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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957B08 it is the complementary color #6A84F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957B08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957B08 shade: #9A7B03, #AB8D16, #BC9F29, #CDB13C and #DEC34F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957B08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957B08 shade: #957B08, #846900, #735700, #624500 and #513300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957B08 shade: #967B07, #965507, #962F07, #960807 and #960707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957B08 shade: #967B07, #8A9607, #639607, #3D9607 and #169607

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957B08 shade matches the following richer shades: #967B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957B08 shade: #967B07, #897314, #7C6B21, #6F632E and #635B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957B08 shade: #962D07, #965307, #967907, #8C9607 and #669607

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957B08 shade: #473B03, #6E5B05, #967B07, #BD9C09 and #E4BC0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957B08 shade: #957B08, #079607 and #400796

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957B08 shade: #957B08, #079679 and #790796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957B08 shade: #957B08, #079607, #072496 and #960796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957B08 shade: #957B08, #079632, #072496 and #96076B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

Complementary color

CMYK 57 / 47 / 0 / 3

HEX #6A84F7

RGB 106 132 247

HSL 228.94, 0.9%, 0.69%

LAB 58.3, 23.84, -60.58

 

CMYK 0 / 20 / 98 / 40

HEX #9A7B03

RGB 154 123 3

HSL 47.68, 0.96%, 0.31%

LAB 53, 2.09, 58.08

 

CMYK 0 / 18 / 87 / 33

HEX #AB8D16

RGB 171 141 22

HSL 47.92, 0.77%, 0.38%

LAB 59.68, 0.3, 60.2

 

CMYK 0 / 15 / 78 / 26

HEX #BC9F29

RGB 188 159 41

HSL 48.16, 0.64%, 0.45%

LAB 66.25, -1.21, 60.89

 

CMYK 0 / 14 / 71 / 20

HEX #CDB13C

RGB 205 177 60

HSL 48.41, 0.59%, 0.52%

LAB 72.73, -2.47, 60.64

 

CMYK 0 / 12 / 64 / 13

HEX #DEC34F

RGB 222 195 79

HSL 48.67, 0.68%, 0.59%

LAB 79.11, -3.53, 59.9

 

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

CMYK 0 / 20 / 100 / 48

HEX #846900

RGB 132 105 0

HSL 47.73, 1%, 0.26%

LAB 45.65, 1.86, 52.4

 

CMYK 0 / 24 / 100 / 55

HEX #735700

RGB 115 87 0

HSL 45.39, 1%, 0.23%

LAB 38.66, 4.15, 46.65

 

CMYK 0 / 30 / 100 / 62

HEX #624500

RGB 98 69 0

HSL 42.24, 1%, 0.19%

LAB 31.47, 6.61, 40.74

 

CMYK 0 / 37 / 100 / 68

HEX #513300

RGB 81 51 0

HSL 37.78, 1%, 0.16%

LAB 24.05, 9.26, 33.56

 

CMYK 0 / 18 / 95 / 41

HEX #967B07

RGB 150 123 7

HSL 48.67, 0.91%, 0.31%

LAB 52.58, 0.29, 56.84

 

CMYK 0 / 43 / 95 / 41

HEX #965507

RGB 150 85 7

HSL 32.73, 0.91%, 0.31%

LAB 42.76, 22.03, 49.67

 

CMYK 0 / 69 / 95 / 41

HEX #962F07

RGB 150 47 7

HSL 16.78, 0.91%, 0.31%

LAB 35.07, 41.61, 44.43

 

CMYK 0 / 95 / 95 / 41

HEX #960807

RGB 150 8 7

HSL 0.42, 0.91%, 0.31%

LAB 31.05, 52.83, 41.81

 

CMYK 0 / 95 / 95 / 41

HEX #960707

RGB 150 7 7

HSL 0, 0.91%, 0.31%

LAB 31, 52.98, 41.78

 

CMYK 0 / 18 / 95 / 41

HEX #967B07

RGB 150 123 7

HSL 48.67, 0.91%, 0.31%

LAB 52.58, 0.29, 56.84

 

CMYK 8 / 0 / 95 / 41

HEX #8A9607

RGB 138 150 7

HSL 65.03, 0.91%, 0.31%

LAB 59.19, -19.78, 61.38

 

CMYK 34 / 0 / 95 / 41

HEX #639607

RGB 99 150 7

HSL 81.4, 0.91%, 0.31%

LAB 56.57, -36.19, 58.2

 

CMYK 59 / 0 / 95 / 41

HEX #3D9607

RGB 61 150 7

HSL 97.34, 0.91%, 0.31%

LAB 54.89, -48.8, 56.14

 

CMYK 85 / 0 / 95 / 41

HEX #169607

RGB 22 150 7

HSL 113.71, 0.91%, 0.31%

LAB 54.03, -56.15, 55.07

 

CMYK 0 / 18 / 95 / 41

HEX #967B07

RGB 150 123 7

HSL 48.67, 0.91%, 0.31%

LAB 52.58, 0.29, 56.84

 

