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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95439D it is the complementary color #6ABC62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95439D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95439D shade: #9A4398, #AB55AB, #BC67BE, #CD79D1 and #DE8BE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95439D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95439D shade: #95439D, #84318A, #731F77, #620D64 and #510051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95439D shade: #95439D, #9D438C, #9D4374, #9D435C and #9D4344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95439D shade: #95439D, #7C439D, #64439D, #4C439D and #43439D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95439D shade matches the following richer shades: #95439D, #A431AF, #B21FC1 and #C10CD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95439D shade: #95439D, #86558A, #776778, #687966 and #598B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95439D shade: #64439D, #7C439D, #94439D, #9D438E and #9D4376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95439D shade: #5E2A63, #793680, #95439D, #AD53B5 and #BA70C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95439D shade: #95439D, #9D4C43 and #439D70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95439D shade: #95439D, #9D9443 and #439D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95439D shade: #95439D, #9D4C43, #4C9D43 and #43949D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95439D shade: #95439D, #9D6743, #4C9D43 and #43799D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

Complementary color

CMYK 44 / 0 / 48 / 26

HEX #6ABC62

RGB 106 188 98

HSL 114.67, 0.4%, 0.56%

LAB 69.41, -43.01, 37.73

 

CMYK 0 / 56 / 1 / 40

HEX #9A4398

RGB 154 67 152

HSL 301.38, 0.39%, 0.43%

LAB 42.99, 48.01, -30.06

 

CMYK 0 / 50 / 0 / 33

HEX #AB55AB

RGB 171 85 171

HSL 300, 0.34%, 0.5%

LAB 49.61, 47.47, -30.8

 

CMYK 1 / 46 / 0 / 25

HEX #BC67BE

RGB 188 103 190

HSL 298.62, 0.4%, 0.57%

LAB 56.2, 46.79, -31.38

 

CMYK 2 / 42 / 0 / 18

HEX #CD79D1

RGB 205 121 209

HSL 297.27, 0.49%, 0.65%

LAB 62.72, 46.06, -31.86

 

CMYK 3 / 39 / 0 / 11

HEX #DE8BE4

RGB 222 139 228

HSL 295.96, 0.62%, 0.72%

LAB 69.18, 45.31, -32.27

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 4 / 64 / 0 / 46

HEX #84318A

RGB 132 49 138

HSL 295.96, 0.48%, 0.37%

LAB 35.86, 47.86, -33

 

CMYK 3 / 74 / 0 / 53

HEX #731F77

RGB 115 31 119

HSL 297.27, 0.59%, 0.29%

LAB 29.3, 47.58, -31.72

 

CMYK 2 / 87 / 0 / 61

HEX #620D64

RGB 98 13 100

HSL 298.62, 0.77%, 0.22%

LAB 23.01, 46.11, -29.67

 

CMYK 0 / 100 / 0 / 68

HEX #510051

RGB 81 0 81

HSL 300, 1%, 0.16%

LAB 17.2, 42.74, -26.46

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 0 / 57 / 11 / 38

HEX #9D438C

RGB 157 67 140

HSL 311.33, 0.4%, 0.44%

LAB 42.88, 46.78, -22.96

 

CMYK 0 / 57 / 26 / 38

HEX #9D4374

RGB 157 67 116

HSL 327.33, 0.4%, 0.44%

LAB 41.91, 43.06, -9.75

 

CMYK 0 / 57 / 41 / 38

HEX #9D435C

RGB 157 67 92

HSL 343.33, 0.4%, 0.44%

LAB 41.14, 39.98, 4.01

 

CMYK 0 / 57 / 57 / 38

HEX #9D4344

RGB 157 67 68

HSL 359.33, 0.4%, 0.44%

LAB 40.57, 37.62, 18.13

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 21 / 57 / 0 / 38

HEX #7C439D

RGB 124 67 157

HSL 278, 0.4%, 0.44%

LAB 39.13, 40.77, -39.44

 

CMYK 36 / 57 / 0 / 38

HEX #64439D

RGB 100 67 157

HSL 262, 0.4%, 0.44%

LAB 36.29, 34.52, -44.14

 

CMYK 52 / 57 / 0 / 38

HEX #4C439D

RGB 76 67 157

HSL 246, 0.4%, 0.44%

LAB 33.95, 28.89, -48.02

 

CMYK 57 / 57 / 0 / 38

HEX #43439D

RGB 67 67 157

HSL 240, 0.4%, 0.44%

LAB 33.23, 27.03, -49.23

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 6 / 72 / 0 / 31

HEX #A431AF

RGB 164 49 175

HSL 294.76, 0.56%, 0.44%

LAB 43.04, 62.19, -43.6

 

CMYK 8 / 84 / 0 / 24

HEX #B21FC1

RGB 178 31 193

HSL 294.44, 0.72%, 0.44%

LAB 44.65, 73.13, -51.47

 

