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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955C05 it is the complementary color #6AA3FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955C05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955C05 shade: #9A5C00, #AB6E13, #BC8026, #CD9239 and #DEA44C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955C05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955C05 shade: #955C05, #844A00, #733800, #622600 and #511400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955C05 shade: #945B04, #943404, #940D04 and #940404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955C05 shade: #945B04, #948204, #7F9404, #589404 and #329404

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955C05 shade matches the following richer shades: #945B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955C05 shade: #945B04, #885810, #7B561D, #6F5329 and #625136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955C05 shade: #940E04, #943404, #945A04, #948104 and #819404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955C05 shade: #442A02, #6C4203, #945B04, #BC7405 and #E48C07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955C05 shade: #955C05, #219404 and #210494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955C05 shade: #955C05, #04945A and #5A0494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955C05 shade: #955C05, #219404, #043E94 and #770494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955C05 shade: #955C05, #049412, #043E94 and #940486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

Complementary color

CMYK 58 / 35 / 0 / 2

HEX #6AA3FA

RGB 106 163 250

HSL 216.25, 0.94%, 0.7%

LAB 66.64, 6.54, -48.96

 

CMYK 0 / 40 / 100 / 40

HEX #9A5C00

RGB 154 92 0

HSL 35.84, 1%, 0.3%

LAB 44.98, 19.73, 53.26

 

CMYK 0 / 36 / 89 / 33

HEX #AB6E13

RGB 171 110 19

HSL 35.92, 0.8%, 0.37%

LAB 51.67, 17.55, 54.55

 

CMYK 0 / 32 / 80 / 26

HEX #BC8026

RGB 188 128 38

HSL 36, 0.66%, 0.44%

LAB 58.29, 15.64, 54.67

 

CMYK 0 / 29 / 72 / 20

HEX #CD9239

RGB 205 146 57

HSL 36.08, 0.6%, 0.51%

LAB 64.83, 14.01, 53.91

 

CMYK 0 / 26 / 66 / 13

HEX #DEA44C

RGB 222 164 76

HSL 36.16, 0.69%, 0.58%

LAB 71.28, 12.62, 52.76

 

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

CMYK 0 / 44 / 100 / 48

HEX #844A00

RGB 132 74 0

HSL 33.64, 1%, 0.26%

LAB 37.49, 20.04, 46.96

 

CMYK 0 / 51 / 100 / 55

HEX #733800

RGB 115 56 0

HSL 29.22, 1%, 0.23%

LAB 30.58, 22.7, 41.24

 

CMYK 0 / 61 / 100 / 62

HEX #622600

RGB 98 38 0

HSL 23.27, 1%, 0.19%

LAB 23.61, 25.3, 34.04

 

CMYK 0 / 75 / 100 / 68

HEX #511400

RGB 81 20 0

HSL 14.81, 1%, 0.16%

LAB 16.75, 27.44, 25.41

 

CMYK 0 / 39 / 97 / 42

HEX #945B04

RGB 148 91 4

HSL 36.25, 0.95%, 0.3%

LAB 43.93, 17.64, 51.14

 

CMYK 0 / 65 / 97 / 42

HEX #943404

RGB 148 52 4

HSL 20, 0.95%, 0.3%

LAB 35.52, 38.57, 45.64

 

CMYK 0 / 91 / 97 / 42

HEX #940D04

RGB 148 13 4

HSL 3.75, 0.95%, 0.3%

LAB 30.86, 51.46, 42.7

 

CMYK 0 / 97 / 97 / 42

HEX #940404

RGB 148 4 4

HSL 0, 0.95%, 0.3%

LAB 30.38, 52.84, 42.35

 

CMYK 0 / 39 / 97 / 42

HEX #945B04

RGB 148 91 4

HSL 36.25, 0.95%, 0.3%

LAB 43.93, 17.64, 51.14

 

CMYK 0 / 12 / 97 / 42

HEX #948204

RGB 148 130 4

HSL 52.5, 0.95%, 0.3%

LAB 54.31, -4.6, 58.57

 

CMYK 14 / 0 / 97 / 42

HEX #7F9404

RGB 127 148 4

HSL 68.75, 0.95%, 0.3%

LAB 57.75, -23.69, 60.37

 

CMYK 41 / 0 / 97 / 42

HEX #589404

RGB 88 148 4

HSL 85, 0.95%, 0.3%

LAB 55.34, -39.51, 57.45

 

CMYK 66 / 0 / 97 / 42

HEX #329404

RGB 50 148 4

HSL 100.83, 0.95%, 0.3%

LAB 53.89, -50.91, 55.67

 

CMYK 0 / 39 / 97 / 42

HEX #945B04

RGB 148 91 4

HSL 36.25, 0.95%, 0.3%

LAB 43.93, 17.64, 51.14

 

CMYK 0 / 39 / 97 / 42

HEX #945B04

RGB 148 91 4

HSL 36.25, 0.95%, 0.3%

LAB 43.93, 17.64, 51.14

 

