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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954430 it is the complementary color #6ABBCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954430. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954430 shade: #9A442B, #AB563E, #BC6851, #CD7A64 and #DE8C77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954430. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954430 shade: #954430, #84321D, #73200A, #620E00 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954430 shade: #964430 and #963030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954430 shade: #964430, #966030, #967B30, #959630 and #7A9630

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954430 shade matches the following richer shades: #964430, #A63B20, #B63110 and #C62700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954430 shade: #964430, #864E40, #755850, #656161 and #556B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954430 shade: #963054, #963039, #964330, #965E30 and #967930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954430 shade: #57281C, #773626, #964430, #B5533A and #C66952

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954430 shade: #954430, #6F9630 and #304696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954430 shade: #954430, #309643 and #433096

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954430 shade: #954430, #6F9630, #308396 and #573096

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954430 shade: #954430, #509630, #308396 and #763096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

Complementary color

CMYK 49 / 10 / 0 / 19

HEX #6ABBCF

RGB 106 187 207

HSL 191.88, 0.51%, 0.61%

LAB 71.63, -19.41, -17.76

 

CMYK 0 / 56 / 72 / 40

HEX #9A442B

RGB 154 68 43

HSL 13.51, 0.56%, 0.39%

LAB 39.88, 34.23, 32.1

 

CMYK 0 / 50 / 64 / 33

HEX #AB563E

RGB 171 86 62

HSL 13.21, 0.47%, 0.46%

LAB 46.53, 32.72, 29.74

 

CMYK 0 / 45 / 57 / 26

HEX #BC6851

RGB 188 104 81

HSL 12.9, 0.44%, 0.53%

LAB 53.15, 31.32, 27.68

 

CMYK 0 / 40 / 51 / 20

HEX #CD7A64

RGB 205 122 100

HSL 12.57, 0.51%, 0.6%

LAB 59.72, 30.05, 25.88

 

CMYK 0 / 37 / 46 / 13

HEX #DE8C77

RGB 222 140 119

HSL 12.23, 0.61%, 0.67%

LAB 66.23, 28.91, 24.29

 

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

CMYK 0 / 62 / 78 / 48

HEX #84321D

RGB 132 50 29

HSL 12.23, 0.64%, 0.32%

LAB 32.43, 34.03, 30.78

 

CMYK 0 / 72 / 91 / 55

HEX #73200A

RGB 115 32 10

HSL 12.57, 0.84%, 0.25%

LAB 25.86, 35.36, 33.27

 

CMYK 0 / 86 / 100 / 62

HEX #620E00

RGB 98 14 0

HSL 8.57, 1%, 0.19%

LAB 19.68, 35.93, 29.82

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 55 / 68 / 41

HEX #964430

RGB 150 68 48

HSL 11.76, 0.52%, 0.39%

LAB 39.3, 32.93, 28.37

 

CMYK 0 / 68 / 68 / 41

HEX #963030

RGB 150 48 48

HSL 0, 0.52%, 0.39%

LAB 35.62, 42.62, 23.92

 

CMYK 0 / 55 / 68 / 41

HEX #964430

RGB 150 68 48

HSL 11.76, 0.52%, 0.39%

LAB 39.3, 32.93, 28.37

 

CMYK 0 / 36 / 68 / 41

HEX #966030

RGB 150 96 48

HSL 28.24, 0.52%, 0.39%

LAB 45.72, 17.29, 35.8

 

CMYK 0 / 18 / 68 / 41

HEX #967B30

RGB 150 123 48

HSL 44.12, 0.52%, 0.39%

LAB 52.8, 1.8, 43.55

 

CMYK 1 / 0 / 68 / 41

HEX #959630

RGB 149 150 48

HSL 60.59, 0.52%, 0.39%

LAB 60.26, -13.42, 51.27

 

CMYK 19 / 0 / 68 / 41

HEX #7A9630

RGB 122 150 48

HSL 76.47, 0.52%, 0.39%

LAB 58.19, -25.07, 48.49

 

CMYK 0 / 55 / 68 / 41

HEX #964430

RGB 150 68 48

HSL 11.76, 0.52%, 0.39%

LAB 39.3, 32.93, 28.37

 

CMYK 0 / 64 / 81 / 35

HEX #A63B20

RGB 166 59 32

HSL 12.09, 0.68%, 0.39%

LAB 40.15, 42.71, 38.99

 

CMYK 0 / 73 / 91 / 29

HEX #B63110

RGB 182 49 16

HSL 11.93, 0.84%, 0.39%

LAB 41.5, 51.93, 48.55

 

CMYK 0 / 80 / 100 / 22

HEX #C62700

RGB 198 39 0

HSL 11.82, 1%, 0.39%

LAB 43.44, 59.87, 56.41

 

CMYK 0 / 55 / 68 / 41

HEX #964430

RGB 150 68 48

HSL 11.76, 0.52%, 0.39%

LAB 39.3, 32.93, 28.37

 

