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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953858 it is the complementary color #6AC7A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953858 shade: #9A3853, #AB4A66, #BC5C79, #CD6E8C and #DE809F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953858 shade: #953858, #842645, #731432, #62021F and #51000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953858 shade: #933857, #93383E and #933838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953858 shade: #933857, #933870, #933889, #853893 and #6D3893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953858 shade matches the following richer shades: #933857, #A42752, #B4174D and #C50648

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953858 shade: #933857, #83485C, #725961, #626967 and #517A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953858 shade: #933889, #933870, #933858, #93383F and #934838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953858 shade: #582134, #752C45, #933857, #B14369 and #C15C7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953858 shade: #953858, #938638 and #387C93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953858 shade: #953858, #589338 and #385893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953858 shade: #953858, #938638, #389373 and #384593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953858 shade: #953858, #869338, #389373 and #453893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

Complementary color

CMYK 47 / 0 / 16 / 22

HEX #6AC7A7

RGB 106 199 167

HSL 159.35, 0.45%, 0.6%

LAB 74, -35.29, 7.51

 

CMYK 0 / 64 / 46 / 40

HEX #9A3853

RGB 154 56 83

HSL 343.47, 0.47%, 0.41%

LAB 38.42, 43.25, 5.69

 

CMYK 0 / 57 / 40 / 33

HEX #AB4A66

RGB 171 74 102

HSL 342.68, 0.4%, 0.48%

LAB 44.96, 42.55, 3.61

 

CMYK 0 / 51 / 36 / 26

HEX #BC5C79

RGB 188 92 121

HSL 341.88, 0.42%, 0.55%

LAB 51.53, 41.7, 1.94

 

CMYK 0 / 46 / 32 / 20

HEX #CD6E8C

RGB 205 110 140

HSL 341.05, 0.49%, 0.62%

LAB 58.06, 40.81, 0.56

 

CMYK 0 / 42 / 28 / 13

HEX #DE809F

RGB 222 128 159

HSL 340.21, 0.59%, 0.69%

LAB 64.54, 39.93, -0.62

 

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

CMYK 0 / 71 / 48 / 48

HEX #842645

RGB 132 38 69

HSL 340.21, 0.55%, 0.33%

LAB 31.16, 42.44, 3.83

 

CMYK 0 / 83 / 57 / 55

HEX #731432

RGB 115 20 50

HSL 341.05, 0.7%, 0.26%

LAB 24.88, 41.98, 7.21

 

CMYK 0 / 98 / 68 / 62

HEX #62021F

RGB 98 2 31

HSL 341.88, 0.96%, 0.2%

LAB 18.97, 40.38, 11.86

 

CMYK 0 / 100 / 85 / 68

HEX #51000C

RGB 81 0 12

HSL 351.11, 1%, 0.16%

LAB 14.26, 35.26, 17.32

 

CMYK 0 / 62 / 41 / 42

HEX #933857

RGB 147 56 87

HSL 339.56, 0.45%, 0.4%

LAB 37.33, 41.31, 1.44

 

CMYK 0 / 62 / 58 / 42

HEX #93383E

RGB 147 56 62

HSL 356.04, 0.45%, 0.4%

LAB 36.7, 38.86, 16.43

 

CMYK 0 / 62 / 62 / 42

HEX #933838

RGB 147 56 56

HSL 0, 0.45%, 0.4%

LAB 36.59, 38.39, 20.05

 

CMYK 0 / 62 / 41 / 42

HEX #933857

RGB 147 56 87

HSL 339.56, 0.45%, 0.4%

LAB 37.33, 41.31, 1.44

 

CMYK 0 / 62 / 24 / 42

HEX #933870

RGB 147 56 112

HSL 323.08, 0.45%, 0.4%

LAB 38.2, 44.57, -13.04

 

CMYK 0 / 62 / 7 / 42

HEX #933889

RGB 147 56 137

HSL 306.59, 0.45%, 0.4%

LAB 39.31, 48.54, -26.81

 

CMYK 10 / 62 / 0 / 42

HEX #853893

RGB 133 56 147

HSL 290.77, 0.45%, 0.4%

LAB 37.7, 46.63, -35.58

 

CMYK 26 / 62 / 0 / 42

HEX #6D3893

RGB 109 56 147

HSL 274.95, 0.45%, 0.4%

LAB 34.37, 40.43, -41.09

 

CMYK 0 / 62 / 41 / 42

HEX #933857

RGB 147 56 87

HSL 339.56, 0.45%, 0.4%

LAB 37.33, 41.31, 1.44

 

CMYK 0 / 76 / 50 / 36

HEX #A42752

RGB 164 39 82

HSL 339.36, 0.62%, 0.4%

LAB 37.76, 53.05, 5.63

 

CMYK 0 / 87 / 57 / 29

HEX #B4174D

RGB 180 23 77

HSL 339.36, 0.77%, 0.4%

LAB 39.33, 61.21, 11.5

 

CMYK 0 / 97 / 63 / 23

HEX #C50648

RGB 197 6 72

HSL 339.27, 0.94%, 0.4%

LAB 41.95, 67.38, 18.82

 

