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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95418F it is the complementary color #6ABE70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95418F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95418F shade: #9A418A, #AB539D, #BC65B0, #CD77C3 and #DE89D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95418F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95418F shade: #95418F, #842F7C, #731D69, #620B56 and #510043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95418F shade: #94418E, #944178, #944161, #94414B and #944141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95418F shade: #94418E, #844194, #6D4194, #574194 and #414194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95418F shade matches the following richer shades: #94418E, #A6309D, #B71EAC and #C80DBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95418F shade: #94418E, #835280, #726371, #607562 and #4F8653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95418F shade: #6D4194, #844194, #94418F, #944179 and #944162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95418F shade: #5B2857, #783473, #94418E, #B14EAA and #BD6AB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95418F shade: #95418F, #945741 and #419479

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95418F shade: #95418F, #8F9441 and #418F94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95418F shade: #95418F, #945741, #419446 and #417E94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95418F shade: #95418F, #947041, #419446 and #416594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

Complementary color

CMYK 44 / 0 / 41 / 25

HEX #6ABE70

RGB 106 190 112

HSL 124.29, 0.39%, 0.58%

LAB 70.22, -41.81, 31.62

 

CMYK 0 / 58 / 10 / 40

HEX #9A418A

RGB 154 65 138

HSL 310.79, 0.41%, 0.43%

LAB 41.98, 46.52, -23.17

 

CMYK 0 / 51 / 8 / 33

HEX #AB539D

RGB 171 83 157

HSL 309.55, 0.35%, 0.5%

LAB 48.61, 45.98, -24.11

 

CMYK 0 / 46 / 6 / 26

HEX #BC65B0

RGB 188 101 176

HSL 308.28, 0.39%, 0.57%

LAB 55.21, 45.3, -24.85

 

CMYK 0 / 42 / 5 / 20

HEX #CD77C3

RGB 205 119 195

HSL 306.98, 0.46%, 0.64%

LAB 61.75, 44.56, -25.47

 

CMYK 0 / 38 / 4 / 13

HEX #DE89D6

RGB 222 137 214

HSL 305.65, 0.56%, 0.7%

LAB 68.22, 43.82, -26

 

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

CMYK 0 / 64 / 6 / 48

HEX #842F7C

RGB 132 47 124

HSL 305.65, 0.47%, 0.35%

LAB 34.79, 46.2, -26.01

 

CMYK 0 / 75 / 9 / 55

HEX #731D69

RGB 115 29 105

HSL 306.98, 0.6%, 0.28%

LAB 28.23, 45.86, -24.46

 

CMYK 0 / 89 / 12 / 62

HEX #620B56

RGB 98 11 86

HSL 308.28, 0.8%, 0.21%

LAB 21.97, 44.26, -22.04

 

CMYK 0 / 100 / 17 / 68

HEX #510043

RGB 81 0 67

HSL 310.37, 1%, 0.16%

LAB 16.28, 40.49, -18.25

 

CMYK 0 / 56 / 4 / 42

HEX #94418E

RGB 148 65 142

HSL 304.34, 0.39%, 0.42%

LAB 41.26, 45.46, -26.79

 

CMYK 0 / 56 / 19 / 42

HEX #944178

RGB 148 65 120

HSL 320.24, 0.39%, 0.42%

LAB 40.3, 41.74, -14.8

 

CMYK 0 / 56 / 34 / 42

HEX #944161

RGB 148 65 97

HSL 336.87, 0.39%, 0.42%

LAB 39.48, 38.44, -1.72

 

CMYK 0 / 56 / 49 / 42

HEX #94414B

RGB 148 65 75

HSL 352.77, 0.39%, 0.42%

LAB 38.87, 35.91, 11.23

 

CMYK 0 / 56 / 56 / 42

HEX #944141

RGB 148 65 65

HSL 0, 0.39%, 0.42%

LAB 38.65, 34.97, 17.18

 

CMYK 0 / 56 / 4 / 42

HEX #94418E

RGB 148 65 142

HSL 304.34, 0.39%, 0.42%

LAB 41.26, 45.46, -26.79

 

CMYK 11 / 56 / 0 / 42

HEX #844194

RGB 132 65 148

HSL 288.43, 0.39%, 0.42%

LAB 39.28, 42.04, -33.69

 

CMYK 26 / 56 / 0 / 42

HEX #6D4194

RGB 109 65 148

HSL 271.81, 0.39%, 0.42%

LAB 36.31, 35.68, -38.6

 

CMYK 41 / 56 / 0 / 42

HEX #574194

RGB 87 65 148

HSL 255.9, 0.39%, 0.42%

LAB 33.87, 29.93, -42.64

 

CMYK 56 / 56 / 0 / 42

HEX #414194

RGB 65 65 148

HSL 240, 0.39%, 0.42%

LAB 31.9, 24.87, -45.91

 

CMYK 0 / 56 / 4 / 42

HEX #94418E

RGB 148 65 142

HSL 304.34, 0.39%, 0.42%

LAB 41.26, 45.46, -26.79

 

CMYK 0 / 71 / 5 / 35

HEX #A6309D

RGB 166 48 157

HSL 304.58, 0.55%, 0.42%

LAB 42.24, 59.95, -34.11

 

CMYK 0 / 84 / 6 / 28

HEX #B71EAC

RGB 183 30 172

HSL 304.31, 0.72%, 0.42%

LAB 44.2, 70.99, -39.79

 

