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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9529BC it is the complementary color #6AD643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9529BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9529BC shade: #9A29B7, #AB3BCA, #BC4DDD, #CD5FF0 and #DE71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9529BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9529BC shade: #9529BC, #8417A9, #730596, #620083 and #510070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9529BC shade: #9529BC, #BC29BB, #BC2993, #BC296C and #BC2944

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9529BC shade: #9529BC, #6D29BC, #4629BC and #2929BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9529BC shade matches the following richer shades: #9529BC, #9D16CE and #A604E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9529BC shade: #9529BC, #8C3BA9, #834E97, #7B6184 and #727371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9529BC shade: #4629BC, #6D29BC, #9529BC, #BC29BC and #BC2995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9529BC shade: #5F1A78, #7A219A, #9529BC, #AB3AD3 and #B95CDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9529BC shade: #9529BC, #BC2933 and #29BC5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9529BC shade: #9529BC, #BC9529 and #29BC95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9529BC shade: #9529BC, #BC2933, #50BC29 and #29BCB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9529BC shade: #9529BC, #BC4B29, #50BC29 and #2999BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

Complementary color

CMYK 50 / 0 / 69 / 16

HEX #6AD643

RGB 106 214 67

HSL 104.08, 0.64%, 0.55%

LAB 77.02, -56.76, 60.33

 

CMYK 16 / 78 / 0 / 28

HEX #9A29B7

RGB 154 41 183

HSL 287.75, 0.63%, 0.44%

LAB 41.02, 64.3, -51.65

 

CMYK 15 / 71 / 0 / 21

HEX #AB3BCA

RGB 171 59 202

HSL 286.99, 0.57%, 0.51%

LAB 47.04, 64.96, -52.92

 

CMYK 15 / 65 / 0 / 13

HEX #BC4DDD

RGB 188 77 221

HSL 286.25, 0.68%, 0.58%

LAB 53.19, 65.02, -53.8

 

CMYK 15 / 60 / 0 / 6

HEX #CD5FF0

RGB 205 95 240

HSL 285.52, 0.83%, 0.66%

LAB 59.39, 64.72, -54.43

 

CMYK 13 / 56 / 0 / 0

HEX #DE71FF

RGB 222 113 255

HSL 286.06, 1%, 0.72%

LAB 65.4, 63.44, -53.03

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 22 / 86 / 0 / 34

HEX #8417A9

RGB 132 23 169

HSL 284.79, 0.76%, 0.38%

LAB 34.77, 62.79, -53.6

 

CMYK 23 / 97 / 0 / 41

HEX #730596

RGB 115 5 150

HSL 285.52, 0.94%, 0.3%

LAB 29.3, 59.89, -51.07

 

CMYK 25 / 100 / 0 / 49

HEX #620083

RGB 98 0 131

HSL 284.89, 1%, 0.26%

LAB 24.43, 54.73, -47.3

 

CMYK 28 / 100 / 0 / 56

HEX #510070

RGB 81 0 112

HSL 283.39, 1%, 0.22%

LAB 19.72, 48.59, -42.98

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 78 / 1 / 26

HEX #BC29BB

RGB 188 41 187

HSL 300.41, 0.64%, 0.45%

LAB 46.8, 71.64, -44.44

 

CMYK 0 / 78 / 22 / 26

HEX #BC2993

RGB 188 41 147

HSL 316.73, 0.64%, 0.45%

LAB 44.78, 65.89, -23.84

 

CMYK 0 / 78 / 43 / 26

HEX #BC296C

RGB 188 41 108

HSL 332.65, 0.64%, 0.45%

LAB 43.3, 61.47, -2.16

 

CMYK 0 / 78 / 64 / 26

HEX #BC2944

RGB 188 41 68

HSL 348.98, 0.64%, 0.45%

LAB 42.3, 58.36, 21.44

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 42 / 78 / 0 / 26

HEX #6D29BC

RGB 109 41 188

HSL 267.76, 0.64%, 0.45%

LAB 34.94, 57.53, -64.77

 

CMYK 63 / 78 / 0 / 26

HEX #4629BC

RGB 70 41 188

HSL 251.84, 0.64%, 0.45%

LAB 30.69, 52.33, -71.91

 

CMYK 78 / 78 / 0 / 26

HEX #2929BC

RGB 41 41 188

HSL 240, 0.64%, 0.45%

LAB 28.61, 49.77, -75.41

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 24 / 89 / 0 / 19

HEX #9D16CE

RGB 157 22 206

HSL 284.02, 0.81%, 0.45%

LAB 41.53, 73.8, -64.24

 

