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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954DD5 it is the complementary color #6AB22A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954DD5 shade: #9A4DD0, #AB5FE3, #BC71F6, #CD83FF and #DE95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954DD5 shade: #954DD5, #843BC2, #7329AF, #62179C and #510589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954DD5 shade: #954DD5, #BA4DD5, #D54DCB, #D54DA7 and #D54D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954DD5 shade: #954DD5, #704DD5 and #4D4DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954DD5 shade matches the following richer shades: #954DD5, #963BE7 and #9729F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954DD5 shade: #954DD5, #945FC3, #9370B1, #9282A0 and #91948E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954DD5 shade: #4D4FD5, #6F4DD5, #934DD5, #B74DD5 and #D54DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954DD5 shade: #6B27A8, #812FCA, #954DD5, #A96EDD and #BD90E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954DD5 shade: #954DD5, #D54D73 and #4DD55D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954DD5 shade: #954DD5, #D5934D and #4DD593

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954DD5 shade: #954DD5, #D54D73, #8FD54D and #4DD5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954DD5 shade: #954DD5, #D54F4D, #8FD54D and #4DD3D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

Complementary color

CMYK 40 / 0 / 76 / 30

HEX #6AB22A

RGB 106 178 42

HSL 91.76, 0.62%, 0.43%

LAB 65.8, -44.3, 58.03

 

CMYK 26 / 63 / 0 / 18

HEX #9A4DD0

RGB 154 77 208

HSL 275.27, 0.58%, 0.56%

LAB 47.92, 54.64, -55.08

 

CMYK 25 / 58 / 0 / 11

HEX #AB5FE3

RGB 171 95 227

HSL 274.55, 0.7%, 0.63%

LAB 54.44, 53.93, -55.31

 

CMYK 24 / 54 / 0 / 4

HEX #BC71F6

RGB 188 113 246

HSL 273.83, 0.88%, 0.7%

LAB 60.92, 53.12, -55.45

 

CMYK 20 / 49 / 0 / 0

HEX #CD83FF

RGB 205 131 255

HSL 275.81, 1%, 0.76%

LAB 66.85, 50.1, -50.87

 

CMYK 13 / 42 / 0 / 0

HEX #DE95FF

RGB 222 149 255

HSL 281.32, 1%, 0.79%

LAB 72.39, 45.33, -42.03

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 32 / 70 / 0 / 24

HEX #843BC2

RGB 132 59 194

HSL 272.44, 0.53%, 0.5%

LAB 41.1, 55.26, -58.12

 

CMYK 34 / 77 / 0 / 31

HEX #7329AF

RGB 115 41 175

HSL 273.13, 0.62%, 0.42%

LAB 34.65, 55.43, -57.49

 

CMYK 37 / 85 / 0 / 39

HEX #62179C

RGB 98 23 156

HSL 273.83, 0.74%, 0.35%

LAB 28.41, 54.77, -56.32

 

CMYK 41 / 96 / 0 / 46

HEX #510589

RGB 81 5 137

HSL 274.55, 0.93%, 0.28%

LAB 22.53, 52.71, -54.31

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 13 / 64 / 0 / 16

HEX #BA4DD5

RGB 186 77 213

HSL 288.09, 0.62%, 0.57%

LAB 52.45, 63.03, -50.44

 

CMYK 0 / 64 / 5 / 16

HEX #D54DCB

RGB 213 77 203

HSL 304.41, 0.62%, 0.57%

LAB 55.85, 67.69, -39.11

 

CMYK 0 / 64 / 22 / 16

HEX #D54DA7

RGB 213 77 167

HSL 320.29, 0.62%, 0.57%

LAB 54.28, 62.36, -20.73

 

CMYK 0 / 64 / 39 / 16

HEX #D54D82

RGB 213 77 130

HSL 336.62, 0.62%, 0.57%

LAB 53.02, 57.86, -0.77

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 47 / 64 / 0 / 16

HEX #704DD5

RGB 112 77 213

HSL 255.44, 0.62%, 0.57%

LAB 43.59, 47.07, -65.18

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 35 / 74 / 0 / 9

HEX #963BE7

RGB 150 59 231

HSL 271.74, 0.78%, 0.57%

LAB 46.15, 67.02, -71.08

 

CMYK 39 / 83 / 0 / 3

HEX #9729F8

RGB 151 41 248

HSL 271.88, 0.94%, 0.57%

LAB 45.56, 76.98, -81.63

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 24 / 51 / 0 / 24

HEX #945FC3

RGB 148 95 195

HSL 271.8, 0.45%, 0.57%

LAB 50, 40.73, -44.32

 

