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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956D4B it is the complementary color #6A92B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956D4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956D4B shade: #9A6D46, #AB7F59, #BC916C, #CDA37F and #DEB592

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956D4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956D4B shade: #956D4B, #845B38, #734925, #623712 and #512500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956D4B shade: #956D4B, #95594B and #954B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956D4B shade: #956D4B, #95814B, #95954B, #81954B and #6D954B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956D4B shade matches the following richer shades: #956D4B, #A76B39, #B96A26, #CB6814 and #DD6702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956D4B shade: #956D4B, #836E5D, #70706F, #5E7181 and #4C7393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956D4B shade: #954B51, #95584B, #956C4B, #95804B and #95934B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956D4B shade: #5E452F, #79593D, #956D4B, #AD815C and #BA9677

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956D4B shade: #956D4B, #65954B and #4E4B95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956D4B shade: #956D4B, #4B956C and #6C4B95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956D4B shade: #956D4B, #65954B, #4B7395 and #7B4B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956D4B shade: #956D4B, #4E954B, #4B7395 and #914B95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

Complementary color

CMYK 41 / 19 / 0 / 29

HEX #6A92B4

RGB 106 146 180

HSL 207.57, 0.33%, 0.56%

LAB 58.9, -4.79, -22.11

 

CMYK 0 / 29 / 55 / 40

HEX #9A6D46

RGB 154 109 70

HSL 27.86, 0.38%, 0.44%

LAB 49.8, 13.29, 28.75

 

CMYK 0 / 26 / 48 / 33

HEX #AB7F59

RGB 171 127 89

HSL 27.8, 0.33%, 0.51%

LAB 56.64, 12.24, 27.24

 

CMYK 0 / 23 / 43 / 26

HEX #BC916C

RGB 188 145 108

HSL 27.75, 0.37%, 0.58%

LAB 63.36, 11.35, 25.86

 

CMYK 0 / 20 / 38 / 20

HEX #CDA37F

RGB 205 163 127

HSL 27.69, 0.44%, 0.65%

LAB 69.97, 10.6, 24.6

 

CMYK 0 / 18 / 34 / 13

HEX #DEB592

RGB 222 181 146

HSL 27.63, 0.54%, 0.72%

LAB 76.47, 9.94, 23.42

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 31 / 58 / 48

HEX #845B38

RGB 132 91 56

HSL 27.63, 0.4%, 0.37%

LAB 42.27, 12.72, 26.75

 

CMYK 0 / 37 / 68 / 55

HEX #734925

RGB 115 73 37

HSL 27.69, 0.51%, 0.3%

LAB 35.09, 14.14, 28.47

 

CMYK 0 / 44 / 82 / 62

HEX #623712

RGB 98 55 18

HSL 27.75, 0.69%, 0.23%

LAB 27.77, 15.93, 30.16

 

CMYK 0 / 54 / 100 / 68

HEX #512500

RGB 81 37 0

HSL 27.41, 1%, 0.16%

LAB 20.33, 18.11, 29.63

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 40 / 50 / 42

HEX #95594B

RGB 149 89 75

HSL 11.35, 0.33%, 0.44%

LAB 44.29, 23.13, 18.62

 

CMYK 0 / 50 / 50 / 42

HEX #954B4B

RGB 149 75 75

HSL 0, 0.33%, 0.44%

LAB 41.1, 30.97, 14.32

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 13 / 50 / 42

HEX #95814B

RGB 149 129 75

HSL 43.78, 0.33%, 0.44%

LAB 54.66, 0.17, 31.93

 

CMYK 0 / 0 / 50 / 42

HEX #95954B

RGB 149 149 75

HSL 60, 0.33%, 0.44%

LAB 60.24, -10.8, 38.73

 

CMYK 13 / 0 / 50 / 42

HEX #81954B

RGB 129 149 75

HSL 76.22, 0.33%, 0.44%

LAB 58.67, -19.23, 36.46

 

CMYK 27 / 0 / 50 / 42

HEX #6D954B

RGB 109 149 75

HSL 92.43, 0.33%, 0.44%

LAB 57.32, -27.2, 34.51

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 36 / 66 / 35

HEX #A76B39

RGB 167 107 57

HSL 27.27, 0.49%, 0.44%

LAB 50.72, 19.1, 37.32

 

CMYK 0 / 43 / 79 / 27

HEX #B96A26

RGB 185 106 38

HSL 27.76, 0.66%, 0.44%

LAB 52.69, 26.46, 49.3

 

CMYK 0 / 49 / 90 / 20

HEX #CB6814

RGB 203 104 20

HSL 27.54, 0.82%, 0.44%

LAB 54.71, 34.54, 58.51

 

