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Color name
HEX #955C3D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955C3D it is the complementary color #6AA3C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955C3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955C3D shade: #9A5C38, #AB6E4B, #BC805E, #CD9271 and #DEA484

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955C3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955C3D shade: #955C3D, #844A2A, #733817, #622604 and #511400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955C3D shade: #945B3C, #94433C and #943C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955C3D shade: #945B3C, #94733C, #948A3C, #86943C and #6E943C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955C3D shade matches the following richer shades: #945B3C, #A5562B, #B6511A and #C74C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955C3D shade: #945B3C, #83604D, #72655E, #616A6F and #506F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955C3D shade: #943C4C, #94433C, #945B3C, #94723C and #948A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955C3D shade: #593724, #774930, #945B3C, #B16D48 and #BF8463

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955C3D shade: #955C3D, #64943C and #3C4194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955C3D shade: #955C3D, #3C945B and #5B3C94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955C3D shade: #955C3D, #64943C, #3C7594 and #6C3C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955C3D shade: #955C3D, #49943C, #3C7594 and #873C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

Complementary color

CMYK 45 / 16 / 0 / 24

HEX #6AA3C2

RGB 106 163 194

HSL 201.14, 0.42%, 0.59%

LAB 64.29, -10.31, -21.74

 

CMYK 0 / 40 / 64 / 40

HEX #9A5C38

RGB 154 92 56

HSL 22.04, 0.47%, 0.41%

LAB 45.37, 21.89, 31.18

 

CMYK 0 / 36 / 56 / 33

HEX #AB6E4B

RGB 171 110 75

HSL 21.88, 0.39%, 0.48%

LAB 52.19, 20.5, 29.4

 

CMYK 0 / 32 / 50 / 26

HEX #BC805E

RGB 188 128 94

HSL 21.7, 0.41%, 0.55%

LAB 58.92, 19.32, 27.78

 

CMYK 0 / 29 / 45 / 20

HEX #CD9271

RGB 205 146 113

HSL 21.52, 0.48%, 0.62%

LAB 65.54, 18.29, 26.33

 

CMYK 0 / 26 / 41 / 13

HEX #DEA484

RGB 222 164 132

HSL 21.33, 0.58%, 0.69%

LAB 72.06, 17.4, 25

 

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

CMYK 0 / 44 / 68 / 48

HEX #844A2A

RGB 132 74 42

HSL 21.33, 0.52%, 0.34%

LAB 37.79, 21.62, 29.38

 

CMYK 0 / 51 / 80 / 55

HEX #733817

RGB 115 56 23

HSL 21.52, 0.67%, 0.27%

LAB 30.72, 23.41, 31.4

 

CMYK 0 / 61 / 96 / 62

HEX #622604

RGB 98 38 4

HSL 21.7, 0.92%, 0.2%

LAB 23.64, 25.43, 32.44

 

CMYK 0 / 75 / 100 / 68

HEX #511400

RGB 81 20 0

HSL 14.81, 1%, 0.16%

LAB 16.75, 27.44, 25.41

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 55 / 59 / 42

HEX #94433C

RGB 148 67 60

HSL 4.77, 0.42%, 0.41%

LAB 38.96, 33.51, 20.67

 

CMYK 0 / 59 / 59 / 42

HEX #943C3C

RGB 148 60 60

HSL 0, 0.42%, 0.41%

LAB 37.58, 37.1, 18.87

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 22 / 59 / 42

HEX #94733C

RGB 148 115 60

HSL 37.5, 0.42%, 0.41%

LAB 50.55, 6.31, 34.97

 

CMYK 0 / 7 / 59 / 42

HEX #948A3C

RGB 148 138 60

HSL 53.18, 0.42%, 0.41%

LAB 56.88, -6.6, 42.25

 

CMYK 9 / 0 / 59 / 42

HEX #86943C

RGB 134 148 60

HSL 69.55, 0.42%, 0.41%

LAB 58.58, -18.05, 43.83

 

CMYK 26 / 0 / 59 / 42

HEX #6E943C

RGB 110 148 60

HSL 85.91, 0.42%, 0.41%

LAB 56.9, -27.97, 41.49

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 48 / 74 / 35

HEX #A5562B

RGB 165 86 43

HSL 21.15, 0.59%, 0.41%

LAB 45.4, 29.13, 38.65

 

CMYK 0 / 55 / 86 / 29

HEX #B6511A

RGB 182 81 26

HSL 21.15, 0.75%, 0.41%

LAB 46.85, 38.04, 48.87

 

CMYK 0 / 62 / 95 / 22

HEX #C74C09

RGB 199 76 9

HSL 21.16, 0.91%, 0.41%

LAB 48.67, 46.58, 56.84

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 27 / 41 / 49

HEX #83604D

RGB 131 96 77

HSL 21.11, 0.26%, 0.41%

LAB 43.84, 11.57, 16.42

 