CMYK 17 / 37 / 0 / 31

HEX #9370B1

RGB 147 112 177

HSL 272.31, 0.29%, 0.57%

LAB 52.91, 26.55, -29.37

 

CMYK 9 / 19 / 0 / 37

HEX #9282A0

RGB 146 130 160

HSL 272, 0.14%, 0.57%

LAB 56.7, 11.98, -13.76

 

CMYK 2 / 0 / 4 / 42

HEX #91948E

RGB 145 148 142

HSL 90, 0.03%, 0.57%

LAB 60.92, -2.25, 2.78

 

CMYK 64 / 63 / 0 / 16

HEX #4D4FD5

RGB 77 79 213

HSL 239.12, 0.62%, 0.57%

LAB 41.17, 39.98, -69.24

 

CMYK 48 / 64 / 0 / 16

HEX #6F4DD5

RGB 111 77 213

HSL 255, 0.62%, 0.57%

LAB 43.49, 46.88, -65.34

 

CMYK 31 / 64 / 0 / 16

HEX #934DD5

RGB 147 77 213

HSL 270.88, 0.62%, 0.57%

LAB 47.38, 54.24, -58.85

 

CMYK 14 / 64 / 0 / 16

HEX #B74DD5

RGB 183 77 213

HSL 286.76, 0.62%, 0.57%

LAB 52.04, 62.33, -51.13

 

CMYK 0 / 64 / 3 / 16

HEX #D54DCE

RGB 213 77 206

HSL 303.09, 0.62%, 0.57%

LAB 56, 68.18, -40.59

 

CMYK 36 / 77 / 0 / 34

HEX #6B27A8

RGB 107 39 168

HSL 271.63, 0.62%, 0.41%

LAB 32.71, 53.2, -56.51

 

CMYK 36 / 77 / 0 / 21

HEX #812FCA

RGB 129 47 202

HSL 271.74, 0.62%, 0.49%

LAB 39.52, 61.66, -65.37

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 24 / 50 / 0 / 13

HEX #A96EDD

RGB 169 110 221

HSL 271.89, 0.62%, 0.65%

LAB 56.89, 44.18, -48.05

 

CMYK 17 / 37 / 0 / 10

HEX #BD90E5

RGB 189 144 229

HSL 271.76, 0.62%, 0.73%

LAB 66.84, 32.92, -36.72

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 0 / 64 / 46 / 16

HEX #D54D73

RGB 213 77 115

HSL 343.24, 0.62%, 0.57%

LAB 52.61, 56.36, 7.59

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55D

RGB 77 213 93

HSL 127.06, 0.62%, 0.57%

LAB 76.04, -60.79, 47.96

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 0 / 31 / 64 / 16

HEX #D5934D

RGB 213 147 77

HSL 30.88, 0.62%, 0.57%

LAB 66.17, 18.02, 46.28

 

CMYK 64 / 0 / 31 / 16

HEX #4DD593

RGB 77 213 147

HSL 150.88, 0.62%, 0.57%

LAB 76.84, -51.92, 22.03

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 0 / 64 / 46 / 16

HEX #D54D73

RGB 213 77 115

HSL 343.24, 0.62%, 0.57%

LAB 52.61, 56.36, 7.59

 

CMYK 33 / 0 / 64 / 16

HEX #8FD54D

RGB 143 213 77

HSL 90.88, 0.62%, 0.57%

LAB 78.44, -43.77, 58.37

 

CMYK 64 / 0 / 18 / 16

HEX #4DD5AE

RGB 77 213 174

HSL 162.79, 0.62%, 0.57%

LAB 77.41, -46, 8.52

 

CMYK 30 / 64 / 0 / 16

HEX #954DD5

RGB 149 77 213

HSL 271.76, 0.62%, 0.57%

LAB 47.63, 54.67, -58.45

 

CMYK 0 / 63 / 64 / 16

HEX #D54F4D

RGB 213 79 77

HSL 0.88, 0.62%, 0.57%

LAB 52.15, 52.56, 29.51

 

CMYK 33 / 0 / 64 / 16

HEX #8FD54D

RGB 143 213 77

HSL 90.88, 0.62%, 0.57%

LAB 78.44, -43.77, 58.37

 

CMYK 64 / 1 / 0 / 16

HEX #4DD3D5

RGB 77 211 213

HSL 180.88, 0.62%, 0.57%

LAB 77.86, -35.04, -11.73

 

Description

Color code: HEX #954DD5 | qconv.com Color code: HEX #954DD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 77 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 77 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 64 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 64% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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