CMYK 9 / 94 / 0 / 17

HEX #C10CD3

RGB 193 12 211

HSL 294.57, 0.89%, 0.44%

LAB 47.37, 81.38, -57.39

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 3 / 38 / 0 / 46

HEX #86558A

RGB 134 85 138

HSL 295.47, 0.24%, 0.44%

LAB 43.36, 29.49, -21.26

 

CMYK 1 / 14 / 0 / 53

HEX #776778

RGB 119 103 120

HSL 296.47, 0.08%, 0.44%

LAB 45.6, 9.66, -7.14

 

CMYK 14 / 0 / 16 / 53

HEX #687966

RGB 104 121 102

HSL 113.68, 0.09%, 0.44%

LAB 48.98, -10.21, 8.34

 

CMYK 36 / 0 / 40 / 45

HEX #598B54

RGB 89 139 84

HSL 114.55, 0.25%, 0.44%

LAB 53.2, -28.36, 24.23

 

CMYK 36 / 57 / 0 / 38

HEX #64439D

RGB 100 67 157

HSL 262, 0.4%, 0.44%

LAB 36.29, 34.52, -44.14

 

CMYK 21 / 57 / 0 / 38

HEX #7C439D

RGB 124 67 157

HSL 278, 0.4%, 0.44%

LAB 39.13, 40.77, -39.44

 

CMYK 6 / 57 / 0 / 38

HEX #94439D

RGB 148 67 157

HSL 294, 0.4%, 0.44%

LAB 42.38, 47.28, -34.08

 

CMYK 0 / 57 / 10 / 38

HEX #9D438E

RGB 157 67 142

HSL 310, 0.4%, 0.44%

LAB 42.97, 47.11, -24.03

 

CMYK 0 / 57 / 25 / 38

HEX #9D4376

RGB 157 67 118

HSL 326, 0.4%, 0.44%

LAB 41.99, 43.35, -10.88

 

CMYK 5 / 58 / 0 / 61

HEX #5E2A63

RGB 94 42 99

HSL 294.74, 0.4%, 0.28%

LAB 26.55, 32.89, -23.45

 

CMYK 5 / 58 / 0 / 50

HEX #793680

RGB 121 54 128

HSL 294.32, 0.41%, 0.36%

LAB 34.52, 40.51, -29.04

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 4 / 54 / 0 / 29

HEX #AD53B5

RGB 173 83 181

HSL 295.1, 0.4%, 0.52%

LAB 49.99, 50.89, -36.04

 

CMYK 4 / 42 / 0 / 24

HEX #BA70C2

RGB 186 112 194

HSL 294.15, 0.4%, 0.6%

LAB 57.96, 42.22, -30.94

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 0 / 52 / 57 / 38

HEX #9D4C43

RGB 157 76 67

HSL 6, 0.4%, 0.44%

LAB 42.37, 32.86, 21.11

 

CMYK 57 / 0 / 29 / 38

HEX #439D70

RGB 67 157 112

HSL 150, 0.4%, 0.44%

LAB 58.49, -37.72, 15.64

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 0 / 6 / 57 / 38

HEX #9D9443

RGB 157 148 67

HSL 54, 0.4%, 0.44%

LAB 60.56, -7.5, 43.25

 

CMYK 57 / 0 / 6 / 38

HEX #439D94

RGB 67 157 148

HSL 174, 0.4%, 0.44%

LAB 59.38, -28.95, -3.38

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 0 / 52 / 57 / 38

HEX #9D4C43

RGB 157 76 67

HSL 6, 0.4%, 0.44%

LAB 42.37, 32.86, 21.11

 

CMYK 52 / 0 / 57 / 38

HEX #4C9D43

RGB 76 157 67

HSL 114, 0.4%, 0.44%

LAB 58.09, -42.99, 39.06

 

CMYK 57 / 6 / 0 / 38

HEX #43949D

RGB 67 148 157

HSL 186, 0.4%, 0.44%

LAB 56.89, -21.86, -12.22

 

CMYK 5 / 57 / 0 / 38

HEX #95439D

RGB 149 67 157

HSL 294.67, 0.4%, 0.44%

LAB 42.52, 47.56, -33.85

 

CMYK 0 / 34 / 57 / 38

HEX #9D6743

RGB 157 103 67

HSL 24, 0.4%, 0.44%

LAB 48.6, 17.78, 29.03

 

CMYK 52 / 0 / 57 / 38

HEX #4C9D43

RGB 76 157 67

HSL 114, 0.4%, 0.44%

LAB 58.09, -42.99, 39.06

 

CMYK 57 / 23 / 0 / 38

HEX #43799D

RGB 67 121 157

HSL 204, 0.4%, 0.44%

LAB 48.64, -6.99, -24.82

 

Description

Color code: HEX #95439D | qconv.com Color code: HEX #95439D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 67 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 67 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 57 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 57% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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