CMYK 0 / 94 / 7 / 22

HEX #C80DBB

RGB 200 13 187

HSL 304.17, 0.88%, 0.42%

LAB 47.18, 78.87, -43.71

 

CMYK 0 / 56 / 4 / 42

HEX #94418E

RGB 148 65 142

HSL 304.34, 0.39%, 0.42%

LAB 41.26, 45.46, -26.79

 

CMYK 0 / 37 / 2 / 49

HEX #835280

RGB 131 82 128

HSL 303.67, 0.23%, 0.42%

LAB 41.87, 28.19, -17.51

 

CMYK 0 / 13 / 1 / 55

HEX #726371

RGB 114 99 113

HSL 304, 0.07%, 0.42%

LAB 43.79, 8.72, -5.67

 

CMYK 18 / 0 / 16 / 54

HEX #607562

RGB 96 117 98

HSL 125.71, 0.1%, 0.42%

LAB 47.09, -11.79, 7.94

 

CMYK 41 / 0 / 38 / 47

HEX #4F8653

RGB 79 134 83

HSL 124.36, 0.26%, 0.42%

LAB 51.08, -29.48, 21.9

 

CMYK 26 / 56 / 0 / 42

HEX #6D4194

RGB 109 65 148

HSL 271.81, 0.39%, 0.42%

LAB 36.31, 35.68, -38.6

 

CMYK 11 / 56 / 0 / 42

HEX #844194

RGB 132 65 148

HSL 288.43, 0.39%, 0.42%

LAB 39.28, 42.04, -33.69

 

CMYK 0 / 56 / 3 / 42

HEX #94418F

RGB 148 65 143

HSL 303.61, 0.39%, 0.42%

LAB 41.31, 45.64, -27.32

 

CMYK 0 / 56 / 18 / 42

HEX #944179

RGB 148 65 121

HSL 319.52, 0.39%, 0.42%

LAB 40.34, 41.9, -15.36

 

CMYK 0 / 56 / 34 / 42

HEX #944162

RGB 148 65 98

HSL 336.14, 0.39%, 0.42%

LAB 39.51, 38.57, -2.3

 

CMYK 0 / 56 / 4 / 64

HEX #5B2857

RGB 91 40 87

HSL 304.71, 0.39%, 0.26%

LAB 25.04, 30.59, -17.98

 

CMYK 0 / 57 / 4 / 53

HEX #783473

RGB 120 52 115

HSL 304.41, 0.4%, 0.34%

LAB 33.32, 38.71, -22.8

 

CMYK 0 / 56 / 4 / 42

HEX #94418E

RGB 148 65 142

HSL 304.34, 0.39%, 0.42%

LAB 41.26, 45.46, -26.79

 

CMYK 0 / 56 / 4 / 31

HEX #B14EAA

RGB 177 78 170

HSL 304.24, 0.39%, 0.5%

LAB 49.13, 52.41, -30.91

 

CMYK 0 / 44 / 3 / 26

HEX #BD6AB8

RGB 189 106 184

HSL 303.61, 0.39%, 0.58%

LAB 56.67, 44.43, -27.19

 

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

CMYK 0 / 41 / 56 / 42

HEX #945741

RGB 148 87 65

HSL 15.9, 0.39%, 0.42%

LAB 43.5, 22.89, 23.5

 

CMYK 56 / 0 / 18 / 42

HEX #419479

RGB 65 148 121

HSL 160.48, 0.39%, 0.42%

LAB 55.77, -32.01, 6.73

 

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

CMYK 3 / 0 / 56 / 42

HEX #8F9441

RGB 143 148 65

HSL 63.61, 0.39%, 0.42%

LAB 59.34, -13.76, 42.51

 

CMYK 56 / 3 / 0 / 42

HEX #418F94

RGB 65 143 148

HSL 183.61, 0.39%, 0.42%

LAB 54.98, -22.31, -9.94

 

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

CMYK 0 / 41 / 56 / 42

HEX #945741

RGB 148 87 65

HSL 15.9, 0.39%, 0.42%

LAB 43.5, 22.89, 23.5

 

CMYK 56 / 0 / 53 / 42

HEX #419446

RGB 65 148 70

HSL 123.61, 0.39%, 0.42%

LAB 54.81, -41.94, 33.53

 

CMYK 56 / 15 / 0 / 42

HEX #417E94

RGB 65 126 148

HSL 195.9, 0.39%, 0.42%

LAB 49.72, -13.15, -17.89

 

CMYK 0 / 56 / 4 / 42

HEX #95418F

RGB 149 65 143

HSL 304.29, 0.39%, 0.42%

LAB 41.46, 45.93, -27.08

 

CMYK 0 / 24 / 56 / 42

HEX #947041

RGB 148 112 65

HSL 33.98, 0.39%, 0.42%

LAB 49.82, 8.46, 31.39

 

CMYK 56 / 0 / 53 / 42

HEX #419446

RGB 65 148 70

HSL 123.61, 0.39%, 0.42%

LAB 54.81, -41.94, 33.53

 

CMYK 56 / 32 / 0 / 42

HEX #416594

RGB 65 101 148

HSL 213.98, 0.39%, 0.42%

LAB 42.11, 1.61, -29.67

 

Description

Color code: HEX #95418F | qconv.com Color code: HEX #95418F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 65 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 65 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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