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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952FFC it is the complementary color #6AD003. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952FFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952FFC shade: #9A2FF7, #AB41FF, #BC53FF, #CD65FF and #DE77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952FFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952FFC shade: #952FFC, #841DE9, #730BD6, #6200C3 and #5100B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952FFC shade: #9531FB, #CC31FB, #FB31F4, #FB31BD and #FB3187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952FFC shade: #9531FB, #5F31FB and #3131FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952FFC shade matches the following richer shades: #9531FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952FFC shade: #9531FB, #9641EA, #9652DA, #9663C9 and #9674B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952FFC shade: #313BFB, #5C31FB, #9331FB, #C931FB and #FB31F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952FFC shade: #6C03D7, #8108FB, #9531FB, #AA59FC and #BF82FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952FFC shade: #952FFC, #FB3171 and #31FB41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952FFC shade: #952FFC, #FB9331 and #31FB93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952FFC shade: #952FFC, #FB3171, #99FB31 and #31FBBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952FFC shade: #952FFC, #FB3134, #99FB31 and #31FBF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

Complementary color

CMYK 49 / 0 / 99 / 18

HEX #6AD003

RGB 106 208 3

HSL 89.85, 0.97%, 0.41%

LAB 74.94, -57.26, 73.44

 

CMYK 38 / 81 / 0 / 3

HEX #9A2FF7

RGB 154 47 247

HSL 272.1, 0.93%, 0.58%

LAB 46.47, 75.39, -79.55

 

CMYK 33 / 75 / 0 / 0

HEX #AB41FF

RGB 171 65 255

HSL 273.47, 1%, 0.63%

LAB 51.45, 73.48, -75.8

 

CMYK 26 / 67 / 0 / 0

HEX #BC53FF

RGB 188 83 255

HSL 276.63, 1%, 0.66%

LAB 56.19, 69.34, -68.02

 

CMYK 20 / 60 / 0 / 0

HEX #CD65FF

RGB 205 101 255

HSL 280.52, 1%, 0.7%

LAB 61.23, 64.97, -59.81

 

CMYK 13 / 53 / 0 / 0

HEX #DE77FF

RGB 222 119 255

HSL 285.44, 1%, 0.73%

LAB 66.48, 60.58, -51.33

 

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

CMYK 43 / 88 / 0 / 9

HEX #841DE9

RGB 132 29 233

HSL 270.29, 0.82%, 0.51%

LAB 40.68, 74.59, -81.26

 

CMYK 46 / 95 / 0 / 16

HEX #730BD6

RGB 115 11 214

HSL 270.74, 0.9%, 0.44%

LAB 35.48, 72.14, -79.03

 

CMYK 50 / 100 / 0 / 24

HEX #6200C3

RGB 98 0 195

HSL 270.15, 1%, 0.38%

LAB 30.73, 68.11, -75.87

 

CMYK 54 / 100 / 0 / 31

HEX #5100B0

RGB 81 0 176

HSL 267.61, 1%, 0.35%

LAB 26.4, 62.58, -71.81

 

CMYK 41 / 80 / 0 / 2

HEX #9531FB

RGB 149 49 251

HSL 269.7, 0.96%, 0.59%

LAB 46.38, 74.94, -81.96

 

CMYK 19 / 80 / 0 / 2

HEX #CC31FB

RGB 204 49 251

HSL 286.04, 0.96%, 0.59%

LAB 54.03, 83.22, -69.18

 

CMYK 0 / 80 / 3 / 2

HEX #FB31F4

RGB 251 49 244

HSL 302.08, 0.96%, 0.59%

LAB 60.99, 90.31, -53.71

 

CMYK 0 / 80 / 25 / 2

HEX #FB31BD

RGB 251 49 189

HSL 318.42, 0.96%, 0.59%

LAB 58.4, 83.14, -26.64

 

CMYK 0 / 80 / 46 / 2

HEX #FB3187

RGB 251 49 135

HSL 334.46, 0.96%, 0.59%

LAB 56.54, 77.76, 2.18

 

CMYK 41 / 80 / 0 / 2

HEX #9531FB

RGB 149 49 251

HSL 269.7, 0.96%, 0.59%

LAB 46.38, 74.94, -81.96

 

CMYK 62 / 80 / 0 / 2

HEX #5F31FB

RGB 95 49 251

HSL 253.66, 0.96%, 0.59%

LAB 40.56, 68.8, -91.74

 

CMYK 80 / 80 / 0 / 2

HEX #3131FB

RGB 49 49 251

HSL 240, 0.96%, 0.59%

LAB 37.51, 65.65, -96.9

 

CMYK 41 / 80 / 0 / 2

HEX #9531FB

RGB 149 49 251

HSL 269.7, 0.96%, 0.59%

LAB 46.38, 74.94, -81.96

 

CMYK 41 / 80 / 0 / 2

HEX #9531FB

RGB 149 49 251

HSL 269.7, 0.96%, 0.59%

LAB 46.38, 74.94, -81.96

 

