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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9542F5 it is the complementary color #6ABD0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9542F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9542F5 shade: #9A42F0, #AB54FF, #BC66FF, #CD78FF and #DE8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9542F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9542F5 shade: #9542F5, #8430E2, #731ECF, #620CBC and #5100A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9542F5 shade: #9542F5, #C542F5, #F542F4, #F542C4 and #F54293

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9542F5 shade: #9542F5, #6442F5 and #4242F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9542F5 shade matches the following richer shades: #9542F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9542F5 shade: #9542F5, #9652E4, #9762D4, #9872C4 and #9982B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9542F5 shade: #4250F5, #6242F5, #9242F5, #C242F5 and #F242F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9542F5 shade: #6A0BD9, #7F1AF2, #9542F5, #AB69F7 and #C190F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9542F5 shade: #9542F5, #F54280 and #42F54A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9542F5 shade: #9542F5, #F59242 and #42F592

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9542F5 shade: #9542F5, #F54280, #A4F542 and #42F5B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9542F5 shade: #9542F5, #F5424A, #A4F542 and #42F5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

Complementary color

CMYK 44 / 0 / 95 / 26

HEX #6ABD0A

RGB 106 189 10

HSL 87.82, 0.9%, 0.39%

LAB 69.1, -49.92, 68.03

 

CMYK 36 / 73 / 0 / 6

HEX #9A42F0

RGB 154 66 240

HSL 270.34, 0.85%, 0.6%

LAB 48.33, 66.89, -72.58

 

CMYK 33 / 67 / 0 / 0

HEX #AB54FF

RGB 171 84 255

HSL 270.53, 1%, 0.66%

LAB 54.26, 65.55, -71.24

 

CMYK 26 / 60 / 0 / 0

HEX #BC66FF

RGB 188 102 255

HSL 273.73, 1%, 0.7%

LAB 59.36, 60.63, -62.92

 

CMYK 20 / 53 / 0 / 0

HEX #CD78FF

RGB 205 120 255

HSL 277.78, 1%, 0.74%

LAB 64.67, 55.76, -54.32

 

CMYK 13 / 46 / 0 / 0

HEX #DE8AFF

RGB 222 138 255

HSL 283.08, 1%, 0.77%

LAB 70.12, 51.07, -45.58

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 42 / 79 / 0 / 11

HEX #8430E2

RGB 132 48 226

HSL 268.31, 0.75%, 0.54%

LAB 42.02, 67.27, -75.09

 

CMYK 44 / 86 / 0 / 19

HEX #731ECF

RGB 115 30 207

HSL 268.81, 0.75%, 0.46%

LAB 36.13, 66.59, -73.89

 

CMYK 48 / 94 / 0 / 26

HEX #620CBC

RGB 98 12 188

HSL 269.32, 0.88%, 0.39%

LAB 30.62, 64.66, -71.92

 

CMYK 52 / 100 / 0 / 34

HEX #5100A9

RGB 81 0 169

HSL 268.76, 1%, 0.33%

LAB 25.61, 61, -68.92

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 20 / 73 / 0 / 4

HEX #C542F5

RGB 197 66 245

HSL 283.91, 0.9%, 0.61%

LAB 54.41, 75.71, -65.27

 

CMYK 0 / 73 / 0 / 4

HEX #F542F4

RGB 245 66 244

HSL 300.34, 0.9%, 0.61%

LAB 61.52, 84.88, -52.93

 

CMYK 0 / 73 / 20 / 4

HEX #F542C4

RGB 245 66 196

HSL 316.42, 0.9%, 0.61%

LAB 59.25, 78.13, -29.43

 

CMYK 0 / 73 / 40 / 4

HEX #F54293

RGB 245 66 147

HSL 332.85, 0.9%, 0.61%

LAB 57.48, 72.61, -3.66

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 59 / 73 / 0 / 4

HEX #6442F5

RGB 100 66 245

HSL 251.4, 0.9%, 0.61%

LAB 43.06, 60.07, -84.25

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 34 / 64 / 0 / 11

HEX #9652E4

RGB 150 82 228

HSL 267.95, 0.73%, 0.61%

LAB 49.64, 55.97, -63.72

 

CMYK 29 / 54 / 0 / 17

HEX #9762D4

RGB 151 98 212

HSL 267.89, 0.57%, 0.61%

LAB 51.91, 43.93, -50.99

 