CMYK 0 / 18 / 95 / 41

HEX #967B07

RGB 150 123 7

HSL 48.67, 0.91%, 0.31%

LAB 52.58, 0.29, 56.84

 

CMYK 0 / 16 / 85 / 46

HEX #897314

RGB 137 115 20

HSL 48.72, 0.75%, 0.31%

LAB 49.04, -1.03, 50.48

 

CMYK 0 / 14 / 73 / 51

HEX #7C6B21

RGB 124 107 33

HSL 48.79, 0.58%, 0.31%

LAB 45.51, -2.06, 41.94

 

CMYK 0 / 11 / 59 / 56

HEX #6F632E

RGB 111 99 46

HSL 48.92, 0.41%, 0.31%

LAB 42, -2.63, 31.42

 

CMYK 0 / 8 / 40 / 61

HEX #635B3B

RGB 99 91 59

HSL 48, 0.25%, 0.31%

LAB 38.64, -2.05, 19.63

 

CMYK 0 / 70 / 95 / 41

HEX #962D07

RGB 150 45 7

HSL 15.94, 0.91%, 0.31%

LAB 34.75, 42.46, 44.23

 

CMYK 0 / 45 / 95 / 41

HEX #965307

RGB 150 83 7

HSL 31.89, 0.91%, 0.31%

LAB 42.29, 23.16, 49.34

 

CMYK 0 / 19 / 95 / 41

HEX #967907

RGB 150 121 7

HSL 47.83, 0.91%, 0.31%

LAB 52.03, 1.41, 56.43

 

CMYK 7 / 0 / 95 / 41

HEX #8C9607

RGB 140 150 7

HSL 64.2, 0.91%, 0.31%

LAB 59.35, -18.89, 61.57

 

CMYK 32 / 0 / 95 / 41

HEX #669607

RGB 102 150 7

HSL 80.14, 0.91%, 0.31%

LAB 56.74, -35.02, 58.4

 

CMYK 0 / 17 / 96 / 72

HEX #473B03

RGB 71 59 3

HSL 49.41, 0.92%, 0.15%

LAB 25.18, -1.03, 32.98

 

CMYK 0 / 17 / 95 / 57

HEX #6E5B05

RGB 110 91 5

HSL 49.14, 0.91%, 0.23%

LAB 39.26, -0.57, 45.36

 

CMYK 0 / 18 / 95 / 41

HEX #967B07

RGB 150 123 7

HSL 48.67, 0.91%, 0.31%

LAB 52.58, 0.29, 56.84

 

CMYK 0 / 17 / 95 / 26

HEX #BD9C09

RGB 189 156 9

HSL 49, 0.91%, 0.39%

LAB 65.45, 0.08, 67.84

 

CMYK 0 / 18 / 95 / 11

HEX #E4BC0C

RGB 228 188 12

HSL 48.89, 0.9%, 0.47%

LAB 77.57, 0.42, 78.12

 

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

CMYK 95 / 0 / 95 / 41

HEX #079607

RGB 7 150 7

HSL 120, 0.91%, 0.31%

LAB 53.89, -57.36, 54.91

 

CMYK 57 / 95 / 0 / 41

HEX #400796

RGB 64 7 150

HSL 263.92, 0.91%, 0.31%

LAB 21.74, 53.63, -63.78

 

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

CMYK 95 / 0 / 19 / 41

HEX #079679

RGB 7 150 121

HSL 167.83, 0.91%, 0.31%

LAB 55.32, -40.57, 5.93

 

CMYK 19 / 95 / 0 / 41

HEX #790796

RGB 121 7 150

HSL 287.83, 0.91%, 0.31%

LAB 30.45, 60.46, -49.17

 

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

CMYK 95 / 0 / 95 / 41

HEX #079607

RGB 7 150 7

HSL 120, 0.91%, 0.31%

LAB 53.89, -57.36, 54.91

 

CMYK 95 / 76 / 0 / 41

HEX #072496

RGB 7 36 150

HSL 227.83, 0.91%, 0.31%

LAB 21.98, 37.84, -63.5

 

CMYK 0 / 95 / 0 / 41

HEX #960796

RGB 150 7 150

HSL 300, 0.91%, 0.31%

LAB 35.67, 65.26, -40.48

 

CMYK 0 / 17 / 95 / 42

HEX #957B08

RGB 149 123 8

HSL 48.94, 0.9%, 0.31%

LAB 52.48, -0.17, 56.53

 

CMYK 95 / 0 / 67 / 41

HEX #079632

RGB 7 150 50

HSL 138.04, 0.91%, 0.31%

LAB 54.12, -54.45, 42.05

 

CMYK 95 / 76 / 0 / 41

HEX #072496

RGB 7 36 150

HSL 227.83, 0.91%, 0.31%

LAB 21.98, 37.84, -63.5

 

CMYK 0 / 95 / 29 / 41

HEX #96076B

RGB 150 7 107

HSL 318.04, 0.91%, 0.31%

LAB 33.34, 59.34, -17.26

 

Description

Color code: HEX #957B08 | qconv.com Color code: HEX #957B08 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 123 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 123 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 95 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 95% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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