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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9513A5 it is the complementary color #6AEC5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9513A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9513A5 shade: #9A13A0, #AB25B3, #BC37C6, #CD49D9 and #DE5BEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9513A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9513A5 shade: #9513A5, #840192, #73007F, #62006C and #510059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9513A5 shade: #9413A4, #A4138D, #A41366, #A4133E and #A41317

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9513A5 shade: #9413A4, #6D13A4, #4613A4, #1F13A4 and #1313A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9513A5 shade matches the following richer shades: #9413A4 and #A004B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9513A5 shade: #9413A4, #882295, #7D3086, #713F77 and #664E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9513A5 shade: #4613A4, #6C13A4, #9313A4, #A4138E and #A41367

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9513A5 shade: #510A5A, #730E7F, #9413A4, #B517C9 and #D024E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9513A5 shade: #9513A5, #A41F13 and #13A459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9513A5 shade: #9513A5, #A49313 and #13A493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9513A5 shade: #9513A5, #A41F13, #24A413 and #1398A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9513A5 shade: #9513A5, #A44A13, #24A413 and #136CA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

Complementary color

CMYK 55 / 0 / 62 / 7

HEX #6AEC5A

RGB 106 236 90

HSL 113.42, 0.79%, 0.64%

LAB 83.86, -62.78, 58.49

 

CMYK 4 / 88 / 0 / 37

HEX #9A13A0

RGB 154 19 160

HSL 297.45, 0.79%, 0.35%

LAB 37.62, 65.82, -43.4

 

CMYK 4 / 79 / 0 / 30

HEX #AB25B3

RGB 171 37 179

HSL 296.62, 0.66%, 0.42%

LAB 43.12, 68.06, -45.77

 

CMYK 5 / 72 / 0 / 22

HEX #BC37C6

RGB 188 55 198

HSL 295.8, 0.57%, 0.5%

LAB 48.89, 69.24, -47.51

 

CMYK 6 / 66 / 0 / 15

HEX #CD49D9

RGB 205 73 217

HSL 295, 0.65%, 0.57%

LAB 54.82, 69.71, -48.79

 

CMYK 6 / 61 / 0 / 7

HEX #DE5BEC

RGB 222 91 236

HSL 294.21, 0.79%, 0.64%

LAB 60.84, 69.72, -49.76

 

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

CMYK 10 / 99 / 0 / 43

HEX #840192

RGB 132 1 146

HSL 294.21, 0.99%, 0.29%

LAB 31.81, 62.39, -44.4

 

CMYK 9 / 100 / 0 / 50

HEX #73007F

RGB 115 0 127

HSL 294.33, 1%, 0.25%

LAB 27.23, 56.58, -40.09

 

CMYK 9 / 100 / 0 / 58

HEX #62006C

RGB 98 0 108

HSL 294.44, 1%, 0.21%

LAB 22.58, 50.46, -35.59

 

CMYK 9 / 100 / 0 / 65

HEX #510059

RGB 81 0 89

HSL 294.61, 1%, 0.17%

LAB 17.79, 44.14, -30.93

 

CMYK 10 / 88 / 0 / 36

HEX #9413A4

RGB 148 19 164

HSL 293.38, 0.79%, 0.36%

LAB 36.82, 65.42, -47.14

 

CMYK 0 / 88 / 14 / 36

HEX #A4138D

RGB 164 19 141

HSL 309.52, 0.79%, 0.36%

LAB 38.34, 64.89, -30.56

 

CMYK 0 / 88 / 38 / 36

HEX #A41366

RGB 164 19 102

HSL 325.66, 0.79%, 0.36%

LAB 36.59, 60.14, -8.87

 

CMYK 0 / 88 / 62 / 36

HEX #A4133E

RGB 164 19 62

HSL 342.21, 0.79%, 0.36%

LAB 35.41, 56.82, 15.28

 

CMYK 0 / 88 / 86 / 36

HEX #A41317

RGB 164 19 23

HSL 358.34, 0.79%, 0.36%

LAB 34.84, 55.17, 38.59

 

CMYK 10 / 88 / 0 / 36

HEX #9413A4

RGB 148 19 164

HSL 293.38, 0.79%, 0.36%

LAB 36.82, 65.42, -47.14

 

CMYK 34 / 88 / 0 / 36

HEX #6D13A4

RGB 109 19 164

HSL 277.24, 0.79%, 0.36%

LAB 30.39, 59.22, -57.87

 

CMYK 57 / 88 / 0 / 36

HEX #4613A4

RGB 70 19 164

HSL 261.1, 0.79%, 0.36%

LAB 25.1, 54.55, -66.77

 

CMYK 81 / 88 / 0 / 36

HEX #1F13A4

RGB 31 19 164

HSL 244.97, 0.79%, 0.36%

LAB 21.72, 51.88, -72.48

 

CMYK 88 / 88 / 0 / 36

HEX #1313A4

RGB 19 19 164

HSL 240, 0.79%, 0.36%

LAB 21.15, 51.46, -73.44

 

CMYK 10 / 88 / 0 / 36

HEX #9413A4

RGB 148 19 164

HSL 293.38, 0.79%, 0.36%

LAB 36.82, 65.42, -47.14

 

CMYK 11 / 98 / 0 / 30

HEX #A004B3

RGB 160 4 179

HSL 293.49, 0.96%, 0.36%

LAB 39.27, 71.89, -52.06

 