CMYK 26 / 98 / 0 / 12

HEX #A604E1

RGB 166 4 225

HSL 283.98, 0.97%, 0.45%

LAB 43.7, 80.68, -71.57

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 17 / 65 / 0 / 34

HEX #8C3BA9

RGB 140 59 169

HSL 284.18, 0.48%, 0.45%

LAB 40.52, 51.48, -44.27

 

CMYK 13 / 48 / 0 / 41

HEX #834E97

RGB 131 78 151

HSL 283.56, 0.32%, 0.45%

LAB 42.01, 35.31, -31.21

 

CMYK 7 / 27 / 0 / 48

HEX #7B6184

RGB 123 97 132

HSL 284.57, 0.15%, 0.45%

LAB 44.84, 17.3, -15.48

 

CMYK 1 / 0 / 2 / 55

HEX #727371

RGB 114 115 113

HSL 90, 0.01%, 0.45%

LAB 48.3, -0.78, 0.96

 

CMYK 63 / 78 / 0 / 26

HEX #4629BC

RGB 70 41 188

HSL 251.84, 0.64%, 0.45%

LAB 30.69, 52.33, -71.91

 

CMYK 42 / 78 / 0 / 26

HEX #6D29BC

RGB 109 41 188

HSL 267.76, 0.64%, 0.45%

LAB 34.94, 57.53, -64.77

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 78 / 0 / 26

HEX #BC29BC

RGB 188 41 188

HSL 300, 0.64%, 0.45%

LAB 46.85, 71.8, -44.93

 

CMYK 0 / 78 / 21 / 26

HEX #BC2995

RGB 188 41 149

HSL 315.92, 0.64%, 0.45%

LAB 44.87, 66.15, -24.91

 

CMYK 21 / 78 / 0 / 53

HEX #5F1A78

RGB 95 26 120

HSL 284.04, 0.64%, 0.29%

LAB 25.34, 45.2, -38.88

 

CMYK 21 / 79 / 0 / 40

HEX #7A219A

RGB 122 33 154

HSL 284.13, 0.65%, 0.37%

LAB 33.05, 55.16, -47.39

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 19 / 73 / 0 / 17

HEX #AB3AD3

RGB 171 58 211

HSL 284.31, 0.63%, 0.53%

LAB 47.48, 67.07, -57.39

 

CMYK 16 / 58 / 0 / 14

HEX #B95CDB

RGB 185 92 219

HSL 283.94, 0.64%, 0.61%

LAB 55.16, 57.12, -49.55

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 78 / 73 / 26

HEX #BC2933

RGB 188 41 51

HSL 355.92, 0.64%, 0.45%

LAB 42.03, 57.49, 31.51

 

CMYK 78 / 0 / 52 / 26

HEX #29BC5A

RGB 41 188 90

HSL 140, 0.64%, 0.45%

LAB 67.41, -58.49, 38.81

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 21 / 78 / 26

HEX #BC9529

RGB 188 149 41

HSL 44.08, 0.64%, 0.45%

LAB 63.63, 4.2, 58.49

 

CMYK 78 / 0 / 21 / 26

HEX #29BC95

RGB 41 188 149

HSL 164.08, 0.64%, 0.45%

LAB 68.47, -46.64, 9.15

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 78 / 73 / 26

HEX #BC2933

RGB 188 41 51

HSL 355.92, 0.64%, 0.45%

LAB 42.03, 57.49, 31.51

 

CMYK 57 / 0 / 78 / 26

HEX #50BC29

RGB 80 188 41

HSL 104.08, 0.64%, 0.45%

LAB 67.9, -56.07, 60

 

CMYK 78 / 0 / 5 / 26

HEX #29BCB2

RGB 41 188 178

HSL 175.92, 0.64%, 0.45%

LAB 69.22, -38.92, -5.65

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 60 / 78 / 26

HEX #BC4B29

RGB 188 75 41

HSL 13.88, 0.64%, 0.45%

LAB 46.82, 43.73, 42.29

 

CMYK 57 / 0 / 78 / 26

HEX #50BC29

RGB 80 188 41

HSL 104.08, 0.64%, 0.45%

LAB 67.9, -56.07, 60

 

CMYK 78 / 19 / 0 / 26

HEX #2999BC

RGB 41 153 188

HSL 194.29, 0.64%, 0.45%

LAB 58.87, -18.61, -26.89

 

Description

Color code: HEX #9529BC | qconv.com Color code: HEX #9529BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 41 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 41 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 78 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 78% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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