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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9552F3 it is the complementary color #6AAD0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9552F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9552F3 shade: #9A52EE, #AB64FF, #BC76FF, #CD88FF and #DE9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9552F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9552F3 shade: #9552F3, #8440E0, #732ECD, #621CBA and #510AA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9552F3 shade: #9553F3, #C053F3, #EB53F3, #F353CF and #F353A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9552F3 shade: #9553F3, #6A53F3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9552F3 shade matches the following richer shades: #9553F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9552F3 shade: #9553F3, #9862E4, #9A71D5, #9D7FC6 and #9F8EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9552F3 shade: #5368F3, #6853F3, #9353F3, #BD53F3 and #E853F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9552F3 shade: #680FE4, #7E2CF0, #9553F3, #AD79F5 and #C5A0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9552F3 shade: #9552F3, #F35393 and #53F353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9552F3 shade: #9552F3, #F39353 and #53F393

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9552F3 shade: #9552F3, #F35393, #B3F353 and #53F3B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9552F3 shade: #9552F3, #F35363, #B3F353 and #53F3E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

Complementary color

CMYK 39 / 0 / 93 / 32

HEX #6AAD0C

RGB 106 173 12

HSL 84.97, 0.87%, 0.36%

LAB 64.14, -43.39, 63.76

 

CMYK 35 / 66 / 0 / 7

HEX #9A52EE

RGB 154 82 238

HSL 267.69, 0.82%, 0.63%

LAB 50.78, 59.19, -67.49

 

CMYK 33 / 61 / 0 / 0

HEX #AB64FF

RGB 171 100 255

HSL 267.48, 1%, 0.7%

LAB 57.07, 57.87, -66.7

 

CMYK 26 / 54 / 0 / 0

HEX #BC76FF

RGB 188 118 255

HSL 270.66, 1%, 0.73%

LAB 62.4, 52.55, -58.05

 

CMYK 20 / 47 / 0 / 0

HEX #CD88FF

RGB 205 136 255

HSL 274.79, 1%, 0.77%

LAB 67.88, 47.47, -49.24

 

CMYK 13 / 40 / 0 / 0

HEX #DE9AFF

RGB 222 154 255

HSL 280.4, 1%, 0.8%

LAB 73.46, 42.69, -40.37

 

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

CMYK 41 / 71 / 0 / 12

HEX #8440E0

RGB 132 64 224

HSL 265.5, 0.72%, 0.56%

LAB 44.17, 60.18, -70.43

 

CMYK 44 / 78 / 0 / 20

HEX #732ECD

RGB 115 46 205

HSL 266.04, 0.63%, 0.49%

LAB 37.85, 60.56, -69.91

 

CMYK 47 / 85 / 0 / 27

HEX #621CBA

RGB 98 28 186

HSL 266.58, 0.74%, 0.42%

LAB 31.74, 60.23, -68.88

 

CMYK 51 / 94 / 0 / 35

HEX #510AA7

RGB 81 10 167

HSL 267.13, 0.89%, 0.35%

LAB 26.03, 58.58, -67.01

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 3 / 66 / 0 / 5

HEX #EB53F3

RGB 235 83 243

HSL 297, 0.87%, 0.64%

LAB 61.93, 77.01, -51.81

 

CMYK 0 / 66 / 15 / 5

HEX #F353CF

RGB 243 83 207

HSL 313.5, 0.87%, 0.64%

LAB 61.43, 73.37, -32.32

 

CMYK 0 / 66 / 33 / 5

HEX #F353A4

RGB 243 83 164

HSL 329.63, 0.87%, 0.64%

LAB 59.82, 67.9, -10.15

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 56 / 66 / 0 / 5

HEX #6A53F3

RGB 106 83 243

HSL 248.63, 0.87%, 0.64%

LAB 46.61, 51.41, -77.29

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 33 / 57 / 0 / 11

HEX #9862E4

RGB 152 98 228

HSL 264.92, 0.71%, 0.64%

LAB 52.96, 48.1, -58.36

 

CMYK 28 / 47 / 0 / 16

HEX #9A71D5

RGB 154 113 213

HSL 264.6, 0.54%, 0.64%

LAB 55.57, 36.58, -45.73

 

