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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953B6C it is the complementary color #6AC493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953B6C shade: #9A3B67, #AB4D7A, #BC5F8D, #CD71A0 and #DE83B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953B6C shade: #953B6C, #842959, #731746, #620533 and #510020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953B6C shade: #953B6C, #953B54, #953B3C and #953B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953B6C shade: #953B6C, #953B84, #8D3B95, #753B95 and #5D3B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953B6C shade matches the following richer shades: #953B6C, #A62A6E, #B7196F and #C80871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953B6C shade: #953B6C, #844C6B, #735D69, #626E68 and #517F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953B6C shade: #8E3B95, #953B85, #953B6D, #953B55 and #953B3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953B6C shade: #5A2441, #782F57, #953B6C, #B34781 and #C06295

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953B6C shade: #953B6C, #95763B and #3B9195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953B6C shade: #953B6C, #6D953B and #3B6D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953B6C shade: #953B6C, #95763B, #3B9564 and #3B5B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953B6C shade: #953B6C, #95913B, #3B9564 and #3B4095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

Complementary color

CMYK 46 / 0 / 25 / 23

HEX #6AC493

RGB 106 196 147

HSL 147.33, 0.43%, 0.59%

LAB 72.66, -38.17, 16.4

 

CMYK 0 / 62 / 33 / 40

HEX #9A3B67

RGB 154 59 103

HSL 332.21, 0.45%, 0.42%

LAB 39.54, 44.17, -5.27

 

CMYK 0 / 55 / 29 / 33

HEX #AB4D7A

RGB 171 77 122

HSL 331.28, 0.38%, 0.49%

LAB 46.14, 43.57, -6.87

 

CMYK 0 / 49 / 25 / 26

HEX #BC5F8D

RGB 188 95 141

HSL 330.32, 0.41%, 0.55%

LAB 52.73, 42.82, -8.16

 

CMYK 0 / 45 / 22 / 20

HEX #CD71A0

RGB 205 113 160

HSL 329.35, 0.48%, 0.62%

LAB 59.28, 42.02, -9.22

 

CMYK 0 / 41 / 19 / 13

HEX #DE83B3

RGB 222 131 179

HSL 328.35, 0.58%, 0.69%

LAB 65.76, 41.21, -10.14

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 69 / 33 / 48

HEX #842959

RGB 132 41 89

HSL 328.35, 0.53%, 0.34%

LAB 32.29, 43.48, -7.6

 

CMYK 0 / 80 / 39 / 55

HEX #731746

RGB 115 23 70

HSL 329.35, 0.67%, 0.27%

LAB 25.86, 43, -4.99

 

CMYK 0 / 95 / 48 / 62

HEX #620533

RGB 98 5 51

HSL 330.32, 0.9%, 0.2%

LAB 19.82, 41.19, -1.23

 

CMYK 0 / 100 / 60 / 68

HEX #510020

RGB 81 0 32

HSL 336.3, 1%, 0.16%

LAB 14.7, 36.43, 4.65

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 60 / 44 / 42

HEX #953B54

RGB 149 59 84

HSL 343.33, 0.43%, 0.41%

LAB 38.12, 40.22, 4.52

 

CMYK 0 / 60 / 60 / 42

HEX #953B3C

RGB 149 59 60

HSL 359.33, 0.43%, 0.41%

LAB 37.56, 37.97, 18.88

 

CMYK 0 / 60 / 60 / 42

HEX #953B3B

RGB 149 59 59

HSL 0, 0.43%, 0.41%

LAB 37.54, 37.9, 19.48

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 60 / 11 / 42

HEX #953B84

RGB 149 59 132

HSL 311.33, 0.43%, 0.41%

LAB 39.89, 46.89, -22.81

 

CMYK 5 / 60 / 0 / 42

HEX #8D3B95

RGB 141 59 149

HSL 294.67, 0.43%, 0.41%

LAB 39.51, 47.71, -33.85

 

CMYK 21 / 60 / 0 / 42

HEX #753B95

RGB 117 59 149

HSL 278.67, 0.43%, 0.41%

LAB 36.14, 41.36, -39.42

 

CMYK 38 / 60 / 0 / 42

HEX #5D3B95

RGB 93 59 149

HSL 262.67, 0.43%, 0.41%

LAB 33.19, 35.3, -44.31

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 75 / 34 / 35

HEX #A62A6E

RGB 166 42 110

HSL 327.1, 0.6%, 0.41%

LAB 39.39, 55.47, -9.67

 

CMYK 0 / 86 / 39 / 28

HEX #B7196F

RGB 183 25 111

HSL 327.34, 0.76%, 0.41%

LAB 41.07, 64.42, -7.44

 