CMYK 0 / 42 / 52 / 47

HEX #864E40

RGB 134 78 64

HSL 12, 0.35%, 0.39%

LAB 39.39, 22.01, 18.39

 

CMYK 0 / 25 / 32 / 54

HEX #755850

RGB 117 88 80

HSL 12.97, 0.19%, 0.39%

LAB 40.15, 10.71, 9.26

 

CMYK 0 / 4 / 4 / 60

HEX #656161

RGB 101 97 97

HSL 0, 0.02%, 0.39%

LAB 41.5, 1.58, 0.56

 

CMYK 25 / 5 / 0 / 56

HEX #556B71

RGB 85 107 113

HSL 192.86, 0.14%, 0.39%

LAB 43.71, -6.65, -6.05

 

CMYK 0 / 68 / 44 / 41

HEX #963054

RGB 150 48 84

HSL 338.82, 0.52%, 0.39%

LAB 36.44, 45.58, 2.12

 

CMYK 0 / 68 / 62 / 41

HEX #963039

RGB 150 48 57

HSL 354.71, 0.52%, 0.39%

LAB 35.78, 43.2, 18.47

 

CMYK 0 / 55 / 68 / 41

HEX #964330

RGB 150 67 48

HSL 11.18, 0.52%, 0.39%

LAB 39.09, 33.45, 28.13

 

CMYK 0 / 37 / 68 / 41

HEX #965E30

RGB 150 94 48

HSL 27.06, 0.52%, 0.39%

LAB 45.22, 18.44, 35.24

 

CMYK 0 / 19 / 68 / 41

HEX #967930

RGB 150 121 48

HSL 42.94, 0.52%, 0.39%

LAB 52.26, 2.94, 42.96

 

CMYK 0 / 54 / 68 / 66

HEX #57281C

RGB 87 40 28

HSL 12.2, 0.51%, 0.23%

LAB 22.4, 20.56, 17.83

 

CMYK 0 / 55 / 68 / 53

HEX #773626

RGB 119 54 38

HSL 11.85, 0.52%, 0.31%

LAB 31.11, 27.13, 23.36

 

CMYK 0 / 55 / 68 / 41

HEX #964430

RGB 150 68 48

HSL 11.76, 0.52%, 0.39%

LAB 39.3, 32.93, 28.37

 

CMYK 0 / 54 / 68 / 29

HEX #B5533A

RGB 181 83 58

HSL 12.2, 0.51%, 0.47%

LAB 47.39, 37.97, 33.41

 

CMYK 0 / 47 / 59 / 22

HEX #C66952

RGB 198 105 82

HSL 11.9, 0.5%, 0.55%

LAB 54.78, 34.82, 29.47

 

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

CMYK 26 / 0 / 68 / 41

HEX #6F9630

RGB 111 150 48

HSL 82.94, 0.52%, 0.39%

LAB 57.47, -29.57, 47.51

 

CMYK 68 / 53 / 0 / 41

HEX #304696

RGB 48 70 150

HSL 227.06, 0.52%, 0.39%

LAB 32.28, 19.06, -46.57

 

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

CMYK 68 / 0 / 55 / 41

HEX #309643

RGB 48 150 67

HSL 131.18, 0.52%, 0.39%

LAB 54.91, -47.14, 35.06

 

CMYK 55 / 68 / 0 / 41

HEX #433096

RGB 67 48 150

HSL 251.18, 0.52%, 0.39%

LAB 28.14, 36.6, -53.24

 

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

CMYK 26 / 0 / 68 / 41

HEX #6F9630

RGB 111 150 48

HSL 82.94, 0.52%, 0.39%

LAB 57.47, -29.57, 47.51

 

CMYK 68 / 13 / 0 / 41

HEX #308396

RGB 48 131 150

HSL 191.18, 0.52%, 0.39%

LAB 50.76, -18.52, -17.52

 

CMYK 42 / 68 / 0 / 41

HEX #573096

RGB 87 48 150

HSL 262.94, 0.52%, 0.39%

LAB 30.26, 40.46, -49.69

 

CMYK 0 / 54 / 68 / 42

HEX #954430

RGB 149 68 48

HSL 11.88, 0.51%, 0.39%

LAB 39.13, 32.52, 28.14

 

CMYK 47 / 0 / 68 / 41

HEX #509630

RGB 80 150 48

HSL 101.18, 0.52%, 0.39%

LAB 55.82, -40.88, 45.26

 

CMYK 68 / 13 / 0 / 41

HEX #308396

RGB 48 131 150

HSL 191.18, 0.52%, 0.39%

LAB 50.76, -18.52, -17.52

 

CMYK 21 / 68 / 0 / 41

HEX #763096

RGB 118 48 150

HSL 281.18, 0.52%, 0.39%

LAB 34.33, 47.33, -42.92

 

Description

Color code: HEX #954430 | qconv.com Color code: HEX #954430 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 68 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 68 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 68 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 68% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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