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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956A81 it is the complementary color #6A957E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956A81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956A81 shade: #9A6A7C, #AB7C8F, #BC8EA2, #CDA0B5 and #DEB2C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956A81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956A81 shade: #956A81, #84586E, #73465B, #623448 and #512235

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956A81 shade: #956981, #956975 and #956969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956A81 shade: #956981, #95698C, #916995, #866995 and #7A6995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956A81 shade matches the following richer shades: #956981, #A95582, #BE4083, #D32B85 and #E71786

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956A81 shade: #956981, #807E7F, #6B937E, #57A77C and #42BC7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956A81 shade: #916995, #95698D, #956981, #956976 and #95696A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956A81 shade: #644757, #7D586C, #956981, #A68195 and #B79AA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956A81 shade: #956A81, #958669 and #699395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956A81 shade: #956A81, #819569 and #698195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956A81 shade: #956A81, #958669, #69957D and #697895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956A81 shade: #956A81, #959369, #69957D and #696B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

Complementary color

CMYK 29 / 0 / 15 / 42

HEX #6A957E

RGB 106 149 126

HSL 147.91, 0.17%, 0.5%

LAB 58.1, -19.75, 7.46

 

CMYK 0 / 31 / 19 / 40

HEX #9A6A7C

RGB 154 106 124

HSL 337.5, 0.19%, 0.51%

LAB 50.26, 21.96, -2.23

 

CMYK 0 / 27 / 16 / 33

HEX #AB7C8F

RGB 171 124 143

HSL 335.74, 0.22%, 0.58%

LAB 57.13, 21.24, -3.03

 

CMYK 0 / 24 / 14 / 26

HEX #BC8EA2

RGB 188 142 162

HSL 333.91, 0.26%, 0.65%

LAB 63.87, 20.58, -3.76

 

CMYK 0 / 22 / 12 / 20

HEX #CDA0B5

RGB 205 160 181

HSL 332, 0.31%, 0.72%

LAB 70.49, 19.99, -4.44

 

CMYK 0 / 20 / 10 / 13

HEX #DEB2C8

RGB 222 178 200

HSL 330, 0.4%, 0.78%

LAB 77.01, 19.45, -5.07

 

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

CMYK 0 / 33 / 17 / 48

HEX #84586E

RGB 132 88 110

HSL 330, 0.2%, 0.43%

LAB 42.78, 21.68, -5.13

 

CMYK 0 / 39 / 21 / 55

HEX #73465B

RGB 115 70 91

HSL 332, 0.24%, 0.36%

LAB 35.56, 22.52, -4.27

 

CMYK 0 / 47 / 27 / 62

HEX #623448

RGB 98 52 72

HSL 333.91, 0.31%, 0.29%

LAB 28.17, 23.45, -3.21

 

CMYK 0 / 58 / 35 / 68

HEX #512235

RGB 81 34 53

HSL 335.74, 0.41%, 0.23%

LAB 20.64, 24.4, -1.81

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 30 / 21 / 42

HEX #956975

RGB 149 105 117

HSL 343.64, 0.17%, 0.5%

LAB 49.22, 19.48, 0.36

 

CMYK 0 / 30 / 30 / 42

HEX #956969

RGB 149 105 105

HSL 0, 0.17%, 0.5%

LAB 48.9, 17.63, 7.04

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 30 / 6 / 42

HEX #95698C

RGB 149 105 140

HSL 312.27, 0.17%, 0.5%

LAB 49.96, 23.51, -12.22

 

CMYK 3 / 30 / 0 / 42

HEX #916995

RGB 145 105 149

HSL 294.55, 0.17%, 0.5%

LAB 49.85, 23.87, -17.75

 

CMYK 10 / 30 / 0 / 42

HEX #866995

RGB 134 105 149

HSL 279.55, 0.17%, 0.5%

LAB 48.69, 20.09, -19.63

 

CMYK 18 / 30 / 0 / 42

HEX #7A6995

RGB 122 105 149

HSL 263.18, 0.17%, 0.5%

LAB 47.51, 16.03, -21.54

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 50 / 23 / 34

HEX #A95582

RGB 169 85 130

HSL 327.86, 0.33%, 0.5%

LAB 47.68, 39.96, -9.43

 

CMYK 0 / 66 / 31 / 25

HEX #BE4083

RGB 190 64 131

HSL 328.1, 0.5%, 0.5%

LAB 47.3, 56.49, -10.27

 

CMYK 0 / 80 / 37 / 17

HEX #D32B85

RGB 211 43 133

HSL 327.86, 0.66%, 0.5%

LAB 48.6, 69.25, -9.17

 

