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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956369 it is the complementary color #6A9C96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956369. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956369 shade: #9A6364, #AB7577, #BC878A, #CD999D and #DEABB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956369. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956369 shade: #956369, #845156, #733F43, #622D30 and #511B1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956369 shade: #956369 and #956363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956369 shade: #956369, #956377, #956384, #956392 and #8C6395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956369 shade matches the following richer shades: #956369, #AA4F5A, #BE3B4B, #D2273B and #E6132C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956369 shade: #956369, #817879, #6D8C88, #59A098 and #45B4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956369 shade: #956385, #956377, #95636A, #956A63 and #957763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956369 shade: #644246, #7D5358, #956369, #A77B80 and #B79498

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956369 shade: #956369, #929563 and #637E95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956369 shade: #956369, #6A9563 and #636A95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956369 shade: #956369, #929563, #63958F and #676395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956369 shade: #956369, #839563, #63958F and #766395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

Complementary color

CMYK 32 / 0 / 4 / 39

HEX #6A9C96

RGB 106 156 150

HSL 172.8, 0.2%, 0.51%

LAB 60.82, -18.03, -2.21

 

CMYK 0 / 36 / 35 / 40

HEX #9A6364

RGB 154 99 100

HSL 358.91, 0.22%, 0.5%

LAB 47.9, 22.41, 8.69

 

CMYK 0 / 32 / 30 / 33

HEX #AB7577

RGB 171 117 119

HSL 357.78, 0.24%, 0.56%

LAB 54.77, 21.52, 7.51

 

CMYK 0 / 28 / 27 / 26

HEX #BC878A

RGB 188 135 138

HSL 356.6, 0.28%, 0.63%

LAB 61.53, 20.73, 6.46

 

CMYK 0 / 25 / 23 / 20

HEX #CD999D

RGB 205 153 157

HSL 355.38, 0.34%, 0.7%

LAB 68.16, 20.03, 5.52

 

CMYK 0 / 23 / 21 / 13

HEX #DEABB0

RGB 222 171 176

HSL 354.12, 0.44%, 0.77%

LAB 74.69, 19.39, 4.65

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 39 / 35 / 48

HEX #845156

RGB 132 81 86

HSL 354.12, 0.24%, 0.42%

LAB 40.35, 22.04, 6.11

 

CMYK 0 / 45 / 42 / 55

HEX #733F43

RGB 115 63 67

HSL 355.38, 0.29%, 0.35%

LAB 33.15, 23.1, 7.55

 

CMYK 0 / 54 / 51 / 62

HEX #622D30

RGB 98 45 48

HSL 356.6, 0.37%, 0.28%

LAB 25.82, 24.29, 9.39

 

CMYK 0 / 67 / 64 / 68

HEX #511B1D

RGB 81 27 29

HSL 357.78, 0.5%, 0.21%

LAB 18.46, 25.48, 11.93

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 34 / 34 / 42

HEX #956363

RGB 149 99 99

HSL 0, 0.2%, 0.49%

LAB 47.25, 20.26, 8.29

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 34 / 20 / 42

HEX #956377

RGB 149 99 119

HSL 336, 0.2%, 0.49%

LAB 47.81, 23.27, -2.91

 

CMYK 0 / 34 / 11 / 42

HEX #956384

RGB 149 99 132

HSL 320.4, 0.2%, 0.49%

LAB 48.23, 25.5, -10.06

 

CMYK 0 / 34 / 2 / 42

HEX #956392

RGB 149 99 146

HSL 303.6, 0.2%, 0.49%

LAB 48.75, 28.12, -17.62

 

CMYK 6 / 34 / 0 / 42

HEX #8C6395

RGB 140 99 149

HSL 289.2, 0.2%, 0.49%

LAB 47.84, 25.66, -20.88

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 54 / 47 / 33

HEX #AA4F5A

RGB 170 79 90

HSL 352.75, 0.37%, 0.49%

LAB 45.46, 38.39, 11.64

 

CMYK 0 / 69 / 61 / 25

HEX #BE3B4B

RGB 190 59 75

HSL 352.67, 0.53%, 0.49%

LAB 45.06, 53.15, 20.8

 

CMYK 0 / 81 / 72 / 18

HEX #D2273B

RGB 210 39 59

HSL 352.98, 0.69%, 0.49%

LAB 46.27, 64.66, 32.8

 

CMYK 0 / 92 / 81 / 10

HEX #E6132C

RGB 230 19 44

HSL 352.89, 0.85%, 0.49%

LAB 48.85, 73.04, 45.33

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 7 / 6 / 49

HEX #817879

RGB 129 120 121

HSL 353.33, 0.04%, 0.49%

LAB 51.24, 3.63, 0.69

 

