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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953CE5 it is the complementary color #6AC31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953CE5 shade: #9A3CE0, #AB4EF3, #BC60FF, #CD72FF and #DE84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953CE5 shade: #953CE5, #842AD2, #7318BF, #6206AC and #510099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953CE5 shade: #953EE4, #C23EE4, #E43ED9, #E43EAC and #E43E7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953CE5 shade: #953EE4, #683EE4 and #3E3EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953CE5 shade matches the following richer shades: #953EE4 and #962CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953CE5 shade: #953EE4, #944FD2, #9361C1, #9273AF and #92849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953CE5 shade: #3E40E4, #673EE4, #943EE4, #C03EE4 and #E43EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953CE5 shade: #6C18B7, #811DDB, #953EE4, #A962E9 and #BD86EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953CE5 shade: #953CE5, #E43E6D and #3EE451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953CE5 shade: #953CE5, #E4943E and #3EE494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953CE5 shade: #953CE5, #E43E6D, #8EE43E and #3EE4B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953CE5 shade: #953CE5, #E4403E, #8EE43E and #3EE1E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

Complementary color

CMYK 46 / 0 / 87 / 24

HEX #6AC31A

RGB 106 195 26

HSL 91.6, 0.76%, 0.43%

LAB 70.99, -51.85, 67.04

 

CMYK 31 / 73 / 0 / 12

HEX #9A3CE0

RGB 154 60 224

HSL 274.39, 0.73%, 0.56%

LAB 46.29, 65.77, -66.86

 

CMYK 30 / 68 / 0 / 5

HEX #AB4EF3

RGB 171 78 243

HSL 273.82, 0.87%, 0.63%

LAB 52.48, 65.55, -67.43

 

CMYK 26 / 62 / 0 / 0

HEX #BC60FF

RGB 188 96 255

HSL 274.72, 1%, 0.69%

LAB 58.3, 63.5, -64.61

 

CMYK 20 / 55 / 0 / 0

HEX #CD72FF

RGB 205 114 255

HSL 278.72, 1%, 0.72%

LAB 63.54, 58.76, -56.12

 

CMYK 13 / 48 / 0 / 0

HEX #DE84FF

RGB 222 132 255

HSL 283.9, 1%, 0.76%

LAB 68.93, 54.13, -47.46

 

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

CMYK 37 / 80 / 0 / 18

HEX #842AD2

RGB 132 42 210

HSL 272.14, 0.67%, 0.49%

LAB 39.94, 65.77, -69.3

 

CMYK 40 / 87 / 0 / 25

HEX #7318BF

RGB 115 24 191

HSL 272.69, 0.78%, 0.42%

LAB 34.11, 64.63, -67.87

 

CMYK 43 / 97 / 0 / 33

HEX #6206AC

RGB 98 6 172

HSL 273.25, 0.93%, 0.35%

LAB 28.66, 62.11, -65.61

 

CMYK 47 / 100 / 0 / 40

HEX #510099

RGB 81 0 153

HSL 271.76, 1%, 0.3%

LAB 23.83, 57.4, -62.09

 

CMYK 35 / 73 / 0 / 11

HEX #953EE4

RGB 149 62 228

HSL 271.45, 0.75%, 0.57%

LAB 46.23, 64.95, -69.26

 

CMYK 15 / 73 / 0 / 11

HEX #C23EE4

RGB 194 62 228

HSL 287.71, 0.75%, 0.57%

LAB 52.42, 73.36, -58.95

 

CMYK 0 / 73 / 5 / 11

HEX #E43ED9

RGB 228 62 217

HSL 303.98, 0.75%, 0.57%

LAB 57.03, 78.48, -45.07

 

CMYK 0 / 73 / 25 / 11

HEX #E43EAC

RGB 228 62 172

HSL 320.24, 0.75%, 0.57%

LAB 54.99, 72.31, -22.36

 

CMYK 0 / 73 / 44 / 11

HEX #E43E7F

RGB 228 62 127

HSL 336.51, 0.75%, 0.57%

LAB 53.46, 67.47, 1.97

 

CMYK 35 / 73 / 0 / 11

HEX #953EE4

RGB 149 62 228

HSL 271.45, 0.75%, 0.57%

LAB 46.23, 64.95, -69.26

 

CMYK 54 / 73 / 0 / 11

HEX #683EE4

RGB 104 62 228

HSL 255.18, 0.75%, 0.57%

LAB 41.2, 57.79, -77.68

 

CMYK 73 / 73 / 0 / 11

HEX #3E3EE4

RGB 62 62 228

HSL 240, 0.75%, 0.57%

LAB 37.97, 52.97, -83.11

 

CMYK 35 / 73 / 0 / 11

HEX #953EE4

RGB 149 62 228

HSL 271.45, 0.75%, 0.57%

LAB 46.23, 64.95, -69.26

 

CMYK 39 / 82 / 0 / 4

HEX #962CF6

RGB 150 44 246

HSL 271.49, 0.92%, 0.57%

LAB 45.55, 75.55, -80.52

 

CMYK 35 / 73 / 0 / 11

HEX #953EE4

RGB 149 62 228

HSL 271.45, 0.75%, 0.57%

LAB 46.23, 64.95, -69.26

 