CMYK 36 / 72 / 0 / 8

HEX #9641EA

RGB 150 65 234

HSL 270.18, 0.8%, 0.59%

LAB 47.24, 65.24, -71

 

CMYK 31 / 62 / 0 / 15

HEX #9652DA

RGB 150 82 218

HSL 270, 0.65%, 0.59%

LAB 48.98, 53.58, -59.11

 

CMYK 25 / 51 / 0 / 21

HEX #9663C9

RGB 150 99 201

HSL 270, 0.49%, 0.59%

LAB 51.41, 40.47, -45.52

 

CMYK 18 / 37 / 0 / 28

HEX #9674B8

RGB 150 116 184

HSL 270, 0.32%, 0.59%

LAB 54.49, 26.78, -30.93

 

CMYK 80 / 76 / 0 / 2

HEX #313BFB

RGB 49 59 251

HSL 237.03, 0.96%, 0.59%

LAB 39.15, 60.88, -94.18

 

CMYK 63 / 80 / 0 / 2

HEX #5C31FB

RGB 92 49 251

HSL 252.77, 0.96%, 0.59%

LAB 40.31, 68.53, -92.18

 

CMYK 41 / 80 / 0 / 2

HEX #9331FB

RGB 147 49 251

HSL 269.11, 0.96%, 0.59%

LAB 46.13, 74.68, -82.38

 

CMYK 20 / 80 / 0 / 2

HEX #C931FB

RGB 201 49 251

HSL 285.15, 0.96%, 0.59%

LAB 53.58, 82.73, -69.93

 

CMYK 0 / 80 / 1 / 2

HEX #FB31F8

RGB 251 49 248

HSL 300.89, 0.96%, 0.59%

LAB 61.21, 90.89, -55.59

 

CMYK 50 / 99 / 0 / 16

HEX #6C03D7

RGB 108 3 215

HSL 269.72, 0.97%, 0.43%

LAB 34.31, 72.81, -81.56

 

CMYK 49 / 97 / 0 / 2

HEX #8108FB

RGB 129 8 251

HSL 269.88, 0.97%, 0.51%

LAB 40.91, 81.57, -91.06

 

CMYK 41 / 80 / 0 / 2

HEX #9531FB

RGB 149 49 251

HSL 269.7, 0.96%, 0.59%

LAB 46.38, 74.94, -81.96

 

CMYK 33 / 65 / 0 / 1

HEX #AA59FC

RGB 170 89 252

HSL 269.82, 0.96%, 0.67%

LAB 54.78, 62.34, -68.73

 

CMYK 25 / 49 / 0 / 1

HEX #BF82FD

RGB 191 130 253

HSL 269.76, 0.97%, 0.75%

LAB 65.07, 46.51, -52.69

 

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

CMYK 0 / 80 / 55 / 2

HEX #FB3171

RGB 251 49 113

HSL 340.99, 0.96%, 0.59%

LAB 55.99, 76.1, 14.5

 

CMYK 80 / 0 / 74 / 2

HEX #31FB41

RGB 49 251 65

HSL 124.75, 0.96%, 0.59%

LAB 87.01, -79.86, 70.8

 

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

CMYK 0 / 41 / 80 / 2

HEX #FB9331

RGB 251 147 49

HSL 29.11, 0.96%, 0.59%

LAB 70.59, 32.45, 64.64

 

CMYK 80 / 0 / 41 / 2

HEX #31FB93

RGB 49 251 147

HSL 149.11, 0.96%, 0.59%

LAB 87.85, -69.75, 36.66

 

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

CMYK 0 / 80 / 55 / 2

HEX #FB3171

RGB 251 49 113

HSL 340.99, 0.96%, 0.59%

LAB 55.99, 76.1, 14.5

 

CMYK 39 / 0 / 80 / 2

HEX #99FB31

RGB 153 251 49

HSL 89.11, 0.96%, 0.59%

LAB 89.85, -57.57, 79.14

 

CMYK 80 / 0 / 25 / 2

HEX #31FBBB

RGB 49 251 187

HSL 160.99, 0.96%, 0.59%

LAB 88.56, -61.76, 17.42

 

CMYK 41 / 81 / 0 / 1

HEX #952FFC

RGB 149 47 252

HSL 269.85, 0.97%, 0.59%

LAB 46.25, 75.81, -82.74

 

CMYK 0 / 80 / 79 / 2

HEX #FB3134

RGB 251 49 52

HSL 359.11, 0.96%, 0.59%

LAB 55.02, 73.19, 48.56

 

CMYK 39 / 0 / 80 / 2

HEX #99FB31

RGB 153 251 49

HSL 89.11, 0.96%, 0.59%

LAB 89.85, -57.57, 79.14

 

CMYK 80 / 0 / 1 / 2

HEX #31FBF8

RGB 49 251 248

HSL 179.11, 0.96%, 0.59%

LAB 90.06, -46.35, -12.06

 

Description

Color code: HEX #952FFC | qconv.com Color code: HEX #952FFC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 47 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 47 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 81 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 81% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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