CMYK 0 / 90 / 42 / 9

HEX #E71786

RGB 231 23 134

HSL 327.98, 0.82%, 0.5%

LAB 51.06, 77.87, -5.7

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 2 / 1 / 50

HEX #807E7F

RGB 128 126 127

HSL 330, 0.01%, 0.5%

LAB 53, 0.95, -0.28

 

CMYK 27 / 0 / 14 / 42

HEX #6B937E

RGB 107 147 126

HSL 148.5, 0.16%, 0.5%

LAB 57.56, -18.37, 6.7

 

CMYK 48 / 0 / 26 / 35

HEX #57A77C

RGB 87 167 124

HSL 147.75, 0.31%, 0.5%

LAB 62.61, -34.71, 14.8

 

CMYK 65 / 0 / 35 / 26

HEX #42BC7B

RGB 66 188 123

HSL 148.03, 0.48%, 0.5%

LAB 68.43, -48.74, 23.22

 

CMYK 3 / 30 / 0 / 42

HEX #916995

RGB 145 105 149

HSL 294.55, 0.17%, 0.5%

LAB 49.85, 23.87, -17.75

 

CMYK 0 / 30 / 5 / 42

HEX #95698D

RGB 149 105 141

HSL 310.91, 0.17%, 0.5%

LAB 50, 23.7, -12.76

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 30 / 21 / 42

HEX #956976

RGB 149 105 118

HSL 342.27, 0.17%, 0.5%

LAB 49.25, 19.64, -0.2

 

CMYK 0 / 30 / 29 / 42

HEX #95696A

RGB 149 105 106

HSL 358.64, 0.17%, 0.5%

LAB 48.93, 17.78, 6.48

 

CMYK 0 / 29 / 13 / 61

HEX #644757

RGB 100 71 87

HSL 326.9, 0.17%, 0.34%

LAB 33.78, 15.24, -4.57

 

CMYK 0 / 30 / 14 / 51

HEX #7D586C

RGB 125 88 108

HSL 327.57, 0.17%, 0.42%

LAB 41.88, 18.63, -5.33

 

CMYK 0 / 30 / 13 / 42

HEX #956981

RGB 149 105 129

HSL 327.27, 0.17%, 0.5%

LAB 49.59, 21.5, -6.25

 

CMYK 0 / 22 / 10 / 35

HEX #A68195

RGB 166 129 149

HSL 327.57, 0.17%, 0.58%

LAB 58.02, 17.58, -5.25

 

CMYK 0 / 16 / 8 / 28

HEX #B79AA9

RGB 183 154 169

HSL 328.97, 0.17%, 0.66%

LAB 66.55, 13.3, -3.81

 

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

CMYK 0 / 10 / 30 / 42

HEX #958669

RGB 149 134 105

HSL 39.55, 0.17%, 0.5%

LAB 56.55, 0.99, 17.7

 

CMYK 30 / 1 / 0 / 42

HEX #699395

RGB 105 147 149

HSL 182.73, 0.17%, 0.5%

LAB 58.08, -13.77, -5.69

 

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

CMYK 13 / 0 / 30 / 42

HEX #819569

RGB 129 149 105

HSL 87.27, 0.17%, 0.5%

LAB 59.14, -15.27, 20.95

 

CMYK 30 / 13 / 0 / 42

HEX #698195

RGB 105 129 149

HSL 207.27, 0.17%, 0.5%

LAB 52.81, -3.73, -13.57

 

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

CMYK 0 / 10 / 30 / 42

HEX #958669

RGB 149 134 105

HSL 39.55, 0.17%, 0.5%

LAB 56.55, 0.99, 17.7

 

CMYK 30 / 0 / 16 / 42

HEX #69957D

RGB 105 149 125

HSL 147.27, 0.17%, 0.5%

LAB 58.02, -20.29, 7.91

 

CMYK 30 / 19 / 0 / 42

HEX #697895

RGB 105 120 149

HSL 219.55, 0.17%, 0.5%

LAB 50.22, 1.51, -17.5

 

CMYK 0 / 29 / 13 / 42

HEX #956A81

RGB 149 106 129

HSL 327.91, 0.17%, 0.5%

LAB 49.84, 20.92, -5.88

 

CMYK 0 / 1 / 30 / 42

HEX #959369

RGB 149 147 105

HSL 57.27, 0.17%, 0.5%

LAB 60.14, -6.22, 22.56

 

CMYK 30 / 0 / 16 / 42

HEX #69957D

RGB 105 149 125

HSL 147.27, 0.17%, 0.5%

LAB 58.02, -20.29, 7.91

 

CMYK 30 / 28 / 0 / 42

HEX #696B95

RGB 105 107 149

HSL 237.27, 0.17%, 0.5%

LAB 46.56, 9.3, -23.12

 

Description

Color code: HEX #956A81 | qconv.com Color code: HEX #956A81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 106 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 106 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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