CMYK 0 / 53 / 99 / 13

HEX #DD6702

RGB 221 103 2

HSL 27.67, 0.98%, 0.44%

LAB 57.15, 41.98, 65.25

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 16 / 29 / 49

HEX #836E5D

RGB 131 110 93

HSL 26.84, 0.17%, 0.44%

LAB 47.97, 5.51, 12.56

 

CMYK 0 / 0 / 1 / 56

HEX #70706F

RGB 112 112 111

HSL 60, 0%, 0.44%

LAB 47.21, -0.2, 0.55

 

CMYK 27 / 12 / 0 / 49

HEX #5E7181

RGB 94 113 129

HSL 207.43, 0.16%, 0.44%

LAB 46.68, -3.1, -11.13

 

CMYK 48 / 22 / 0 / 42

HEX #4C7393

RGB 76 115 147

HSL 207.04, 0.32%, 0.44%

LAB 46.85, -4.49, -21.66

 

CMYK 0 / 50 / 46 / 42

HEX #954B51

RGB 149 75 81

HSL 355.14, 0.33%, 0.44%

LAB 41.24, 31.61, 10.8

 

CMYK 0 / 41 / 50 / 42

HEX #95584B

RGB 149 88 75

HSL 10.54, 0.33%, 0.44%

LAB 44.06, 23.7, 18.3

 

CMYK 0 / 28 / 50 / 42

HEX #956C4B

RGB 149 108 75

HSL 26.76, 0.33%, 0.44%

LAB 49.04, 12.17, 24.83

 

CMYK 0 / 14 / 50 / 42

HEX #95804B

RGB 149 128 75

HSL 42.97, 0.33%, 0.44%

LAB 54.38, 0.73, 31.59

 

CMYK 0 / 1 / 50 / 42

HEX #95934B

RGB 149 147 75

HSL 58.38, 0.33%, 0.44%

LAB 59.68, -9.73, 38.05

 

CMYK 0 / 27 / 50 / 63

HEX #5E452F

RGB 94 69 47

HSL 28.09, 0.33%, 0.28%

LAB 31.44, 7.63, 17.44

 

CMYK 0 / 26 / 50 / 53

HEX #79593D

RGB 121 89 61

HSL 28, 0.33%, 0.36%

LAB 40.49, 9.43, 21.3

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 0 / 25 / 47 / 32

HEX #AD815C

RGB 173 129 92

HSL 27.41, 0.33%, 0.52%

LAB 57.42, 12.27, 26.63

 

CMYK 0 / 19 / 36 / 27

HEX #BA9677

RGB 186 150 119

HSL 27.76, 0.33%, 0.6%

LAB 64.63, 9.07, 21.45

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 32 / 0 / 50 / 42

HEX #65954B

RGB 101 149 75

HSL 98.92, 0.33%, 0.44%

LAB 56.85, -30.19, 33.83

 

CMYK 48 / 50 / 0 / 42

HEX #4E4B95

RGB 78 75 149

HSL 242.43, 0.33%, 0.44%

LAB 35.64, 21.69, -40.46

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 50 / 0 / 28 / 42

HEX #4B956C

RGB 75 149 108

HSL 146.76, 0.33%, 0.44%

LAB 56.16, -32.93, 14.71

 

CMYK 28 / 50 / 0 / 42

HEX #6C4B95

RGB 108 75 149

HSL 266.76, 0.33%, 0.44%

LAB 38.53, 29.78, -35.68

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 32 / 0 / 50 / 42

HEX #65954B

RGB 101 149 75

HSL 98.92, 0.33%, 0.44%

LAB 56.85, -30.19, 33.83

 

CMYK 50 / 23 / 0 / 42

HEX #4B7395

RGB 75 115 149

HSL 207.57, 0.33%, 0.44%

LAB 46.88, -4.13, -22.8

 

CMYK 17 / 50 / 0 / 42

HEX #7B4B95

RGB 123 75 149

HSL 278.92, 0.33%, 0.44%

LAB 40.27, 34.17, -32.82

 

CMYK 0 / 27 / 50 / 42

HEX #956D4B

RGB 149 109 75

HSL 27.57, 0.33%, 0.44%

LAB 49.3, 11.59, 25.17

 

CMYK 48 / 0 / 50 / 42

HEX #4E954B

RGB 78 149 75

HSL 117.57, 0.33%, 0.44%

LAB 55.71, -37.93, 32.16

 

CMYK 50 / 23 / 0 / 42

HEX #4B7395

RGB 75 115 149

HSL 207.57, 0.33%, 0.44%

LAB 46.88, -4.13, -22.8

 

CMYK 3 / 50 / 0 / 42

HEX #914B95

RGB 145 75 149

HSL 296.76, 0.33%, 0.44%

LAB 43.1, 40.77, -28.18

 

Description

Color code: HEX #956D4B | qconv.com Color code: HEX #956D4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 109 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 109 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 50 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 50% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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