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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9513CD it is the complementary color #6AEC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9513CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9513CD shade: #9A13C8, #AB25DB, #BC37EE, #CD49FF and #DE5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9513CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9513CD shade: #9513CD, #8401BA, #7300A7, #620094 and #510081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9513CD shade: #9513CD, #C713CD, #CD13A0, #CD136E and #CD133C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9513CD shade: #9513CD, #6313CD, #3013CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9513CD shade matches the following richer shades: #9513CD and #9C00DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9513CD shade: #9513CD, #8E25BB, #8637A9, #7F4996 and #785B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9513CD shade: #2F13CD, #6013CD, #9213CD, #C413CD and #CD13A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9513CD shade: #5E0C81, #790FA7, #9513CD, #AD1FEA and #BB45ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9513CD shade: #9513CD, #CD1328 and #13CD47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9513CD shade: #9513CD, #CD9213 and #13CD92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9513CD shade: #9513CD, #CD1328, #4ECD13 and #13CDB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9513CD shade: #9513CD, #CD3513, #4ECD13 and #13ABCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

Complementary color

CMYK 55 / 0 / 79 / 7

HEX #6AEC32

RGB 106 236 50

HSL 101.94, 0.83%, 0.56%

LAB 83.59, -65.8, 72.46

 

CMYK 23 / 91 / 0 / 22

HEX #9A13C8

RGB 154 19 200

HSL 284.75, 0.83%, 0.43%

LAB 40.42, 72.77, -62.58

 

CMYK 22 / 83 / 0 / 14

HEX #AB25DB

RGB 171 37 219

HSL 284.18, 0.72%, 0.5%

LAB 45.76, 75.12, -64.75

 

CMYK 21 / 77 / 0 / 7

HEX #BC37EE

RGB 188 55 238

HSL 283.61, 0.84%, 0.57%

LAB 51.38, 76.42, -66.3

 

CMYK 20 / 71 / 0 / 0

HEX #CD49FF

RGB 205 73 255

HSL 283.52, 1%, 0.64%

LAB 57.04, 76.62, -66.53

 

CMYK 13 / 64 / 0 / 0

HEX #DE5BFF

RGB 222 91 255

HSL 287.93, 1%, 0.68%

LAB 61.85, 73.14, -58.68

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 29 / 99 / 0 / 27

HEX #8401BA

RGB 132 1 186

HSL 282.49, 0.99%, 0.37%

LAB 34.95, 69.58, -63.44

 

CMYK 31 / 100 / 0 / 35

HEX #7300A7

RGB 115 0 167

HSL 281.32, 1%, 0.33%

LAB 30.48, 63.98, -59.5

 

CMYK 34 / 100 / 0 / 42

HEX #620094

RGB 98 0 148

HSL 279.73, 1%, 0.29%

LAB 25.97, 58.13, -55.41

 

CMYK 37 / 100 / 0 / 49

HEX #510081

RGB 81 0 129

HSL 277.67, 1%, 0.25%

LAB 21.34, 52.14, -51.23

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 3 / 91 / 0 / 20

HEX #C713CD

RGB 199 19 205

HSL 298.06, 0.83%, 0.44%

LAB 48.28, 80.65, -52.42

 

CMYK 0 / 91 / 22 / 20

HEX #CD13A0

RGB 205 19 160

HSL 314.52, 0.83%, 0.44%

LAB 46.95, 75.6, -28.03

 

CMYK 0 / 91 / 46 / 20

HEX #CD136E

RGB 205 19 110

HSL 330.65, 0.83%, 0.44%

LAB 45.04, 70.47, -0.47

 

CMYK 0 / 91 / 71 / 20

HEX #CD133C

RGB 205 19 60

HSL 346.77, 0.83%, 0.44%

LAB 43.9, 67.31, 29.12

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 52 / 91 / 0 / 20

HEX #6313CD

RGB 99 19 205

HSL 265.81, 0.83%, 0.44%

LAB 32.98, 67.24, -78.01

 

CMYK 77 / 91 / 0 / 20

HEX #3013CD

RGB 48 19 205

HSL 249.35, 0.83%, 0.44%

LAB 28.12, 63.9, -86.21

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 30 / 100 / 0 / 13

HEX #9C00DF

RGB 156 0 223

HSL 281.97, 1%, 0.44%

LAB 41.84, 79.5, -73.53

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 24 / 80 / 0 / 27

HEX #8E25BB

RGB 142 37 187

HSL 282, 0.67%, 0.44%

LAB 39, 64.15, -57.35

 