CMYK 21 / 36 / 0 / 22

HEX #9D7FC6

RGB 157 127 198

HSL 265.35, 0.38%, 0.64%

LAB 58.44, 25.85, -32.71

 

CMYK 13 / 22 / 0 / 28

HEX #9F8EB7

RGB 159 142 183

HSL 264.88, 0.22%, 0.64%

LAB 61.77, 14.48, -19.07

 

CMYK 66 / 57 / 0 / 5

HEX #5368F3

RGB 83 104 243

HSL 232.13, 0.87%, 0.64%

LAB 49.75, 35.64, -72.23

 

CMYK 57 / 66 / 0 / 5

HEX #6853F3

RGB 104 83 243

HSL 247.88, 0.87%, 0.64%

LAB 46.45, 51.11, -77.56

 

CMYK 40 / 66 / 0 / 5

HEX #9353F3

RGB 147 83 243

HSL 264, 0.87%, 0.64%

LAB 50.52, 58.55, -70.74

 

CMYK 22 / 66 / 0 / 5

HEX #BD53F3

RGB 189 83 243

HSL 279.75, 0.87%, 0.64%

LAB 55.56, 67.05, -62.35

 

CMYK 5 / 66 / 0 / 5

HEX #E853F3

RGB 232 83 243

HSL 295.88, 0.87%, 0.64%

LAB 61.49, 76.35, -52.53

 

CMYK 54 / 93 / 0 / 11

HEX #680FE4

RGB 104 15 228

HSL 265.07, 0.88%, 0.48%

LAB 35.76, 73.69, -86.64

 

CMYK 48 / 82 / 0 / 6

HEX #7E2CF0

RGB 126 44 240

HSL 265.1, 0.87%, 0.56%

LAB 42.04, 71.16, -83.01

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 29 / 51 / 0 / 4

HEX #AD79F5

RGB 173 121 245

HSL 265.16, 0.86%, 0.72%

LAB 60.92, 44.88, -55

 

CMYK 21 / 35 / 0 / 3

HEX #C5A0F8

RGB 197 160 248

HSL 265.23, 0.86%, 0.8%

LAB 72.09, 30.66, -38.89

 

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

CMYK 0 / 66 / 40 / 5

HEX #F35393

RGB 243 83 147

HSL 336, 0.87%, 0.64%

LAB 59.29, 66.08, -1.03

 

CMYK 66 / 0 / 66 / 5

HEX #53F353

RGB 83 243 83

HSL 120, 0.87%, 0.64%

LAB 85.28, -70.9, 62.72

 

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

CMYK 0 / 40 / 66 / 5

HEX #F39353

RGB 243 147 83

HSL 24, 0.87%, 0.64%

LAB 69.86, 30.73, 48.47

 

CMYK 66 / 0 / 40 / 5

HEX #53F393

RGB 83 243 147

HSL 144, 0.87%, 0.64%

LAB 86.03, -62.35, 34.39

 

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

CMYK 0 / 66 / 40 / 5

HEX #F35393

RGB 243 83 147

HSL 336, 0.87%, 0.64%

LAB 59.29, 66.08, -1.03

 

CMYK 26 / 0 / 66 / 5

HEX #B3F353

RGB 179 243 83

HSL 84, 0.87%, 0.64%

LAB 89.07, -43.41, 67.89

 

CMYK 66 / 0 / 26 / 5

HEX #53F3B3

RGB 83 243 179

HSL 156, 0.87%, 0.64%

LAB 86.6, -56.17, 18.88

 

CMYK 39 / 66 / 0 / 5

HEX #9552F3

RGB 149 82 243

HSL 264.97, 0.87%, 0.64%

LAB 50.56, 59.43, -70.66

 

CMYK 0 / 66 / 59 / 5

HEX #F35363

RGB 243 83 99

HSL 354, 0.87%, 0.64%

LAB 58.17, 62.06, 25.47

 

CMYK 26 / 0 / 66 / 5

HEX #B3F353

RGB 179 243 83

HSL 84, 0.87%, 0.64%

LAB 89.07, -43.41, 67.89

 

CMYK 66 / 0 / 7 / 5

HEX #53F3E3

RGB 83 243 227

HSL 174, 0.87%, 0.64%

LAB 87.72, -44.84, -4.5

 

Description

Color code: HEX #9552F3 | qconv.com Color code: HEX #9552F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 82 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 82 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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