CMYK 0 / 35 / 88 / 47

HEX #885810

RGB 136 88 16

HSL 36, 0.79%, 0.3%

LAB 41.61, 14.06, 45.43

 

CMYK 0 / 30 / 76 / 52

HEX #7B561D

RGB 123 86 29

HSL 36.38, 0.62%, 0.3%

LAB 39.5, 9.61, 37.67

 

CMYK 0 / 25 / 63 / 56

HEX #6F5329

RGB 111 83 41

HSL 36, 0.46%, 0.3%

LAB 37.35, 6.49, 28.72

 

CMYK 0 / 17 / 45 / 62

HEX #625136

RGB 98 81 54

HSL 36.82, 0.29%, 0.3%

LAB 35.49, 2.9, 18.51

 

CMYK 0 / 91 / 97 / 42

HEX #940E04

RGB 148 14 4

HSL 4.17, 0.95%, 0.3%

LAB 30.92, 51.28, 42.74

 

CMYK 0 / 65 / 97 / 42

HEX #943404

RGB 148 52 4

HSL 20, 0.95%, 0.3%

LAB 35.52, 38.57, 45.64

 

CMYK 0 / 39 / 97 / 42

HEX #945A04

RGB 148 90 4

HSL 35.83, 0.95%, 0.3%

LAB 43.68, 18.21, 50.97

 

CMYK 0 / 13 / 97 / 42

HEX #948104

RGB 148 129 4

HSL 52.08, 0.95%, 0.3%

LAB 54.03, -4.05, 58.37

 

CMYK 13 / 0 / 97 / 42

HEX #819404

RGB 129 148 4

HSL 67.92, 0.95%, 0.3%

LAB 57.9, -22.81, 60.55

 

CMYK 0 / 38 / 97 / 73

HEX #442A02

RGB 68 42 2

HSL 36.36, 0.94%, 0.14%

LAB 19.59, 8.41, 27.42

 

CMYK 0 / 39 / 97 / 58

HEX #6C4203

RGB 108 66 3

HSL 36, 0.95%, 0.22%

LAB 32.01, 13.52, 40.55

 

CMYK 0 / 39 / 97 / 42

HEX #945B04

RGB 148 91 4

HSL 36.25, 0.95%, 0.3%

LAB 43.93, 17.64, 51.14

 

CMYK 0 / 38 / 97 / 26

HEX #BC7405

RGB 188 116 5

HSL 36.39, 0.95%, 0.38%

LAB 55.27, 21.53, 61.18

 

CMYK 0 / 39 / 97 / 11

HEX #E48C07

RGB 228 140 7

HSL 36.11, 0.94%, 0.46%

LAB 65.95, 25.8, 70.53

 

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

CMYK 78 / 0 / 97 / 42

HEX #219404

RGB 33 148 4

HSL 107.92, 0.95%, 0.3%

LAB 53.51, -54.18, 55.2

 

CMYK 78 / 97 / 0 / 42

HEX #210494

RGB 33 4 148

HSL 252.08, 0.95%, 0.3%

LAB 18.14, 52.13, -68.62

 

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

CMYK 97 / 0 / 39 / 42

HEX #04945A

RGB 4 148 90

HSL 155.83, 0.95%, 0.3%

LAB 53.97, -47.41, 21.52

 

CMYK 39 / 97 / 0 / 42

HEX #5A0494

RGB 90 4 148

HSL 275.83, 0.95%, 0.3%

LAB 24.95, 56.4, -57.13

 

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

CMYK 78 / 0 / 97 / 42

HEX #219404

RGB 33 148 4

HSL 107.92, 0.95%, 0.3%

LAB 53.51, -54.18, 55.2

 

CMYK 97 / 58 / 0 / 42

HEX #043E94

RGB 4 62 148

HSL 215.83, 0.95%, 0.3%

LAB 28.4, 19.36, -51.71

 

CMYK 20 / 97 / 0 / 42

HEX #770494

RGB 119 4 148

HSL 287.92, 0.95%, 0.3%

LAB 29.78, 60.26, -49.03

 

CMYK 0 / 38 / 97 / 42

HEX #955C05

RGB 149 92 5

HSL 36.25, 0.94%, 0.3%

LAB 44.31, 17.54, 51.22

 

CMYK 97 / 0 / 88 / 42

HEX #049412

RGB 4 148 18

HSL 125.83, 0.95%, 0.3%

LAB 53.22, -56.57, 52.27

 

CMYK 97 / 58 / 0 / 42

HEX #043E94

RGB 4 62 148

HSL 215.83, 0.95%, 0.3%

LAB 28.4, 19.36, -51.71

 

CMYK 0 / 97 / 9 / 42

HEX #940486

RGB 148 4 134

HSL 305.83, 0.95%, 0.3%

LAB 34.2, 62.88, -32.98

 

Description

Color code: HEX #955C05 | qconv.com Color code: HEX #955C05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 92 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 92 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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