CMYK 10 / 88 / 0 / 36

HEX #9413A4

RGB 148 19 164

HSL 293.38, 0.79%, 0.36%

LAB 36.82, 65.42, -47.14

 

CMYK 9 / 77 / 0 / 42

HEX #882295

RGB 136 34 149

HSL 293.22, 0.63%, 0.36%

LAB 35.1, 56.68, -40.92

 

CMYK 7 / 64 / 0 / 47

HEX #7D3086

RGB 125 48 134

HSL 293.72, 0.47%, 0.36%

LAB 34.39, 45.72, -32.94

 

CMYK 5 / 47 / 0 / 53

HEX #713F77

RGB 113 63 119

HSL 293.57, 0.31%, 0.36%

LAB 34.8, 31.3, -23.08

 

CMYK 2 / 25 / 0 / 59

HEX #664E68

RGB 102 78 104

HSL 295.38, 0.14%, 0.36%

LAB 36.5, 15.13, -11.19

 

CMYK 57 / 88 / 0 / 36

HEX #4613A4

RGB 70 19 164

HSL 261.1, 0.79%, 0.36%

LAB 25.1, 54.55, -66.77

 

CMYK 34 / 88 / 0 / 36

HEX #6C13A4

RGB 108 19 164

HSL 276.83, 0.79%, 0.36%

LAB 30.24, 59.08, -58.13

 

CMYK 10 / 88 / 0 / 36

HEX #9313A4

RGB 147 19 164

HSL 292.97, 0.79%, 0.36%

LAB 36.65, 65.25, -47.43

 

CMYK 0 / 88 / 13 / 36

HEX #A4138E

RGB 164 19 142

HSL 309.1, 0.79%, 0.36%

LAB 38.4, 65.03, -31.09

 

CMYK 0 / 88 / 37 / 36

HEX #A41367

RGB 164 19 103

HSL 325.24, 0.79%, 0.36%

LAB 36.63, 60.25, -9.45

 

CMYK 10 / 89 / 0 / 65

HEX #510A5A

RGB 81 10 90

HSL 293.25, 0.8%, 0.2%

LAB 18.82, 41.5, -29.94

 

CMYK 9 / 89 / 0 / 50

HEX #730E7F

RGB 115 14 127

HSL 293.63, 0.8%, 0.28%

LAB 28.09, 54.04, -38.71

 

CMYK 10 / 88 / 0 / 36

HEX #9413A4

RGB 148 19 164

HSL 293.38, 0.79%, 0.36%

LAB 36.82, 65.42, -47.14

 

CMYK 10 / 89 / 0 / 21

HEX #B517C9

RGB 181 23 201

HSL 293.26, 0.79%, 0.44%

LAB 45.16, 76.47, -55.28

 

CMYK 9 / 84 / 0 / 10

HEX #D024E5

RGB 208 36 229

HSL 293.47, 0.79%, 0.52%

LAB 52.21, 83.14, -59.74

 

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

CMYK 0 / 81 / 88 / 36

HEX #A41F13

RGB 164 31 19

HSL 4.97, 0.79%, 0.36%

LAB 35.83, 52.2, 41.43

 

CMYK 88 / 0 / 46 / 36

HEX #13A459

RGB 19 164 89

HSL 148.97, 0.79%, 0.36%

LAB 59.35, -52.53, 29.13

 

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

CMYK 0 / 10 / 88 / 36

HEX #A49313

RGB 164 147 19

HSL 52.97, 0.79%, 0.36%

LAB 60.61, -6.22, 61.37

 

CMYK 88 / 0 / 10 / 36

HEX #13A493

RGB 19 164 147

HSL 172.97, 0.79%, 0.36%

LAB 60.6, -38.8, -1.14

 

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

CMYK 0 / 81 / 88 / 36

HEX #A41F13

RGB 164 31 19

HSL 4.97, 0.79%, 0.36%

LAB 35.83, 52.2, 41.43

 

CMYK 78 / 0 / 88 / 36

HEX #24A413

RGB 36 164 19

HSL 112.97, 0.79%, 0.36%

LAB 58.95, -58.24, 57.23

 

CMYK 88 / 7 / 0 / 36

HEX #1398A4

RGB 19 152 164

HSL 184.97, 0.79%, 0.36%

LAB 57.34, -27.95, -15.63

 

CMYK 10 / 88 / 0 / 35

HEX #9513A5

RGB 149 19 165

HSL 293.42, 0.79%, 0.36%

LAB 37.06, 65.77, -47.35

 

CMYK 0 / 55 / 88 / 36

HEX #A44A13

RGB 164 74 19

HSL 22.76, 0.79%, 0.36%

LAB 42.52, 34.24, 46.82

 

CMYK 78 / 0 / 88 / 36

HEX #24A413

RGB 36 164 19

HSL 112.97, 0.79%, 0.36%

LAB 58.95, -58.24, 57.23

 

CMYK 88 / 34 / 0 / 36

HEX #136CA4

RGB 19 108 164

HSL 203.17, 0.79%, 0.36%

LAB 43.57, -3.65, -36.96

 

Description

Color code: HEX #9513A5 | qconv.com Color code: HEX #9513A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 19 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 19 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 88 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 88% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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