CMYK 0 / 62 / 41 / 42

HEX #933857

RGB 147 56 87

HSL 339.56, 0.45%, 0.4%

LAB 37.33, 41.31, 1.44

 

CMYK 0 / 45 / 30 / 49

HEX #83485C

RGB 131 72 92

HSL 339.66, 0.29%, 0.4%

LAB 38.26, 27.71, -0.67

 

CMYK 0 / 22 / 15 / 55

HEX #725961

RGB 114 89 97

HSL 340.8, 0.12%, 0.4%

LAB 40.55, 11.67, -0.67

 

CMYK 7 / 0 / 2 / 59

HEX #626967

RGB 98 105 103

HSL 162.86, 0.03%, 0.4%

LAB 43.77, -3.11, 0.19

 

CMYK 34 / 0 / 11 / 52

HEX #517A6C

RGB 81 122 108

HSL 159.51, 0.2%, 0.4%

LAB 47.94, -17.62, 3.12

 

CMYK 0 / 62 / 7 / 42

HEX #933889

RGB 147 56 137

HSL 306.59, 0.45%, 0.4%

LAB 39.31, 48.54, -26.81

 

CMYK 0 / 62 / 24 / 42

HEX #933870

RGB 147 56 112

HSL 323.08, 0.45%, 0.4%

LAB 38.2, 44.57, -13.04

 

CMYK 0 / 62 / 40 / 42

HEX #933858

RGB 147 56 88

HSL 338.9, 0.45%, 0.4%

LAB 37.36, 41.43, 0.85

 

CMYK 0 / 62 / 57 / 42

HEX #93383F

RGB 147 56 63

HSL 355.38, 0.45%, 0.4%

LAB 36.73, 38.94, 15.83

 

CMYK 0 / 51 / 62 / 42

HEX #934838

RGB 147 72 56

HSL 10.55, 0.45%, 0.4%

LAB 39.79, 30.12, 24.12

 

CMYK 0 / 63 / 41 / 65

HEX #582134

RGB 88 33 52

HSL 339.27, 0.45%, 0.24%

LAB 21.62, 27.52, 0.47

 

CMYK 0 / 62 / 41 / 54

HEX #752C45

RGB 117 44 69

HSL 339.45, 0.45%, 0.32%

LAB 29.45, 34.61, 1

 

CMYK 0 / 62 / 41 / 42

HEX #933857

RGB 147 56 87

HSL 339.56, 0.45%, 0.4%

LAB 37.33, 41.31, 1.44

 

CMYK 0 / 62 / 41 / 31

HEX #B14369

RGB 177 67 105

HSL 339.27, 0.45%, 0.48%

LAB 44.77, 48.2, 1.62

 

CMYK 0 / 52 / 34 / 24

HEX #C15C7F

RGB 193 92 127

HSL 339.21, 0.45%, 0.56%

LAB 52.42, 44.17, -0.23

 

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

CMYK 0 / 9 / 62 / 42

HEX #938638

RGB 147 134 56

HSL 51.43, 0.45%, 0.4%

LAB 55.62, -5.15, 42.75

 

CMYK 62 / 16 / 0 / 42

HEX #387C93

RGB 56 124 147

HSL 195.16, 0.45%, 0.4%

LAB 48.71, -14.22, -18.87

 

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

CMYK 40 / 0 / 62 / 42

HEX #589338

RGB 88 147 56

HSL 98.9, 0.45%, 0.4%

LAB 55.31, -36.12, 41.23

 

CMYK 62 / 40 / 0 / 42

HEX #385893

RGB 56 88 147

HSL 218.9, 0.45%, 0.4%

LAB 37.71, 7.54, -36.03

 

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

CMYK 0 / 9 / 62 / 42

HEX #938638

RGB 147 134 56

HSL 51.43, 0.45%, 0.4%

LAB 55.62, -5.15, 42.75

 

CMYK 62 / 0 / 22 / 42

HEX #389373

RGB 56 147 115

HSL 158.9, 0.45%, 0.4%

LAB 55.02, -34.95, 9.04

 

CMYK 62 / 53 / 0 / 42

HEX #384593

RGB 56 69 147

HSL 231.43, 0.45%, 0.4%

LAB 32.27, 20.07, -44.75

 

CMYK 0 / 62 / 41 / 42

HEX #953858

RGB 149 56 88

HSL 339.35, 0.45%, 0.4%

LAB 37.7, 42.1, 1.38

 

CMYK 9 / 0 / 62 / 42

HEX #869338

RGB 134 147 56

HSL 68.57, 0.45%, 0.4%

LAB 58.25, -17.86, 45.32

 

CMYK 62 / 0 / 22 / 42

HEX #389373

RGB 56 147 115

HSL 158.9, 0.45%, 0.4%

LAB 55.02, -34.95, 9.04

 

CMYK 53 / 62 / 0 / 42

HEX #453893

RGB 69 56 147

HSL 248.57, 0.45%, 0.4%

LAB 29.91, 31.13, -48.51

 

Description

Color code: HEX #953858 | qconv.com Color code: HEX #953858 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 56 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 56 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 41 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 41% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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