CMYK 22 / 42 / 0 / 23

HEX #9872C4

RGB 152 114 196

HSL 267.8, 0.41%, 0.61%

LAB 54.76, 31.35, -37.36

 

CMYK 15 / 28 / 0 / 29

HEX #9982B4

RGB 153 130 180

HSL 267.6, 0.25%, 0.61%

LAB 58.07, 18.73, -23.08

 

CMYK 73 / 67 / 0 / 4

HEX #4250F5

RGB 66 80 245

HSL 235.31, 0.9%, 0.61%

LAB 43.49, 48.69, -83.62

 

CMYK 60 / 73 / 0 / 4

HEX #6242F5

RGB 98 66 245

HSL 250.73, 0.9%, 0.61%

LAB 42.89, 59.83, -84.53

 

CMYK 40 / 73 / 0 / 4

HEX #9242F5

RGB 146 66 245

HSL 266.82, 0.9%, 0.61%

LAB 47.75, 66.71, -76.37

 

CMYK 21 / 73 / 0 / 4

HEX #C242F5

RGB 194 66 245

HSL 282.91, 0.9%, 0.61%

LAB 53.98, 75.15, -65.97

 

CMYK 1 / 73 / 0 / 4

HEX #F242F5

RGB 242 66 245

HSL 298.99, 0.9%, 0.61%

LAB 61.1, 84.43, -54.17

 

CMYK 51 / 95 / 0 / 15

HEX #6A0BD9

RGB 106 11 217

HSL 267.67, 0.9%, 0.45%

LAB 34.63, 72, -82.2

 

CMYK 48 / 89 / 0 / 5

HEX #7F1AF2

RGB 127 26 242

HSL 268.06, 0.89%, 0.53%

LAB 40.67, 76.71, -86.39

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 31 / 57 / 0 / 3

HEX #AB69F7

RGB 171 105 247

HSL 267.89, 0.9%, 0.69%

LAB 57.54, 53.41, -61.52

 

CMYK 22 / 42 / 0 / 2

HEX #C190F9

RGB 193 144 249

HSL 268, 0.9%, 0.77%

LAB 68.11, 38.54, -45.68

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 0 / 73 / 48 / 4

HEX #F54280

RGB 245 66 128

HSL 339.22, 0.9%, 0.61%

LAB 56.95, 70.9, 6.78

 

CMYK 73 / 0 / 70 / 4

HEX #42F54A

RGB 66 245 74

HSL 122.68, 0.9%, 0.61%

LAB 85.48, -75.21, 66.23

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 0 / 40 / 73 / 4

HEX #F59242

RGB 245 146 66

HSL 26.82, 0.9%, 0.61%

LAB 69.73, 31.18, 56.48

 

CMYK 73 / 0 / 40 / 4

HEX #42F592

RGB 66 245 146

HSL 146.82, 0.9%, 0.61%

LAB 86.27, -65.87, 35.14

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 0 / 73 / 48 / 4

HEX #F54280

RGB 245 66 128

HSL 339.22, 0.9%, 0.61%

LAB 56.95, 70.9, 6.78

 

CMYK 33 / 0 / 73 / 4

HEX #A4F542

RGB 164 245 66

HSL 87.15, 0.9%, 0.61%

LAB 88.73, -50.65, 73.34

 

CMYK 73 / 0 / 26 / 4

HEX #42F5B6

RGB 66 245 182

HSL 158.88, 0.9%, 0.61%

LAB 86.92, -58.76, 17.73

 

CMYK 39 / 73 / 0 / 4

HEX #9542F5

RGB 149 66 245

HSL 267.82, 0.9%, 0.61%

LAB 48.11, 67.2, -75.78

 

CMYK 0 / 73 / 70 / 4

HEX #F5424A

RGB 245 66 74

HSL 357.32, 0.9%, 0.61%

LAB 55.89, 67.43, 37.08

 

CMYK 33 / 0 / 73 / 4

HEX #A4F542

RGB 164 245 66

HSL 87.15, 0.9%, 0.61%

LAB 88.73, -50.65, 73.34

 

CMYK 73 / 0 / 4 / 4

HEX #42F5EC

RGB 66 245 236

HSL 176.98, 0.9%, 0.61%

LAB 88.22, -45.48, -8.51

 

Description

Color code: HEX #9542F5 | qconv.com Color code: HEX #9542F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 66 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 66 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 73 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 73% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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