CMYK 0 / 11 / 18 / 55

HEX #72655E

RGB 114 101 94

HSL 21, 0.1%, 0.41%

LAB 43.79, 3.89, 5.84

 

CMYK 13 / 5 / 0 / 56

HEX #616A6F

RGB 97 106 111

HSL 201.43, 0.07%, 0.41%

LAB 44.23, -2.3, -3.97

 

CMYK 38 / 13 / 0 / 50

HEX #506F80

RGB 80 111 128

HSL 201.25, 0.23%, 0.41%

LAB 45.13, -6.6, -12.97

 

CMYK 0 / 59 / 49 / 42

HEX #943C4C

RGB 148 60 76

HSL 349.09, 0.42%, 0.41%

LAB 37.93, 38.54, 9.29

 

CMYK 0 / 55 / 59 / 42

HEX #94433C

RGB 148 67 60

HSL 4.77, 0.42%, 0.41%

LAB 38.96, 33.51, 20.67

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 23 / 59 / 42

HEX #94723C

RGB 148 114 60

HSL 36.82, 0.42%, 0.41%

LAB 50.28, 6.88, 34.65

 

CMYK 0 / 7 / 59 / 42

HEX #948A3C

RGB 148 138 60

HSL 53.18, 0.42%, 0.41%

LAB 56.88, -6.6, 42.25

 

CMYK 0 / 38 / 60 / 65

HEX #593724

RGB 89 55 36

HSL 21.51, 0.42%, 0.25%

LAB 26.69, 12.9, 18.11

 

CMYK 0 / 39 / 60 / 53

HEX #774930

RGB 119 73 48

HSL 21.13, 0.43%, 0.33%

LAB 35.79, 16.85, 23.03

 

CMYK 0 / 39 / 59 / 42

HEX #945B3C

RGB 148 91 60

HSL 21.14, 0.42%, 0.41%

LAB 44.38, 20.17, 27.52

 

CMYK 0 / 38 / 59 / 31

HEX #B16D48

RGB 177 109 72

HSL 21.14, 0.42%, 0.49%

LAB 52.68, 23.35, 31.84

 

CMYK 0 / 31 / 48 / 25

HEX #BF8463

RGB 191 132 99

HSL 21.52, 0.42%, 0.57%

LAB 60.32, 18.83, 26.9

 

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

CMYK 32 / 0 / 59 / 42

HEX #64943C

RGB 100 148 60

HSL 92.73, 0.42%, 0.41%

LAB 56.3, -31.82, 40.65

 

CMYK 59 / 56 / 0 / 42

HEX #3C4194

RGB 60 65 148

HSL 236.59, 0.42%, 0.41%

LAB 31.53, 23.86, -46.53

 

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

CMYK 59 / 0 / 39 / 42

HEX #3C945B

RGB 60 148 91

HSL 141.14, 0.42%, 0.41%

LAB 54.96, -39.69, 22.47

 

CMYK 39 / 59 / 0 / 42

HEX #5B3C94

RGB 91 60 148

HSL 261.14, 0.42%, 0.41%

LAB 33.12, 33.94, -43.82

 

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

CMYK 32 / 0 / 59 / 42

HEX #64943C

RGB 100 148 60

HSL 92.73, 0.42%, 0.41%

LAB 56.3, -31.82, 40.65

 

CMYK 59 / 21 / 0 / 42

HEX #3C7594

RGB 60 117 148

HSL 201.14, 0.42%, 0.41%

LAB 46.74, -9.1, -22.48

 

CMYK 27 / 59 / 0 / 42

HEX #6C3C94

RGB 108 60 148

HSL 272.73, 0.42%, 0.41%

LAB 35.12, 38.23, -40.51

 

CMYK 0 / 38 / 59 / 42

HEX #955C3D

RGB 149 92 61

HSL 21.14, 0.42%, 0.41%

LAB 44.77, 20.11, 27.46

 

CMYK 51 / 0 / 59 / 42

HEX #49943C

RGB 73 148 60

HSL 111.14, 0.42%, 0.41%

LAB 54.99, -40.98, 38.8

 

CMYK 59 / 21 / 0 / 42

HEX #3C7594

RGB 60 117 148

HSL 201.14, 0.42%, 0.41%

LAB 46.74, -9.1, -22.48

 

CMYK 9 / 59 / 0 / 42

HEX #873C94

RGB 135 60 148

HSL 291.14, 0.42%, 0.41%

LAB 38.76, 45.41, -34.49

 

Description

Color code: HEX #955C3D | qconv.com Color code: HEX #955C3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 92 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 92 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 59% 42% C M Y K

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Provide designers and agencies with accurate color values.

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