CMYK 30 / 62 / 0 / 18

HEX #944FD2

RGB 148 79 210

HSL 271.6, 0.59%, 0.57%

LAB 47.68, 52.76, -56.66

 

CMYK 24 / 50 / 0 / 24

HEX #9361C1

RGB 147 97 193

HSL 271.25, 0.44%, 0.57%

LAB 50.22, 38.87, -42.83

 

CMYK 17 / 34 / 0 / 31

HEX #9273AF

RGB 146 115 175

HSL 271, 0.27%, 0.57%

LAB 53.46, 24.03, -27.37

 

CMYK 7 / 16 / 0 / 38

HEX #92849D

RGB 146 132 157

HSL 273.6, 0.11%, 0.57%

LAB 57.12, 10.19, -11.39

 

CMYK 73 / 72 / 0 / 11

HEX #3E40E4

RGB 62 64 228

HSL 239.28, 0.75%, 0.57%

LAB 38.36, 51.87, -82.47

 

CMYK 55 / 73 / 0 / 11

HEX #673EE4

RGB 103 62 228

HSL 254.82, 0.75%, 0.57%

LAB 41.11, 57.66, -77.84

 

CMYK 35 / 73 / 0 / 11

HEX #943EE4

RGB 148 62 228

HSL 271.08, 0.75%, 0.57%

LAB 46.1, 64.78, -69.47

 

CMYK 16 / 73 / 0 / 11

HEX #C03EE4

RGB 192 62 228

HSL 286.99, 0.75%, 0.57%

LAB 52.12, 72.97, -59.44

 

CMYK 0 / 73 / 4 / 11

HEX #E43EDC

RGB 228 62 220

HSL 302.89, 0.75%, 0.57%

LAB 57.18, 78.94, -46.52

 

CMYK 41 / 87 / 0 / 28

HEX #6C18B7

RGB 108 24 183

HSL 271.7, 0.77%, 0.41%

LAB 32.39, 61.96, -65.99

 

CMYK 41 / 87 / 0 / 14

HEX #811DDB

RGB 129 29 219

HSL 271.58, 0.77%, 0.49%

LAB 39, 71.21, -76.04

 

CMYK 35 / 73 / 0 / 11

HEX #953EE4

RGB 149 62 228

HSL 271.45, 0.75%, 0.57%

LAB 46.23, 64.95, -69.26

 

CMYK 27 / 58 / 0 / 9

HEX #A962E9

RGB 169 98 233

HSL 271.56, 0.75%, 0.65%

LAB 55.13, 53.29, -57.59

 

CMYK 21 / 44 / 0 / 7

HEX #BD86EE

RGB 189 134 238

HSL 271.73, 0.75%, 0.73%

LAB 65, 40.42, -44.57

 

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

CMYK 0 / 73 / 52 / 11

HEX #E43E6D

RGB 228 62 109

HSL 343.01, 0.75%, 0.57%

LAB 53, 65.96, 12.1

 

CMYK 73 / 0 / 64 / 11

HEX #3EE451

RGB 62 228 81

HSL 126.87, 0.75%, 0.57%

LAB 80.24, -69.85, 57.89

 

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

CMYK 0 / 35 / 73 / 11

HEX #E4943E

RGB 228 148 62

HSL 31.08, 0.75%, 0.57%

LAB 68.04, 22.96, 55.86

 

CMYK 73 / 0 / 35 / 11

HEX #3EE494

RGB 62 228 148

HSL 151.08, 0.75%, 0.57%

LAB 81.1, -59.89, 27.23

 

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

CMYK 0 / 73 / 52 / 11

HEX #E43E6D

RGB 228 62 109

HSL 343.01, 0.75%, 0.57%

LAB 53, 65.96, 12.1

 

CMYK 38 / 0 / 73 / 11

HEX #8EE43E

RGB 142 228 62

HSL 91.08, 0.75%, 0.57%

LAB 82.69, -51.43, 68.38

 

CMYK 73 / 0 / 21 / 11

HEX #3EE4B5

RGB 62 228 181

HSL 163.01, 0.75%, 0.57%

LAB 81.76, -52.79, 10.96

 

CMYK 35 / 74 / 0 / 10

HEX #953CE5

RGB 149 60 229

HSL 271.6, 0.76%, 0.57%

LAB 46.01, 66, -70.18

 

CMYK 0 / 72 / 73 / 11

HEX #E4403E

RGB 228 64 62

HSL 0.72, 0.75%, 0.57%

LAB 52.41, 62.49, 39.04

 

CMYK 38 / 0 / 73 / 11

HEX #8EE43E

RGB 142 228 62

HSL 91.08, 0.75%, 0.57%

LAB 82.69, -51.43, 68.38

 

CMYK 73 / 1 / 0 / 11

HEX #3EE1E4

RGB 62 225 228

HSL 181.08, 0.75%, 0.57%

LAB 82.1, -39.24, -13.43

 

Description

Color code: HEX #953CE5 | qconv.com Color code: HEX #953CE5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 60 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 60 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 74 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 74% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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