CMYK 0 / 96 / 44 / 22

HEX #C80871

RGB 200 8 113

HSL 327.19, 0.92%, 0.41%

LAB 43.72, 70.81, -4.39

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 42 / 19 / 48

HEX #844C6B

RGB 132 76 107

HSL 326.79, 0.27%, 0.41%

LAB 39.81, 28.16, -7.71

 

CMYK 0 / 19 / 9 / 55

HEX #735D69

RGB 115 93 105

HSL 327.27, 0.11%, 0.41%

LAB 41.99, 11.14, -3.45

 

CMYK 11 / 0 / 5 / 57

HEX #626E68

RGB 98 110 104

HSL 150, 0.06%, 0.41%

LAB 45.29, -5.82, 1.8

 

CMYK 36 / 0 / 20 / 50

HEX #517F66

RGB 81 127 102

HSL 147.39, 0.22%, 0.41%

LAB 49.36, -21.61, 8.67

 

CMYK 5 / 60 / 0 / 42

HEX #8E3B95

RGB 142 59 149

HSL 295.33, 0.43%, 0.41%

LAB 39.66, 47.97, -33.61

 

CMYK 0 / 60 / 11 / 42

HEX #953B85

RGB 149 59 133

HSL 310.67, 0.43%, 0.41%

LAB 39.93, 47.06, -23.35

 

CMYK 0 / 60 / 27 / 42

HEX #953B6D

RGB 149 59 109

HSL 326.67, 0.43%, 0.41%

LAB 38.94, 43.36, -10.02

 

CMYK 0 / 60 / 43 / 42

HEX #953B55

RGB 149 59 85

HSL 342.67, 0.43%, 0.41%

LAB 38.15, 40.33, 3.93

 

CMYK 0 / 60 / 59 / 42

HEX #953B3D

RGB 149 59 61

HSL 358.67, 0.43%, 0.41%

LAB 37.58, 38.05, 18.28

 

CMYK 0 / 60 / 28 / 65

HEX #5A2441

RGB 90 36 65

HSL 327.78, 0.43%, 0.25%

LAB 23.06, 28.52, -6.29

 

CMYK 0 / 61 / 28 / 53

HEX #782F57

RGB 120 47 87

HSL 327.12, 0.44%, 0.33%

LAB 31.15, 36.56, -8.22

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 60 / 28 / 30

HEX #B34781

RGB 179 71 129

HSL 327.78, 0.43%, 0.49%

LAB 46.55, 49.94, -10.38

 

CMYK 0 / 49 / 22 / 25

HEX #C06295

RGB 192 98 149

HSL 327.45, 0.43%, 0.57%

LAB 54.15, 43.78, -10.69

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 21 / 60 / 42

HEX #95763B

RGB 149 118 59

HSL 39.33, 0.43%, 0.41%

LAB 51.45, 4.97, 36.57

 

CMYK 60 / 3 / 0 / 42

HEX #3B9195

RGB 59 145 149

HSL 182.67, 0.43%, 0.41%

LAB 55.43, -24.24, -9.85

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 27 / 0 / 60 / 42

HEX #6D953B

RGB 109 149 59

HSL 86.67, 0.43%, 0.41%

LAB 57.14, -28.94, 42.21

 

CMYK 60 / 27 / 0 / 42

HEX #3B6D95

RGB 59 109 149

HSL 206.67, 0.43%, 0.41%

LAB 44.29, -4.25, -26.88

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 21 / 60 / 42

HEX #95763B

RGB 149 118 59

HSL 39.33, 0.43%, 0.41%

LAB 51.45, 4.97, 36.57

 

CMYK 60 / 0 / 33 / 42

HEX #3B9564

RGB 59 149 100

HSL 147.33, 0.43%, 0.41%

LAB 55.43, -38.56, 18.09

 

CMYK 60 / 39 / 0 / 42

HEX #3B5B95

RGB 59 91 149

HSL 218.67, 0.43%, 0.41%

LAB 38.87, 6.94, -35.4

 

CMYK 0 / 60 / 28 / 42

HEX #953B6C

RGB 149 59 108

HSL 327.33, 0.43%, 0.41%

LAB 38.9, 43.22, -9.45

 

CMYK 0 / 3 / 60 / 42

HEX #95913B

RGB 149 145 59

HSL 57.33, 0.43%, 0.41%

LAB 58.93, -10.02, 45.04

 

CMYK 60 / 0 / 33 / 42

HEX #3B9564

RGB 59 149 100

HSL 147.33, 0.43%, 0.41%

LAB 55.43, -38.56, 18.09

 

CMYK 60 / 57 / 0 / 42

HEX #3B4095

RGB 59 64 149

HSL 236.67, 0.43%, 0.41%

LAB 31.27, 24.67, -47.57

 

Description

Color code: HEX #953B6C | qconv.com Color code: HEX #953B6C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 59 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 59 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 28 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 28% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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