205 72 252

HSL 284.33, 0.97%, 0.64%

LAB 56.73, 76.41, -65.37

 

CMYK 13 / 65 / 0 / 0

HEX #DE5AFF

RGB 222 90 255

HSL 288, 1%, 0.68%

LAB 61.71, 73.55, -58.91

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 27 / 100 / 0 / 29

HEX #8400B5

RGB 132 0 181

HSL 283.76, 1%, 0.35%

LAB 34.48, 68.77, -61.24

 

CMYK 29 / 100 / 0 / 36

HEX #7300A2

RGB 115 0 162

HSL 282.59, 1%, 0.32%

LAB 30.04, 63, -57.19

 

CMYK 31 / 100 / 0 / 44

HEX #62008F

RGB 98 0 143

HSL 281.12, 1%, 0.28%

LAB 25.5, 57.11, -53.07

 

CMYK 35 / 100 / 0 / 51

HEX #51007C

RGB 81 0 124

HSL 279.19, 1%, 0.24%

LAB 20.85, 51.08, -48.85

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 1 / 91 / 0 / 22

HEX #C612C8

RGB 198 18 200

HSL 299.34, 0.83%, 0.43%

LAB 47.76, 79.85, -50.36

 

CMYK 0 / 91 / 24 / 22

HEX #C81299

RGB 200 18 153

HSL 315.49, 0.83%, 0.43%

LAB 45.65, 73.88, -25.93

 

CMYK 0 / 91 / 48 / 22

HEX #C81268

RGB 200 18 104

HSL 331.65, 0.83%, 0.43%

LAB 43.82, 68.96, 1.36

 

CMYK 0 / 91 / 73 / 22

HEX #C81237

RGB 200 18 55

HSL 347.8, 0.83%, 0.43%

LAB 42.74, 65.97, 30.54

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 50 / 91 / 0 / 22

HEX #6412C8

RGB 100 18 200

HSL 267.03, 0.83%, 0.43%

LAB 32.51, 66.4, -75.86

 

CMYK 75 / 91 / 0 / 22

HEX #3312C8

RGB 51 18 200

HSL 250.88, 0.83%, 0.43%

LAB 27.59, 62.99, -84.16

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 28 / 100 / 0 / 15

HEX #9D00DA

RGB 157 0 218

HSL 283.21, 1%, 0.43%

LAB 41.58, 78.7, -71.08

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 23 / 80 / 0 / 29

HEX #8D24B6

RGB 141 36 182

HSL 283.15, 0.67%, 0.43%

LAB 38.38, 63.3, -55.42

 

CMYK 19 / 67 / 0 / 35

HEX #8636A5

RGB 134 54 165

HSL 283.24, 0.51%, 0.43%

LAB 38.59, 51.52, -45.02

 

CMYK 14 / 52 / 0 / 42

HEX #7E4793

RGB 126 71 147

HSL 283.42, 0.35%, 0.43%

LAB 39.66, 36.86, -32.54

 

CMYK 9 / 31 / 0 / 49

HEX #765981

RGB 118 89 129

HSL 283.5, 0.18%, 0.43%

LAB 42.13, 19.7, -17.86

 

CMYK 74 / 91 / 0 / 22

HEX #3412C8

RGB 52 18 200

HSL 251.21, 0.83%, 0.43%

LAB 27.66, 63.03, -84.04

 

CMYK 50 / 91 / 0 / 22

HEX #6412C8

RGB 100 18 200

HSL 267.03, 0.83%, 0.43%

LAB 32.51, 66.4, -75.86

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 1 / 91 / 0 / 22

HEX #C512C8

RGB 197 18 200

HSL 299.01, 0.83%, 0.43%

LAB 47.59, 79.68, -50.65

 

CMYK 0 / 91 / 23 / 22

HEX #C8129B

RGB 200 18 155

HSL 314.84, 0.83%, 0.43%

LAB 45.74, 74.12, -26.99

 

CMYK 26 / 91 / 0 / 51

HEX #5D0B7D

RGB 93 11 125

HSL 283.16, 0.84%, 0.27%

LAB 23.83, 50.48, -44.54

 

CMYK 25 / 91 / 0 / 36

HEX #790FA2

RGB 121 15 162

HSL 283.27, 0.83%, 0.35%

LAB 31.84, 61.43, -54.22

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 25 / 89 / 0 / 9

HEX #AF1AE9

RGB 175 26 233

HSL 283.19, 0.82%, 0.51%

LAB 46.63, 80.62, -71.28

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 91 / 0 / 62 / 22

HEX #12C84C

RGB 18 200 76

HSL 139.12, 0.83%, 0.43%

LAB 70.84, -66.36, 49.35

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 0 / 26 / 91 / 22

HEX #C89512

RGB 200 149 18

HSL 43.19, 0.83%, 0.43%

LAB 64.82, 8.92, 66.44

 

CMYK 91 / 0 / 26 / 22

HEX #12C895

RGB 18 200 149

HSL 163.19, 0.83%, 0.43%

LAB 71.97, -53.22, 14.06

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 65 / 0 / 91 / 22

HEX #46C812

RGB 70 200 18

HSL 102.86, 0.83%, 0.43%

LAB 71.32, -63.5, 68.28

 

CMYK 91 / 0 / 8 / 22

HEX #12C8B9

RGB 18 200 185

HSL 175.05, 0.83%, 0.43%

LAB 72.85, -43.84, -4.14

 

CMYK 26 / 91 / 0 / 22

HEX #9512C8

RGB 149 18 200

HSL 283.19, 0.83%, 0.43%

LAB 39.57, 72.23, -64.01

 

CMYK 0 / 71 / 91 / 22

HEX #C83A12

RGB 200 58 18

HSL 13.19, 0.83%, 0.43%

LAB 46.11, 54.52, 52.66

 

CMYK 65 / 0 / 91 / 22

HEX #46C812

RGB 70 200 18

HSL 102.86, 0.83%, 0.43%

LAB 71.32, -63.5, 68.28

 

CMYK 91 / 20 / 0 / 22

HEX #12A1C8

RGB 18 161 200

HSL 192.86, 0.83%, 0.43%

LAB 61.47, -20.47, -29.63

 

Description

Color code: HEX #9512C8 | qconv.com Color code: HEX #9512C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 18 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 18 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 91 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 91% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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