CMYK 21 / 67 / 0 / 34

HEX #8637A9

RGB 134 55 169

HSL 281.58, 0.51%, 0.44%

LAB 39.01, 51.91, -46.74

 

CMYK 15 / 51 / 0 / 41

HEX #7F4996

RGB 127 73 150

HSL 282.08, 0.35%, 0.44%

LAB 40.38, 36.71, -33.22

 

CMYK 9 / 31 / 0 / 48

HEX #785B84

RGB 120 91 132

HSL 282.44, 0.18%, 0.44%

LAB 42.98, 19.86, -18.36

 

CMYK 77 / 91 / 0 / 20

HEX #2F13CD

RGB 47 19 205

HSL 249.03, 0.83%, 0.44%

LAB 28.05, 63.86, -86.32

 

CMYK 53 / 91 / 0 / 20

HEX #6013CD

RGB 96 19 205

HSL 264.84, 0.83%, 0.44%

LAB 32.61, 66.97, -78.62

 

CMYK 29 / 91 / 0 / 20

HEX #9213CD

RGB 146 19 205

HSL 280.97, 0.83%, 0.44%

LAB 39.55, 72.6, -66.96

 

CMYK 4 / 91 / 0 / 20

HEX #C413CD

RGB 196 19 205

HSL 297.1, 0.83%, 0.44%

LAB 47.76, 80.15, -53.27

 

CMYK 0 / 91 / 20 / 20

HEX #CD13A4

RGB 205 19 164

HSL 313.23, 0.83%, 0.44%

LAB 47.14, 76.09, -30.13

 

CMYK 27 / 91 / 0 / 49

HEX #5E0C81

RGB 94 12 129

HSL 282.05, 0.83%, 0.28%

LAB 24.41, 51.24, -46.11

 

CMYK 28 / 91 / 0 / 35

HEX #790FA7

RGB 121 15 167

HSL 281.84, 0.84%, 0.36%

LAB 32.25, 62.41, -56.57

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 26 / 87 / 0 / 8

HEX #AD1FEA

RGB 173 31 234

HSL 281.97, 0.83%, 0.52%

LAB 46.72, 79.57, -71.72

 

CMYK 21 / 71 / 0 / 7

HEX #BB45ED

RGB 187 69 237

HSL 282.14, 0.82%, 0.6%

LAB 52.88, 71.15, -63.33

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 0 / 91 / 80 / 20

HEX #CD1328

RGB 205 19 40

HSL 353.23, 0.83%, 0.44%

LAB 43.65, 66.59, 40.66

 

CMYK 91 / 0 / 65 / 20

HEX #13CD47

RGB 19 205 71

HSL 136.77, 0.83%, 0.44%

LAB 72.4, -68.39, 53.23

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 0 / 29 / 91 / 20

HEX #CD9213

RGB 205 146 19

HSL 40.97, 0.83%, 0.44%

LAB 64.63, 12.78, 66.35

 

CMYK 91 / 0 / 29 / 20

HEX #13CD92

RGB 19 205 146

HSL 160.97, 0.83%, 0.44%

LAB 73.47, -55.78, 17.76

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 0 / 91 / 80 / 20

HEX #CD1328

RGB 205 19 40

HSL 353.23, 0.83%, 0.44%

LAB 43.65, 66.59, 40.66

 

CMYK 62 / 0 / 91 / 20

HEX #4ECD13

RGB 78 205 19

HSL 100.97, 0.83%, 0.44%

LAB 73.11, -63.34, 69.72

 

CMYK 91 / 0 / 11 / 20

HEX #13CDB7

RGB 19 205 183

HSL 172.9, 0.83%, 0.44%

LAB 74.33, -46.49, -0.89

 

CMYK 27 / 91 / 0 / 20

HEX #9513CD

RGB 149 19 205

HSL 281.94, 0.83%, 0.44%

LAB 40.02, 73.01, -66.18

 

CMYK 0 / 74 / 91 / 20

HEX #CD3513

RGB 205 53 19

HSL 10.97, 0.83%, 0.44%

LAB 46.41, 57.92, 52.95

 

CMYK 62 / 0 / 91 / 20

HEX #4ECD13

RGB 78 205 19

HSL 100.97, 0.83%, 0.44%

LAB 73.11, -63.34, 69.72

 

CMYK 91 / 17 / 0 / 20

HEX #13ABCD

RGB 19 171 205

HSL 190.97, 0.83%, 0.44%

LAB 64.7, -23.9, -27.42

 

Description

Color code: HEX #9513CD | qconv.com Color code: HEX #9513CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 19 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 19 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 91 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 91% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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