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Color name
HEX #953E2F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953E2F it is the complementary color #6AC1D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953E2F shade: #9A3E2A, #AB503D, #BC6250, #CD7463 and #DE8676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953E2F shade: #953E2F, #842C1C, #731A09, #620800 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953E2F shade: #933D2E and #932E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953E2F shade: #933D2E, #93582E, #93732E, #938E2E and #7C932E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953E2F shade matches the following richer shades: #933D2E, #A2321E and #B2270F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953E2F shade: #933D2E, #83483E, #73534D, #645E5D and #54696D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953E2F shade: #932E56, #932E3B, #933B2E, #93562E and #93712E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953E2F shade: #54231A, #733024, #933D2E, #B24A38 and #C65F4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953E2F shade: #953E2F, #71932E and #2E4993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953E2F shade: #953E2F, #2E933B and #3B2E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953E2F shade: #953E2F, #71932E, #2E8593 and #502E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953E2F shade: #953E2F, #53932E, #2E8593 and #6E2E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

Complementary color

CMYK 49 / 7 / 0 / 18

HEX #6AC1D0

RGB 106 193 208

HSL 188.82, 0.52%, 0.62%

LAB 73.39, -22.2, -15.64

 

CMYK 0 / 60 / 73 / 40

HEX #9A3E2A

RGB 154 62 42

HSL 10.71, 0.57%, 0.38%

LAB 38.69, 37.22, 31.33

 

CMYK 0 / 53 / 64 / 33

HEX #AB503D

RGB 171 80 61

HSL 10.36, 0.47%, 0.45%

LAB 45.27, 35.81, 28.78

 

CMYK 0 / 48 / 57 / 26

HEX #BC6250

RGB 188 98 80

HSL 10, 0.45%, 0.53%

LAB 51.84, 34.44, 26.58

 

CMYK 0 / 43 / 52 / 20

HEX #CD7463

RGB 205 116 99

HSL 9.62, 0.51%, 0.6%

LAB 58.39, 33.16, 24.69

 

CMYK 0 / 40 / 47 / 13

HEX #DE8676

RGB 222 134 118

HSL 9.23, 0.61%, 0.67%

LAB 64.87, 32, 23.03

 

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

CMYK 0 / 67 / 79 / 48

HEX #842C1C

RGB 132 44 28

HSL 9.23, 0.65%, 0.31%

LAB 31.33, 36.88, 30.19

 

CMYK 0 / 77 / 92 / 55

HEX #731A09

RGB 115 26 9

HSL 9.62, 0.85%, 0.24%

LAB 24.96, 37.79, 32.83

 

CMYK 0 / 92 / 100 / 62

HEX #620800

RGB 98 8 0

HSL 4.9, 1%, 0.19%

LAB 19.1, 37.59, 29.14

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 59 / 69 / 42

HEX #933D2E

RGB 147 61 46

HSL 8.91, 0.52%, 0.38%

LAB 37.37, 35.24, 27.14

 

CMYK 0 / 69 / 69 / 42

HEX #932E2E

RGB 147 46 46

HSL 0, 0.52%, 0.38%

LAB 34.71, 42.32, 23.93

 

CMYK 0 / 59 / 69 / 42

HEX #933D2E

RGB 147 61 46

HSL 8.91, 0.52%, 0.38%

LAB 37.37, 35.24, 27.14

 

CMYK 0 / 40 / 69 / 42

HEX #93582E

RGB 147 88 46

HSL 24.95, 0.52%, 0.38%

LAB 43.33, 20.43, 34.06

 

CMYK 0 / 22 / 69 / 42

HEX #93732E

RGB 147 115 46

HSL 40.99, 0.52%, 0.38%

LAB 50.29, 4.85, 41.71

 

CMYK 0 / 3 / 69 / 42

HEX #938E2E

RGB 147 142 46

HSL 57.03, 0.52%, 0.38%

LAB 57.8, -10.17, 49.53

 

CMYK 16 / 0 / 69 / 42

HEX #7C932E

RGB 124 147 46

HSL 73.66, 0.52%, 0.38%

LAB 57.41, -22.87, 48.56

 

CMYK 0 / 59 / 69 / 42

HEX #933D2E

RGB 147 61 46

HSL 8.91, 0.52%, 0.38%

LAB 37.37, 35.24, 27.14

 

CMYK 0 / 69 / 81 / 36

HEX #A2321E

RGB 162 50 30

HSL 9.09, 0.69%, 0.38%

LAB 37.94, 45.14, 37.63

 

CMYK 0 / 78 / 92 / 30

HEX #B2270F

RGB 178 39 15

HSL 8.83, 0.84%, 0.38%

LAB 39.5, 54.02, 47.16

 

CMYK 0 / 59 / 69 / 42

HEX #933D2E

RGB 147 61 46

HSL 8.91, 0.52%, 0.38%

LAB 37.37, 35.24, 27.14

 