CMYK 22 / 0 / 3 / 45

HEX #6D8C88

RGB 109 140 136

HSL 172.26, 0.12%, 0.49%

LAB 55.87, -11.76, -1.46

 

CMYK 44 / 0 / 5 / 37

HEX #59A098

RGB 89 160 152

HSL 173.24, 0.29%, 0.49%

LAB 61.25, -24.32, -2.8

 

CMYK 62 / 0 / 7 / 29

HEX #45B4A7

RGB 69 180 167

HSL 172.97, 0.45%, 0.49%

LAB 67.05, -34.44, -2.73

 

CMYK 0 / 34 / 11 / 42

HEX #956385

RGB 149 99 133

HSL 319.2, 0.2%, 0.49%

LAB 48.27, 25.68, -10.61

 

CMYK 0 / 34 / 20 / 42

HEX #956377

RGB 149 99 119

HSL 336, 0.2%, 0.49%

LAB 47.81, 23.27, -2.91

 

CMYK 0 / 34 / 29 / 42

HEX #95636A

RGB 149 99 106

HSL 351.6, 0.2%, 0.49%

LAB 47.44, 21.25, 4.35

 

CMYK 0 / 29 / 34 / 42

HEX #956A63

RGB 149 106 99

HSL 8.4, 0.2%, 0.49%

LAB 49.01, 16.21, 10.76

 

CMYK 0 / 20 / 34 / 42

HEX #957763

RGB 149 119 99

HSL 24, 0.2%, 0.49%

LAB 52.38, 8.69, 15.44

 

CMYK 0 / 34 / 30 / 61

HEX #644246

RGB 100 66 70

HSL 352.94, 0.2%, 0.33%

LAB 31.92, 15.38, 3.59

 

CMYK 0 / 34 / 30 / 51

HEX #7D5358

RGB 125 83 88

HSL 352.86, 0.2%, 0.41%

LAB 40, 18.28, 4.25

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 0 / 26 / 23 / 35

HEX #A77B80

RGB 167 123 128

HSL 353.18, 0.2%, 0.57%

LAB 56.03, 17.88, 4.01

 

CMYK 0 / 19 / 17 / 28

HEX #B79498

RGB 183 148 152

HSL 353.14, 0.2%, 0.65%

LAB 64.58, 13.74, 2.85

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 2 / 0 / 34 / 42

HEX #929563

RGB 146 149 99

HSL 63.6, 0.2%, 0.49%

LAB 60.34, -9.34, 26.09

 

CMYK 34 / 15 / 0 / 42

HEX #637E95

RGB 99 126 149

HSL 207.6, 0.2%, 0.49%

LAB 51.55, -3.85, -15.53

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 29 / 0 / 34 / 42

HEX #6A9563

RGB 106 149 99

HSL 111.6, 0.2%, 0.49%

LAB 57.52, -24.84, 21.84

 

CMYK 34 / 29 / 0 / 42

HEX #636A95

RGB 99 106 149

HSL 231.6, 0.2%, 0.49%

LAB 45.81, 8.05, -24.32

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 2 / 0 / 34 / 42

HEX #929563

RGB 146 149 99

HSL 63.6, 0.2%, 0.49%

LAB 60.34, -9.34, 26.09

 

CMYK 34 / 0 / 4 / 42

HEX #63958F

RGB 99 149 143

HSL 172.8, 0.2%, 0.49%

LAB 58.16, -18.1, -2.18

 

CMYK 31 / 34 / 0 / 42

HEX #676395

RGB 103 99 149

HSL 244.8, 0.2%, 0.49%

LAB 44.2, 13.57, -26.8

 

CMYK 0 / 34 / 30 / 42

HEX #956369

RGB 149 99 105

HSL 352.8, 0.2%, 0.49%

LAB 47.41, 21.11, 4.91

 

CMYK 12 / 0 / 34 / 42

HEX #839563

RGB 131 149 99

HSL 81.6, 0.2%, 0.49%

LAB 59.18, -15.39, 24.34

 

CMYK 34 / 0 / 4 / 42

HEX #63958F

RGB 99 149 143

HSL 172.8, 0.2%, 0.49%

LAB 58.16, -18.1, -2.18

 

CMYK 21 / 34 / 0 / 42

HEX #766395

RGB 118 99 149

HSL 262.8, 0.2%, 0.49%

LAB 45.56, 18.34, -24.59

 

Description

Color code: HEX #956369 | qconv.com Color code: HEX #956369 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 99 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 99 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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