CMYK 0 / 45 / 53 / 49

HEX #83483E

RGB 131 72 62

HSL 8.7, 0.36%, 0.38%

LAB 37.5, 24, 17.03

 

CMYK 0 / 28 / 33 / 55

HEX #73534D

RGB 115 83 77

HSL 9.47, 0.2%, 0.38%

LAB 38.49, 12.44, 8.76

 

CMYK 0 / 6 / 7 / 61

HEX #645E5D

RGB 100 94 93

HSL 8.57, 0.04%, 0.38%

LAB 40.42, 2.2, 1.42

 

CMYK 23 / 4 / 0 / 57

HEX #54696D

RGB 84 105 109

HSL 189.6, 0.13%, 0.38%

LAB 42.9, -6.82, -4.84

 

CMYK 0 / 69 / 41 / 42

HEX #932E56

RGB 147 46 86

HSL 336.24, 0.52%, 0.38%

LAB 35.65, 45.68, -0.37

 

CMYK 0 / 69 / 60 / 42

HEX #932E3B

RGB 147 46 59

HSL 352.28, 0.52%, 0.38%

LAB 34.95, 43.18, 16

 

CMYK 0 / 60 / 69 / 42

HEX #933B2E

RGB 147 59 46

HSL 7.72, 0.52%, 0.38%

LAB 36.98, 36.25, 26.68

 

CMYK 0 / 41 / 69 / 42

HEX #93562E

RGB 147 86 46

HSL 23.76, 0.52%, 0.38%

LAB 42.85, 21.58, 33.52

 

CMYK 0 / 23 / 69 / 42

HEX #93712E

RGB 147 113 46

HSL 39.8, 0.52%, 0.38%

LAB 49.75, 6, 41.14

 

CMYK 0 / 58 / 69 / 67

HEX #54231A

RGB 84 35 26

HSL 9.31, 0.53%, 0.22%

LAB 20.68, 22.02, 16.91

 

CMYK 0 / 58 / 69 / 55

HEX #733024

RGB 115 48 36

HSL 9.11, 0.52%, 0.3%

LAB 29.12, 28.62, 22.04

 

CMYK 0 / 59 / 69 / 42

HEX #933D2E

RGB 147 61 46

HSL 8.91, 0.52%, 0.38%

LAB 37.37, 35.24, 27.14

 

CMYK 0 / 58 / 69 / 30

HEX #B24A38

RGB 178 74 56

HSL 8.85, 0.52%, 0.46%

LAB 45.15, 41.19, 31.79

 

CMYK 0 / 52 / 61 / 22

HEX #C65F4D

RGB 198 95 77

HSL 8.93, 0.51%, 0.54%

LAB 52.65, 39.62, 29.63

 

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

CMYK 23 / 0 / 69 / 42

HEX #71932E

RGB 113 147 46

HSL 80.2, 0.52%, 0.38%

LAB 56.66, -27.46, 47.54

 

CMYK 69 / 50 / 0 / 42

HEX #2E4993

RGB 46 73 147

HSL 223.96, 0.52%, 0.38%

LAB 32.82, 15.58, -43.89

 

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

CMYK 69 / 0 / 60 / 42

HEX #2E933B

RGB 46 147 59

HSL 127.72, 0.52%, 0.38%

LAB 53.78, -47.51, 37.64

 

CMYK 60 / 69 / 0 / 42

HEX #3B2E93

RGB 59 46 147

HSL 247.72, 0.52%, 0.38%

LAB 26.71, 35.47, -53.77

 

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

CMYK 23 / 0 / 69 / 42

HEX #71932E

RGB 113 147 46

HSL 80.2, 0.52%, 0.38%

LAB 56.66, -27.46, 47.54

 

CMYK 69 / 10 / 0 / 42

HEX #2E8593

RGB 46 133 147

HSL 188.32, 0.52%, 0.38%

LAB 51.22, -20.88, -15.07

 

CMYK 46 / 69 / 0 / 42

HEX #502E93

RGB 80 46 147

HSL 260.2, 0.52%, 0.38%

LAB 28.81, 39.3, -50.24

 

CMYK 0 / 58 / 68 / 42

HEX #953E2F

RGB 149 62 47

HSL 8.82, 0.52%, 0.38%

LAB 37.91, 35.57, 27.28

 

CMYK 44 / 0 / 69 / 42

HEX #53932E

RGB 83 147 46

HSL 98.02, 0.52%, 0.38%

LAB 54.97, -38.79, 45.25

 

CMYK 69 / 10 / 0 / 42

HEX #2E8593

RGB 46 133 147

HSL 188.32, 0.52%, 0.38%

LAB 51.22, -20.88, -15.07

 

CMYK 25 / 69 / 0 / 42

HEX #6E2E93

RGB 110 46 147

HSL 278.02, 0.52%, 0.38%

LAB 32.65, 45.76, -43.85

 

Description

Color code: HEX #953E2F | qconv.com Color code: HEX #953E2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 62 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 62 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 68 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 68% 42% C M Y K

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Provide designers and agencies with accurate color values.

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